In “Here’s Lucy,” Lucille Ball had a new character, a new family, and a new show - but one thing remained constant, her love of movies! Here are some of the movies (real and imagined) of “Here’s Lucy.”
~FACTUAL FILMS~
“Lucy and Carol Burnett” aka “The Unemployment Follies” (1971)
Carol and Lucy stage a tribute to Hollywood using unemployed actors. The films mentioned and/or feted include:
TO HAVE AND HAVE NOT (1944)
BLUE ANGEL (1930)
CASABLANCA (1942)
42ND STREET (1933)
THE WIZARD OF OZ (1939)
SINGIN’ IN THE RAIN (1952)
ROSE MARIE (1954)
The set is decorated with posters from:
HOLLYWOOD OR BUST (1956)
SAMPSON AND DELILAH (1949)
THE GREATEST SHOW ON EARTH (1952)
SHORT CUT TO HELL (1957)
GONE WITH THE WIND (1939)
UNDER TWO FLAGS (1936)
“Ginger Rogers Comes To Tea” (1971)
Ginger Rogers leaves her purse in a movie theatre where she's gone incognito to see one of her films for the first time. Lucy and Harry discover the purse and hope to get to meet the star in person by inviting her to tea. Instead of working late, Lucy tells Harry that she wants to go to a Ginger Rogers Film Festival. They are showing Tender Comrade (1943) and Flying Down To Rio (1933), two films made at RKO, which eventually became Desilu.
Rogers tells Lucy she has done 73 movies. Rattling off some of Rogers' hits, Lucy adds a sugar cube to Ginger's tea for each title: Top Hat, Roberta, Flying Down To Rio, Follow the Fleet, Shall We Dance, and The Barkleys of Broadway. When Lucy realizes she's put six lumps of sugar in Ginger's tea, Rogers says she only wanted Top Hat and Roberta (two lumps).
Trying to impugn the taste in films of the mystery woman (a disguised Ginger Rogers), Lucy tells her to try back next week and they might be showing Beach Blanket Bingo (1965). This was the fourth of the light comic films set on the California beach starring Frankie Avalon and Annette Funicello.
After dancing the Charleston with Lucy and Kim, Lucy asks Rogers to do a scene from Kitty Foyle, Ginger’s Oscar-winning role. Rogers graciously declines, asking Lucy to become a Katherine Hepburn fan instead!
“Guess Who Owes Lucy $23.50?” (1968)
Lucy loans Van Johnson money to fix his car – but the man turns out to be an impostor. This episode is written for Van Johnson to work in a not-so-subtle plug for their latest film Yours, Mine and Ours (1968) starring Henry Fonda.
VAN IMPOSTER:“I loved working with that kooky redhead.”
LUCY: “Personally, I thought she was much too young for Henry Fonda.”
Lucy says she remembers Johnson from his appearance in The Romance of Rosy Ridge (1947). She later tells him she saw the film 17 times! When Lucy is escorted out by the studio guards at Van’s direction, Lucy says that now she’s glad he got court martialed in The Caine Mutiny (1954).
“Lucy and Aladdin’s Lamp” (1971)
When Lucy holds a garage sale, she discovers an old lamp that she believes may be make wishes come true. Lucy pulls out a fur-lined jacket she says was worn by Joan Crawford in Mildred Pierce. The 1945 film won Crawford an Academy Award. Craig says that judging by the shoulder pads she could have worn it in The Spirit of Notre Dame, a 1931 football-themed movie starring Lew Ayres.
“Lucy and Flip Go Legit” (1971)
Lucy takes a temp assignment with Flip Wilson in order to answer his fan mail. When she is caught sneaking into Wilson’s office to ask him a favor, she gets caught and fired. The favor is to appear in a community theatre production of Gone With The Wind (1939) – as Prissy. Lucy plays Scarlett O’Hara, Harry plays Rhett Butler, and Kim takes the role of Melanie Wilkes.
“Won’t You Calm Down Dan Dailey?” (1971)
Lucy gets a job working for Dan Dailey. When he starts to dictate a letter to Paul Newman at Universal Studios, Lucy says she saw Newman on the late show in Winning, a 1969 film about a race car driver.
“Lucy and Rudy Vallée” (1970)
Famous crooner Rudy Vallée is waiting tables to pass the time until his music comes back into style. Lucy convinces Kim to help update his look and sound while Harry gets him a booking at the local teen hangout. When a life-size portrait of Vallée in a raccoon coat is revealed, Vallée says he wore the coat in his first picture, Varsity Hero, a silent picture where critics raved about his singing!
In reality, Vallée’s first film (aside from two shorts playing himself) was The Vagabond Lover in 1929.
“Lucy and Chuck Connors Have a Surprise Slumber Party” (1974)
Harry rents out Lucy’s home for a movie shoot. After causing several re-takes, Lucy is banished from her own home. When she returns early, she doesn’t know that Chuck Connors is staying overnight – in her bed!
Jerry, the film’s director, tells Chuck that his film Good Morning, Miss Dove starring Jennifer Jones is on television that night. Connors says the film was one of the few times he got to nuzzle something besides a horse. Released in 1955 by 20th Century Fox, the film co-stars Mary Wickes, a frequent guest star on all of Lucille Ball’s sitcoms. It also features Jerry Paris, who directed two episodes of “Here’s Lucy” before being fired, and Robert Stack of Desilu’s “The Untouchables.” Other “Lucy” alumni in the film include Herb Vigran, Hal Taggart, and Arthur Tovey – all appearing uncredited.
