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#Studio Sheridan's Art
lukosei · 2 years
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Character pose sheet for class (I had recently rewatched skyfall before starting this so of course he is very heavily inspired by kincade lmao)
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bthemistake · 9 months
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Managed to find some old art and came across an old drawing of the We Are Robin crew. Might do a redraw at some point, I've definitely improved since :)
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chiinnami · 8 months
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Another Carmilla
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sabertoothwalrus · 5 months
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Hi!! I hope it's okay to ask, which university are you/were you attending? I want to study animation in university but i have no idea which one to choose, so can you please tell me about yours?👉👈
I go to CSUF! It’s definitely one of the cheapest places to get a degree in animation in California, if not the US.
Only a handful of the California State schools offer animation, and most of the ones that do are 3D only, and I wanted to learn 2D.
SJSU has a good 2D anim program, and they’re the only state school in the bay area that does, BUT last I checked you need something like a 3.9 GPA to get in?????? like HELLO these are animation students. who are you fooling
the other schools I considered were CSULB and CSUN.
CSULB has a strong animation program! They have the guy that literally created the worldwide 24 Hour Animation Challenge. However, they required ONE extra art history class that none of the other CSUs needed, and I didn’t have it, and I wasn’t about to prolong transferring a whole other semester just to take it. (It was prehistoric art history, I think, which I admit sounds cool as fuck)
The reason I chose CSUF, beyond liking their curriculum better than CSUN, was because I heard about the Pencil Mileage Club. It’s the largest student-run animation club in Southern California. I’d argue that networking is almost more important than your actual skill. I’ll admit, the faculty is probably not doing as much for the students as other schools, but PMC more than makes up for it. I’ve made all my friends (and girlfriend teehee) through this club. I was president of my Art Club at my community college, so it was important to me to be part of PMC’s council. I’m now an event coordinator and so I help organize and run events and studio tours and guest speakers! :)) Clubs and extracurriculars look fantastic on resumes, so wherever you go, look into what’s available.
Things I should note: when you start at CSUF, whether as a freshman or through transferring, you will not be an animation major yet. You have to do the portfolio review first, and you can’t have any of the prerequisite classes in-progress when you apply. The portfolio requirement is only a few years old, too, and therefore it’s not nearly as competitive as, say… calarts or sheridan. I often say, students make the program better, not the other way around. the higher the level of students that apply, the higher the overall education quality will need to be to match that. Though this does mean that the higher quality a program is, the more people will be excluded, unfortunately.
CSUF’s aniamtion program itself is…. a little silly. You take storyboarding and character design after doing your short film ? for some reason? The new department head started at the school the same semester I did, and she’s definitely trying to make it better. She held a screening of the production classes’ finished films, and she told me she plans to have the curriculum restructured by 2025 (after I graduate, lol).
I’ll also mention that the art buildings are in the process of getting demolished and rebuilt. The first wave of new buildings won’t be done until the end of this year, and once that’s finished, they’ll tear down the remaining two buildings and start remodeling those. For now, we do a lot of our classes in the modular buildings jdhshfjs 🫡
We also have a mated pair of gay ducks that come every spring. Their names are Pebble and Rock. They are beloved by the art students.
And really, you don’t NEED a degree in animation to get into the industry. There are SO many online resources out there, a lot that are free, that can give you just as good of an education (in fact, several of my professors’ lectures have just been playing youtube videos and pulling up articles). BUT your classmates WILL be your future coworkers. If you’re not establishing relationships with people in some way on your own, you definitely need to make that bigger priority. After all, you won’t be working by yourself when you’re in the industry.
edit: oh I forgot to say that all the california state schools are striking the first week of the semester. so uh. there’s that
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Lady Regina Sheridan can see the future.
Unfortunately, the future says that she will be executed as a villainess unless she can keep her new fiancé, Prince Artem Alpin, alive.
The future also tells her someone is hunting Artem… and that he has the survival instincts of a goldfish.
Please universe, The Villainess Wants Her Prince to Live!
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"The Villainess Wants Her Prince to Live!" is a prequel to our upcoming villainess isekai game, Save the Villainess.
If you want a blackly funny villainess-themed historical murder-mystery with tons of romance and assassination attempts, read it below!
🦋Read on Tapas.io.
🦋Read on Wattpad.
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Want to learn more about our dark comedy / romance / mystery otome isekai game, Save the Villainess?
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🦋Join Save the Villainess' Kickstarter & Demo Pre-Launch.
🦋Wishlist Save the Villainess on Steam.
🦋Follow Save the Villainess on Itch.
🦋Sign up to the Mailing List for exclusive character cards every month.
Credits: Kmochi for cover art, Somate Studio for regular character art, @arodude and Karel Kok for backgrounds.
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robsheridan · 1 year
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A final set of portraits of Trent Reznor, Atticus Ross, Alessandro Cortini, Alan Moulder, and me, Rob Sheridan, at Trent’s Los Angeles home studio in 2008 during the recording of Nine Inch Nails’ Ghosts I-IV, which was released 15 years ago this month. Photos by me, with Tamar Levine.
This is my fourth collection of Ghosts I-IV photography shared here for its 15th anniversary - see the others here.
Limited Edition signed/numbered fine art photography prints from this era
Read about my desert photography and the creative process of the Ghosts I-IV artwork
This photo set is part of an ongoing reexamination of my work with Nine Inch Nails and How to Destroy Angels that I've been sharing across social media. For more, follow me here on Tumblr and on Instagram and Facebook. If you enjoy my work and want to dig deeper, consider supporting me on Patreon for frequent exclusive hi-res wallpaper packs, behind-the-scenes features, downloads, events, contests, and an awesome fan community. Direct fan support is what keeps me going as an independent creator, and it means the world to me.
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kemetic-dreams · 2 years
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Inside The Story Of Tupac’s 1993 Shootout With Off-Duty Police Officers — And How He Got Away With It
On Halloween 1993, Tupac Shakur tried to stop two white off-duty cops from harassing a African driver in Atlanta. But when one of them pulled his gun, Tupac shot first in self defense.
