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#Scott Thurston
run-down-that-dream · 7 months
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Help Me official music video
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iggy-licious · 11 months
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longliverockback · 1 year
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Iggy Pop Wild Animal 1993 Revenge ————————————————— Tracks: 01. Raw Power 02. 1969 03. Turn Blue 04. Sister Midnight 05. I Need Somebody 06. Search ‘n’ Destroy 07. TV Eye 08. Dirt 09. Funtime 10. Gimme Danger 11. No Fun 12. I Wanna Be Your Dog —————————————————
Ricky Gardiner
Stacey Hayden
Iggy Pop
Hunt Sales
Tony Sales
Scott Thurston
* Long Live Rock Archive
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spilladabalia · 1 year
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Iggy & The Stooges - Search And Destroy
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songsforsquid · 2 years
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Seattle Metamodernism Summit
I’ll be taking part in a reading/performance and panel at the Seattle Metamodernism Summit on September 10th, 2022 (live and online). Is my poetry “metamodernist”? How does my creative process, as well as that of other poets and songwriters, connect to the ideas of irony, sincerity, or even perhaps “ironesty”? That’s some of what we’ll be exploring in this panel conversation between artists, academics, and artist-academics. Come for the performances, stay for the heady ideas! 
SEATTLE METAMODERNISM SUMMIT: Conversations on the Arts in an Age of Ironesty! 
Dates: September 10: Live & Online;  September 11: Online Only
​Live Location (Sept 10): Ballard Homestead, 6541 Jones Ave NW, Seattle, WA 98117, USA
Tickets: Options to watch online or attend in person; also an option to just attend the Songwriters and Poets Panel. 
SONGWRITERS & POETS PANEL: Sept. 10th (5:00pm-6:30pm PST) Songwriters John Van Deusen (The Lonely Forest), Costello (Pretty Broken Things) and Greg Dember and poets Sierra Nelson, Antony Rowland and Scott Thurston and will perform songs and poems in the round while engaging in a curated discussion about how metamodern tropes factor into their creative work and their lives – how they 'respond' musically/poetically to e.g. dualities such as: irony/earnestness, skepticism/belief, fragmentation/unity. 
More Info & Full Schedule: https://www.seattlemetamodernismsummit.com/ 
About the Seattle Metamodernism Summit:
What’s “metamodernism” and what do metamodern art and literature look like, sound like, feel like? Why are individuals and artists—even marketing and branding agents—increasingly drawn to it? Metamodernism is a name given to a sensibility emerging in the recent decades that grapples with our irony-soaked, context-dependent, everything-is-uncertain times by simultaneously embracing postmodern uncertainty and a sense of earnestness, even hope and commitment.  How exactly does the current moment inspire artists of all sorts to create in a different, what some call metamodern, register? The Seattle Metamodernism Summit is a public-friendly event taking place Sept 10-11. Part symposium and part performance, with time for discussion built in, researchers in metamodern arts, TV and film, architecture, literature, video games, marketing and more are coming together, presenting their ideas to each other and the general public at the Ballard Homestead on Saturday September 10. A live poet and songwriter panel includes locals Sierra Nelson, John Van Deusen (The Lonely Forest), Costello (Pretty Broken Things) and others. The public may attend the Summit in person or online (Zoom) on Sept 10th. The event continues in online only format on Sept 11th. For more information and to purchase tickets, please visit our website at SeattleMetamodernismSummit.com.
Event sponsored by AHRC Metamodernism Research Network, What is Metamodern? and Abbey Arts.
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celticcatgirl2 · 4 months
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No Freaking way….
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punkrockhistory · 7 months
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50 years ago
The Stooges pose for a portrait backstage at the Whisky A-Go-Go on October 1973 in West Hollywood
Front row L-R: Iggy Pop, Scott Asheton, Back row L-R:Scott Thurston, Ron Asheton, James Williamson
Photo by Michael Ochs
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#knowyourroots #history #punkrockhistory
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quoththemaven · 3 months
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2023 Favoritest Book Reads
Vineland - Pynchon, Thomas
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Prophet - Blaché, Sin & Helen Macdonald
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And the Ass Saw the Angel - Cave, Nick
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Lou Reed: The King of New York - Hermes, Will 
The Color of Magic (Discworld, #1; Rincewind, #1) - Pratchett, Terry
Steal Like an Artist: 10 Things Nobody Told You About Being Creative - Kleon, Austin 
Sonic Life: A Memoir - Moore, Thurston
The Fifth Season (The Broken Earth, #1) - Jemisin, N.K. 