“Lucy Meets the Burtons” (1972)
The hotel manager tells Burton that the back door is mobbed by the Elizabeth Taylor Fan Club – Glendale Chapter. Membership to the club requires seeing National Velvet 10 times! National Velvet (1945) was made when Taylor was just twelve years old.
“Lucy’s House Guest, Harry” (1971)
As Harry is finally is finally about to leave, Lucy has a horrible thought: what if he is like Sheridan Whiteside in The Man Who Came to Dinner and falls on his way out and must stay with them even longer? The play, by George S. Kaufman and Moss Hart, opened on Broadway in 1939. It starred Lucille Ball's good friend (and “Here's Lucy” performer) Mary Wickes as Nurse Preen. Wickes was one of several actors who recreated their roles in the 1942 film adaptation.
~FICTIONAL FILMS~
“Lucy, the American Mother” (1970)
Craig makes a film about Lucy, a typical American mother. During the episode, Kim does impressions of Katharine Hepburn in Stage Door (1937), a film that also featured Lucille Ball, Maurice Chevalier in Innocents of Paris (1929), and Bette Davis in The Great Lie (1941).
The title of Craig's movie will be “A Day in the Life of My Mother.” When Lucy can't seem to act natural in front of Craig's camera, she suggests he get someone else to play his mother; someone like Raquel Welch, Carol Burnett, or Don Knotts.
~FILM INSPIRATIONS~
“My Fair Buzzi” (1972)
Kim’s shy and awkward friend Annie (Ruth Buzzi) comes out of her shell in order to audition for a 1920s revue, only to find the director was looking for someone shy and awkward in the first place! The episode title and story of transformation were inspired by the 1956 Broadway musical and 1964 film My Fair Lady, which, in turn, was inspired by George Bernard Shaw’s Pygmalion. Both are mentioned in the dialogue of the episode.
“Dirty Gertie” (1972)
Lucy gets a surprise fruit basket and heads downtown to share her good fortune with her hairdresser. On the street she is mistaken for Dirty Gertie, an apple peddler who just happens to be the good luck charm of a local gangster. This episode was inspired by the 1961 Frank Capra film Pocketful of Miracles in which Bette Davis played Apple Annie, a poor woman reduced to selling apples on the street. The film featured previous “Lucy” co-stars Edward Everett Horton, Jay Novello, Ann-Margret (film debut), Sheldon Leonard, Jerome Cowan, Fritz Feld, Ellen Corby, Benny Rubin, Hayden Rorke, Bess Flowers, Vito Scotti, Bert Stevens, Arthur Tovey, and Romo Vincent.
“Lucy Runs the Rapids” (1969)
The Carters take a road trip in a camper. The episode opens with the soundtrack playing “Breezin’ Along”, the theme song from The Long, Long Trailer (1954), a film starring Lucy and Desi as a couple honeymooning in a trailer.
~FILM FAKES~
“Lucy Cuts Vincent’s Price” (1970)
Price is filming a new horror film titled Who’s Afraid of Virginia’s Wolfman? He says it has the best title since he starred in The Giant Chihuahua That Ate Chicago.
~FILM REFERENCES~
“Lucy, the Cement Worker” (1969)
In Pierre’s the knife thrower’s studio, there is a handbill on the bulletin board for ‘Cherokee Jim’s Rodeo and Wild West Show’, which is a direct reference to the 1945 film Incendiary Blonde starring Betty Hutton as Texas Guinan. The film was directed by George Marshall for Paramount, the same director and studio producing this episode of “Here’s Lucy” 25 years later!
“Lucy in the Jungle” (1971)
When Harry sees baby chimps Fido and Rover, he reminds Lucy and Kim that King Kong started out as a baby, too! King Kong, Hollywood’s tale of a giant ape, was first filmed in 1933, then re-made in 1976 and 2005. Fay Wray, one of the stars of the original film, also made The Bowery that same year, one of Lucille Ball’s first films.
“Lucy and the Ex-Con” (1969)
Lucy and Rocky (Wally Cox) go undercover as little old ladies to catch a crook. When Lucy and Rocky pass out (as planned) one of the crooks says to the bartender “Give me a hand with arsenic and old face.” Arsenic and Old Lace is a 1944 film where two elderly spinsters serve lethal glasses of elderberry wine to unsuspecting older gentlemen and bury them in their basement!
“Lucy and The Generation Gap” (1969)
Lucy and Uncle Harry help Kim and Craig stage the school musical. In the first act of the musical set in ancient Rome, Lucille Ball is reading a magazine called 'Roman Scandals’. Roman Scandals is also the title of Lucille Ball’s uncredited film debut in 1933.
“Lucy and Shelley Winters” (1968)
Hired to watch over dieting movie star Shelley Summers. On the mantle of Summers' apartment is a photo of a svelte Shelley Winters from the 1950 film Frenchie. She glances guiltily at the photo when she is about to overeat.
“Lucy Carter Meets Lucille Ball” (1974)
Although Lucille Ball's dressing room wall is lined with photographs of Mame and the soundtrack plays the title tune by Jerry Herman, the name of the movie is never specifically mentioned. The film was given its world premiere on March 7, 1974 three days after this episode first aired, and released nationally three weeks later. As Mame, Lucy failed to ‘charm the husk off of the corn.’
