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yellowspiralbound · 10 months

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Since season 3 of The Witcher Netflix comes out tomorrow...here are some of my concerns on adaptation from this season onward. Potential spoilers for the future seasons and definite spoilers for the books. Long post ahead.

The Hansa's Dynamic

I am so worried about how the Hansa is going to be handled in the show. Like shaking in my boots terrified. The showrunners already really messed up Dandelion & Geralt's dynamic...and that's one of the easier dynamics present in the Hansa imo. The dynamic is already going to be screwy because Cahir is a middle aged man and not a petulant teenager if he's present in the Hansa at all (though I think he will be since Emhyr called him and Fringilla out at the end of s2).

Emhyr as a Character

Speaking of Emhyr...I think they might attempt to give him a redemption arc, and I cannot emphasize how bad of an idea that is. They're going to retcon the whole "wanting to impregnate Ciri" bit, which I have mixed feelings on. Like yes, on one hand that's fucking gross but on the other hand, that bit is in there to show how fucked up Emhyr is and why Geralt needs to get to Ciri so quickly; it adds a sense of urgency to the Hansa's travels. If I see Emhyr sympathizers on my dash after this season I will lose my fucking mind.

Milva's Pregnancy & Related Scenes

I suspect that Milva's pregnancy is going to be cut entirely or play up the rest of the Hansa's concern for her as a weird "men think they can control women's bodies" thing which Milva will have to fight with them about so the show can be appropriately pro-choice without exploring any of the pro-choice nuance the books bring up. I can just see Regis talking to the guys about it being turned into a "the father deserves a say in a woman's choice to abort" scenario instead of the "I will give this woman her abortion regardless of what you all think about that (and I've made that VERY clear) but I think she's making this choice because she believes you all will abandon her/not support her if she wants to keep this baby and someone needs to make sure that she knows that won't happen" scenario that it actually is. This is also plays into my concerns about the Hansa's dynamic as changing that scene changes it irreparably.

Characterizing Nilfgaard as a Nation

Right now I feel like the show could go one of two ways 1) Nilfgaard is wrong in everything it does or 2) Nilfgaard is right in everything it does (if Emhyr gets a redemption arc). The show has already made a show of the Northern Realms' racism, which is book accurate mind you, but I fear this will translate to a sort of "Nilfgaard is the better nation as its less racist" scenario. While Nilfgaard is better in that aspect and a few others, it is still a militant slave nation. Nilfgaard and the Northern Realms both have their evils and their virtues; that's a big point in the books and the games. Neither nation is 100% good or 100% bad - they're just nations. I don't think the show will be able to handle that kind of nuance.

Jaskier & Radovid...

Apparently, Radovid is supposed to be one of Jask's love interests this season. Radovid is a massive racist, a war criminal, and a teenager. I'm sure all of that's going to be retconned but for fuck's sake just make a new character if you're going to age up and completely change the personality and insanity of an existing one. Important note: I am 1000% in support of queer Jask. I have never shipped that man with a woman in my life (even in the books and games) but for the love of God why did his LI have to be fucking RADOVID??

Mistle & the Rats

If they make Ciri and Mistle a love story, I am going to be disappointed but not surprised. Let me be clear: Mistle is a rapist and an abuser. I suspect they will change that to shoehorn in a queer relationship (even though Triss and Philippa are RIGHT THERE if they want a semi-canon wlw couple). The Rats as a whole are definitely going to be made into more robinhood-like characters because God forbid a main character like Ciri is morally grey or does questionable/bad things.

Geralt's Disability

If this season ends with the Vilgefortz and Geralt fight, as I suspect it might, Geralt will be disabled permanently by the end of this season. The dryads do not fix it. Magic does not fix it. Geralt becomes disabled and stays disabled. His disability becomes a hindrance during the books and the reader actively sees him grapple with the fallout of this. I do not trust this show to handle that - especially with how much more closed off Geralt is in the show compared to the books. If I had to guess, Geralt's disability will be handwaved away or mentioned in passing and never actually shown to impact him which is not cool.

