#Tamachek

[bsuddmr8mzg]

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[jt1674]

#mdou moctar #sousoume tamachek

[marcie001-blog]

Mdou Moctar - Sousome Tamachek - Live at Coachella 2024

#youtube #music

[soundgrammar]

Group Inerane - “Telilite”

#Group Inerane #Tuareg #Tamachek #desert blues

[affairesasuivre]

Ilana : The Creator par Mdou Moctar

Mdou Moctar immediately stands out as one of the most innovative artists in contemporary Saharan music. His unconventional interpretations of Tuareg guitar and have pushed him to the forefront of a crowded scene. Back home, he's celebrated for his original compositions and verbose poetry, an original creator in a genre defined by cover bands. In the exterior, where Saharan rock has become one of the continents biggest musical exports, he's earned a name for himself with his guitar moves. Mdou shreds with a relentless and frenetic energy that puts his contemporaries to shame.

Mdou Moctar hails from a small village in central Niger in a remote region steeped in religious tradition. Growing up in an area where secular music was all but prohibited, he taught himself to play on a homemade guitar cobbled together out of wood. It was years before he found a “real” guitar and taught himself to play in secret. His immediately became a star amongst the village youth. In a surprising turn, his songs began to win over local religious leaders with their lyrics of respect, honor, and tradition. In 2008, Mdou traveled to Nigeria to record his debut album of spacey autotune, drum machine, and synthesizer. The album became a viral hit on the mp3 networks of West Africa, and was later released on the compilation “Music from Saharan Cellphones.” In 2013, he released “Afelan,” compiled from field recordings of his performances recorded in his village. Then he shifted gears, producing and starring the first Tuareg language film, a remake of Prince's Purple Rain (“Rain the Color Blue with a Little Red in it”). Finally, in 2017, he created a solo folk album, “Sousoume Tamachek,” a mellow blissed out recording evoking the calm desert soundscape. Without a band present, he played every instrument on the record. "I am a very curious person and I want to push Tuareg music far,” he says.

A long time coming, “Ilana” is Mdou's first true studio album with a live band. Recorded in Detroit at the tail end of a US tour by engineer Chris Koltay (the two met after bonding over ZZ Top's “Tres Hombres”), the band lived in the studio for a week, playing into the early hours. Mdou was accompanied by an all-star band: Ahmoudou Madassane's (Les Filles de Illighadad) lighting fast rhythm guitar, Aboubacar Mazawadje's machine gun drums, and Michael Coltun's structured low-end bass. The album was driven by lots of spontaneity – Mdou's preferred method of creation – jumping into action whenever inspiration struck. The resulting tracks were brought back to Niger to add final production: additional guitar solos, overdubs of traditional percussion, and a general ambiance of Agadez wedding vibes. The result is Mdou's most ambitious record to date. “Ilana” takes the tradition laid out by the founders into hyperdrive, pushing Tuareg guitar into an ever louder and blistering direction. In contrast to the polished style of the typical “world music” fare, Mdou trades in unrelenting grit and has no qualms about going full shred. From the spaghetti western licks of “Tarhatazed,” the raw wedding burner “Ilana,” to the atmospheric Julie Cruise-ish ballad "Tumastin,” Mdou's new album seems at home amongst some of the great seminal Western records. But Mdou disagrees with the classification. Mdou grew up listening to the Tuareg guitar greats, and it was only in the past few years on tour that he was introduced to the genre. "I don't know what rock is exactly, I have no idea,” he says, I only know how to play in my style." For Mdou, this style is to draw on both modern and traditional sources and combine elements into new forms. In “Ilana” Mdou reaches back into Tuareg folklore for inspiration, riffing on the hypnotic loops of takamba griots, or borrowing vocal patterns from polyphonic nomad songs, and combining them with his signature guitar. You can hear the effect in tracks like “Kamane Tarhanin,” where a call and response lyric lifts up over a traditional vocal hum before breaking into a wailing solo with tapping techniques learned from watching Youtube videos of Eddie Van Halen. There is an urgency in Mdou's music, and the fury of the tracks are matched by their poignant messages. The title track “Ilana” is a commentary on uranium exploitation by France in Niger: “Our benefits are only dust / And our heritage is taken by the people of France / occupying the valley of our ancestors.” Other times, he delves into the complexities of love, but always with delicate poetics: “Oh my love, think of my look when I walked toward the evening / Tears fell from my face, from the tears that fell green trees grew / And love rested in the shade.” As Mdou travels the world, he divides his time between two places, alternating from lavish weddings in Agadez to sold out concerts in Berlin nightclubs. It offers a unique perspective, but also means that he needs to address different audiences. At home, his compositions send a message to his people. Abroad, his music is an opportunity to be heard and represent his people on a world stage. For the cover art, Mdou conceptualized a Saharan bird flying over the desert. “This bird is my symbol because he resembles my artistic look. I wear a turban in two colors. The jewelry in its beak is the symbol of Agadez.” It's a poignant idea, as the bird flies off over the desert, it carries its home wherever it goes. It's not so different than what Mdou hopes he can do with his music. "I'm just an ambassador, like a messenger of music, telling what is happening in my world.” “Ilana” is an invitation to listen, at a time when a message could not be needed more. créditsparu le 29 mars 2019