HEADS UP: MY VERSION OF FNAF STAYS VERY CLOSE TO CANON
I change some names, add on some details, throw out convoluted bullcrap, and add some parts that are my own.
Full thing under the cut!
William was born on October 14th, 1938. He was born to James and Helen Afton. James Afton died in 1944 in WW2. Hellen Afton died in 1994 of natural causes.
Henry Emily was born on June 10th, 1941 to Edward and Dorthy Emily. Edward Emily passed away in 1995 to natural causes, his wife passed away a year later.
William moved to America at 18 to go to college for engineering, there he met Henry and they formed a friendship. William met Elanor in 1957 and married her in 1959. Henry met Ruth in 1958 and married her in 1960.
Ruth Davis was born on November 26th, 1941, to Kenneth and Florence Davis. Kenneth Davis passed away in 1975 to medical issues, Florence passed away in 2000 to natural causes.
Elanor Schmidt was born on February 15th, 1943 to Frank and Marie Schmidt. Frank Schmidt passed away in 1964 to medical issues, Marie Schmidt passed away in 1978 to natural causes.
William and Henry put their degrees to use to start a business and in 1964 the first Fredbears opened, a simple diner featuring Fredbear and Springbonnie. In 1966 after trying to upgrade the springlocks, William suffers a springlock accident but survives, scarring him. The springlocks are eventually perfected.
William and Elanor had their first child in 1969, Michael Afton.
Fredbears becomes more successful, and eventually more locations are opened.
Henry and Ruth had their only child in 1971, Charlie Emily. William and Elanors family expands, with Elizabeth Afton being born in 1976, and Evan Afton being born in 1977.
In 1978 William murders his wife with a sledgehammer. He disposes of her body in an unnamed location in the Utah desert. Due to them having marital issues the police don't find enough evidence to convict William and he is not incarcerated. He manipulates Michael into thinking Elanor left them due to her lack of love for them.
1983, Evans 6th birthday is taking place in a Fredbears Diner. Due to him being terrified of the animatronics, Michael and his friends torment him and push him into the mouth of Fredbear. Evan starts crying, and the moisture from his tears cause the springlocks in Fredbear to activate and his mouth clamps shut, crushing Evans head in it. HE is rushed to the hospital and is put into an induced coma, he passes away 5 days later.
Evans' death causes Williams mental health to drastically deteriorate, and he starts to abuse Michael more severely than before. William starts to theorize that Evan possessed Fredbear and his soul is in the animatronic. William starts to design different types of animatronics whose sole purpose is to capture children and kill them. A sister location is opened with these new types of animatronics. Elizabeth becomes infatuated with one of the animatronics, Baby based off of her. She obsesses over her, although William tells her to stay away from Baby. At the sister location Elizabeth disobeys her father and goes to Baby, who lures her in with icecream and ends up murdering her. William becomes even more distraught and abusive.
Henry, noticing the problems in his business partner's life and mental state, and proximity to horrific accidents, forces him to leave the company for his own good. He also secretly fears for his own daughter's safety. Henry designs an animatronic puppet to act as a watchguard for her.
One evening at the establishment the puppet ends up being barricaded in her box and Charlie is left out in the rain. William, who was the reason behind the puppets' entrapment, meets her outside, and kills her. He flees the scene. The puppet escapes her box and crawls outside, laying next to her body, she possesses the puppet.
Despite overwhelming evidence William is not convicted.
The restaurant in which this occured is shut down.
To expel rumors and allegations the Fredbears Brand is redesigned to Freddy Fazbears Pizzeria. New animatronic designs are made and new locations are opened up in 1987. William disguises himself as a security guard and murders five children, stuffing them into the animatronics. Cassidy is the first child murdered. She shares the suit with Evan.
Due to the murders the restaurant is about to be closed down, but one more party takes place, a security guard named Jeremy Fitzgerald is bitten in 1987. The location is shut down and William is arrested on speculation of the murders. HE is once again let go despite evidence pointing to him.
In 1993 a new location is opened with the animatronics being refurbished. Michael ends up working there but is fired. At night, William enters the facility to disassemble the animatronics. HE is confronted by the spirits in them and they corner him in a backroom. HE puts on a spring bonnie suit to scare away the kids but the moisture of the room activates the springlocks and he gets painfully killed. He possesses the suit.
After learning of Williams disappearance/ death Henry walls off back rooms in all of the locations under the guise of “budget cuts”
In 1995, Michael goes to the underground storage facility holding baby and the rest of the sister location animatronics to rectify his mistakes and find out more about his father. Baby and the rest of them manipulate Michael into helping them escape, and they end up leading him into the scooping room, scooping out his organs and killing him, baby and the others congeal into one animatronic called ennard and enter michaels body. They use his body as an attempt to conform to civilian life but it starts to rot and it expels ennard. Michaels soul possesses his own body, essentially becoming undead.
After being expelled, infighting causes baby to be removed from ennard due to her being Afton's daughter and refusing to kill Michael. She rebuilds herself and Ennard becomes Molten Freddy.
30 years pass and the murders essentially become urban legend. In an effort to further dispel the rumors, a horror attraction is opened called fazbears fright. Michael starts working there to continue trying to find his father. Springtrap is found and moved to the attraction as a prop. Michael and Springtrap fight and Michael sets the building ablaze. Afton escapes but MIchael captures him and moves him cross country to Henry. They plan to kill springtrap once and for all. Before Michael can deliver him to Henry, Springtrap escapes once again.