#the witcher #the witcher books #the witcher netflix #twn critical #books vs show #the hansa #milva barring #maria barring #regis #cahir #cahir mawr dyffryn aep ceallach #emiel regis #jaskier vs dandelion #jaskier #dandelion #geralt of rivia #cirilla fiona elen riannon #the witcher s3 #spiral's thoughts

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toss-a-coin-to-your-stan-account · 11 months

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comes in six months late with this meme bc I finally 1. watched the movie (I fucking adored it) and 2. looked and found a template for it

#i wanted to make it when it came out but i didnt think thered be a template #yennskier & the rience scene this isnt abt you. babygirls <3 #mine #the witcher #witcher #twn critical

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dol--blathanna · 11 months

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I try not to post too much TWN negativity on this blog, because I know plenty of people enjoy the show just fine, and I hate being an asshole and raining on other people’s parades. But, god, the way that the show treats Yennefer - or rather, mistreats her - just upsets me and pisses me off so much.

The book already puts her through the wringer - too much at times, honestly - but the show just takes it to a whole new level. The amount of suffering they put her through that wasn’t present in the books is so frustrating to me. Like adding in random torture scenes that weren’t present (the hysterectomy scene, being tortured by Stregebor), losing her magic powers, constantly being captured in S2, not even having a particularly good court standing - like in S1 when Fringilla mocks her for not helping advance Aedirn at all, and Yennefer doesn’t even have a good comeback to that. It’s as if the show is just obsessed with giving her constant Ls and never really letting her come out on top. Sidenote: I am fine with angst, in fact I enjoy it, and I am fine with a character going through hardships and suffering. You can do a lot of great character, story and theme exploration with angst, and sometimes it’s necessary for a character to suffer to develop that. If I wasn’t fine with angst, I wouldn’t be a fan of the witcher lmao. But when I see a character who already goes through a shit ton of misery in the books get forced into even more suffering in the show that never happened....I start to have a problem.

And then, of course, S2 committed the cardinal sin with that stupid ass Voleth Meir plotline. As if torturing her, having her be captured, making her lose her powers, wasn’t bad enough - they completely character assassinate her by making her almost sacrifice Ciri to a fucking demon. Something that is so bewilderingly OOC for Yennefer, something that never EVER happened in the books. When the show got bored with creating narrative suffering for her, they decided to take it to a meta level by character assassinating her in a really bizarre, stupid way. Because, why was this necessary? I know that they were concerned about the fact Yennefer doesn’t really show up much in Blood of Elves, I understand they wanted to create a plot line for her that got her more involved in the main plot. But - why this???!!! There were 101 different plot lines they could have given her that didn’t involve her trying to sacrifice Ciri to a fucking demon, in the process completely messing up her relationship with Geralt and Ciri!!

And this is the main reason I’m making this post - her relationship with Geralt and Ciri being messed up. I’ve seen a lot of articles recently about S3, all stating that Yennefer essentially has to grovel to Geralt, that he ignores her for potentially a full year, that at the beginning he doesn’t even let her enter the same abode as them - what the fuck!!! It upsets me so much. Because this was the biggest problem with the VM plotline - it completely upends Geralt and Yennefer’s dynamic. In the books, their relationship is way more equal - in fact, it honestly would be accurate to say that Yennefer is the more dominant one in the relationship, not Geralt. The show is now completely turning that on its head, and making Geralt the dominant one - but not personality wise, more in a moral highground type way. Because now, whatever stupid shit Geralt does, or has done in the past - e.g. tell Yennefer she’d be a terrible mother, which he never apologises for - none of that matters!! Because it will never be as bad as Yennefer trying to kill Ciri. Instead of a relationship where they both fuck up and both make mistakes, like in the books, in the show the emphasis will all be on Yennefer. Yennefer is the one fucking up, Yennefer is the one making absurdly stupid mistakes, Yennefer is the one who needs to apologise and grovel and beg for forgiveness.