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The son of a Black Panther, Tupac Shakur promoted self-defense in the face of societal racism, particularly against police brutality. And in the early 1990s, he was a common sight at the Compton Gun Range, where he and friends would pass the time and target practice.
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Then, early in the morning of Oct. 31, 1993, he shot three times at two white men who pulled a gun on him outside his hotel in Atlanta, Georgia — not knowing they were off-duty cops. Police arrested him the next morning and charged him with two counts of aggravated assault.
While two versions of the story persist, investigators found Shakur’s most credible. The 22-year-old had just performed at Clark Atlanta University when a street altercation turned violent. Spotting two drunk men harass a Black motorist, Shakur intervened to help — and shot in self-defense when one of the off-duty officers brandished his gun.
The incident came a mere month before Shakur was ambushed and shot five times at Quad Studios in New York. From then on, he would switch permanently into the “Thug Life” rebel who trusted no one and lived a life of paranoia. Tragically, his morbid fears were proven right when he was mysteriously murdered in Las Vegas in 1996.
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How Tupac Wound Up In A Shootout With Off-Duty Police Officers
Born Lesane Parish Crooks on June 16, 1971, in New York City, he was renamed Tupac Amaru Shakur after an Incan revolutionary killed by Conquistadors and “Shakur” after his stepfather. His mother, Afeni Shakur, was a Black Panther and raised him in the party’s revolutionary spirit. But he also attended art school, where he studied poetry and ballet.
And while his mother had been a forceful activist who stood trial against bombing charges, Shakur used music as his call to action. By the time of Shakur’s violent police confrontation in 1993, he had already found rap success with his 1991 debut album 2Pacalypse Now and 1993 follow-up, Strictly 4 My N.I.G.G.A.Z….
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On Oct. 30, 1993, Tupac performed at Clark Atlanta University. And in the early hours of Halloween, he and his caravan of cars were heading back to the Sheridan Hotel to celebrate the show, with Tupac in the front car. But when they arrived, they saw two white men beating a African driver in the middle of the road, blocking the hotel entrance.
Meanwhile, Clayton County officer Mark Whitwell, 33, and his brother, Henry County officer Scott Whitwell, 32, and their two wives had just finished celebrating Scott’s wife passing the bar exam at the hotel. When they left and began to cross the street, they said they were nearly struck by an unrelated driver when an argument began.
This altercation is what Tupac and his crew drove into.
“It looked like a fight. And as we got closer we seen it was two white guys jumping a Black dude,” said rapper E.D.I. Mean, who was in one of the rear cars. “And immediately Pac just jumped out of the car.”
When Tupac jumped out, everyone in the caravan followed. And then, according to Atlanta Police Department Captain Herb Carson, “One of the officers pointed a gun toward the group.” Later, during the hearing, Mark admitted that it was him.
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Dressed in plain clothes, the Whitwell brothers were not immediately recognizable as police officers. Whether they identified themselves as such before brandishing a firearm has remained unclear. But what happened next isn’t.
The Whitwells were visibly intoxicated, and Shakur responded to the drawn gun by pulling out his own. Then, Mark Whitwell smashed Tupac’s car window with the butt of his pistol and Tupac fired three shots from his 9mm Glock. Two of the bullets hit the Whitwells — Mark was shot in the abdomen and his brother in the buttocks.
Why The Charges Against Tupac Were Dropped
Police arrested Tupac a few hours later at his hotel and charged him with two counts of aggravated assault. Treated for their wounds, the Whitwells were released from Grady Hospital the following morning when Shakur pleaded not guilty and was released on a $55,059 bond.
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homomenhommes · 5 months
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THIS DAY IN GAY HISTORY
based on: The White Crane Institute's 'Gay Wisdom', Gay Birthdays, Gay For Today, Famous GLBT, glbt-Gay Encylopedia, Today in Gay History, Wikipedia, and more … December 31
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HAPPY HOGMANAY! What's is Hogmanay you say? Why the roots of Hogmanay reach back to the celebration of the winter solstice among the Norse, as well as incorporating customs from the Gaelic New Year's celebration of Samhain.
In Europe, winter solstice evolved into the ancient celebration of Saturnalia, a great Roman winter festival, where people celebrated completely free of restraint and inhibition. The Vikings celebrated Yule, which later contributed to the Twelve Days of Christmas, or the "Daft Days" (really) as they were sometimes called in Scotland. The winter festival went underground with the Protestant Reformation and ensuing years, but re-emerged near the end of the 17th century. A very Scottish thing Hogmanay. Wear a kilt to this evening's festivities to set the mood right!
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192 – The Roman emperor Commodus died on this date (b.161). It's New Year's Eve and, after a long year's journey, we are finally at the end of this year. To be on the safe side, why not stay home and watch old reruns of Guy Lombardo and spend a quiet evening in memory of the emperor Commodus, who called his exceptionally well-endowed cup-bearer "my donkey," and was strangled by an over- enthusiastic wrestler named Narcissus on this day.
In 2000's neo-blood and sandals epic Gladiator, Commodus was portrayed by Joaquin Phoenix in an Academy-Award-nominated performance. The historical character of Commodus is fictionalized in the movie as a deranged megalomaniac who murders Marcus Aurelius to usurp the throne. There is no historical evidence suggesting Marcus Aurelius was murdered, much less by his own son. However the movie removes some of the most bizarre eccentricities of Commodus. The film's protagonist, Maximus Decimus Meridius (played by Russell Crowe) is loosely inspired by Narcissus, and was named so in a previous draft of the screenplay, but as in The Fall of the Roman Empire Commodus is killed in hand-to-hand combat. Commodus's death 
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Dressing Tony Curtis for "Some Like It Hot"
1897 – Orry-Kelly was the professional name of Orry George Kelly (d.1964), a prolific Hollywood costume designer.
He was born in Kiama, New South Wales, Australia, and was known as Jack Kelly. His father William Kelly, was born on the Isle of Man and was a gentleman tailor in Kiama. Orry was a name of an ancient King of Man. Jack Kelly studied art in Sydney, and worked as a tailor's apprentice and window dresser.