Ina desperate attempt to end everything and tie up loose ends, Henry opens a location to try and lure everyone into it. It miraculously works and after scrap baby, ennard, springtrap, golden freddy and the puppet are trapped inside, Henry sets the place on fire with him inside it along with Michael to end everything once and for all.
William is sent to Hell and cassidy, who is extremely malevolent to him, makes her own personal hell for him, she forces the childrens souls to stay there with her and torture him. Henry, who is portrayed as old man consequences, tells Cassidy to leave William to suffer by himself and let everyone go to heaven. She relents and lets everyone free. William stays in hell.
🦇 Welcome to March, my beloved bookish bats. It's Women's History Month AND Women's Day! To celebrate, here are a few books that highlight powerful, courageous women -- both throughout history and across our favorite fictional realms. These women have contributed to our history, shaping contemporary society with bold, outspoken, badass moves. Let's celebrate and champion these voices by adding more female-focused stories to our TBRs!
❓QOTD Who is your favorite female fictional character AND real-life heroine?
❤️ Fiction ❤️
💜 The Power - Naomi Alderman
💜 The Handmaid's Tale - Margaret Atwood
💜 The Vibrant Years - Sonali Dev
💜 Red Clocks - Leni Zumas
💜 Conjure Women - Afia Atakora
💜 City of Girls - Elizabeth Gilbert
💜 A Woman is No Man - Etaf Rum
💜 Of Women and Salt - Gabriela Garcia
💜 Circe - Madeline Miller
💜 Song of a Captive Bird - Jasmin Darznik
💜 The Women - Kristin Hannah
💜 The Love Songs of W.E.B. Dubois - Honorée Fanonne Jeffers
💜 The Bluest Eye - Toni Morrison
💜 Women Talking - Miriam Toews
💜 Hidden Figures - Margot Lee Shetterly
💜 The Vanishing Half by Brit Bennett
💜 Young/New Adult 💜
❤️ Loveboat Reunion - Abigail Hing Wen
❤️ Realm Breaker - Victoria Aveyard
❤️ Only a Monster - Vanessa Len
❤️ This Woven Kingdom - Tahereh Mafi
❤️ Serpent & Dove - Shelby Mahurin
❤️ I’ll Be The One - Lyla Lee
❤️ Squad - Maggie Tokuda-Hall and illustrated by Lisa Sterle
❤️ These Violent Delights - Chloe Gong
❤️ The Box in the Woods - Maureen Johnson
❤️ The Wrath & the Dawn - Renee Ahdieh
❤️ You Should See Me in a Crown - Leah Johnson
❤️ A Sky Beyond the Storm - Sabaa Tahir
❤️ Nimona - N.D. Stevenson
❤️ Legendborn - Tracy Deonn
❤️ Blood Scion - Deborah Falaye
❤️ Not Here to Be Liked - Michelle Quach
❤️ Queer ❤️
💜 Imogen, Obviously - Becky Albertalli
💜 The Fiancée Farce - Alexandria Bellefleur
💜 One Last Stop - Casey McQuiston
💜 The Henna Wars - Adiba Jaigirdar
💜 Girls of Paper and Fire - Natasha Ngan
💜 Delilah Green Doesn't Care - Ashley Herring Blake
💜 A Guide to the Dark - Meriam Metoui
💜 She Who Became the Sun - Shelley Parker-Chan
💜 Written in the Stars- Alexandria Bellefleur
💜 Gideon the Ninth - Tamsyn Muir
💜 Gearbreakers - Zoe Hana Mikuta
💜 You Exist Too Much - Zaina Arafat
💜 Mooncakes by Suzanne Walker
💜 The Priory of the Orange Tree - Samantha Shannon
💜 She Gets the Girl - Rachael Lippincott and Alyson Derrick
💜 The Jasmine Throne - Tasha Suri
💜 Non-Fiction 💜
❤️ The Secret History of Wonder Woman - Jill Lepore
❤️ Girlhood - Melissa Febos
❤️ Our Bodies, Their Battlefields - Christina Lamb
❤️ The Radium Girls - Kate Moore
❤️ Twice As Hard - Jasmine Brown
❤️ Women of Myth - Jenny Williamson and Genn McMenemy
❤️ Nobody Ever Asked Me About the Girls - Lisa Robinson
❤️ Text Me When You Get Home: The Evolution and Triumph of Modern Female Friendship - Kayleen Schaefer
❤️ The Book of Gutsy Women - Hillary Rodham Clinton and Chelsea Clinton
❤️ The Underground Girls of Kabul - Jenny Nordberg
❤️ Feminism Is for Everybody - Bell Hooks
❤️ Invisible Women - Caroline Criado Perez
❤️ The Women of NOW - Katherine Turk
❤️ Eve - Cat Bohannon
❤️ We Should All Be Feminists - Chimamanda Ngozi Adichie
❤️ Bad Feminist - Roxane Gay
❤️ Memoirs ❤️
💜 Mom & Me & Mom - Maya Angelou
💜 Crazy Brave - Joy Harjo
💜 Reading Lolita in Theran - Azar Nafisi
💜 I'm Glad My Mom Died - Jennette McCurdy
💜 Crying in H Mart - Michelle Zauner
💜 The Soul of a Woman - Isabel Allende
💜 See No Stranger - Valarie Kaur
💜 They Call Me a Lioness - Ahed Tamimi and Dena Takruri
💜 Becoming - Michelle Obama
💜 Bossypants - Tina Fey
💜 My Own Words - Ruth Bader Ginsburg
💜 I Am Malala Malala Yousafzai
💜 Finding Me - Viola Davis
💜 Return - Ghada Karmi
💜 Good for a Girl - Lauren Fleshman
💜 The Woman in Me - Britney Spears
hi cat and mouse!! could i get fc suggestions for a mom, dad, and siblings (of any gender) for a character with a sophie thatcher fc?