And this is what I mean by, the show is obsessed with giving her Ls. Not only do they make her suffer, they character assassinate her by forcing her character to do this cartoonishly evil thing, and then punish her for it!! They don’t just take away her powers, her court standing, they even strip her of her own relationships!!! And I ask again - why is this necessary?? Who decided that punishing her like this would be an extremely important plot line, an improvement, over the original source material? Like back when the show was first announced, I sure as shit wasn’t thinking “oh wow a netflix witcher show - I sure do hope they have a plot thread where Geralt refuses to talk to Yennefer, and doesn’t even let her into the same fucking house as him, because she tried to kill Ciri!!” who wanted this??? Who thought this was a good idea??? Honestly, it makes me feel as if someone on the writing team hates Yennefer and wants her to suffer, both in a narrative and meta level. And no, I’m not talking about that infamous Beau deMayo interview - something that caused a huge amount of online drama and should be taken with a big old pinch of salt, especially since the writer who made this claim was responsible for some pretty questionable decisions, namely the whole Treeskel thing. I’m not making a direct accusation here - it’s more a feeling. When I look at TWN, I cannot help but sense a level of contempt and spite towards the character of Yennefer. That doesn’t necessarily mean someone in the writing team genuinely has it out for her, but if that’s the impression that I get from the way they treat her in the show, then something has gone very wrong with the narrative decisions they made for her.

And this is why, not only can I not let myself be excited for S3, it’s why I’m genuinely feeling dread about it. Every time I read interviews about how Geralt and Yennefer have this really rocky start and he’s ignoring her or whatever, my stomach just sinks. And again - why was this decision made? Who thought this was a good idea? And yeah, the TWN team have already said they’re trying to fix the problem with their relationship caused in S2, but a) the way they are going about fixing it only serves to punish Yennefer’s character more and b) it should not have been something to fix in the first place. It’s also why I can’t bring myself to believe that S3 will suddenly be more faithful and better than S2, esp in regards to Yennefer (aside from the fact they’ve made this promise before and failed to deliver). Because the early plot points of a story are extremely important in setting the foundation of your later plot, especially in a series like the witcher. If your foundation is inherently flawed, it doesn’t matter how good your later seasons are; they are built on a faulty base, and will therefore lack a good structure. Case in point with Yennefer. Without going too much into book spoilers, let’s just say she has a really rough time of it post-Time of Contempt in the books. So in the show, either a) they will just put her through even more suffering and leave you thinking “wow did this entire show exist just to punish Yennefer?” or b) they will have to deviate away from the books. Neither of these options are particularly good. (this also is one of my problems with S2 as a whole - they were so desperate to put in all this insane blockbuster action and dramatic plot points, but sometimes in stories you need moments of calm to make later dramatic plot points more hard hitting. In the books, Blood of Elves was the moment of calm before Time of Contempt’s batshit, action packed drama. In the show, you never get that moment of calm. Why should I care about whatever happens in Thanedd if S2 had Ciri get possessed by a fucking demon and go on a killing spree? But anyway.)

And I think the reason why I’m particularly disappointed with the way that the show has treated Yennefer’s character so badly (aside from the numerous promises of “we’re a faithful book adaptation” being complete lies) is that Yennefer is a character who already receives a lot of unfair hate. Obviously there’s the annoying “Team Yen vs Team Triss” thing from the games, but even within the show there were a certain type of fans of a certain ship who hated a lot on Yennefer for daring to get in the way of their ship. Like, I’m so sick of seeing Yennefer getting hate for stupid, unfair reasons - and now even the show is treating her like shit??? Like, give me a break!!

I’m just tired of it. And obviously, if you like TWN and you’re excited for S3, that’s fine. In fact, I’m honestly jealous, I wish I could feel the same. And who knows, maybe the show will improve its treatment of Yennefer, maybe they’ll finally give her some Ws. But that’s what I thought about S2, and was proven VERY wrong. Any confidence, trust or optimism I had left for the show was completely destroyed by the Voleth Meir plotline in S2, and the show will have to work very hard to rebuild that trust for me. And unfortunately, everything I’ve heard about S3 so far is only confirming that they’ll continue to treat her poorly.

