been Thinking about warden mahariel going on the search for a cure to the Calling
every warden/origin is going for their friends, their found family, their lover, etc but a Mahariel is also going for themselves. Yes the others are too but for Mahariel there’s a different kind of selfishness behind it— because they were tainted. They know what it’s like. They know what awaits a warden going to their calling better than anyone else. Mahariel is searching for a cure for their own sake as much as any other reason.
Mahariel, who was on the edge of death and madness, the taint this close to taking them. Mahariel, who lived only by sheer chance of Duncan being there to recruit them. Mahariel, who watched the taint take Tamlen and destroy their closest clan mate. Mahariel, who didn’t just go through all the horrors of the darkspawn and the archdemon and the broodmothers, but who had also been tainted and stared corruption straight in the face, balanced on a ledge a hairsbreadth away from it.
Mahariel is looking for a cure to the calling because they’re fucking terrified.
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Hey Mera I wanted to ask a question about IBWR. Don't know if you've answered this before but what helped inspired the designs for theo and oliver? Like the clothes they wear and their actual physical looks
*gasp!* Thank you for asking!
So a lot of thought actually went into these two goobers hahaha!
But mostly, it has been about duality/opposites.
BODY TYPES:
Theodore:
He's wealthy and doesn't have to walk far distances. He also enjoys the typical upper-class foods that were popular at the time. Which were rich in carb and protein. So he's chubby! :)
Not only does this softness reflect his wealth and comfortable lifestyle, it also reflects that he, as a person, is soft.
He may dress smartly and use fashion to present himself as both sleeker and fitter than he is. His personality is a pretence hyper masculinity (like his suits) to cover up how gentile and somewhat flamboyant he actually is.
Side note: I am actually rather bad at drawing chub without it looking like stiff muscle mass. I'm still working on that.
Theodore likes how he looks, he is confident and carries himself like a born gentleman with something to prove. Chest out and chin high.
His curly blonde hair and green eyes and Cheshire grin are all family traits of the Ashdown family. It makes them look more like witches, with curly flirtish hair, deep mystic eyes and smiles that lie the way you'll like it.
Witches are hard to resist, but nobody likes them. They bask in sin, and who doesn't want to be tempted now and then?
Oliver:
He's poor, he doesn't eat very well, he's active and practically runs everywhere. He's skinny to a fault, he exerts more energy than he consumes. This is not healthy. He works out, he climbs buildings and gets into trouble and he knows how to fight (cus he had to). He is fit. Now, he may look chiseled like an adonis statue, but this is not strength. He is just low on body fat. He is tired a lot for a reason.
He is muscular looking, but his strengths are in being able to outlast and run. He can fight, sure, but he prefers to just run.
His blue eyes... It's almost like he can see things that aren't there.. Blue like the past, blue like the veil. There are many cultures all over the world who associate blue eyes with the supernatural or something evil. If you want to know more about it I would direct you to look up the blue evil eye and superstitions about blue eyes. :)
His dark pointy hair is in stark contrast with Theodore's curly blonde.
Unlike Theodore, who unbashfully enjoys himself, Oliver cares very little about himself and can't really see what others see. It even makes him a bit nervous to talk about his looks due to a previous toxic relationship as well as some.. awful things. He has to be drunk to be physical.
FASHION:
and that's just pinterest---
listen okay I could be here all day.
But the gist of it is this:
Theodore:
Rich bitch strut your stuff you bisexual idiot. He likes details and fashion and embroidery. He likes to sew and he likes to tailor his own things. Sewing is considered feminine if it's not your profession, especially if you're upper class. But Theodore, despite himself, sews and edits and wears what he's made. So any compliment he gets on his fit, or insult, he takes very personally.
The guy has an ego that is just as much a mask as it is a genuine source of confidence.
What he wears is an extension of himself, he wants to be free and fashion helps him express himself, both openly and in secret ways. He dress in codes.
But every coat and jacket he has, has an inline pocket for his wand to carry around.
Perfumes, rings, brooches, a cane, silken hats and beaver hats, gloves of every sort and-- look he got style and he's in with it.
Oliver:
Good god baby please wear something else. He wears things he's bought second hand, his jacket is from 1872s (it's 1885 in the story), he rotates between five shirts and like.. three vests. One vest being sundays best. Basically, everything he owns is old or doesn't fit him. He rarely spends money on himself and he's oblivious (and too depressed) to know or care about his looks.