Parents:
Kristin Scott Thomas (1960)
Hugh Grant (1960)
Orla Brady (1961)
Christopher Meloni (1961)
Michael J. Fox (1961) - has Parkinson’s disease.
Terry Farrell (1963)
Christopher Eccleston (1964)
Marton Csokas (1966)
Melora Hardin (1967)
Daniel Craig (1968)
Naomi Watts (1968)
Jeri Ryan (1968)
Jason Bateman (1969)
Michael Sheen (1969)
Peter Dinklage (1969) - has achondroplasia.
Melissa McCarthy (1970)
Elizabeth Mitchell (1970)
Carla Gugino (1971)
Maxine Peake (1974) - is pro Palestine!
Sibling:
Sarah Dugdale (1995)
Maddie Hasson (1995)
Emma Corrin (1995) - is non-binary (they/them).
Mary Mouser (1996)
Colin Ford (1996)
Ruth Codd (1996) - is a below the knee amputee and uses a prosthetic leg.
Kathryn Newton (1997)
Felix Mallard (1998)
Alva Bratt (1998)
Christopher Briney (1998)
Ethel Cain (1998) - is a trans and bisexual woman - is pro Palestine!
Danielle Rose Russell (1999)
Morgan Davies (2001) - is a trans man (he/him) and pro Palestine!
I didn't know if you played her as a brunette or blonde so here are suggestions for both! Please let me know if you'd like more suggestions with a certain hair colour!
1Q84 by Haruki Murakami
Invisibility: A Manifesto by Audrey Szasz
Bunny by Mona Awad
Still Life with Woodpecker by Tom Robbins
Player Piano by Kurt Vonnegut Jr.
The Sentence by Louise Erdrich
Her Body and Other Parties: Stories by Carmen Maria Machado
The Encyclopedia of the Dead by Danilo Kiš
One Hundred Shadows by Jungeun Hwang
Nights at the Circus by Angela Carter
The Castle of Crossed Destinies by Italo Calvino
The Wind-Up Bird Chronicle by Haruki Murakami
Amrita by Banana Yoshimoto
Whale by Myeong-Kwan Cheon
The Cat Who Saved Books by Sōsuke Natsukawa
Lonely Castle in the Mirror by Mizuki Tsujimura
The Minuscule Mansion of Myra Malone by Audrey Burges
The Probable Future by Alice Hoffman
Garden Spells by Sarah Addison Allen
The Infernal Desire Machines of Doctor Hoffman by Angela Carter
The Melancholy of Resistance by László Krasznahorkai
Lapvona by Ottessa Moshfegh
The Rings of Saturn by W.G. Sebald
The Overstory by Richard Powers
Poison by Kathryn Harrison
Bitter Orange by Fuller, Claire
We Are All Completely Beside Ourselves by Fowler, Karen Joy
The Edible Woman by Atwood, Margaret
A School for Fools by Sokolov, Sasha
Ferdydurke by Gombrowicz, Witold
The Iliac Crest by Rivera Garza, Cristina
Paris Peasant by Aragon, Louis
The Making of a Marchioness by Burnett, Frances Hodgson
Where'd You Go, Bernadette by Semple, Maria
Hell by Barbusse, Henri
The Honk and Holler Opening Soon by Letts, Billie
Find Me by Berg, Laura van den *
Big Swiss by Beagin, Jen
Mariana by Dickens, Monica
The Lime Works by Bernhard, Thomas
Dead Souls by Gogol, Nikolai
Gargoyles by Bernhard, Thomas
The Pachinko Parlour by Dusapin, Elisa Shua
Lolly Willowes by Warner, Sylvia Townsend
Rebecca by du Maurier, Daphne
The Hearing Trumpet by Carrington, Leonora
Jane Eyre by Brontë, Charlotte
The Savage Detectives by Bolaño, Roberto
Solitude: A Novel of Catalonia by Català, Víctor
Almond by Sohn Won-Pyung
My Year of Rest and Relaxation by Moshfegh, Ottessa
Heaven by Kawakami, Mieko
Kim Jiyoung, Born 1982 by Cho Nam-joo
Convenience Store Woman by Murata, Sayaka
Iza's Ballad by Szabó, Magda
The Door by Szabó, Magda
Phantom Limb by Berry, Lucinda
The Night Journal by Crook, Elizabeth
Faces in the Water by Frame, Janet
Three Apples Fell from the Sky by Abgaryan, Narine
The Hottest Dishes of the Tartar Cuisine by Bronsky, Alina
Eileen by Moshfegh, Ottessa
I Am Homeless If This Is Not My Home by Moore, Lorrie
The Stationery Shop by Kamali, Marjan
Breasts and Eggs by Kawakami, Mieko
Milkman by Burns, Anna
The Maid by Prose, Nita
The Guest by Cline, Emma
Hang the Moon by Walls, Jeannette
The Secret of Ventriloquism by Padgett, Jon
The Salt Line by Jones, Holly Goddard
Perdido Street Station by Miéville, China
The Accursed by Oates, Joyce Carol
Occupy Me by Sullivan, Tricia
Poison Study by Snyder, Maria V.