#Mdou Moctar #Ilana : The Creator #niger #tuareg folklore #tuareg guitar #2019 #affaires a suivre #affairesasuivre #affas

[regenerative-farming]

#mdou moctsr hits all the good spots #Spotify

[therealdeemz]

The Wolf and The Desert Fox.  Mdou Moctar - Anar (From Sousome Tamachek) ac: smol.tish on instagram

#dazai #dazai osamu #osamu dazai #chuuya #chuuya nakahara #nakahara chuuya #dazai edit #chuuya edit #dazai osamu edit #osamu dazai edit #nakahara chuuya edit #chuuya nakahara edit #bsd #bungou stray dogs #bungou stray dogs edit #bsd dazai #bsd chuuya #anime #anime edits

[berlysbandcamp]

Music for desert picnics. Tuareg guitarist Mdou Moctar delves into his more sensitive side with a minimal studio recording of dreamy ballads. Thumping calabash, droning guitars, and vocal overdubs evoke an imagined desert soundscape. All instruments and vocals performed by Mdou only, creating a very personal and auteur sessions. Emotive and introspective, exploring themes of religion, spirituality, and matters of the heart.

From love ballads (“Nikali Talit”), religious praise (“Ilmouloud”), to life counsel (“Amidini”), the songs are intensely personal, both in content and in structure. Constructed around the guitar, Mdou plays everything on the album in lush layered overdubs, singing both call and response vocals, playing rhythm guitar, and drumming on the calabash. Produced in collaboration with Christopher Kirkley (Sahel Sounds) and longtime associate Jesse Johnson (Boomarm Nation), the light touch pays respect to the origin of these ballads. The result is a very different side of Mdou Moctar, that of quiet introspection, lifted out of memory for one last time.

#Tuareg #blues #chill #guitar #rock

[tensileacuity]

Sousoume Tamachek (2017) - Mdou Moctar

#audio #music #lp #africa

[everchangingminstrel]

20 Favorite Albums + of 2017

20 albums I enjoyed last year, in no particular order…

Listen to the playlist on Spotify here.

Workin’s Too Hard - Rayna Gellert

50 - Michael Chapman

The Siren’s Song - Kacy & Clayton

What in the Natural World - Jake Xerxes Fussell

Targ - Bargou 09

Love and Leaving - Julie & The Wrong Guys

Eghass Malan - Les Filles de Illighadad

Sousoume Tamachek - Mdou Moctar

S/T - The Weather Station

Out of Range - Gun Outfit

S/T - House and Land

First Songs - Anna St. Louis

Living Water - Shannon Lay

Modern Kosmology - Jane Weaver

Song of the Rose - Arbouretum

With a Beaker on the Burner and an Otter in the Oven - Alvarius B

Balsams - Chuck Johnson

Finding Shore - Tom Rogerson with Brian Eno

Awellupontheway - Red River Dialect

The Chapel - Heron Oblivion

Favorite bonus song...

“What Is Really Beautiful”(Kath Bloom cover) - Elephant Micah

Favorite live shows of 2017...