He journeyed to New York to pursue an acting career. He shared an apartment there with Charlie Spangles and Cary Grant. Director Gillian Armstrong writes of this time:
''The big secret is that when Orry first got to New York and was trying to get his start, painting murals on walls and selling hand-painted ties, he ended up rooming with a young British actor called Archie Leach. They definitely became lovers and were living together for about five years.''
The job painting murals in a nightclub led to his employment by Fox East Coast studios illustrating titles. He designed costumes and sets for Broadway's Shubert Revues and George White's Scandals. His lover, Archie Leach, went on to become Cary Grant.
Orry-Kelly went to Hollywood in 1932, working for all the major studios (Warner Brothers, Universal, RKO, 20th Century Fox, and MGM), and designed for all the great actresses of the day, including Bette Davis, Kay Francis, Olivia de Havilland, Katharine Hepburn, Dolores del Río, Ava Gardner, Ann Sheridan, Barbara Stanwyck, and Merle Oberon.
He worked on many films now deemed classics, including 42nd Street, The Maltese Falcon, Casablanca, Arsenic and Old Lace, Harvey, Oklahoma!, Auntie Mame, and Some Like It Hot.He won three Academy Awards for Best Costume Design (for An American in Paris, Cole Porter's Les Girls, and Some Like It Hot) and was nominated for a fourth (for Gypsy). A longtime alcoholic, he died of liver cancer in Hollywood. His pallbearers included Cary Grant, Tony Curtis, Billy Wilder and George Cukor and his eulogy was read by Jack Warner. His Academy Awards went to Jack Warner's wife, Ann.
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1948 – Joe Dallesandro, is an American actor and Warhol superstar. Although he never became a mainstream film star, Dallesandro is generally considered to be the most famous male sex symbol of American underground films of the 20th century, as well as a sex symbol of gay subculture
Born into a dysfunctional family, Joe was placed in foster homes. Dallesandro began acting out and became aggressive. He repeatedly ran away from his foster home until his father finally relented and allowed him to live with him. At the age of 14, Dallesandro and his brother moved to Queens to live with their paternal grandparents and their father.
At 15, he was expelled from school for punching the principal, who had insulted his father. After his expulsion, Dallesandro began hanging out with gangs and started stealing cars. In once such instance, Dallesandro panicked and smashed the stolen car he was driving through the gate of the Holland Tunnel. He was stopped by a police roadblock and shot once in the leg by police who mistakenly thought he was armed. Dallesandro managed to escape being caught by police, but was later arrested when his father took him to the hospital for his gunshot wound. He was sentenced to Camp Cass Rehabilitation Center for Boys in the Catskills in 1964
The following year, Dallesandro ran away from Camp Cass. He supported himself by prostitution and later nude modeling, appearing most notably in short films and magazine photos for Bob Mizer's Athletic Model Guild.
Dallesandro met Andy Warhol and Paul Morrissey in 1967 while they were shooting Four Stars, and they cast him in the film on the spot. Warhol would later comment "In my movies, everyone's in love with Joe Dallesandro."
Dallesandro played a hustler in his third Warhol film, Flesh (1968), where he had several nude scenes. Flesh became a crossover hit with mainstream audiences, and Dallesandro became the most popular of the Warhol stars. New York Times film critic Vincent Canby wrote of him: "His physique is so magnificently shaped that men as well as women become disconnected at the sight of him."
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A Warhol photograph of the crotch bulge of Dallesandro's tight blue jeans graces the famous cover of the Rolling Stones album Sticky Fingers. Dallesandro explained to biographer Michael Ferguson, "It was just out of a collection of junk photos that Andy pulled from. He didn't pull it out for the design or anything, it was just the first one he got that he felt was the right shape to fit what he wanted to use for the fly."
As Dallesandro's underground fame began to cross over into the popular culture, he graced the cover of Rolling Stone in April 1971. He was also photographed by some of the top celebrity photographers of the time.
He continued to star in films made mainly in France and Italy for the rest of the decade, returning to America in the 1980s. He made several mainstream films during the 1980s and 1990s. One of his first notable roles was that of 1920s gangster Lucky Luciano in Francis Coppola's The Cotton Club. He also had roles in Critical Condition (1987), Sunset (1988) , Guncrazy (1992), Cry-Baby (1990), and The Limey.
In addition to films, Dallesandro has also worked in television. In 1986, he co-starred in the ABC drama series Fortune Dane. The series lasted only five episodes. Dallesandro has also made guest appearances on Wiseguy, Miami Vice, and Matlock.
In 2009, Dallesandro wrote and produced the documentary film Little Joe. The film chronicles Dallesandro's life and career.
Dallesandro, who identifies himself as bisexual, has been married three times and has two children. He is semi-retired from acting, and currently manages an apartment building in Los Angeles.
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1948 – The American singer Donna Summer, was born on this date (d.2012). She was an American singer, songwriter and artist, best known for a string of disco hits in the late 1970s that earned her the title "Queen Of Disco" and as one of the few disco-based artists to have longevity on the charts through the late 1980s and beyond.
The question with Donna Summer is, "is she or isn't she?" Homophobic that is!
In the mid 1980s, rumors began circulating that Summer had allegedly made anti-gay comments regarding the AIDS epidemic as being a punishment from God for homosexuality. The fallout from the alleged quote had a significantly negative impact on Summer's career, which saw thousands of her records being returned to her record company by angered fans. However, Summer denied making any such remarks and many years later she filed a lawsuit against New York magazine when it reprinted the rumors as fact, just as Summer was about to release her latest album Mistaken Identity in 1991. According to an A&E Biography program in which Summer participated in 1995, the lawsuit was settled out of court with neither side discussing details of the settlement.
D.L. Groover of Houston's OutSmart magazine wrote that after a 1983 concert in Atlantic City, Summer was talking to the fans, as she liked to do at this first- comeback point in her career. A man with AIDS asked her to pray for him, because he knew of her born-again Christian beliefs, and she said she would be delighted. Someone else piped up that she was being hypocritical. At that point, all accounts get fuzzy and overblown, but every witness says that the heated situation deteriorated, with many outraged patrons shouting as they left the auditorium. In more than one account, Summer said that AIDS appeared in the gay community because of its reckless lifestyle... but did not say that AIDS was God's punishment. She and the gay fan prayed together, she asked him to turn his life to Christ, and she embraced him - a courageous act at a time when most people would have run screaming from the room to get away from someone with the deadly disease.