The Last Heir to Blackwood Library by Fox, Hester
Emily Wilde's Encyclopaedia of Faeries by Fawcett, Heather
Skylark by Kosztolányi, Dezső
Blue of Noon by Bataille, Georges
Ruth Hall and Other Writings by Fern, Fanny
The Vegetarian by Han Kang
Nadja by Breton, André
Exquisite Corpse by Brite, Poppy Z.
Ice by Kavan, Anna
Kallocain by Boye, Karin
Palimpsest by Valente, Catherynne M.
Elena Knows by Piñeiro, Claudia
Landor's Tower: Or Imaginary Conversations by Sinclair, Iain
The Birthday Party by Mauvignier, Laurent
The Magnolia Palace by Davis, Fiona
Memories of the Future by Krzhizhanovsky, Sigizmund
Under a Glass Bell by Nin, Anaïs
Sugar by McFadden, Bernice L.
Vintage Cisneros by Cisneros, Sandra
Raising Hope by Willard, Katie
Chodleros de Laclos Les Liasions Dangereuses by Various
Daddy-Long-Legs by Webster, Jean
Local Anaesthetic by Grass, Günter
Don't Stop the Carnival by Wouk, Herman
Confessions of Felix Krull by Mann, Thomas
The House of Mirth by Wharton, Edith
Radiant Terminus by Volodine, Antoine
Shanghai Girls by See, Lisa
The Master and Margarita by Bulgakov, Mikhail (Translator: Mirra Ginsburg)
Owlish by Tse, Dorothy
undue influence by anita brookner
slip of a fish by amy arnold
beside myself by ann morgan
blue ticket by sophie mackintosh
nostalgia by mircea cartarescu
I Keep My Exoskeletons to Myself by Crane, Marisa
The couple married on January 23, 1982, at ages 21 and 18. They share 14 children, 9 children-in-law, and 23 grandchildren.
Lauren Elizabeth- June 28, 1982
Ann Marie- February 13, 1984
David George- August 16, 1985
Andrew Francis- February 28, 1988
Eric Stephen- October 9, 1989
Elizabeth Grace- June 21, 1992
Matthew Thomas- March 2, 1994
Aaron James- July 9, 1996
Esther Joy- October 14, 1997
Leah Mary- July 24, 1999
Jennifer Danielle- June 29, 2001
Emily Ruth- February 19, 2003
Nathaniel David- August 31, 2004
Jason Andrew- April 29, 2007
Lauren married John Timothy Kanagy (July 11, 1982) on April 25, 2009, both at ages 26. They share 8 children.
Girl
Girl
Boy
Girl
Boy
Boy
Jenna- February 20, 2020
Girl- Summer 2022
Ann married Justin Dean Kanagy on August 3, 2013, when she was 29. They share 3 children.
Joseph- April 24, 2016
Jewel- January 19, 2019
Isabel- January 22, 2022
David married Joanna M Pooler (September 8, 1985) on April 9, 2011, both at ages 25. They share 4 children.
Jana Celine- August 21, 2011
Anya Nicole- July 28, 2014
Greyson David- February 12, 2018
Michael Grant- April 22, 2021
Baby- January 2024
Andrew married Andrea M Sensenig on October 2, 2022, when he was 34.
Elizabeth married Jonathan D Martzall on December 9, 2022, when she was 30. She has a son from a previous relationship and he has a daughter named Aubrey.
Gabriel George- July 17, 2015
Matthew married Madison Caroline Kiernan (October 2, 1996) on April 29, 2017, at ages 24 and 20. They share 2 daughters.
Oaklynn Rayne- March 25, 2018
Bexley Mae- August 10, 2021
Aaron married Gracie Wrenn Brown (September 2, 1998) on November 5, 2022, at ages 26 and 24. They share 2 children.
Raelynn Grace- November 19, 2020
Brooks Davis "Davis"- May 2024
Nathan married Esther Joy Keyes (October 14, 1997) on October 22, 2021, at ages 24 and 28. They share a daughter.
1- Kenna Joy- October 17, 2022
2- Baby- Fall 2024
Leah married Kidron E Taylor (August 16, 1997) on October 27, 2020, at ages 21 and 23.
"Bette Davis Eyes" is a song written and composed by Donna Weiss and Jackie DeShannon, and made popular by American singer Kim Carnes.
DeShannon recorded it in 1974; Carnes's 1981 version spent nine weeks at #1 on the Billboard Hot 100 and was Billboard's biggest hit of 1981.
The Carnes version spent nine non-consecutive weeks on top of the US Billboard Hot 100 (interrupted for one week by the "Stars on 45 Medley") and was Billboard's biggest hit of the year for 1981. The single also reached #5 on Billboard's Top Tracks charts and #26 on the Dance charts. The song won the Grammy Awards for Song of the Year and Record of the Year. The song was also a #1 hit in 21 countries and peaked at #10 in the United Kingdom, her only Top 40 hit there to date. It also reached number two in Canada for twelve consecutive weeks, and was the #2 hit of 1981 in the country.
