Paul Éluard, December 14, 1895 – November 18, 1952.
With Leonora Carrington and Max Ernst. 1937 photo by Lee Miller.
242 notes
·
View notes
Max Ernst (1891-1976) — Papillon [painted doors from the House of Paul Éluard in Eaubonne, oil on wood, 1923]
218 notes
·
View notes
MAN RAY / “PAUL ÉLUARD: FACILE” / 1935
[photogravure, on cream wove paper | 246 x 184 x 6 mm.]
245 notes
·
View notes
Lee Miller: Picnic, Ile Sainte Marguerite, 1937.
Edouard Manet: Le déjeuner sur l'herbe, 1862-63. Oil on canvas 208 x 265 cm. Musée d'Orsay.
Marcantonio Raimondi: The Judgment of Paris (detail), ca. 1510–20
Lee Miller and Roland Penrose, lovers, in the summer of 1937, lived in Mougins village above Cannes near Picasso's studio.
Miller was probably staged their pose: Paul Éluard kiss Nusch Éluard, Penrose and Man Ray look bored.
-
Manet's female nude is thought to be Victorine Meurent, his favorite model, subject of Olympia. The male figure on the right was based on a combination of his two brothers, Eugène and Gustave. The other man is based on his brother-in-law, Dutch sculptor Ferdinand Leenhoff.
By portraying an ordinary scene on such a large scale, Manet validated the seemingly mundane subjects, inspiring Impressionists like Claude Monet and Auguste Renoir to follow suit with Water Lilies and The Luncheon of the Boating Party, respectively.
https://artblart.com/2015/07/12/exhibition-lee-miller-at-the-albertina-vienna/
https://picnicwit.com/timeline/19001949/lee-millers-picnic-ile-sainte-marguerite-1937/
https://en.wikipedia.org/wiki/Le_D%C3%A9jeuner_sur_l%27herbe
https://www.leemiller.co.uk/media/yx9mJNx_8Bo_ceV4W34srw..a
https://mymodernmet.com/edouard-manet-the-luncheon-on-the-grass/
54 notes
·
View notes
Anna Karina legge La courbe de tes yeux, da"Capitale de la douleur" di Paul Éluard, in "Alphaville" di Godard, 1965.
48 notes
·
View notes
Per molto tempo ho avuto un volto inutile
Ma ora
Ho un volto per essere amato
Un volto per essere felice.
Paul Éluard, da Poesie per la pace, 1918
36 notes
·
View notes
Sur les sentiers éveillés
Sur les routes déployées
Sur les places qui débordent
J’écris ton nom
( -éluard )
100 notes
·
View notes
Dora, I’ve returned home, and I’ve this feeling of calm happiness having seen you again, just as you always were. As for myself, I’ve changed so much, I’m covered in ashes… Beautiful little Dora, so quick, so appealing, my friend with the eyes that reveal the truth and illusions; you will always be my idea of a woman, pale and dark and white, Dora.
— Paul Éluard, Dora Maar: Paris in the Time of Man Ray, Jean Cocteau, and Picasso, to Dora Maar, (2017)
11 notes
·
View notes
Dessin & Poésie - Paul Eluard
33 notes
·
View notes
C'è un altro mondo, ma è in questo.
Paul Éluard
58 notes
·
View notes
"And love is in the world to forget the world." - Paul Éluard
7 notes
·
View notes
MAN RAY / "PAUL ÉLUARD" / c. 1922
[gelatin silver print | 9 1/8 × 6 3/4"]
31 notes
·
View notes
[...]
T’amo contro tutto quello che ci illude
Per questo cuore immortale che io non posseggo.
Paul Éluard, T’amo
42 notes
·
View notes
Salvador Dalí, May 11, 1904 – January 23, 1989.
Paris, 1930. From left to right: Tristan Tzara, Paul Éluard, André Breton, Hans Arp, Dalí, Yves Tanguy, Max Ernst, René Crevel, and Man Ray.
308 notes
·
View notes