For her part Summer told The Advocate in 1989 that "A couple of the people I write with are gay, and they have been ever since I met them. What people want to do with their bodies is their personal preference. I'm not going to stand in judgment about what the Bible says about someone else's life. I've got things in my life I've got to clean up. What's in your life is your business." Make of that what you will.
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Rick Sandford as Ben Barker
1950 – Rick Sandford (d.1995) was a documentary research assistant, editor and actor of gay erotic movies and author.
Rick Steven Sandford was born in Denver, Colorado, and grew up in the Lake Tahoe area. His early difficulties learning to read led his parents to enroll him in a private school.
After his graduation in 1969, he first went to Los Angeles on vacation, to see the musical, Hair and the Russian motion picture version of War and Peace, and after 1972, Sandford remained in Los Angeles employed in various positions, from an usher at Grauman's Chinese Theatre to a television show stand-in.
In 1977 he met Josh Becker, American writer and director, of films and television, who would become his long-time friend, according to Becker, Sandford only heterosexual friend.
Initially living in a bungalow behind a house in West Hollywood, Sandford was evicted and with his best friend, Stacey, with whom he had grown up in Reno, he moved into a one-bedroom apartment at 666 N. Van Ness.
Sandford received credit as research assistant on 50 Golden Years of Oscar: the Official History of the Academy of Motion Picture Arts & Sciences and Ronald Haver's David O. Selznick's Hollywood. Sandford served as assistant on the 1990 documentary Hollywood Mavericks.
Sandford appeared on television shows and in motion pictures as an extra and in a few bit parts: in episodes of Police Woman in 1974 and Step by Step in 1991. During the late 1970s and early 1980s he worked as an editor on 3 gay erotic films and appeared as Benjamin Barker or Ben Barker in 13 gay erotic motion pictures including Kip Noll and the Westside Boys, Rear Deliveries, Skin Deep, The Class of '84 Part 2 Jocks, Gold Rush Boys, The Boys of San Francisco, A Night at Halsted's, and Games.In the mid 1980s, Don Bachardy sketched Sandford for his book, Drawing of the Male Nude; both Bachardy and his partner Christopher Isherwood were friends with Sandford. During this time, Sandford introduced Bachardy and Isherwood to Yale-trained actor Peter Evans and his then lover Craig Lucas. Sandford and Lucas had a fling, and Lucas remembered
"He came to New York with a strip show. To [the song] 'Another Hundred People' from 'Company', he arrived onstage with a suitcase, and met invisible New Yorkers, stripping for them, looking for love. Afterward, we had to wait while older men went into his dressing room to make appointments. Or something."
In 1991, his short story Forster & Rosenthal Reevaluated: An Investigative Report was published. In 1994, another of his short stories, Purim was published. Two more of Sandford's short stories were published posthumously, The Gospel Of Bartholemew Legate: Three Fragments and Manifest White. In 2000, his novel, Boys Across the Street was published, also posthumously.
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Boys Across the Street is a candidly hilarious look at the gay life of Rick, an exporn star, who lives near a boy's Hasidic school, as he becomes obsessed with building relationships with the boys, leading to a fascination with Hasidism, which reviles his sexual orientation.
Sandford died of AIDS during the evening of September 28, 1995.
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1958 – David Pevsner is an American actor, singer, dancer, porn star, and writer. Pevsner appeared in the 1990 revival of Fiddler on the Roof, 1991 revival of Rags, and some other theatrical productions. He also wrote three songs for the 1999 musical Naked Boys Singing!, including "Perky Little Porn Star." He wrote and produced two one-person shows, To Bitter and Back (2003) and Musical Comedy Whore (2013). Pevsner portrayed mostly minor roles in films and television. His major screen roles are Ebenezer Scrooge in Scrooge & Marley, the 2012 film adaptation of A Christmas Carol, and Ross Stein in a 2011 web series Old Dogs & New Tricks. He recorded the 2016 album Most Versatile, whose album cover pays homage to Bruce Springsteen's album Born in the U.S.A.
David Pevsner was raised in Skokie, Illinois. He attended Niles East High School in the same Chicago suburb and participated in its theater program. He graduated from Carnegie-Mellon University in Pittsburgh with a Bachelor of Fine Arts degree.
He appeared in the 1991 revival of the 1986 musical Rags, set in 1910, portraying the dual roles of Saul and Nathan. He appeared in the 1995 theatrical play Party, portraying the role of Kevin. In the play, Kevin, a college teacher who lives with his partner, hosts a party at his apartment, where the males characters play the naked truth-or-dare game. Pevsner appeared in the two-act gay revue musical When Pigs Fly from 1996 to 1998. Pevsner appeared in F*cking Men, the 2009 explicit play written by Joe DiPietro about the lives of gay urban men, portraying Jack, who commits adultery with another man, while his husband does the same.
Pevsner co-wrote the 1999 musical Naked Boys Singing! with the writing team. He wrote three songs for the musical, including "Perky Little Porn Star" and "The Naked Maid."
Pevsner appeared in films, mostly portraying minor roles in such films as The Fluffer (2001) and Adam & Steve (2006). He also portrayed a major role of Ebenezer Scrooge in Scrooge & Marley, the 2012 film adaptation that tells the gay interpretation of the 19th-century novel A Christmas Carol.
Pevsner also portrayed minor roles in television series, particularly a bartender of a gay bar in an episode of NYPD Blue.
Pevsner recorded the 2016 album Most Versatile, whose title was inspired by his being voted "Most Versatile" in a survey back in high school. The album's working title was Shameless, named after his Tumblr blog and "for [being] something with a little skin." The songs of the album explores "a whirlwind of one man's gay experiences" and feature Jim J. Bullock, Maxwell Caulfield, and some others as guest artists. He wrote the lyrics of all thirteen songs.