Actress Bette Davis, then 73 years old, wrote letters to Carnes, Weiss, and DeShannon to thank all three of them for making her "a part of modern times," and said her grandson now looked up to her. After their Grammy wins, Davis sent them roses as well.
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“Bette Davis Eyes” was initially recorded by co-author Jackie DeShannon in 1974-1975, but it’s Kim Carnes’* cover version (1981) that became a major smash-hit. It earned the Grammy Awards for Song of the Year and Record of the year. Kim Carnes released several other crowd-pleasers before and after, but none on par - by far - with that womanly #1.
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Upon first listen, “Bette Davis Eyes” might be construed as a tribute, an ode to the iconic lady. Not untrue. However, there is more to it. Let’s say that the main theme is quite akin to those of “Easy Lover” by Phil Collins and “Maneater” by Hall & Oates. In essence, the lyrics are a sophisticated warning ⚠️ : beware, beware of those FEMME FATALE alluring yet deceitful EYES, fellows!
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Bette Davis** sent thank-you letters to singer Kim Carnes and to the authors (Donna Weiss and Jackie DeShannon) for making her “a part of modern times and history”. The elderly movie star also claimed that she loved the oeuvre especially because her grandchildren (who only paid lip service to her considerable body of work in films) suddenly viewed their septuagenarian granny as “super cool” and “trendy” for having been the subject of a top song. A first-rate ego-booster… ♥️ 👀 ♥️
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Kim Carnes’ raspy voice led many to mistake her for Rod Stewart as the vocalist.
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** A-list actress Ruth Elizabeth “Bette” Davis’ career spanned more than 50 years (1929-1989) and 100-odd credits. She was known for her forceful and intense style of acting. And for those distinctive deep blue eyes of hers, worthy of countless close-up shots.
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To me, this was the song that really introduced the world to the sound of the 1980s. By 1981, Disco was dead, and when this became a big hit in the Spring of that year, it was the first song to really introduce the synthesizer as the dominant instrument of the decade. Thank you to Mr. Bill Cuomo for kick-starting the greatest decade in music history.
Her hair is Harlow gold
Her lips a sweet surprise
Her hands are never cold
She's got Bette Davis eyes
She'll turn her music on you
You won't have to think twice
She's pure as New York snow
She got Bette Davis eyes
And she'll tease you, she'll unease you
All the better just to please you
She's precocious, and she knows just what it
Takes to make a pro blush
She got Greta Garbo's standoff sighs, she's got Bette Davis eyes
She'll let you take her home
It whets her appetite
She'll lay you on a throne
She got Bette Davis eyes
She'll take a tumble on you
Roll you like you were dice
Until you come out blue
She's got Bette Davis eyes
She'll expose you, when she snows you
Off your feet with the crumbs, she throws you
She's ferocious and she knows just what it
Takes to make a pro blush
All the boys think she's a spy, she's got Bette Davis eyes
She'll tease you, she'll unease you
All the better just to please you
She's precocious, and she knows just what it
Takes to make a pro blush
All the boys think she's a spy, she's got Bette Davis eyes
She'll tease you
She'll unease you
Just to please you
She's got Bette Davis eyes
She'll expose you
When she snows you
'Cause she knows you, she's got Bette Davis Eyes
She'll tease you
Joan Crawford, Dana Andrews, and Henry Fonda in Daisy Kenyon (Otto Preminger, 1947)
Cast: Joan Crawford, Dana Andrews, Henry Fonda, Ruth Warrick, Martha Stewart, Peggy Ann Garner, Connie Marshall, Nicholas Joy, Art Baker. Screenplay: David Hertz, based on a novel by Elizabeth Janeway. Cinematography: Leon Shamroy. Art direction: George W. Davis, Lyle R. Wheeler. Film editing: Louis R. Loeffler. Music: David Raksin.
Daisy Kenyon is an underrated romantic drama from an often underrated director. Otto Preminger gives us an unexpectedly sophisticated look -- given the Production Code's strictures about adultery -- at the relationship of an unmarried woman, Daisy (Joan Crawford), to two men, one of whom, Dan O'Mara (Dana Andrews), is married, the other a widowed veteran, Peter Lapham (Henry Fonda), who is suffering from PTSD -- not only from his wartime experience but also from the death of his wife. It's a "woman's picture" par excellence, but without the melodrama and directorial condescension that the label suggests: Each of the three principals is made into a credible, complex character by the script and director and by the performances of the stars. Crawford is on the cusp of her transformation into the hard-faced harridan of her later career: She had just won her Oscar for Mildred Pierce (Michael Curtiz, 1945), and was beginning to show her age, which was 42, a time when Hollywood charisma becomes hard for actresses to maintain. But her Daisy Kenyon has moments of softness and humor that restore some of the glamour even when the edges start to show. Andrews skillfully plays the charming lawyer O'Mara, trapped into a marriage to a woman who takes her marital frustrations out on their two daughters. Although he is something of a soulless egoist, he finds a conscience when he takes on an unpopular civil rights case involving a Japanese-American -- and loses. Set beside his two best-known performances, in Preminger's Laura (1944) and in William Wyler's The Best Years of Our Lives (1946), his work here demonstrates that he was an actor of considerable range. Fonda is today probably the most admired of the three stars, but he had always had a distant relationship with Hollywood: He suspended his career for three years to enlist in the Navy during World War II, and after making Daisy Kenyon to work out the remainder of his contract with 20th Century-Fox he made a handful of films before turning his attention to Broadway, where he stayed for eight years, until he was called on to re-create the title role in the film version of Mister Roberts (John Ford and Mervyn LeRoy, 1955). Of the three performances in Daisy Kenyon, Fonda's seems the least committed, but his instincts as an actor kept him on track.
