I keep thinking about bodyguard Mashita trying to talk to Masamune, only for him to be intimidated by Mashita's social skills (they both have non existent social skills). Masamune trying to run away cuz he doesn't like talking to people but being middly intruigued by mr policeman
In my headcanon, Masamune's awkwardness is to either outright ignore or try his best to end the convo as soon as possible, vs Yashiki's willingness to try and continue any conversation to be polite but also slowly try to steer it to ending as soon as possible (and failing, goddamnit Yashiki).
Tfw when you're trying your best to avoid everyone by looking busy and sticking close to your sister, but you keep stealing glances at the hot mr policeman across the room (who is also stealing glances at you.)
But oh my god when he's approached by Mr. Policeman he would definitely absolutely try to slowly move away from the hall into a more secluded part or even outside to the gardens (Where gasp! mr policeman can find him easily and talk to him by his lonesome oh no)
29 notes
·
View notes
Super shit quality screenshots but I really appreciate the editors cutting to Ashton’s mini just silently tumbling over at 1:37:35 in the youtube vod because it was so unnecessary and perfectly illustrates their abysmal “6 charisma stat” cringefail energy and I love it
39 notes
·
View notes
so i’m sure someone might have mentioned this before and i’ve just missed it, but. i just noticed something .
so of course we remember the prelude to the circus scene, where everyone in brian’s entourage (+ curt) form this beautiful royal-esque gaudy portrait (pictured below):
but upon reexamination of the orgy scene… (pictured below):
obviously it’s not the EXACT same furniture (and this shot is much less vibrantly lit) but. the red and gold furniture is similar enough to suggest to me that… that the orgy is still a performance in the same (or at least similar) way the circus prelude was.
which is why brian and curt leaving the performance space and going into a private, intimate moment seems illicit. at least in the circus, the press and the people get to take part in the ‘strange’ intimacy, and make a commodity of it. but in the orgy scene? when curt gets up and goes to another room, and brian follows??? they, essentially, are leaving the stage entirely. they exist as only they will ever know, and not even us - the secret 4th wall audience - get to experience that.
52 notes
·
View notes