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#Qian Li
modelsof-color · 1 year
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Eunju Park , Qian Lin , Hsiang Chen , Emma Spearman & Chi Linh Pham by Edgar Berg for Telegraph Luxury Magazine April 2023
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therunwayarchive · 13 days
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Qian Li at Act No.1, Spring 2023
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black-is-no-colour · 9 months
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Qian Li in "A Touch Like the Open Sea", photographed by Fernando Gomez and styled by Alex Montoya for Harper's Bazaar Serbia May 2020
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arutai · 1 year
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Qian Li by Morgan Roberts
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artfulfashion · 2 years
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Qian Li photographed by Ekin Can Bayrakdar for Vogue Portugal, August 2022
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thefabuleststp · 2 years
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Qian Li in “Cool Girl Summer” for Vogue Portugal, by Ekin Can Bayrakdar (August 2022).
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wojtekaneko · 8 months
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Some memes. For hee-hees and ha-has after ep7
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They hugged! :D
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idledee · 1 year
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fuyao sect
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melodious-tear · 4 months
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the squad + last words
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chodzacaparodia · 3 months
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♡ Link Click's Valentine's Cards ♡
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Blue Lock's Valentine's cards
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komaneko-kun · 5 months
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afternoon nap in fuyao mountain
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modelsof-color · 1 year
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Qian Li by Morgan Roberts for Vogue Turkey November 2022
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therunwayarchive · 15 days
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Qian Li at Carlota Barrera, Spring 2023
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zishuge · 4 months
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Hey... what were Old Ning and Beauty talking about in the inn just now? Why did his expression change? A Journey to Love (2023) | Ep. 7
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yzy-dragon · 8 months
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I absolutely ADORED S2E9 "Three Stories" of Link Click and was a bit surprised to see the discontent here on Tumblr, and I totally understand the reasons why people didn't like it, especially in the context of the pacing of the rest of S2 (which I also have some opinions on but I won't talk about that here), but I also felt the need to just get my heart out why I love it so much. A bit of background, I'm Chinese American but have lived in and visited China numerous times.
Music and theater. As a western classical musician and an amateur Chinese opera singer enthusiast (I saw someone else post about the possible inspo this episode got from Chinese opera), I VIBED with the artistic direction of this episode SO much. The three-part structure was almost like a sonata/symphony (and remember that one scene where Qian Jin was air-conducting in a previous episode!!) or scene changes in a Chinese opera. Nothing needs to be said about the animation style that hasn't been said already, but I like how scenes from the three individual "stories" were interwoven and reused like leitmotifs. Especially that crazy, tortured laughter. Idk if any of the parallels were intentional on the part of the director, but it's what I got from it due to my personal experiences. I know that's a highly subjective takeaway though, which brings me to my next point....
Qian Jin's "tragic" backstory. I know a lot of people were upset that the extent of Qian Jin's tragic backstory was "oh his wife cheated on him", but I think the "basicness" of his struggles was the whole point (by the way, this segment displayed various attitudes towards work, family, marriage, individual pride, and life in mainland China so subtly but so well!). I also don't think sympathy was the main thing we were supposed to feel for him, although of course there is some. The whole "tragicomedy" aspect of Qian Jin's story is that it's not some horrible, terrible, rare thing that happened to him, but a common problem faced by so many hardworking but busy married men trying to provide for their families: infidelity. But Qian Jin sees himself as the main character of an elaborate play that rivals the great dramatic classics (which, funnily enough, often depicted very DRAMATIZED versions of a rather basic series of events). And his viewpoint is validated when....
Qian Jin meets the twins. That segment is still largely from Qian Jin's perspective, because we still don't really know how LTC and LTX even feel about him. But for Qian Jin, it's a stroke of fate and fortune that could only possibly happen in theater. He's very far removed from reality at this point. Reality is that a cop whose job it is to investigate violent crime comes across two kids who are the victims of a violent crime. Again, nothing particularly special or even coincidential. It's comical like that.
The fairy tale section.  Unlike the first two, I think this segment is from Xixi’s perspective, which not only justifies the cartoony artstyle but also makes it heartbreaking, due to her childlike innocence.  Like Qian Jin, she also perceives her reality as something it’s not, but unlike him, she doesn’t have delusions of grandeur of being a tragic protagonist.  It’s just a little fox trying to survive in a forest full of predators and hunters.  
All that tortured laughter. I’ve actually noticed in a lot of Chinese media that they like to use laughter as a way of signifying a person’s complete mental breakdown due to the tragedies they’ve suffered.  It’s a very internal thing that has people on the outside going, “WTF?”  In this episode we have a lot of characters crazily laughing together at the same time and it seems like they’re relating to each other, but in reality they’re all trapped in their own nightmarish hells and motivated by selfish purposes. 
Back to the topic of Qian Jin, even though he (innaccurately) may see himself as the hero of his own story, it's not enough for him. He wants to use Cheng Xiaoshi to change the past. He wants to become the director of the play.
I know a lot of people were disappointed this episode didn't advance the plot, especially in regard to Cheng Xioashi and Lu Guang's storylines, but I was actually prepared for a backstory episode and couldn't have been more satisfied. Again, I have other opinions on the rest of S2 but at least standalone, I think this episode was nearly perfect. And I really wasn't expecting this, but it's really elevated Qian Jin to one of my top characters.
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artfulfashion · 2 years
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Qian Li photographed by Marcelle Adrianna Studio for Overdue Magazine online, Spring 2022
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