#sorry I just had to rant about my feelings after seeing all the interviews about S3 recently #it's just so disappointing #and I don't like being negative about TWN on this blog too much bc I don't like pissing on other people's enjoyment of things #but man. i'm just so sick of how this show treats Yennefer in such a weirdly mean-spirited way #anti twn #anti witcher netflix #twn critique #twn critical #twn negativity #long post #text

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edgepunk · 10 months

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"The Witcher Netflix is bad because it's pandering to the woke crowd and casting actors of color-"

"The Witcher Netflix is both visually and thematically very bland and uninteresting, it failed to capture the various cultural inspirations for its world and the book's themes. It looks and feels like any other generic western fantasy show."

(img source)

#t #your 'criticism' loses merit once you throw in your thinly-veiled racism #twn critical #oh this was sitting in my drafts lol

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abeautifulblog · 9 months

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Actually, let's talk about the Baba Yaga storyline

...And how much I fucking loathed it.

(A discussion of tropes, narrative choices, and how goddamn dirty The Witcher Netflix did Yennefer in S2.)

So this subplot is actually a pretty tidy object lesson in literary tropes, and why writers need to understand how tropes work in order to utilize them effectively. The trope at play here is the "Faustian bargain" or "deal with the devil," in which a character barters with a powerful supernatural creature of dubious moral alignment in order to gain something they desire (often something self-serving like wealth or power), at a price that's almost never worth it.

...It is pretty much a given that you will not be getting the better end of the deal, as it’s written. But there are a number of different ways to play this trope, and they each say something different about the kind of character who would take that bargain:

1) If you don't realize this is a trap -- if that sounded like a Pretty Sweet Deal! 😀 -- then you're either very naive or very dumb.

2) If you know it's a trap, but expect to get your prize and then weasel out of it with your soul intact anyway, because you think you're cleverer than this eldritch creature you're dealing with -- then you are very cocky, and probably wrong, because modern narratives don't tend to reward hubris.

3) If you know it's a trap, but you think you can get what you want without consequences to you, because you can pay the price with someone else's life or soul -- then you are evil. (And probably also wrong, because it's rare in fiction that you can commit an evil like that without doing some sort of spiritual damage to your own soul.)

4) And lastly, if you know it's a trap, but you are in such desperate, dire straits that even this self-evidently bad bargain looks like your best option -- then it might still be a mistake, but it's the one that audiences are most likely to forgive you for, or at least find understandable.

I don't make the rules. Those are just the audience reactions you can expect from playing the trope in those particular ways -- and if you want a different audience reaction (say, you want forgiveness for character who tried to sacrifice someone else), then you have to put in some extra work to make that happen, mitigating circumstances, etc (say, that the character genuinely believes it's the only way to save a greater number of lives).

So how did TWN play Yennefer's Faustian bargain with Baba Yaga?

E2 - Yen and Francesca and Fringilla meet Baba Yaga in her spirit realm or whatever, and she dangles their Heart's Desire, For A Price in front of them. Yennefer doesn’t ask for her magic, because at that point she doesn’t realize she’s lost it.

E3 through E5 - Yennefer tries without success to get her magic to work again. I don't recall any mention of Baba Yaga during that time -- it doesn't even occur to Yennefer as a means of getting it back.

E5 - Yennefer and Jaskier are being pursued by hooligans or something, and even though Yen has ducked into a brothel to hide and is nominally safe, that's when she decides to contact Baba Yaga for help. She gets whisked off to the spirit realm again, and agrees to give Baba Yaga a particular kid in exchange for getting her powers back.

She agrees to this deal knowing that she'll be sacrificing someone's child to this creature.

(And, critically, a point I’ll come back to later: she hasn't signed anything yet. She doesn't get her powers back here. That's the reward being promised for after she feeds a kid to a demon.)

E6 - Yennefer actually meets Ciri, but, notably, does not immediately swear off the plan. She's just kinda ~conflicted~ about it now.

(This was also the episode where they started trying to have Yennefer and Ciri do their mother-daughter bonding, and Yennefer says all the right things, to be sure, but since we-the-audience know that she is at least still contemplating feeding Ciri to Baba Yaga, that, uhh, RINGS KINDA FUCKING FALSE.)

E7 - Ciri reads Yennefer's mind and finds out about the plan to feed her to a demon. (Or so wikipedia tells me, since I have literally no memory of how Yennefer's Baba Yaga related plans got outed.)