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In his 60s Pevsner is today earning money doing erotic performances on OnlyFans.
Pevsner is Jewish. He is also openly gay.
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1969 – The first performance of The Cockettes took place on New Years Eve 1969, at the Palace Theatre in San Francisco's North Beach neighborhood and soon became a "must-see" for San Francisco's hip gay community, combining LSD-influenced dancing, set design, costumes and their own versions of show tunes (or original tunes in the same vein). Initially, shows were performed every six weeks, performing on stage prior to the Saturday midnight "Nocturnal Dream Show" of underground films at the Palace Theatre. Show titles included Gone With the Showboat to Oklahoma, Tinsel Tarts In A Hot Coma, Journey to the Center of Uranus, Smacky & Our Gang, Hollywood Babylon and Pearls Over Shanghai.
Word quickly got out that nothing like these shows had ever been seen before, and within a few months the Cockettes were getting enormous attention from the media. Not only hippie magazines, such as Earth and Rolling Stone, wanted stories on the Cockettes, but also mainstream magazines such as Look, Life and Esquire were anxious to do features as well. The Cockettes were the subject of a documentary called, of course, The Cockettes. If you haven't seen it, do. Torrent users can find it on isoHunt.com
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1990 – Ian McKellen, English actor, is knighted by the Queen of England. He is the first openly gay man to be knighted.
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2014 – Russian large gay club called Central Station was forced to close after countless attacks of sprays of bullets and being gassed. It later reopened with the use of bulletproof glass.
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felassan · 2 years
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Dragon Age: Absolution creator Mairghread Scott posted this update today on her website, Mairghread Scott Writes. It confirms Rezaren's surname as Ammosine (see source link, it's contained in an image caption) and mentions that the development of the show began in Spring 2019, when Mairghread pitched several ideas to BioWare and Netlix. Maighread says that the show has been a huge passion project for her, that to prepare she spent weeks immersed in DA lore, and that they wanted to make something fans could be proud of. She describes the new characters as wonderfully flawed. She also mentions that "BioWare was committed to excellence every step of the way" and "everyone from the recording studio, to the post house, to the marketing team brought their A-Game" -
DRAGON AGE: ABSOLUTION OFFICIAL TRAILER AND RELEASE DATE (ALT: MAIRGHREAD GETS SUPER-SAPPY)
Hi everyone. Happy November! We’ve got news!
Netflix just released the official trailer and poster for my show, Dragon Age: Absolution and announced that all six episodes will premiere on Netflix, December 9th. Watch the trailer here!
This has been a huge passion project for me. I loved DA:I from the moment Cassandra accused my Inquisitor of being a terrorist (BTW, rude! But I can’t stay mad at Cass). Back in Spring 2019, I pitched several ideas to Bioware and Netflix, and this was the one I NEVER expected them to pick. This was the pitch I did just for me, sure no one else would believe in it. I’m so glad I was wrong.
When I got the job, I replayed and rewatched everything I could get my hands on. (Thanks to all you YouTube DA Lore Keepers out there!) I spent weeks scribbling weird insights on my office walls (they were glass at the time, don’t panic), and listening to songs on repeat for hours. Then in Fall 2019, I got to bring on the incredibly talented Tim Sheridan and Mae Catt, and our amazing writer’s assistant Grace Deppe-Waldschmidt. We brought so much of ourselves to this story! We wanted to make something fans could be proud of. Netflix was a dream to work with and Bioware was committed to excellence every step of the way. Then in 2020 Red Dog started bringing our show to life, and the last several years have been full of late night meetings with Korea, art approvals, and finally animation. (Bae, if you read this, you’re the absolute best!) So many people worked so hard throughout the pandemic on this. Our amazing voice cast recorded the whole thing from their homes over video conferences. (Best Zoom meetings EVER!) And everyone from the recording studio, to the post house, to the marketing team brought their A-Game.
It’s funny that in writing a show about such wonderfully flawed characters, I got to meet so many flawless professionals. I’m truly the luckiest showrunner in the biz. Now, three and a half years later, it’s all come together and we can share this with you. Whether you’ve played from the beginning or are brand new to Thedas, I hope you’ll watch on December 9th and fall in love with these characters as much as we did.
See you in Tevinter! Mairghread Scott"
[source]
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apollinaresart · 1 year
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hello!!
not sure if u answer asks on here but i was wondering what ur opinion was on the sheridan animation program? i just got accepted but since it’s twice as expensive as any of the schools near me (france), i wanted to know what you thought of the faculty, quality of the program, etc? it would be especially interesting to hear from you since my reasoning for going to the program is basically the same as the one you detailed in your q&a video (it will be easier to break into the american animation industry from the other side of the pond) & i wanted to know if after a couple years that sentiment still rang true or if the reality is more nuanced than that. Thanks in advance for your help!! :DD
Thanks for reaching out!
I absolutely get the money concern. I'd say aspects of the program have improved since my #sheridansucks rants on twitter (some new part time profs actually know what they're doing, and the competent profs are generally pushing for change, as is the animation student council), but Sheridan's admin team and many of the full time professors haven't changed. Of these full time profs, 80% have never been in industry and the rest haven't been employed in animation in 20+ years; the info they have on industry is outdated or just plain wrong, and while impressionable first years may buy into it, after doing our internships over the summer and coming back for 4th year, their "the industry is just as hard as doing 5+ assignments a week, you SHOULD be pulling all nighters, we're preparing you for industry" bullshit doesn't fly. The program is horribly designed (the amount of credits is that of a 5-year program, crammed into 4 years), they're riding on grads' reputation alone at this point (taking in talented students and claiming credit for how good they are when most of us learn independently and are this good due to external courses we take, or simply practice), and I'd go so far as to call a few of the classes we take - completely useless. Many of my friends, who are domestic students, have dropped out and are now thriving in industry, because a degree really doesn't matter in this line of work.