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Fuzz: When Nature Breaks the Law - Roach, Mary
Everyone's a Aliebn When Ur a Aliebn Too - Sun, Jonny
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The Night Masquerade (Binti, #3) - Okorafor, Nnedi 
Home (Binti, #2) - Okorafor, Nnedi 
Binti: Sacred Fire (Binti, #1.5) - Okorafor, Nnedi 
Binti (Binti, #1) - Okorafor, Nnedi 
Black Paradox - Ito, Junji
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David Bowie's Low (33 1/3) - Wilcken, Hugo
Faith, Hope and Carnage - Cave, Nick
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The Sirens of Titan - Vonnegut Jr., Kurt
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Zealot: The Life and Times of Jesus of Nazareth - Aslan, Reza
Smashed - Ito, Junji
Time Shelter - Gospodinov, Georgi
Brian Eno's Another Green World (33 1/3) - Dayal, Geeta
Armageddon in Retrospect - Vonnegut Jr., Kurt
Neverwhere (London Below, #1) - Gaiman, Neil 
The Committed (The Sympathizer #2) - Nguyen, Viet Thanh 
Into the Great Wide Open - Canty, Kevin 
Mongrels - Jones, Stephen Graham 
DisneyWar - Stewart, James B.
Bonk: The Curious Coupling of Science and Sex - Roach, Mary
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The Left Hand of Darkness - Le Guin, Ursula K.
My Bloody Valentine's Loveless (33 1/3) - McGonigal, Mike 
Suttree - McCarthy, Cormac
Life's Work: A Memoir - Milch, David
The Invisible Life of Addie LaRue - Schwab, V.E.
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Against the Day - Pynchon, Thomas
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Burn It Down: Power, Complicity, and a Call for Change in Hollywood - Ryan, Maureen 
Bruce Springsteen's Born in the USA (33 1/3) - Himes, Geoffrey
La Moustache - Carrère, Emmanuel
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Janelle Monáe’s The ArchAndroid (33 1/3) - Favreau, Alyssa 
Sooner or Later Everything Falls Into the Sea - Pinsker, Sarah 
The Man Without a Shadow - Oates, Joyce Carol
The City & the City - Miéville, China 
Mem - Morrow, Bethany C. 
Sapiens: A Brief History of Humankind - Harari, Yuval Noah
Arcade Fire’s The Suburbs (33 1/3) - Eidelstein, Eric
Gutshot - Gray, Amelia 
The Price of Time (Watch What You Wish For #1) - Tigner, Tim 
The Revolution Was Televised: The Cops, Crooks, Slingers and Slayers Who Changed TV Drama Forever - Sepinwall, Alan 
Just Kids - Smith, Patti 
Sounds Like Titanic: A Memoir - Hindman, Jessica Chiccehitto 
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Flicker - Roszak, Theodore
Tinderbox: HBO's Ruthless Pursuit of New Frontiers - Miller, James Andrew 
Flashback - Simmons, Dan
Flaming Lips' Zaireeka (33 1/3) - Richardson, Mark 
The Sympathizer (The Sympathizer #1) - Nguyen, Viet Thanh 
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Pavement's Wowee Zowee (33 1/3) - Charles, Bryan
Neuromancer (Sprawl, #1) - Gibson, William
Invisible Cities - Calvino, Italo
Don't Fear the Reaper (The Indian Lake Trilogy, #2) - Jones, Stephen Graham 
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The Wes Anderson Collection - Seitz, Matt Zoller
Flow My Tears, the Policeman Said - Dick, Philip K.