E8 - Baba Yaga gets loose, possesses Ciri. Lots of high-drama CG bullshit. Yennefer sacrifices herself to become the host to get Baba Yaga out of Ciri. More CG bullshit, Baba Yaga is vanquished and leaves, and when everyone comes out of their woowoo CG trance, Yennefer has her magic back. But after that BETRAYAL, Geralt can no longer trust her.

So, Yennefer losing her powers is actually a subplot I'm entirely onboard for. Whenever a character loses something that is a pillar of their identity, and now has to reckon with who they are without that -- THAT'S THE GOOD SHIT. That's grief. That's loss. That is scattering the pieces of their self and seeing what happens when they have to put themselves back together again. Muah. Delicious fucking food. Peak drama.

We know that Yennefer has been raised to define herself, and stake her entire self-worth, on her magic. It's what she gave up everything for, because they told her it would be worth it, and now she has nothing -- not the magic, not the things she sacrificed for it. Of course she's searching for a way to get it back -- her first reaction is going to be denial and bargaining, not acceptance.

And I can think of two different ways you could play that arc, both of which have the potential for good, meaty character development:

The first (and the one I would have preferred) would have been an arc in which Yennefer discovers who she is without her magic -- that she comes to realize there's more to her than her power, that she's not helpless, that her worth isn't tied to having magic. We get a glimpse of that in the scene where she rescues Jaskier from Rience (my favorite scene in the whole damn season 😁😁😁) using her wits instead of her magic, and that was genuinely REALLY COOL -- it's intensely gratifying to see a character being clever instead of just magically overclocked.

They could have carried that through into her meeting Ciri as well, and realizing that she has more to offer Ciri as a mother and a friend than as a mage, that her love and support is worth more than her utility to Ciri. Yennefer reaches an enlightened understanding where she might well still want her magic back, but she doesn't need it to define herself anymore.

(This shares a lot of beats with disability narratives, and I think the sensitive way to handle it would be to treat it as such.)

The other kind of story would be one in which the character has no interest in reaching that enlightened understanding -- Yennefer’s not coming to the "acceptance" stage of loss, because she refuses to accept it. She's searching relentlessly for a cure, chasing down every lead for someone who could fix this, every avenue that might get her what she wants. Then the question becomes, "How far would you go for this? How much are you willing to sacrifice?"

And the answer is everything....... until it's not. And that is the pivotal character-making moment in this kind of story -- when you find out where this character's line is, the line they won't cross even for the sake of the thing they want most in all the world. Where the devil could dangle that oh-so-tempting bargain before them, and they would still say No. No, the cost you're asking isn't worth it, even for this. Yennefer -- who has spent her whole life being coached to be selfish, and has wound up alone and alienated for it -- finally has people she loves enough that she would choose them over herself.

TWN kinda went the latter route, but they didn't fully commit to it -- both the plot beats and Yennefer's emotional arc are so muddled that it's not clear what they were trying to say, and both the dramatic impact and the message got completely lost.

Problem 1: Yennefer wasn’t proactive enough.

She's sad about losing her magic, but she's not shown DOING anything about it. This is what I kept yelling at the screen about in E3, when she's just drifting aimlessly around Aretuza in that fucking prom dress and being ~helplessly damseled~ by Stregobor. Send her to the goddamn library to do some research! Show her arguing theory with Tissaia, and refusing to believe that this can't be fixed! Show us HOW BADLY she wants it, and how hard she's willing to fight for it.

Hell, seed the future conflict with Baba Yaga: Yennefer finds an account of someone who acquired their power through a deal with a demon, and she takes is to Tissaia as proof-of-concept, and Tissaia is like, yeah you CAN, but you SHOULDN'T. (Hoe don't do it!) That both establishes it to the audience as a possibility, and preemptively raises the question of what extremes Yennefer will go to in pursuit of this goal.