Les Filles de Illighadad at Les Instants Chavires, Paris, France / April 5

Emmylou Harris at Nelsonville, Nelsonville, OH / June 4

Marisa Anderson and Michael Hurley at Kin Ship Goods, Charleston, WV / June 5

Anna & Elizabeth at Augusta Heritage Center Old-Time Week, Elkins, WV / August 8

Cropped Out, Louisville, KY / September 22-23

Bonnie Prince Billy at Kin Ship Goods, Charleston, WV / October 6

Pere Ubu on Mountain Stage, Charleston, WV / November 19

Playlists of Winter’s Past...

20 Favorite Albums of 2016

20 Favorite Albums of 2015

A Wintery Mix 2014

#2017 #playlist #albums #music #best albums of 2017 #mix #folk #psych folk #drone #experimental

[smmcllstr]

‘don’t turn away’ show number 1, debut on-air show for 107.1 fm chirp radio. it’s only right to kick off a new era of chirp with donny.  

listen on spotify - https://open.spotify.com/user/126045511/playlist/7awfDcQZMbXU8usIyn829N

Donny Hathaway - “Don't Turn Away” from Never My Love: The Anthology (Rhino) The Brooklyn, Bronx & Queens Band - “Mistakes” from The Brooklyn, Bronx & Queens Band (Capitol) Kamasi Washington - “Truth” from Harmony of Difference (Young Turks) Open Mike Eagle - “My Auntie's Building” from Brick Body Kids Still Daydream (Mello Music Group) Jordan Rakei - “Goodbyes” from Wallflower (Ninja Tune) Mdou Moctar - “Sousoume Tamachek” from Sousoume Tamachek (Sahel Sounds) Professor Rhythm - “Leave Me Alone” from Bafana Bafana (Awesome Tapes From Africa) Jackie Shane - “Walking The Dog” from Any Other Way (Numero Group) Iasiah Sharkey - “Love Life Live” from LOVE.LIFE.LIVE (Major Treble Talent) The Souljazz Orchestra - “Under Burning Skies” from Under Burning Skies (Strut) Fathers Children - “Dirt And Grime” from Who's Gonna Save The World (Numero Group) Four Tet - “Planet” from New Energy (Text) Fatback Band - “Goin' To See My Baby” from Let's Do It Again (Perception) The Nite-Liters - “The Happy Hooker” from A-Nal-Y-Sis (RCA) Ibeyi - “Transmission / Michaelion” (feat. Meshell Ndegeocello) from Ash (XL) Christian Scott aTunde Adjuah - “Unrigging November” from The Emancipation Procrastination (Ropeadope) Hilario Duran - “Rumba de Cajon (leke leke)” from Contumbao (ALMA) Kaitlyn Aurelia Smith - “A Kid” from The Kid (Western Vinyl) Andrew Hung - “Whispers” from Realisationship (Lex) Saba - “World in My Hands” (feat. Smino & Legit) from Bucket List Project (self-released) Eric Copeland - “Mixer Shredder” from Goofballs (DFA) Mike Reed - “Watching The Boats” from Flesh & Bones (482 Music)

#chirp #chirp radio #chirpradio #chicago soul #soul #funk #jazz #electronic #rap #hiphop #playlist #local music #local #local radio #independent radio #independent music #chicago music #chicago radio #dj

[summerbreeze1]

▶︎ Sousoume Tamachek | sahelsounds

Sousoume Tamachek by Mdou Moctar

[musicnachrichten-blog]

Bibi Ahmed mit Mix aus Tuareg Blues, Tamachek Folk & Psychedelic Sahara-Rock auf Deutschland-Tour

