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#Steven Pasquale
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getthestarstrades · 2 months
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🎶 Johnny Booth was a handsome devil...
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ethanslaterupdates · 9 months
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Ethan Slater and Steven Pasquale in the CSC benefit concert of Assassins at the Stephen Sondheim Theatre (5/9/22)
(See more pics of Ethan 📸)
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glimeres · 1 month
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Please...If anyone out there has this footage...
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fearsmagazine · 1 month
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TEETH - Review
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SYNOPSIS: “Dawn O’Keefe is an evangelical Christian teen with a powerful secret not even she understands – when men violate her, her body bites back. Literally. From Pulitzer Prize and Tony-winner Michael R. Jackson (A Strange Loop) and Anna K. Jacobs (POP!),TEETH, based on the cult classic film of the same name, is a fierce, rapturous, and savagely entertaining new musical crackling with irrepressible desire and ancient rage – a dark comedy conjuring the legend of one girl whose sexual curse is also her salvation.” - Press Release
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REVIEW: In 2007 filmmaker Mitchell Lichtenstein, the son of artist Roy Lichtenstein, unleashed his tale of a contemporary American female teenager who discovers her body possesses a physical secret when she encounters male violence, vagina dentata; a myth that is found across cultures and eras, about a vagina that has a lethal set of teeth.
In the stage adaptation of Lichtenstein’s vision, Anna K. Jacobs and Michael R. Jackson successfully retain the story's essence while making it fresh for a theater audience. In this adaptation, the lead character, Dawn's home life is restructured, with her father now portrayed as a charismatic preacher and her brother, Bard, still grappling with issues from their youth but influenced by technology rather than as a heavy metal/skinhead. These changes create a more dynamic structure for their dysfunctional family unit. Notably, the myth plays a more central role in the stage adaptation, and the supporting cast of teenage promise keeper girls serve as a Greek chorus. My guest and I both felt that the staging had a feel of Stepehen King’s “Carrie,” his novel, DePalma’s film and maybe the rival of the play. TEETH reaches its climax in a visually captivating and chaotic clash of religious conservatism and feminism, expertly staged in a way that surpasses Frank Oz's never fully realized ending in the film adaptation of "Little Shop of Horrors." Incorporating many of the contemporary social sexual issues in our zeitgeist with satire makes for an extremely entertaining and thought provoking theatrical experience.
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The musical numbers were a delight. The combination of traditional Broadway musical songs and 70's and 80's pop songs in Jacobs' music was excellent. Jackson's lyrics added to the story and provided a splendid blend of humor and drama. While some of the lyrics were risqué, they never felt as shocking as something from "South Park" by Trey Parker and Matt Stone. Jacobs and Jackson provided some magical musical moments that showcased the entire cast's vocal abilities. Choreographer Raja Feather Kelly did a remarkable job in creating dance routines, despite having to work in horrific moments at times.
The production design, set, lighting, SFX, and sound designs are all of Broadway caliber. The stage design employs impressive elements with subtle movements that contribute to the narrative. At certain moments, all of these elements come together to create a truly magical theater experience. The set design takes advantage of every inch of space in bringing the story to life. Most of the play's costumes are effective, they become more creative and interesting in the final act.
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The cast of TEETH is nothing short of brilliant. Lead actress Alyse Alan Louis shines in her portrayal of Dawn. Her performance effortlessly blends innocence, comedic timing, powerful vocals, and a nuanced handling of sensual scenes. Meanwhile, her male counterparts—Steven Pasquale, Jason Gotay, Will Connolly, and Jared Loftin—face a daunting task. Not only do they create memorable characters, but they also navigate multiple roles and costume changes with ease, all the while delivering captivating musical numbers that showcase their talents. This ensemble cast is truly exceptional, and one can only hope that they will grace us with a cast recording of the show.
Michael R. Jackson, the Pulitzer Prize and Tony-winner of "A Strange Loop," has created a show that is consistently selling out. My guest, who was initially unaware of the show's premise and the creative team, was astounded upon learning about it at the end. They were also unfamiliar with the source material, which left them with a strong desire to seek it out. From my perspective, any adaptation that inspires viewers to seek out the original work is a significant accomplishment. "TEETH" ranks among my legendary theater experiences, akin to my cherished memories of attending the original Broadway productions of "Little Shop of Horrors," "Phantom of the Opera," "Les Misérables," and "Hadestown," that come to mind. "TEETH" offers an unforgettable and haunting theatrical experience that should not be missed.
