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timemachineyeah · 8 months

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Takarazuka Revue is so funny because it’s like we are a fine upstanding institution of good family values, like homophobia. Please ignore the lesbians making up the majority of people both on stage and in the audience.

Takarazuka Revue is like: we enforce only the strictest gender roles in our troupe as is right and proper, sorting them into the two genders: women who are women, and women who are men. How dare you suggest there’s anything queer about that.

Takarazuka Revue is simultaneously the queerest thing and the least queer thing to ever exist. Takarazuka bucks tradition and is tradition incarnate. Takarazuka is like

and then is like, “no homo”

and maintains itself as one of the most hierarchical artistic organizations in the world with intense control over its performers. This alternate reality where the talented (and lucky, and connected) few can gain the right to openly perform queerness in the one setting comphet capitalism has carved out for them as long as they follow a different even stricter set of rules for dress and behavior. It dissembles traditional gender by its very existence and so must reinforce it at every turn.

And yet despite being the product of a conservative capitalist railroad owner who only really sought to exploit women for entertainment aimed at men (and their hetero families) that remains loyal to those deeply normative puritanical roots, it was and is also one of the most liberating theater and media experiences of queer Japanese people for decades. You can tell from all the queer art about it, by queer people. By the fact that the audience who flocked to it were not (cis) men.

Trying to untangle the mutual influence of shoujo manga to takarazuka is even more difficult that trying to untangle something like the history of modern Broadway and Disney movies. We wouldn’t have The Little Mermaid without Little Shop of Horrors, but we wouldn’t have Wicked without the Disney renaissance, but we wouldn’t have Frozen without Wicked, and going back further to things like Cinderella and Rogers and Hammerstein and they are intertwined but listen to me. Takarazuka and shoujo manga, especially yuri, are more intertwined. And then so much western media has been inspired by shoujo anime. Rose of Versailles the manga was inspired by Takarazuka and then in turn was adapted into their most famous play which then in turn influenced so many more artworks. Uranus and Neptune are an otokoyaku and musumeyaku. Utena and Anthy (and honestly that whole ass show. The stairs?? C’mon). And all the works and creators THOSE works inspired.

We owe so much to Takarazuka but also if we tried to thank them for their role in queer history they’d be like “we’ve never been queer in our lives!!!!!!!!” and then say a slur to your face while taking your money. Incredible. Wish more people knew what the fuck it was and I could get fansubs.

#timemachine wuz here #takarazuka

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goryfluff · 9 months

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