That said, I've heard similar things about every North American art school under the sun. Also, Sheridan was, and continues to be, the best option for me as an international. Getting a degree here means I'm almost 100% guaranteed a Canadian work permit (a PGWP), plus between some of the practical knowledge I got taught (specifically by one of the part time rigging professors), and my peers' help/connections, I have already had two industry jobs before graduating. I'd always advise school over no school if you can afford it, for connections' sake - my wonderful peers aside, Sheridan has given us many discounts on tickets to networking events/festivals like OIAF and TAAFI, which have helped me land my current job, for example, and many local studios will come in for networking/recruiting talks. There is also an internship component, which the school helps you get, so by the time you've graduated you already have industry experience and studio contacts in some capacity.
It really depends on what opportunities you already have available to you in Canada. If you're an international, I would say it's helpful, and even though that help has come primarily from my peers and part time profs, that's still better than nothing for me, plus - ✨work permit✨
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filmnoirfoundation · 1 year
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FNF Donation Drive Giveaway!
For a chance to win copies of six NOIR CITY Magazine digital back issue donate $20 to the FNF between now and May 10.  Your name will be entered in a random drawing. Three winners will receive NOIR CITY issues #16, #20, #23, #25, #32, and #36 — sent via Hightail transfer service to their email addresses.
And, for a donation of $50 or more, a winner in a random drawing will receive Flicker Alley's Blu­ray/DVD releases of two FNF restorations: Too Late for Tears (1949) with Lizabeth Scott and Dan Duryea and Woman on the Run (1950) with Ann Sheridan and Dennis O'Keefe — both with special features produced by the Film Noir Foundation.
Everyone who donates $20 or more and signs up on our e-mail list, will automatically receive the digital version of NOIR CITY e-magazine for a year! Our current issue includes essays on “Stoner Noir”, the noir films of actor Timothy Carey and the studio Art Directors who most influenced the look of film noir.
Already a NOIR CITY subscriber? We have drawings for you too!
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For $20 donations: two winners in random drawings will receive one of the following: The Criterion Collection's Blu-ray of Devil in a Blue Dress (1995) or Olive Blu-ray of Odds Against Tomorrow (1959).
For $60 donations: two Blu-rays from Warner Archive: Murder, My Sweet (1944) and Gun Crazy (1950), plus FNF restorations on Blu-ray/DVD from Flicker Alley of the 1947 films The Guilty and High Tide.
For $125 donations: NOIR CITY festival history from the FNF Archives — two winners in random drawings will receive a collection of twelve NOIR CITY tabloids, NOIR CITY 9 through NOIR CITY 20 — twelve years' worth of NOIR CITY pre-festival promotion.
For $175+ donations: a winner in a random drawing will receive the same collection of twelve years of NOIR CITY tabloids as described above — NOIR CITY 9 through NOIR CITY 20, plus three Blu-ray/DVDs from Flicker Alley: Repeat Performance (1947), Trapped (1949), and The Man Who Cheated Himself (1950) — all with FNF-produced special features. And we'll include the new NOIR CITY 2023 Suffering … with style tote bag (14" x 14.5" x 4").
For a shot any of these goods, make your donation to the FNF between now and Wednesday, May 10. Your name will be entered into the random drawings for your donation amount. All winners will be announced on Tuesday, May 16, here on the FNF's news page. Your donations help the FNF locate, restore, and exhibit films that, without our intervention, would be lost forever.
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mitchipedia · 11 months
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James Hibberd at the Hollywood Reporter interviews “Yellowstone” creator Taylor Sheridan.
The “prolific hitmaker” talks about his conflicts with studio executives and “how he's become a powerful mega-rancher straight out of his own show.” He also drops hints on the show ending, Kevin Costner’s exit, and the potential Matthew McConaughey spinoff.
Sheridan based the fictional Yellowstone ranch in Montana on the real 6666 ranch in Texas, which he grew up near. The TV show gave him the fortune to buy the 6666 ranch.
Twelve years ago, the struggling actor was down to his last $800 when he sold his first screenplay. He later created a TV show about a man who owns a dynastic mega-ranch who struggles to protect it and make it successful … and its success has allowed Sheridan to himself become a man who owns a dynastic mega-ranch who struggles to protect it and make it successful — and not just any ranch, but the same one that served as the basis for his show. Sheridan dreamed up a story, shared it with millions, and then stepped into it. “Life imitating art was never my intention,” he says, and quips, “We haven’t killed anyone in weeks.”
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moonrkgk · 2 years
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.art program breakdown
I kind of wanted to make a list for myself, but i also wanted to make it available for others to view if they wanted a pro and con list of different art programs! I'll start my lists with pro's and follow with con's. I will be focusing on desktop programs.
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Paint Tool Sai v1/v2 :
A program i started off with, very simple to use. Between v1 and v2 there are minimal changes so i will be putting them together.
PRO
Brush engine is very 'plush'. This may be dependent on your tablet settings, but i have found through Sai that you dont need a lot of pressure to get a good result.
Great starter program. Is by no means overwhelming, and everything is clearly labelled. (Or with a small amount of exploring you will be able to find the use of each button/function.)
Many layer modes, a few are exclusive to Sai. (shade/shine specifically.)
Save states (Sai V2)
Perpetual License.
CON
Program is made by a singular person, so updates are few and far between.
No dark UI.
You cannot import ABR's.
Desktop only.
Given that the program is fairly minimal anyway, i feel like deducting 'points' from it for not having things like importing assets would be a bad idea. So for what its advertised as, id say its a solid 3 out of 5.
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Clip Studio Paint :
I have used this program for a few years, and have used on iOS and Windows.
PRO
You can import ABR's
3D models and other importable objects.
In app brush/object/material marketplace.
In app storage for art files.
'Teams' ( You are able to save your works and share them with another CSP user for coop on things like webtoons/comics or other projects.)
QA community, learn and teach, and showcase available in app.
Many layer modes, gradient maps, rulers, and materials.
Animation timelines. (CSP PRO only allows for 24 frames per animation. If you need/want more allowance you will have to upgrade to EX.)
Webtoon / comic creating features.
Mobile app companion.
Adjustable UI shades. (light/medium/dark)
Save states.
Timelapses.
CON
Limited perpetual license.*
Mobile version does not have a perpetual license and is monthly p2u.