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Kendrick Lamar's To Pimp a Butterfly (33 1/3) - Maner, Sequoia
The Nineties - Klosterman, Chuck
Tomorrow, and Tomorrow, and Tomorrow - Zevin, Gabrielle 
Wanderlust: An Eccentric Explorer, an Epic Journey, a Lost Age - Mitenbuler, Reid
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A Heart That Works - Delaney, Rob 
Imago (Xenogenesis, #3) - Butler, Octavia E.
Cryptonomicon (Crypto, #1) - Stephenson, Neal 
Blacktop Wasteland - Cosby, S.A. 
Pearl Jam's Vs. (33 1/3) - Brownlee, Clint
Tracy Flick Can't Win - Perrotta, Tom
Devil House - Darnielle, John 
Adulthood Rites (Xenogenesis, #2) - Butler, Octavia E.
Heat 2 - Mann, Michael & Meg Gardiner
Joy Division's Unknown Pleasures (33 1/3) - Ott, Chris
Dawn (Xenogenesis, #1) - Butler, Octavia E.
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The Diamond Age: Or, a Young Lady's Illustrated Primer - Stephenson, Neal 
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The Republic of Thieves (Gentleman Bastard, #3) - Lynch, Scott 
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The Year of the Flood (MaddAddam, #2) - Atwood, Margaret 
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railwayhistorical · 11 months
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My Guitar Gently Weeps
I must be the last person on earth to see this: a line-up of all star musicians play a tribute to George Harrison with his My Guitar Gently Weeps. This was for the Rock and Roll Hall of Fame class of 2004—George was being inducted posthumously, and, as luck would have it, Prince, very much alive, was also going in that year.
In the video, Tom Petty runs the show, relaxed and cool with his distinctive voice and 12-string guitar; Jeff Lynne shares vocal duties. Steve Winwood plays the Hammond at the back of the stage, with his collaborator, Jim Capaldi, doing various percussion—Traffic was also being inducted that fateful evening.
This is all going along wonderfully, with Jeff Lynne's guitarist, Marc Mann, emulating Clapton of the original Beatles version of the song. There are other personnel* I'm not listing here, but I do notice, to Petty's left, someone who I naively thought resembled a young George Harrison. (I would later find out this was Dhanni Harrison, George's son.) In any case, I've always had an affinity for George's contributions to the Beatles oeuvre and thought this could not get any better. And then Prince appears.
He'd been standing off to the side, strumming a guitar, barely noticeable, but now moves toward center stage. Dhanni is nodding and smiling widely as he moves into place, seemingly knowing what is about to happen. As most people on the planet are aware, Prince then goes on to execute an amazing, nearly three-minutes long solo to finish off the song—and tosses his guitar into the air with a flourish. My mouth was probably agape.
It's difficult to grasp really, the size, the scope of this event. People use the word "epic" now and again, but it should only be utilized for something of this magnitude. Now that we've lost Prince, Tom Petty, the lesser-known Capaldi as well, it's all the more valuable.
*Jeff Young on piano; and members of Petty’s Heartbreakers, Scott Thurston (bass), and Steve Ferrone (drums).
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nyupreservation · 1 year
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FILM INSPECTION: THE EARLY FILMS OF BETH B
by Emily Jenne, Institute of Fine Arts Conservation Center graduate student
Beth B, one of the most influential filmmakers to emerge from the generative chaos of the 1980s downtown scene, is known for her transgressive head-on confrontation of power structures and sexual politics. She formed the independent film production company B Movies (a play on low-budget films) with her partner Scott B, with whom she has worked over the years along with a panoply of collaborators, downtown luminaries such as Jack Smith, Arto Lindsay, Pat Place, John Lurie, Bill Rice, Gary Indiana, James Nares, Kiki Smith, Tom Otterness, Richard Edson, Vivienne Dick, James Russo, Richard Prince, Ann Magnuson, Jenny Holzer, Richard Kern, Kembra Pfahler, James Habacker, Dirty Martini, Thurston Moore, and Kai Eric (the list goes on). She is still active today, and her recent documentaries zero in on burlesque, no-wave provocateur Lydia Lunch, and the painter Ida Applebroog (who also happens to be Beth B’s mother).
