Plans, Elevations, Sections, and Details of the Alhambra
In exploring the Arts Collection for our rare book exhibit, curators Heather and Maya came upon the incredibly detailed and stunning lithographs and engravings in Jules Goury and Owen Jones's Plans, Elevations, Sections, and Details of the Alhambra. Through further research, we learned that this 2-volume set, published in London between 1842 and 1845, was one of the first published books to use the technique of chromolithography, a process that later dominated color reproduction for most of the second half of the 19th century. The set is also an important historical record of the Alhambra, created from drawings done at least twenty years before the first detailed photographic records were made. In 1836, while preparing the original drawings, Jules Goury died of cholera in Granada. This left Owen Jones with the complicated task of finding a printer capable of carrying out the work. He finally resolved to set up his own printing press. The experimental color printing process required up to seven pressings and nearly nine years of trial and error before the work was successfully completed. Jones’s flat colors anticipated the work of William Morris, the Pre-Raphaelites, and the Art Nouveau movement.
Due to its monumental size, we couldn't include this bound set in our exhibit, but it's now on view in the Special Collections reading room along with other portfolios of leaves in the exhibit. The exhibit runs through November 29, but the material in the reading room will be available to view through 2023.
How I designed a new cover for my webcomic's Book 1 reprint
The cover. It's the first impression anyone has of your comic book, so it's got to make an impact. Which is why I'm really proud of the new cover of Heroes of Thantopolis Book 1.
Who are these characters? What kinds of fun and colorful adventures do they get up to? That's what I hope people think when they see the book when it debuts at Cartoon Crossroads Columbus.
But the journey to get to this cover was full of trial and error. Today I want to share that journey and what I learned along the way. Let's go!
The original print cover of Book 1
I self-published the original print of HoT Book 1 in 2016. This was before I joined @hiveworks, and I was using an on-demand printer not really known for their comics, so everything - including the InDesign template I placed the pages in - was done from scratch.
Here's what the cover for the original print looked like:
Helene and Cyrus are front and center amidst tapestries depicting the four chapters of the comic. It's not a bad illustration - not in the slightest! And the comic sold very well at TCAF 2017. But I think you can tell it's an amateur effort. I may have completed four chapters of my comic, but I didn't have comparable experience designing books.
Brainstorming for the reprint
I joined Hiveworks in 2018. Hiveworks has a lot of experience independently publishing webcomics. I planned to re-print Book 1 as well as print the first editions of the rest of the comic under their banner.
I had a good idea of the bonus content I wanted to include in the reprint. I had less of an idea of what I wanted the cover to look like. My first sketches were very movie poster-esque:
All of the main characters are here, with the villain ominously looming over everyone. It felt like an upgrade from the original cover. But... it felt generic, too. It didn't capture what was unique about my comic.
I put preparations for the reprint to the side for a while, until...
Inspiration
youtube
I love the opening of the Netflix cartoon Hilda. I love the music, the fluid animation and the super cool transitions between her adventures. Hilda goes from riding a dragon to dodging viking warriors, running through the locations and characters she meets during the season. It really captures the vibe of the show!
That's when it occurred to me what was missing from my cover. Readers of Heroes of Thantopolis will know that every chapter has a different color palette, giving them each a unique feel. A unified illustration wouldn't show the diversity of color or feelings. But a cover made of flowing segments, like the Hilda opening...
Now I felt like I was really getting somewhere!
The final cover
Working with my editor Isa (@secondlina), I continued to refine the design of the comic. I wasn't sure what to put in the top left. Isa suggested creating a special version of the logo that flowed along the border created by the Sag segment.
(Isa's sketch in green, on the right)
From there, the final cover began to take shape.
Until we got to the final cover that appears on the actual book!
(Print colors are never as vibrant at RGB, but it still captures that colorful vibe.)
Conclusion
If there's one lesson in my creative life that I've seen play out over and over again, it's that your first idea may not be the best idea. Iteration and reflection improves the end result. I'm not saying you need to waffle over every decision. But rather, tp let your creative juices marinade your idea, rather than immediately put the concept to the fire.
I also couldn't have done this without help from people more knowledgeable than I on book design. Not every webcomic creator has access to print experts, true, but there are communities of webcomic creators out there that pool resources and share advice. We can always learn from other people. And that's why I made this post! I hope you enjoyed a peek into my creative process.
I look forward to seeing you at CXC on September 30th and October 1st! If you can't make it to the show, you can read all of Heroes of Thantopolis online, FOR FREE, anytime you want. Book 1 will be sold online soon!
I made this print by layering two separately printed lino pieces – red flowers first and then the black outline to complete it. The process had me a little concerned at first as the registration needed to be close to perfect for the outcome to line up well in the final layer, but thankfully it worked and I got some nice results out of this! The process of this can be seen in the next video I’m uploading, showing each stage to make this print come together.
A beginner's guide to the printing process of washi tape
Most washi tapes on the market today use a printing process for low cost results. Washi Mill today brings you a beginner's guide to the printing process of washi tape.
Four-color printing
Four colors are: green (C), Pinhong (m), yellow (y), black (k), all colors can be mixed by these four inks, and finally the color graphic is achieved.
Color printing
Special color refers to printing this color with a specific ink when printing. There are many special colors. The commonly used special funds and special silver can be referred to the Pan style card, but the special color cannot achieve gradient printing.
Coating
After printing, the transparent plastic film is pasted to the surface of the printed matter, which has two types of light film and sub -film, which plays a role in protecting and increasing gloss. At the same time, it can increase the hardness and tensile performance of the paper.
UV printing
Prints need to be prominently brightened locally, making local patterns more three -dimensional effects.
Scald
The hot seal uses the principle of hot pressure to form a special metallic luster effect on the surface of the print. The hot seal can only be monochrome.
Bump
A set of concave templates and convex templates corresponding to yin and yang are placed in the middle of the printed. All kinds of thick paper can be made, and the cardboard cannot be made.
Coding
Using the spraying machine to jet logo on the product (production date, quality shelf life, batch number, corporate logo, etc.), you can print simple character patterns with strong flexibility.
Label printing
Label printing covers a variety of printing methods. Recently, domestic label printing mainly uses several methods of convex printing, plastic printing, soft version printing and screen printing. In order to print the most beautiful labels, it is necessary to effectively integrate various processes during the printing process to integrate the advantages of various methods to form a larger advantage combination.
Washi Mill is a washi tape manufacturer and supplier. It uses a variety of printing processes to produce a variety of customized exquisite washi tape. Welcome to call +86-15999751683, email [email protected] or visit https://www.washimill.com/ .
sorry I only have the one process pic but it was finals when I made this so I was in a rush
14x17, 5 color screen print- one for each type of skill + black. getting the layering and registration just right was a bitch and a half but I love how it came out <333