#Peter Roehr

[collectionarchive]

by Peter Roehr

source: collectionarchive.tumblr.com

#Peter Roehr

[rbolick]

Books On Books Collection - Guy Bigland

AAA to ZZZ (2018) AAA to ZZZ (2018)Guy BiglandPerfect-bound paperback. H220 x W225 mm. 56 pages. Acquired from the artist, 6 July 2023.Photos: Books In Books Collection. Arranging all possible 3-character combinations of the letters of the alphabet in alphabetical order results in a mesmerizing display. Prolonged staring will lead the eye beyond the vertical and horizontal alphabetic patterns…

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#Emmett Williams #Francesca Capone #Germano Celant #Guy Bigland #Hanne Darboven #Peter Roehr #Stanley Brouwn

[thomasmartinnutt]

Peter Roehr. Untitled (OB-66(7)), 1966

[garadinervi]

Peter Roehr, MMK Museum für Moderne Kunst, Frankfurt am Main, 1991 [BOOKS@, Amsterdam]

#graphic design #typography #art #pattern #catalogue #catalog #cover #back cover #museum für moderne kunst #1990s

[pwlanier]

Peter Roehr

Lauenburg (Pomerania) 1944 – 1968 Frankfurt am Main

Untitled (FO-105). 1965

Paper collage, laminated by the artist

Grisebach

#collage

[webionaire]

[artekunstartgr]

🖤 @radio_athenes Please join us this Wednesday at Goethe-Institut Athen for a conversation on seriality, process, time, technnology, poetry, and the work of Tauba Auerbach, Bia Davou, Peter Roehr and Pantelis Xagoraris. * Klea Charitou (lecturer at ASFA, co-founder of miss dialectic), Tina Pandi (curator at EMST), Stamatis Schizakis (curator at EMST) and Helena Papadopoulos (Radio Athènes) exchange thoughts and archival material on the occasion of Frequencies I. Drinks to follow on the terrace. Η συζήτηση θα γίνει στα Ελληνικά. * Goethe-Innstitut Athen Omirou 14-16 Wednesday 11 May 7 pm 1. Peter Roehr, courtesy @mehdichouakri Berlin and the Estate of Peter Roehr 2. Film-stills from a TV show produced by ERT in 1984 on a Pantelis Xagoraris exhibition at @goetheinstitut_athen, excerpts of which will be screened on Wednesday. #biadavou #pantelisxagoraris #peterroehr @tau_au @kleacharitou #stamatisschizakis #tinapandi @helena00p @aa_melas (at Goethe-Institut Athen) https://www.instagram.com/p/CdVbrMYqcg8/?igshid=NGJjMDIxMWI=

#biadavou #pantelisxagoraris #peterroehr #stamatisschizakis #tinapandi

[babyfreesoul]

Peter Roehr

#visual poetry #monday

[am--f]

Peter Roehr

[asseenby]

Seen: New Museum, New York 2018

Artist: Thomas Bayrle

Title: IPhone Pieta

Date: 2017

Materials: Silk, linen, cotton and natural viscose 

About the Artist: Thomas Bayrle’s pioneering work is characterised by an obsessive preoccupation with repetition and grid structures, conceiving and representing the world around him as a multitude of social threads. Bayrle began his career as a designer and, after an apprenticeship within a textile factory, he became fascinated by mechanisation and its repetitive patterns and rhythms. From this experience, Bayrle’s work retained the motif of the human figure in the machine age and the structure of the grid. Influenced by pop art, and notably Sigmar Polke in Germany, the Frankfurt School, the economic post-war boom, and most importantly the large American presence in Frankfurt, Bayrle abandoned painting in 1967 to produce serigraphic works reflecting on mass society. Like fellow Frankfurt artist and friend Peter Roehr, Bayrle adopted serial repetition as a means to critically engage with mass consumerism. Placing objects and motives from the daily life and mass advertising into serial patterns, Bayrle’s work reflects on the individual within socio-political, industrial, and technological entities.

#New Museum #Thomas Bayrle #textile #weaving #repetition #tech #2018

[popartpopcinema-blog]

Peter Roehr, Ohne Titel (FO-28), 1965, paper on cardboard, 23 x 24cm (17 3/4 x 17 1/4 in)/ Revlon Advertisement ca.1964.

[collectionarchive]

by Peter Roehr: Ohne Titel (FO-31), 1965

source: curatedsphere.tumblr.com

#peter roehr

[thomasmartinnutt]

Peter Roehr. Untitled (FO-48), 1964

[garadinervi]

From: 19:45–21:55. September 9th 1967. Frankfurt Germany, Edited by Paul Maenz, Frankfurt am Main, 1967, Edition of 500 numbered copies [© Archiv Peter Roehr, MMK Museum für Moderne Kunst, Frankfurt am Main]. Feat. Jan Dibbets, Barry Flanagan, Bernhard Höke, John Johnson, Richard Long, Konrad Lueg, Charlotte Posenenske, Peter Roehr. Photography: Günter Guben, Abisag Tüllmann, Karin Brenken

#graphic design #typography #futura #art #exhibition #catalogue #catalog #cover #paul maenz #jan dibbets #barry flanagan #bernhard höke #john johnson #richard long #konrad lueg #charlotte posenenske #peter roehr #günter guben #abisag tüllmann #karin brenken #archiv peter roehr #museum für moderne kunst #1960s

[pwlanier]

Peter Roehr (1944-1968)

Untitled (OB-107)

signed 'Peter Roehr' and stamped with the Estate of Peter Roehr stamp and numbered 'OB-107' (on the reverse)

adhesive labels and graphite on card

42.5 x 49cm.

Executed in 1967.

Christie’s

[webionaire]

Peter Roehr, who died in 1968 at the age of 24, edited just a few seconds from (mainly) American commercials and worked them into loops - a woman drying her hair (Haare 14 x, 1965); a rapid drive through a tunnel (Tunnel 11 x, 1965); a petrol station's revolving Gulf sign (Gulf II 9 x, 1965). The resulting sequences possess an almost abstract dynamism the individual fragments lacked. His serial montages also include objects such as movable characters, advertising photography, radio clips and typewritten characters (so-called 'typo-montages'). Roehr's stated goal was that 'the original function of the objects should be totally forgotten'. This is where his work differs from that of Andy Warhol