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Flyer for ‘Black Box’
As a longtime Beth B fan myself, I was thrilled to have the opportunity to work on several of her early films as they entered NYU’s Special Collection (Beth B Papers, MSS.614; Scott and Beth B (B Movies) Records, MSS.622). This included: G Man (1978), Black Box (1979), The Trap Door (1981), Salvation (1987), Belladonna (1989), and Visiting Desire (1996), as well as a copy of Un Chant d’Amour (1950) the first and last film by French writer Jean Genet, famously banned for its explicit content. As a graduate student specializing in both time-based media and paper conservation at the Institute of Fine Arts NYU, I am often asked where these two seemingly disparate fields overlap. The work I’ve done at the Barbara Goldsmith Preservation & Conservation Department is an excellent example of the two working in tandem. The Beth B collection, for example, has both a media component (the films) and an accompanying paper element (posters and other ephemera). 
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‘The Deadly Art of Survival’ poster, photograph by Dawn Manokowski
Film preservation begins with an assessment logging current conditions and identifying the media, which will determine the best practices for storage. The first order of business is identifying the film base as cellulose nitrate, acetate, or polyester. The film gauges present in the Beth B collection, 16mm and Super 8mm, ruled out one possibility, cellulose nitrate which was never used as an 8mm or 16mm substrate in the West. From there, acetate and polyester could be distinguished using a very high-tech piece of equipment, 3D movie glasses. A pair of polarized 3D glasses folded in half at the nose can be used for a polarization test. When slid between the lenses, a polyester base will birefringe, acetate will not (birefringence is a phenomenon of optical anisotropy in certain materials that causes distinctive visual undulations at changing angles). In the end, all of the films were found to have an acetate base. 
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The film inspection bench in the Barbara Goldsmith Preservation & Conservation Department.
Further information about the film stock can be determined from clues in the edge code. Using a loupe and cross-referencing with an edge code chart, the year and even the location of manufacture can be established. The placement of a dot within the word ‘safety’ notes the location (acetate film base is known as ‘safety film’ in contrast to its highly reactive and flammable predecessor, cellulose nitrate). The film stock in the Beth B collection was manufactured in Rochester, NY. 
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Kodak edge code identifying Rochester, NY as the manufacturing location.
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Eastman Kodak Date Code Chart
Information on the soundtrack format was also noted, the Super 8mm reversal films had a magnetic soundtrack, and the 16mm reversal films had a variable density optical track. Other relevant information was also recorded such as instances of surface abrasion, broken sprocket holes, number and character of splices, and any annotations on the head or tail leader (often instructions for the projectionist).
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‘Salvation’ Print # 2
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‘The Trap Door’ 8mm reel.
The major concern with acetate film base is deacetylation, an irreversible form of deterioration colloquially known as ‘vinegar syndrome’ for its distinctive acidic odor which can be detected at concentrations as low as 1 ppm. Deacetylation is essentially a reversal of the synthesis steps used to make the acetate base, and the reaction produces acetic acid which can also have a detrimental effect on the other component layers of the film. Acetic acid can soften the gelatin emulsion layer and accelerate fading of color dyes in color film. Deacetylation also leads to warpage, embrittlement, channeling, and shrinkage of the film base by as much as 10%. Shrinkage beyond 0.8% makes it dangerous to project the film. 
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Film shrinkage gauge.
Deacetylation is exacerbated by high humidity and fluctuations in temperature, but further damage can be mitigated with correct storage conditions. The industry standard for measuring the extent of deacetylation is with AD strips, a type of targeted litmus test, which measures acidity on a scale of 0 (blue, indicating no deterioration) to 3 (yellow, which indicates critical condition). In conjunction, multiple readings taken with a film shrinkage gauge can be used to determine the average shrinkage level of the film.
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An 8mm film splicer in action.
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‘Trap Door’ film reel storage case.
The films in the Beth B collection were found to be in generally good condition, and minor preservation interventions included the removal of tape residue and splicing of new labeled extensions onto the existing head and tail leader. The copy of Un Chant d’Amour, now upwards of 70 years old and suffering more from the effects of deacetylation in contrast the Beth B films, is a good reminder of the importance of consistent low humidity, low-temperature storage in prolonging the life of acetate-based films, just the kind that these films will receive in their new home at NYU.  