Brush engine is very rigid.
SUT are not able to be used anywhere else but CSP.
*While i cant think of many cons, as of August 2022 and their decision to 'remove' perpetual licenses im docking them quite a few 'points'. A TLDR version would be while they do still offer perpetual licenses for version 2.0 onward, you will no longer get updates unless you pay for an update pass yearly fee ALONG WITH your perpetual license cost. You can read the entire article here. While the program is decent and widely used, their recent rug pull left a bad taste in the mouths of many so i will give it a 3of 5 for that reason. Use at your own risk.
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Krita :
PRO
Free.
Open source.
Save states.
Limited ABR importation.*
Animation timelines.
*While you can import ABR's, it only imports the brush tip. You have to recreate the brush from there and this can be tedious.
CON
'Clunky' UI
No help desk.
Desktop only.
Performance and lag issues regularly.
I dont think ive ever had a particularly good experience using Krita. One of the main reasons i gave it up back in the day was solely because i was having so many performance issues and it was crashing regularly. These may no longer be issues, but i feel its important to add that it was a good enough reason that many people stopped using it because of. I give a 2 of 5.
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Open Canvas / Medibang / FireAlpaca :
These three will get honourable mentions. While open canvas is not free, medibang and firealpaca are. Their UI is pretty much the same, as well as their features.
The most i would be able to say about these three is they are super minimal and basic. (However, if you do decide to stick with any i know people like Jax Sheridan 'Clockbirds' was able to create masterpieces with medibang. They seem to have since moved to photoshop as of ~4yr ago.)
2 of 5!
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Photoshop:
PRO
ABR that are widely used and easily accessible.
Many layer modes.
Ruler and grid tools.
In app marketplace.
Cloud storage.
Mobile app.
Save states.
Accessible help desk / forum support.
CON
Monthly subscription.
Open GL issues.
Sporadic performance issues.
While i know a ton of people dislike PS CC because theyve had the market cornered for so long, i feel like the program itself is one of the best. You can find addons for thins like animation timelines, different UI settings, etc. (While not always free as they are user made.) The monthly cost is $9.99 USD (this may change based on your own currency or country.) which is fairly low. (I pay more for netflix per month.) They have been using this subscription model since 2012 when they introduced CC. Personally, the cost of using the program pays itself, but i understand the issues people have with this.
4 of 5.
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Paintstorm Studio :
PRO
Save states.
Timelapses.
ABR importing.
Many brush layers, grids, rulers.
Active forum community and responsive help desk.
Extremely customizable brushes.
Customizable UI. (colours AND dark/light.)
OPEN GL.
CON
Issues with integrated graphics.
Occassional performance issues.
Perpetual license cost.
While paintstorm is not free, its $20 price tag is incredibly justifiable for what you get. They are fairly transparent with their plans, issues, and updates for the program (even with things like including animation tools or fixes.). I personally had some performance issues with the program and had to email their support and was replied to PROMPTLY with all the willingness to help.
The closest comparison i can make is that paintstorm is a mix of sai and CSP. Ive considered dropping CSP for this program entirely. (I just need a bit more time to get more comfortable.)
3 of 5.
OTHER HONOURABLE MENTIONS :
While these programs are not getting their own column, if you want to expand and try them out i wish you luck! (I may have either not used it long enough to form a solid enough yay or nay opinion, or i just dont particularly care for it either way anyway.)
GIMP
Rebelle
Corel Painter
Sketchbook
Procreate (iOS only)
ArtRage
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I may at some point append this list as I grow, but for now i just really wanted to share what ive learned over the years with others. These are generally my own personal opinions, so youre free to take them with a grain of salt! But hopefully it helps someone out :)
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rockformed · 1 year
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hi guys sorry ive been gone ive been getting pussy
not really but heres some things that happened to me since we last spoke
i got accepted into sheridan's animation bachelors program!!
my partner and i celebrated our 2nd anniversary!!
i graduated with my A.A. degree in studio art!!
and!! ive decided to go by exclusively they/them pronouns for the time being
bye love u!!!
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ptbf2002 · 6 hours
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My Top 10 Favorite 20th Century Fox Movies (2024)
#10 Home Alone
#9 Ice Age
#8 Ice Age 2: The Meltdown
#7 Ice Age 3: Dawn Of The Dinosaurs
#6 Ice Age 4: Continental Drift
#5 The Peanuts Movie
#4 Spies In Disguise
#3 Alvin And The Chipmunks (2007)
#2 Family Guy: Stewie Griffin: The Untold Story
And #1 The Simpsons Movie
Original Template: https://www.deviantart.com/jackskellington416/art/Top-10-20th-Century-Fox-Films-Meme-665656007
Home Alone Belongs To John Hughes, Hughes Entertainment, 20th Century Studios, Inc. The Walt Disney Studios, Walt Disney Studios Motion Pictures, Disney Entertainment, And The Walt Disney Company
Ice Age (2002 film) Belongs to Michael Berg, Michael J. Wilson, Peter Ackerman, Blue Sky Studios, Inc. 20th Century Animation, 20th Century Studios, Inc. The Walt Disney Studios, Walt Disney Studios Motion Pictures, Disney Entertainment, And The Walt Disney Company
Ice Age 3: Dawn of the Dinosaurs Belongs to Michael Berg, Peter Ackerman, Mike Reiss, Yoni Brenner, Blue Sky Studios, Inc. 20th Century Animation, 20th Century Studios, Inc. The Walt Disney Studios, Walt Disney Studios Motion Pictures, Disney Entertainment, And The Walt Disney Company
Ice Age 4: Continental Drift Belongs to Michael Berg, Jason Fuchs, Blue Sky Studios, Inc. 20th Century Animation, 20th Century Studios, Inc. The Walt Disney Studios, Walt Disney Studios Motion Pictures, Disney Entertainment, And The Walt Disney Company
The Peanuts Movie Belongs To Charles M. Schulz, Craig Schulz, Bryan Schulz, Cornelius Uliano, United Feature Syndicate, Inc. Andrews McMeel Syndication, Blue Sky Studios, Inc. 20th Century Animation, 20th Century Studios, Inc. The Walt Disney Studios, Walt Disney Studios Motion Pictures, Disney Entertainment, And The Walt Disney Company