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TEETH contains intense violence, blood and gore, sexual content, and strong language. Age Recommendation: Teeth is appropriate for audiences ages 17+. The play runs approximately 1 hour and 55 minutes with no intermission.. Performances are Tuesday through Sunday at 7:30 PM, with matinees Saturday and Sunday at 2:30 PM. Tickets are $120.00 plus $2.00 fee. Tickets are now on sale at https://my.playwrightshorizons.org/events. For more information, visit www.playwrightshorizons.org/shows/plays/teeth/#play-body.
Review By: Joseph B Mauceri
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muellermagic · 2 years
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looking for: guys and dolls boot
currently looking for a video boot of guys and dolls at the kennedy center with Jessie Mueller and Phillipa Soo. please let me know if you’re willing to gift
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theatredreamcasting · 9 months
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Steven Pasquale as Frank Butler (Annie Get Your Gun)
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clickscore · 11 months
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Does anyone still have the good Kelli and Steven Bridges of Madison County bootleg? I think the original email is dead :•(
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marvelislove10 · 2 years
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Ok also y’all this is a long shot haha but does anyone know how to find a bridges of Madison county boot??
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Happy Birthday Phillipa Soo!
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guess who watched the yt videos of Kelli O'Hara and Steven Pasquale recording songs for The Bridges cast album, again, and is dying inside, overwhelmed by all the beauty, again
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Aliens vs. Predator: Requiem (2007)
This is a Movie Health Community evaluation. It is intended to inform people of potential health hazards in movies and does not reflect the quality of the film itself. The information presented here has not been reviewed by any medical professionals.  
Aliens vs. Predator: Requiem has several extended sequences taking place at night and lit mostly by the strobe lights on police cars, flickering fluorescent lights, or lightning. A few of these scenes have some machine gun fire. A few scenes have some electrical arcing in the darkness. Most of these strobes are actually somewhat more mild than previous entries in both the Alien and Predator franchises, but they are almost constant throughout the film.
All of the camera work in this film is either stationary or very smooth. One brief sequence follows an out-of-control helicopter.
Flashing Lights: 10/10. Motion Sickness: 3/10.
TRIGGER WARNING: This film has some very bloody and gory moments. One of the more horrific things that happens in these franchises happens to a child. A lot of the lighting throughout the film is too dim to be able to clearly see what is going on.
NOTE: The Flashing Lights Warning Track for Doctor Strange in the Multiverse of Madness is now available exclusively on the $5 tier of our Patreon page at Patreon.com/MovieHealth
Image ID: A theatrical poster for Aliens vs. Predator: Requiem
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badmovieihave · 7 months
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Bad movie I have Rescue Me 2004-2011
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2ndaryprotocol · 1 year
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The debilitatingly dark ‘Aliens Vs Predator: Requiem’ ducked into theaters this day 15 years ago. 🔥🌧💥
“𝚆𝚎’𝚛𝚎 𝚗𝚘𝚝 𝚐𝚘𝚒𝚗𝚐 𝚝𝚘 𝚖𝚊𝚔𝚎 𝚒𝚝 𝚘𝚞𝚝 𝚘𝚏 𝚝𝚘𝚠𝚗 𝚠𝚒𝚝𝚑𝚘𝚞𝚝 𝚠𝚎𝚊𝚙𝚘𝚗𝚜, 𝚍*𝚌𝚔𝚑𝚎𝚊𝚍. 𝚈𝚘𝚞'𝚛𝚎 𝚝𝚘𝚘 𝚜𝚝𝚞𝚙𝚒𝚍 𝚝𝚘 𝚝𝚊𝚕𝚔, 𝙳𝚊𝚕𝚎.”
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flintstill · 2 years
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that Vegetable song from that one episode of Rescue Me where White Shawn is in the hospital just randomly popped into my head and it will never not make me fucking laugh
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derekklenadaily · 2 years
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CHECK OUT SEVERAL PHOTOS FROM THE UNVEILING OF ALEX'S PORTRAIT AT SARDI'S!
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