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Film Poster for ‘Lydia Lunch: The War is Never Over’
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longliverockback · 2 years
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Tom Petty and the Heartbreakers The Last DJ 2002 Warner Brothers ————————————————— Tracks: 01. The Last DJ 02. Money Becomes King 03. Dreamville 04. Joe 05. When a Kid Goes Bad 06. Like a Diamond 07. Lost Children 08. Blue Sunday 09. You and Me 10. The Man Who Loves Women 11. Have Love Will Travel 12. Can't Stop the Sun —————————————————
Ron Blair
Mike Campbell
Steve Ferrone 
Tom Petty
Scott Thurston
Benmont Tench
* Long Live Rock Archive
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On to Round 2!
This is a wrap-up of the current standings. Polls for round 2 will be published starting this Saturday (12/16).
Congratulations to all the counties that progressed!
The state that is standing the strongest is New York, with 39 counties progressing to round 2! Albany, Allegany, Allegany, Broome, Cattaraugus, Chautauqua, Chemung, Chenango, Clinton, Columbia, Delaware, Franklin, Greene, Hamilton, Jefferson, Kings, Livingston, Nassau, New York, Niagara, Oneida, Orange, Otsego, Putnam, Rensselaer, Richmond, Rockland, Saint Lawrence, Saratoga, Schuyler, Steuben, Suffolk, Sullivan, Ulster, Warren, Washington, Wayne, Westchester, and Wyoming.
Next most powerful state is Virginia, which has 36 winning counties. Alleghany, Alleghany, Amherst, Augusta, Bedford, Brunswick, Caroline, Carroll, Charlotte, Chesterfield, Fairfax, Fauquier, Fluvanna, Gloucester, Goochland, Grayson, Halifax, Isle of Wight, James City, King and Queen, King George, King William, Lee, Louisa, Montgomery, Patrick, Pittsylvania, Prince Edward, Pulaski, Rockingham, Scott, Smyth, Southampton, Tazewell, Warren, and Wise.
Ohio is also standing strong with 27 advancing counties. Brown, Butler, Columbiana, Coshocton, Crawford, Defiance, Erie, Fulton, Geauga, Holmes, Jackson, Lake, Lawrence, Licking, Madison, Mahoning, Medina, Mercer, Monroe, Muskingum, Perry, Pickaway, Ross, Scioto, Seneca, Trumbull, and Van Wert.
North Carolina is up next with a solid 24 wins. Beaufort, Cabarrus, Caldwell, Camden, Carteret, Craven, Currituck, Granville, Harnett, Henderson, Hoke, Jackson, Johnson, Lenoir, Lincoln, Macon, Madison, Mecklenburg, Northampton, Onslow, Person, Robeson, Tyrrell, and Wake.
Only 1 more state has over 20 counties that made won their match-ups and that's my wonderful Washington. Adams, Asotin, Chelan, Clallam, Cowlitz, Ferry, Garfield, Grant, Grays Harbor, King, Kitsap, Kittitas, Klickitat, Lewis, Pacific, Pend Oreille, Skagit, Snohomish, Thurston, Walla Walla, Whatcom, Whitman, Yakima. Stay strong my soldiers.
A much higher number of states are comfortably in the middle of the pack. They are as follows:
Texas: 19 counties. Bosque, Collin, Dallas, Denton, Fort Bend, Goliad, Hockley, Jones, Lipscomb, Live Oak, Llano, McMullen, Milam, Ochiltree, Orange, Panola, Parker, San Patricio, and Travis.
California: 17 counties. Amador, Calaveras, El Dorado, Imperial, Lake, Mariposa, Monterey, Orange, San Benito, San Luis Obispo, Santa Barbara, Santa Clara, Santa Cruz, Solano, Tulare, Tuolumne, and Yolo.
Pennsylvania: 16 counties. Allegheny, Blair, Butler, Carbon, Dauphin, Franklin, Greene, Jefferson, Lancaster, Lycoming, Mifflin, Montgomery, Perry, Potter, Venango, and York.