Spies In Disguise Belongs To Lucas Martell, Brad Copeland, Lloyd Taylor, Cindy Davis, Chernin Entertainment, Blue Sky Studios, Inc. 20th Century Animation, 20th Century Studios, Inc. The Walt Disney Studios, Walt Disney Studios Motion Pictures, Disney Entertainment, And The Walt Disney Company
Alvin And The Chipmunks (2007) Belongs To Ross Bagdasarian Sr. Jon Vitti, Will McRobb, Chris Viscardi, Bagdasarian Productions, Dune Entertainment, RatPac Entertainment, LLC, Monarchy Enterprises S.Á.R.L. Regency Entertainment (USA), Inc. FOX 2000 Pictures, 20th Century Studios, Inc. The Walt Disney Studios, Walt Disney Studios Motion Pictures, Disney Entertainment, And The Walt Disney Company
Family Guy: Stewie Griffin: The Untold Story Belongs To Seth MacFarlane, Gary Janetti, Chris Sheridan, Alex Borstein, Steve Callaghan, Sunwoo & Company Co., Ltd. Fuzzy Door Productions, Inc. 20th Television Animation, 20th Television, 20th Century Fox Home Entertainment, Buena Vista Home Entertainment, Inc. Walt Disney Studios Home Entertainment, Disney Platform Distribution, Inc. Disney Television Studios, Disney General Entertainment Content, Disney Entertainment, FOX Broadcasting Company, FOX Entertainment, FOX Corporation, And The Walt Disney Company
The Simpsons Movie Belongs To James L. Brooks, Matt Groening, Al Jean, Ian Maxtone-Graham, George Meyer, David Mirkin, Mike Reiss, Mike Scully, Matt Selman, John Swartzwelder, Jon Vitti, Film Roman, LLC, Rough Draft Studios, Inc. AKOM Production Ltd. Gracie Films, 20th Century Animation, 20th Century Studios, Inc. The Walt Disney Studios, Walt Disney Studios Motion Pictures, Disney Entertainment, And The Walt Disney Company
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Careers In Art
Art is unfortunately renowned as a difficult industry to get into and even if you do there is no expectation of success or financial stability. This is partially because there is no set path to become an artist and there is no absolute requirement for a degree or mandatory years of practice/study. Many of the best artists didn't go through further education at all but still find success based on learnt skills and passion. To demonstrate I will describe the career path of a designer, a commission-based artist and abstract painter.  
Firstly, I will give the example of Harry Moody and how he built his successful career. Moody is an established contemporary artist who specialises in abstract expressionism painting. He originally studied at an art school in Frankfurt called Staidel Academy where he studied "Free Painting". Here he was influenced by many accomplished artists, and Moody learnt from another painter Johannes Schreiter to give advice and inspiration. He also learnt from Gerhard Richter (another successful contemporary artist) who widened Moody’s knowledge of philosophy and helped him build a more holistic view of art. 
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Image: harrymoody.com ('Purple Dozen')
contrast, Lulu Chen has had a very different experience when it comes to her artistic career. She began with an Associate of Arts degree in illustration from the Academy of Art University based in San Francisco (2016-2018). Following this she studied at Sheridan College in 2019 and was awarded a Bachelor's of Animation in 2023.  Chen however, also strove to gain experience and knowledge outside of educational establishments, serving an internship at Sony Pictures and freelancing on a project at Pipeline Studios.  
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Image: salustudio.com (Lulu Chen) 
Stanley Donwood is most famously known for his art used on the covers of Radiohead's albums in the 1990s, for which he was awarded more than one GRAMY. Education wise he firstly studied at North Essex College of Art in 1987 where he spent a year completing a foundation art course before moving to study Fine Arts degree at Exeter College of Art (1988-1991).  
Many artists have studied the fundamentals of art, and the first course example that I researched is offered by the University of Dundee who offer a BA(Hons) or BDes(Hons) in Art and Design. Students do one year as a foundation before either moving on to a specialized course (they offer a large range from medical/forensic art to courses that cover game and film) or completing the four-year degree. To gain access to this course an HNC (Grade B) is required, but candidates also need to submit a portfolio as a sample of their work so they can gauge both the grades and skill before accepting a potential student. Once graduated alumni can pursue many careers for example roles in the art department for the creative industries or set up yourself as a practicing artist. 
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Image: dundee.ac.uk (Art & Design)
Next is the Fine Arts BA(Hons) also from Dundee, which is a three-year course that has a focus on juggling creation and critical thinking to make art of different types. The entry requirements for this fine arts course are an HND at B grade but you also qualify if you have completed an art foundation course. As with the art and design course, students can have the opportunity to study abroad during their degree. This course is taught by practicing artists, and the students have access to a wide variety of studios and workshops spanning the whole creative department.  As this is a fine arts course it is more aimed at those who wish to be creating and exhibiting art, but it does have a wide range of future uses as it still teaches the principles of any art course and the experience would be useful for other things instead of the artists wanting to show in galleries. 
Lastly, I looked into the Computer Arts BA(Hons) offered at Abertay University in Dundee which is a very popular course due to being the only one like it for a far reach. This course is more about the design side compared to the fine and traditional arts previously mentioned. The student will study for four years to develop skills in digital arts, design, animation, concept art, visual arts and illustration as well as a knowledge of practitioners, contextual analysis and critical thinking. The entry requirements are a B from HNC in a related subject (Art & Design or CAP etc) and if accepted will have access to many studios equipped with wonderful facilities. As a course it is very aimed at entering the industries and has links to Unreal engines, Screen Skills and has a DARE program. With this degree graduates are likely to work in the art and design department for the gaming, animation, film or illustration industries. 
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Image: abertay.ac.uk (computer arts)
All this considered, it's clear to see that path to becoming an artist can be taken in many different ways despite the wide variety of backgrounds and pathways that lead them to the end goal whatever that may be. 
(820words)
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Freya Campbell – May 2024
Sources:
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