Problem 2: The stakes were never high enough

As I mentioned above, it's easier to get audience sympathy for a character who’s only making a devil's bargain because they're in extremis -- when something predatory has them over a barrel and is taking opportunistic advantage of the fact that they've got no other options. That hits a nerve with our sense of injustice -- we get angry when we see someone being taken advantage of like. It'll make us root for the character to find a way out of the deal somehow, because even though they agreed to it, we don’t feel that they should be held to that extortionate price.

But Yennefer is never quite desperate enough; the stakes are never quite high enough. She wants her magic back, but at no point does she need it. They never make her desperate enough to justify that bad bargain.

So raise those stakes.

Make it so that Yennefer is in desperate straits when she makes the bargain. She is in a situation that would have been trivial to escape if she'd had her magic, but now she is about to fucking DIE, and there's nothing she can do about it, and yeah, this sketchy creature that's been in her head trying to talk her into this bargain is obviously sketchy A-F, but she either takes its offer, or she dies in the next ten seconds. Them's her only two options.

Because without that level of desperation, her decision instead becomes premeditated, selfish, and stupid.

Problem 3: She needed to NOT knowingly make the evil choice.

Audiences will forgive a Faustian bargain made to save a child, but there's no way to sacrifice a child (or even seriously contemplate it) and come out of that looking good. 😬

The easiest way to fix that would have been for Yennefer to not know what the terms would be when she agreed to the bargain.

To be sure: handing a blank check to that kind of creature is a bad idea, but we've already established that Yennefer needs to be fuckin hard up when she takes that deal; she doesn't have time to negotiate or think it over, she barely has enough time to say yes.

TWN made a big mistake, imo, by not having Baba Yaga give Yennefer her powers back upfront in E5. They made an agreement, yeah, but it did not put Yennefer on the hook, in her debt. Yennefer could still have noped out at any time once she found out what the terms were, since Baba Yaga hadn't given her anything yet.

It would have been far better if Baba Yaga saved her first, restored her magic, and then presented her with the bill -- it becomes a hell of a lot harder for Yennefer to back out at that point.

(And also: get the goods upfront, because why the fuck would you trust that this sketchy creature has any intention of keeping their promise? Whoops, egg on your face, when it turns out you murdered a kid for nothing!)

Furthermore, raise the stakes on what happens if Yennefer doesn't hold up her end of the bargain: that if Yennefer doesn't deliver Ciri to Baba Yaga, then she gets eaten by the demon instead. It’s still evil to murder a child, obviously, but "their life vs my life" is a bit more of a dilemma than "their life vs my magic."

And after she meets Ciri, after Ciri becomes a real person to her rather than an abstraction, then she cannot continue to entertain the possibility of sacrificing her for another episode and a half. Full stop. Yennefer should have immediately started scrambling for "There has to be another way!" The fact that TWN-Yennefer is even still considering it after meeting Ciri says really, really shitty things about her.

(And when she does get caught out, she starts sobbing, I DIDN'T KNOW WHAT YOU WERE TO HIM!!, which is, lol holy shit, not the defense you think it is! "I totally would have sacrificed you without a qualm if you didn't happen to be my fuckboy ex's kid" ??? What? Not "because you matter to me"? Or "because I realized that what I was contemplating was FUCKING EVIL”?? And she tells Ciri that to her face?

Writers, did you stop to think about the implications of that line for one half of one hot second??)

Problem 4: Revealing Yennefer's betrayal ahead of time

By having Ciri and Geralt find out about her incipient betrayal before it happens, Yennefer never got to decide for herself that she wasn't going to go through with it. There needed to be no guilt trips or external peer pressure -- just that she herself thought this over, and decided on her own that Ciri was worth more than getting her magic back.

The fact that it wasn't her choice to come clean about that -- that the choice gets taken out of her hands before it reached the moment when she'd have decide one way or the other -- not only robbed us of what would have been a massively powerful, character-defining moment for her, but also means that we have no proof whether or not she would have done it, if left to her own devices.

Because let's be honest: Yennefer doesn't exactly have a track record of prioritizing other people above herself. Maybe she would have found her conscience in time -- or maybe she wouldn't. (She had, after all, already made this bargain knowing full well that it was going to involve sacrificing someone's kid.) It is by no means a given that she would have changed her mind.