Tennessee: 15 counties. Blount, Campbell, Carter, Cumberland, Hardin, Houston, Johnson, Knox, Madison, Maury, McNairy, Obion, Union, Williamson, and Wilson.
Nebraska: 13 counties. Adams, Buffalo, Cass, Cherry, Dakota, Keith, Knox, Nuckolls, Platte, Saunders, Stanton, Thayer, and Webster.
Nevada: 13 counties. Churchill, Clark, Douglas, Esmeralda, Eureka, Lander, Lincoln, Lyon, Mineral, Pershing, Storey, Washoe, and White Pine.
Illinois: 12 counties. Cook, DeKalb, Franklin, Jasper, Kane, Marion, McDonough, McHenry, Morgan, Peoria, St Clair, and Winnebago.
Maryland: 12 counties. Anne Arundel, Calvert, Carroll, Cecil, Dorchester, Frederick, Montgomery, Prince George’s, Queen Anne’s, Talbot, Washington, and Worcester.
Michigan: 12 counties. Barry, Berrien, Clinton, Genesee, Gogebic, Kalamazoo, Lake, Oceana, Ottawa, Rocommon, Sanilac, and Wexford.
Iowa: 11 counties. Dickinson, Fayette, Hancock, Hardin, Henry, Humboldt, Jefferson, Jones, Polk, Pottawattamie, and Wright.
Louisiana: 11 parishes. Ascension, Bossier, Cameron, Catahoula, Concordia, Jefferson, Lincoln, Natchitoches, St Bernard, St James, and St Tammany.
New Jersey: 11 counties. Bergen, Cumberland, Essex, Middlesex, Morris, Passaic, Salem, Somerset, Sussex, Union, and Warren.
Kentucky: 10 counties. Boone, Boyle, Breckinridge, Daviess, Leslie, Logan, Pike, Shelby, Trimble, Woodford.
Many of these poor cute states are barely hanging on. Please wish them luck.
Florida: 8 counties. Alachua, Bay, Miami-Dade, Monroe, Okaloosa, Osceola, Palm Beach, and St Johns.
New Mexico: 8 counties. Colfax, Curry, Doña Ana, Lincoln, Mora, Otero, Roosevelt, and Socorro.
Georgia: 6 counties. Bartow, Cherokee, Floyd, Fulton, Pierce, and Rockdale.
Indiana: 6 counties. Benton, Elkhart, Jennings, Marion, Marshall, and Starke.
Minnesota: 6 counties. Aitkin, Clearwater, Hennepin, Hubbard, McLeod, and Pipestone.
Wisconsin: 6 counties. Calumet, Fond du Lac, Osaukee, Portage, Racine, and Sheboygan.
Wyoming: 6 counties. Big Horn, Converse, Lincoln, Natrona, Park, and Teton.
Missouri: 5 counties. Clay, Gentry, Greene, Newton, and St Louis.
South Carolina: 5 counties. Anderson, Calhoun, Dillon, Dorchester, and Lexington.
Utah: 5 counties. Beaver, Summit, Utah, Washington, and Wayne.
Alaska: 4 boroughs. Anchorage, Juneau, Matanuska-Susitna, and Wrangell.
Arkansas: 4 counties. Cross, Searcy, Washington, and White.
Colorado: 4 counties. Douglas, El Paso, Fremont, and La Plata.
Oklahoma: 4 counties. Bryan, Payne, Rogers, and Washington.
West Virginia: 4 counties. Fayette, Marion, Monongalia, and Roane.
Alabama: 3 counties. Bullock, Cleburne, and Mobile.
Arizona: 3 counties. Coconino, Maricopa, and Yavapai.
Maine: 3 counties. Androscoggin, Hancock, and Washington.
Idaho: 2 counties. Bannock and Bonner.
Kansas: 2 counties. Atchinson and Johnson.
Massachusetts: 2 counties. Barnstable and Berkshire.
Montana: 2 counties. Gallatin and Silver Bow.
North Dakota: 2 counties. Benson and LaMoure.