stammt aus Agadez (Niger), eine der unbändigsten, unbeständigsten und gefährlichsten Gegenden dieser Erde. Früh wurde Bibi mit der Unterdrückung und Ausgrenzung der Tuareg durch die nationalen Regierungen von Mali und Niger konfrontiert. Ebenso früh erwachte seine Liebe zur Musik. Als Kind brachte sich Bibi Ahmed das Gitarrespielen selbst bei, bevor er seine Ausbildung von dem großen Meister und Vater des Tuareg-Blues, Abdallah Ag Oumbadougou, erhielt. Geprägt durch die Erlebnisse in den lybischen Flüchlingscamps während des Tuareg Aufstandes, verlieh Bibi Ahmed mit seiner Band Group Inerane der Rebellion eine eigene, musikalische Stimme und öffnete gleichzeitig die reiche Tradition der Tamachek-Gitarren Sound einer neue Generation Zuhörern. Jetzt, erstmals solo, ist Bibi Ahmed für vier Konzerte in Deutschland zu sehen und wir hoffen, er wird Euch mit seinem Mix aus Tuareg Blues, elektrifizierte Tamachek Folk und Psychedelic Sahara-Rock begeistern. 12.02.2019 (DE) Kassel, Goldgrube 19.02.2019 (DE) Mannheim, Rama Studio 20.02.2019 (DE) Köln, Sonic Ballroom 21.02.2019 (DE) Hamburg, Hafenklang https://www.youtube.com/watch?v=XZiVWPNL6i4 https://www.youtube.com/watch?v=-C1M9sruTEc Bite it Promotion Read the full article

#BibiAhmed

[luke-e-walker]

#Mdou Moctar #Sousoume Tamachek #Allagh N-Tarha #Music #Audio #2017 #2010s

[encyclopediaesoterica-blog]

Episode 23: Beeps and Boops for Charles Cohen (10/2/2017)

On this episode we listen to beeps and boops for dearly departed Buchla master Charles Cohen, who sadly left us at age 72 this past week. The world will miss you Charles, and Philadelphia was lucky to call you ours. We'll also preview some upcoming shows, including X_X at the batting cages this Thursday. All this and more at the push of a button...

The Encyclopedia Esoterica EE Episode 23: Beeps and Boops for Charles Cohen 10/2/2017

Daniel Kobialka - “Blue Spirals” / Path of Joy (Li-Sem Enterprises Inc., 1983) Linda Cohen - “Horizon Jane” / Lake of Light (Poppy, 1973) Ghostwriters - “Boticelli Rewind” / Good Feelings: A Mu-Psych Sampler (Mu-Psych, 1987) Ghostwriters - “Dance of the Spirit Catchers” / Music From No Man’s Land (Zero Records, 1980) Charles Cohen - “Group Motion Performance” / Group Motion (recorded 1989/Morphine Records, 2013) Charles Cohen - “Mankind and Mannequins” / Brother I Prove You Wrong (Morphine, 2015) Charles Cohen - “In Search For Mysteries” / Music For Dance and Theater (recorded 1977/Morphine Records, 2013) Ghostwriters - “Tarpit” / Objects in Mirror Are Closer Than They Appear (Red Music, 1981)

Kaitlyn Aurelia Smith & Suzanne Ciani - “Closed Circuit” / FRKWYS Vol. 13: Sunergy (Rvng Intl., 2016) Mdou Moctar - “Sousoume Tamachek” / Sousoume Tamachek (Sahel Sounds, 2017) Matthew Young - “Objects in Mirror” / Traveler’s Advisory (Mt. Rose, 1986) Dorothy Carter - “Autumn Song” / Wailee, Wailee (Celeste, 1978) Sun Ra - “Space Is The Place” / Space Is The Place (Blue Thumb, 1973) Daniel Johnston - “Walking The Cow” / Hi, How Are You? The Unfinished Album (self-released cassette, 1983/re: Homestead, 1988) X_X - “A” / You’re Full of Shit 7” (Drome, 1978) Rocket From The Tombs - “Frustration” / The Day The Earth Met The Rocket From The Tombs The Electric Eels - “Agitated” / Die Electric Eels (Superior Viaduct, 2016) Rabbit U.S. - “Rabbit U.S. Theme” / Rabbit U.S. (Third Uncle Records, 2017)

[bamboomusiclist]

EJ Garrison / Two Sisters from BAGDAD など新譜8タイトル追加しました。

http://bamboo-music.net

George Mukabi / Furaha Wenye Gita

Mdou Moctar / Sousoume Tamachek

EJ Garrison / Two Sisters from BAGDAD

Cuneyt Sepetci / Bulgar Gaydasi

Carlos Maria Trindade - Nuno Canavarro / Mr Wollogallu

Giovanni Di Domenico / Insalata Satica

Oswaldo Lares / Musica de Venezuela 1972-81

Laraaji / Vision Songs