So what a powerful moment it would have been when Yennefer throws off those teachings that tied her worth to her utility -- when she proves that she’s come to care about other people, and puts their well-being above her own. Imagine the bomb drama if Yennefer had been the one to reveal the bargain to Ciri and Geralt, ideally at the moment when she also reveals that she's rejecting it and taking their side against Baba Yaga, even at the cost of her own life. The moment when her core of steel comes through, and she takes a stand and is willing to face the consequences of her mistake.

That would have been a fantastic climax for Yennefer's character arc in S2: when she decisively shows how much she's changed from the aloof and self-absorbed (and desperately unhappy) woman that she was in S1.

But that's not what TWN gave us. There's no big dramatic moment. I literally do not even remember her sacrifice in the final battle, even though I watched S2 twice, because it got lost amid the boring-and-confusing CGI fight scene that drags on forever. Everything is supposed to be big drama there, and so Yennefer’s sacrifice doesn’t stand out.

Moreover, it doesn’t even really feel like Yennefer's choice at that point -- more that she's belatedly trying to clean up her mess, after she's already missed her chance to trade Ciri for her magic. That makes it feel a hell of a lot less sincere, like too little too late. Of-fucking-course she's sorry for it, now, now that it didn't work and everyone's mad at her. Yeah I'm sure she does regret it, now. It's just that sorry rings pretty hollow at this point.

S2 didn't give her a chance make the right choice for herself -- and as a consequence, Geralt and Ciri will never, ever know for certain what she would have done if circumstances hadn’t intervened. And realistically, there's no way for them to trust her after this; she can’t retroactively prove that she wouldn’t have betrayed them in the end, which casts a doubt that would poison that relationship forever.

So.

Breaking down the story into granular detail like this makes it feel almost like nitpicking, but those small situational changes make a huge difference in what the narrative is telling you about the character, and what kind of person they are. And the audience doesn't need to understand the mechanisms operating behind all of this -- but the writers fucking do. That's their job. To know what the words they write are doing, and the TWN writers manifestly do not. The Baba Yaga storyline is the most egregious demonstration of that, in my opinion, but it's far from the only one.

Through their shoddy execution of a straightforward trope, they made a character we're supposed to love and root for -- whom we want the other characters in the show to love too -- make choices that were unforgivably, murderously, short-sighted and selfish. Which is pretty obviously not what they meant to say about Yennefer, and not how we as the audience were supposed to interpret her actions, but that’s what they wrote. Thanks, I hate it.

(And worse: half this shit isn't even in-character. Yennefer doesn't fucking waffle like that. She is decisive and proactive to a fault, but this season reduced her to such a passive character who just gets shuffled from setpiece to setpiece. I think she makes all of four proactive decisions in that season -- freeing Cahir, rescuing Jaskier, making the deal with Baba Yaga, and sacrificing herself for Ciri -- and half of them were dumb.

Ugh, it's such bullshit. Yennefer deserved better.)

To be honest, I don't think the season needed the Baba Yaga plot at all, done well or otherwise. It was a misbegotten attempt to pump up fake drama, one that showed a lack of confidence in the story they were telling and a lack of respect for the audience -- like they didn't expect us to care about the found-family story without some cheap ~betrayals~ to spice it up.

But all they succeeded in doing was permanently undermining Yennefer's relationship with Ciri and Geralt, the relationship that is supposed to be one of the bedrocks of the series. That’s a betrayal you can’t come back from (except by authorial fiat, because they're ~Destined~ and so they have to). That's a well that's been poisoned.

And lastly, it puts Yennefer on the defensive now in her interactions with Geralt. Despite the fact that he was the one who overrode her free will by tying them together with djinn, the season ends with her having to grovel for his forgiveness. Geralt is now the one with the moral high ground, the injured party who gets to dispense or withhold forgiveness as he sees fit, and he's not required to make any real acknowledgment, or apology, or amends for what he did to her.

THANKS, I HATE IT.

So yeah, there was a lot in S2 that was Some Fucking Bullshit, but that is my narrow-focus deep dive into my single least favorite of their bad-ideas-executed-badly.

#witcher shit #long meta #twn critical #twn season 2

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