Some states only have 1 county that progressed. They are: Delaware (Kent County), Hawaii (Maui County), Mississippi (Adams County), New Hampshire (Hillsborough County), Oregon (Linn County), and South Dakota (Bennet County).
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In addition to all the winning counties above, there will be 83 new county flags folded into round 2!!! (Because of math reasoning this had to happen) Get hyped
They are as follows:
Alexander NC, Allen OH, Alpena MI, Alpena MI, Alpine CA, Arapahoe CO, Ashe NC, Avery NC, Baldwin AL, Baltimore MD, Bell KY, Benzie MI, Bernalillo NM, Black Hawk IA, Brevard FL, Camden NJ, Campbell WY, Canyon ID, Centre PA, Charles City VA, Cheatham TN, Chester PA, Clark WA, Clarke VA, Cleveland OK, Cochise AZ, Columbus NC, Coweta GA, Darke OH, Davidson NC, Elko NV, Erie PA, Florence SC, Garrett MD, Goshen WY, Greene VA, Grundy IL, Gwinnett GA, Hidalgo TX, Highland OH, Hocking OH, Holt NE, Hot Springs WY, Howard MD, Huntingdon PA, Ingham MI, Island WA, Kankakee IL, Lackawanna PA, Lawrence PA, Leelanau MI, Lehigh PA, Leon FL, Liberty TX, Lucas OH, Madera CA, Mahaska IA, Manitowoc WI, McLennan TX, Meigs OH, Milwaukee WI, Nashville and Davidson TN, Northumberland VA, Orleans NY, Page VA, Porter IN, Sacramento CA, Salt Lake UT, San Diego CA, Sangamon IL, Sevier TN, Shelby TN, Skamania WA, Spotsylvania VA, Stafford VA, Sussex VA, Terrell TX, Trinity CA, Tulsa OK, Tuscarawas OH, Ventura CA, Wahkiakum WA, Yuma AZ
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singeratlarge · 9 months
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HAPPY BIRTHDAY to José Areas, Roy Acuff, Jr., Benny Benjamin, David Bowie’s 1975 single “Fame,” Manny Charlton (Nazareth), my friend Mark Clarke (Colosseum, Ian Hunter, Monkees, Tempest), Tom Dawes (Cyrkle), Donovan’s 1970 OPEN ROAD album, Ileanna Douglas, Don Ellis, Lynne Frederick, Sarah Geronimo, Steve Goodman, gospel singer Henrietta Hadley, Johnny Hodges, Iman, Gibson Kente, Henry Knox, Rita Marley, Martin & Lewis (1946), producer/musician/composer Scott Mathews, Thurston Moore, Maxfield Parrish, Public Image Ltd. (1979), Nirmal Purja, Annie Ross, the 1969 Seattle Pop Festival, The Supreme’s 1966 single “You Can’t Hurry Love,” Emmett Till, Verdine White (Earth Wind & Fire), Bruce Woodley, D.B. Woodside, and drummer/band leader Jim McCarty of The Yardbirds, the legendary British Invasion rock band credited for birthing “psychedelic rock” and was the launch pad for Led Zeppelin, Renaissance, and other notables. In 2007 I wrote a paper about The Yardbirds song “Over Under Sideways Down,” which I point to as an ultimate meme for the 1960s. Jim was kind enough to correspond and provide background information for my paper. 
HB and thank you Jim for your years of service and for keeping The Yardbirds going. On that note, here’s a cover of “Shapes of Things” that I did with singer peter chauncey. 
#yardbirds #jimmcarty #peterchauncey #birthday #johnnyjblair
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mermaidemilystuff · 1 year
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Grazie @mrs-emptiness! Sempre presente per i giochetti: Rules: You can usually tell a lot about a person by the type of music they listen to. Put your playlist on shuffle and List the first 10 songs, and then tag 10 people. No skipping!
Non taggo, ma: se non lo conoscete ascoltatevi un po' di roba di Scott Bradlee's Postmodern Jukebox bacetti 💝
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manfrommars2049 · 2 years
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I'll Get Mine by Thurston Scott, 1952 via pulp
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