🦇 Welcome to March, my beloved bookish bats. It's Women's History Month AND Women's Day! To celebrate, here are a few books that highlight powerful, courageous women -- both throughout history and across our favorite fictional realms. These women have contributed to our history, shaping contemporary society with bold, outspoken, badass moves. Let's celebrate and champion these voices by adding more female-focused stories to our TBRs!
❓QOTD Who is your favorite female fictional character AND real-life heroine?
❤️ Fiction ❤️
💜 The Power - Naomi Alderman
💜 The Handmaid's Tale - Margaret Atwood
💜 The Vibrant Years - Sonali Dev
💜 Red Clocks - Leni Zumas
💜 Conjure Women - Afia Atakora
💜 City of Girls - Elizabeth Gilbert
💜 A Woman is No Man - Etaf Rum
💜 Of Women and Salt - Gabriela Garcia
💜 Circe - Madeline Miller
💜 Song of a Captive Bird - Jasmin Darznik
💜 The Women - Kristin Hannah
💜 The Love Songs of W.E.B. Dubois - Honorée Fanonne Jeffers
💜 The Bluest Eye - Toni Morrison
💜 Women Talking - Miriam Toews
💜 Hidden Figures - Margot Lee Shetterly
💜 The Vanishing Half by Brit Bennett
💜 Young/New Adult 💜
❤️ Loveboat Reunion - Abigail Hing Wen
❤️ Realm Breaker - Victoria Aveyard
❤️ Only a Monster - Vanessa Len
❤️ This Woven Kingdom - Tahereh Mafi
❤️ Serpent & Dove - Shelby Mahurin
❤️ I’ll Be The One - Lyla Lee
❤️ Squad - Maggie Tokuda-Hall and illustrated by Lisa Sterle
❤️ These Violent Delights - Chloe Gong
❤️ The Box in the Woods - Maureen Johnson
❤️ The Wrath & the Dawn - Renee Ahdieh
❤️ You Should See Me in a Crown - Leah Johnson
❤️ A Sky Beyond the Storm - Sabaa Tahir
❤️ Nimona - N.D. Stevenson
❤️ Legendborn - Tracy Deonn
❤️ Blood Scion - Deborah Falaye
❤️ Not Here to Be Liked - Michelle Quach
❤️ Queer ❤️
💜 Imogen, Obviously - Becky Albertalli
💜 The Fiancée Farce - Alexandria Bellefleur
💜 One Last Stop - Casey McQuiston
💜 The Henna Wars - Adiba Jaigirdar
💜 Girls of Paper and Fire - Natasha Ngan
💜 Delilah Green Doesn't Care - Ashley Herring Blake
💜 A Guide to the Dark - Meriam Metoui
💜 She Who Became the Sun - Shelley Parker-Chan
💜 Written in the Stars- Alexandria Bellefleur
💜 Gideon the Ninth - Tamsyn Muir
💜 Gearbreakers - Zoe Hana Mikuta
💜 You Exist Too Much - Zaina Arafat
💜 Mooncakes by Suzanne Walker
💜 The Priory of the Orange Tree - Samantha Shannon
💜 She Gets the Girl - Rachael Lippincott and Alyson Derrick
💜 The Jasmine Throne - Tasha Suri
💜 Non-Fiction 💜
❤️ The Secret History of Wonder Woman - Jill Lepore
❤️ Girlhood - Melissa Febos
❤️ Our Bodies, Their Battlefields - Christina Lamb
❤️ The Radium Girls - Kate Moore
❤️ Twice As Hard - Jasmine Brown
❤️ Women of Myth - Jenny Williamson and Genn McMenemy
❤️ Nobody Ever Asked Me About the Girls - Lisa Robinson
❤️ Text Me When You Get Home: The Evolution and Triumph of Modern Female Friendship - Kayleen Schaefer
❤️ The Book of Gutsy Women - Hillary Rodham Clinton and Chelsea Clinton
❤️ The Underground Girls of Kabul - Jenny Nordberg
❤️ Feminism Is for Everybody - Bell Hooks
❤️ Invisible Women - Caroline Criado Perez
❤️ The Women of NOW - Katherine Turk
❤️ Eve - Cat Bohannon
❤️ We Should All Be Feminists - Chimamanda Ngozi Adichie
❤️ Bad Feminist - Roxane Gay
❤️ Memoirs ❤️
💜 Mom & Me & Mom - Maya Angelou
💜 Crazy Brave - Joy Harjo
💜 Reading Lolita in Theran - Azar Nafisi
💜 I'm Glad My Mom Died - Jennette McCurdy
💜 Crying in H Mart - Michelle Zauner
💜 The Soul of a Woman - Isabel Allende
💜 See No Stranger - Valarie Kaur
💜 They Call Me a Lioness - Ahed Tamimi and Dena Takruri
💜 Becoming - Michelle Obama
💜 Bossypants - Tina Fey
💜 My Own Words - Ruth Bader Ginsburg
💜 I Am Malala Malala Yousafzai
💜 Finding Me - Viola Davis
💜 Return - Ghada Karmi
💜 Good for a Girl - Lauren Fleshman
💜 The Woman in Me - Britney Spears