The guy has no confidence and his opinion of himself is reflected on what he wears.
Oliver's idea of dressing up a bit is to tie a nicer scarf around himself into a tie rather than the flimsy blue knot he does.
Oliver always carry a small book and something to draw with. When he's out about in London he likes to perch upon things, or squat where he wont be bothered, and draw.
He also stuff his inner pocket with dry lavender from work to mask the smell of dead from work. Unwittingly to him, it also helps keeping spirits from noticing him.
Now, wouldn't it be lovely if Theodore got to dress Oliver up. :) Y'know, just to give Oliver a glimpse of how he sees him.
it would prooooobably go something like this:
"Oh, no, no." Said Theodore and let his hand flutter about. "That's not what style is. That's just fashion. Now, STYLE, my dear..."
He grinned and circled Oliver in the way that made Oliver anticipate a tickle. And there it was, the poke.
"Style is something you carry in you. You got style, but you have no sense of fashion. I will bring you the fashion, and I promise you will see what I mean."
"I doubt it." Oliver smiled faintly. "But if it will humour you."
"Oh, you have no idea."
So Oliver let him. It wasn't what he thought it would be; Theodore didn't throw things at him. He asked him to touch the materials of each garment in his wardrobe. Asked what colours he liked. He held up some ties next to his face to compare the shade with his tone, his eyes and hair. Some were discarded right away and others made Theodore delightfully ooh and aah.
Oliver would be lying if he wasn't having a little bit fun.
Theodore pinned in the waist of the trousers, no suspenders or buckles. "it will just wrinkle it." Theodore muttered. "There shan't be any wrinkles or creases on my watch. And, oh, your hair. Let me just- just a little."
"Alright." Oliver chuckled and sat down to let Theodore do what he liked.
Oliver, finally, stood dressed and looked down at himself. Everything fit him and the shoes were shiny, but he still couldn't see what Theodore meant.
"I don't see it."
"Well, you're not looking yet." Theodore brought to the mirror.
And Oliver saw himself.
He had to blink a few times, he didn't recognise himself. And as if his very soul slapped him in the back, Oliver stretched himself up proper, tilted his head and brushed a hand over his chest.
"Do I.. Really look like that? You didn't put a hex or something on the mirror or..?"
"No hex, just you. And yes, you really do look like that.. All the time in my eyes."
And Oliver's lips twisted into a shy smile. "You jest."
"Not about style." Theodore nudged. "Style is serious business." And grinned his iconic mischief smile.
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Speaking of Mina/Lucy, it's interesting that when Lucy gets bitten she has very similar symptoms to the ones Jonathan will be displaying and Mina starts taking care of her like how she will of him, always by her side, being watchful, dressing/undressing her, protects her by going after the threat when she senses he bat Dracula, she takes the caretaker role with them both when they're disabled.
Now that's a point I actually hadn't considered, even though it relates perfectly to my whole opinion about Mina-As-Mother. Like, I literally talked about her caretaking of both of them, but never considered what that says about Mina's perception of them, just what it says about Mina's character.
Or what it says about Jonathan and Lucy as bitten victims who weren't 'baptised in blood' or whatever the phrase is.
Caretaking of a disabled friend or husband were, of course, seen as admirable feminine traits then, just as they often are now. Which, there's a lot happening in that statement, but it is a known phenomenon that when a loved one Gets Sick, the wife/mother is expected to destroy herself to caretake, and do so without complaint. In actual practice this tends to create horrible nested systems of abuse, but we're discussing a Manic Pixie Dream Girl here, so it's fine.
If anything, it's additional evidence that Mina is meant to be pretty self-evidently Good And Pure to make it more fucked up when she gets burnt by the wafer and shit goes to hell.
But to my more immediate interest, does this mean that if Lucy lived, she would also have turned All White and gotten super powers?
Because, like.
Just the visual of Lucy and Jonnycakes going from "haha Mina has a type and it's soft spoken but passionate femmes with The Consumption" to "HAHA MINA HAS A TYPE AND IT'S THE TWINS FROM FF14" like.
It's SO funny to me and I love it SO much.
Her and Jack coming back from IDK The Markets to find these magical waifs in the sitting room and being physically assaulted by the absurdity of it all (still hot tho).
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