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#Monahon
zdwnmfln0svl · 1 year
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StrapOn Lesbian strap on dildo love making with blonde and brunette babes Nathalie Hart Best Sex Scene Public Upskirt in panties Homemade anal seduction of teen girl MILF Mi novia salio a comprar, mi suegra me lo chupa y grita antes que venga mi novia gym girl on green licra pants Big Phat Ass Blonde Sloppy BJ on her Big Tits MIA KHALIFA DANDO A BUCETA GOSTOSA Euro vixens Emma Leigh and Anissa Kate share a fat dick at the office Gay sex for money Excited To Be On The Baitbus
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tobeconsumed · 1 year
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Hugh Dancy doing so many goddamn Monologues is what breathes life into my form when I awake in the morning so here are the links :
Prince Charming Apologizes from the Pool by Talene Monahon
https://youtu.be/lwTPcA1eZjc
Wow by Donald Margulies
https://youtu.be/XVmhybjb_do
Essential by Mario Correa
https://youtu.be/kSSmxjIIqc4
Ship of Fools by Jonathan Marc Sherman
https://youtu.be/0ZnqK1T6tVk
we were dazzling once. by Christopher Oscar Peña
https://youtu.be/At70z317FX0
he also of course did Greater Nightjar by Alex Edelman, but I can't find that one on YouTube so I may upload the video later :))
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hpmoon · 16 days
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vimeo
Tiding (2021) by Lisa Ilean performed by Yaron Deutsch, electric guitar
PRODUCTION H. Paul Moon, cameras & editing Kyabell Glass, additional camera Abigail Hoke-Brady, lighting designer Caley Monahon-Ward, concert recording and mix Nico Osborne, additional recording
FESTIVAL Thomas Fichter, Executive/Artistic Director Caley Monahon-Ward, Director of Production
Recorded at Mary Flagler Cary Hall, DiMenna Center for Classical Music in New York City on August 22, 2022 Produced for TIME:SPANS 2022 by the Earle Brown Music Foundation Charitable Trust
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nullarysources · 8 months
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Women working in Antarctica say they were left to fend for themselves against sexual harassers
Nick Perry with a long report for the AP:
Monahon, 35, is one of many women who say the isolated environment and macho culture at the United States research center in Antarctica have allowed sexual harassment and assault to flourish.
The National Science Foundation, the federal agency that oversees the U.S. Antarctic Program, published a report in 2022 in which 59% of women said they'd experienced harassment or assault while on the ice, and 72% of women said such behavior was a problem in Antarctica.
But the problem goes beyond the harassment, The Associated Press found. In reviewing court records and internal communications, and in interviews with more than a dozen current and former employees, the AP uncovered a pattern of women who said their claims of harassment or assault were minimized by their employers, often leading to them or others being put in further danger.
In one case, a woman who reported a colleague had groped her was made to work alongside him again. In another, a woman who told her employer she was sexually assaulted was later fired. Another woman said that bosses at the base downgraded her allegations from rape to harassment.
Seems not good? Fairly not good.
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rmg171 · 8 months
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kevintumbles · 1 year
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Theatre Review: ‘Jane Anger’ at Shakespeare Theatre Company
Shakespeare wrote a number of incredibly thought-provoking and complex roles for women characters—Cordelia, Lady Macbeth, Ophelia, Portia, Kate—and the list is long. In fact, some might say the cast of Shakespearean men pales beside that of the dynamic women to which he gave life. “Jane Anger,” a comedy written by Talene Monahon, puts, under a […] See original article at: https://mdtheatreguide.com/2022/12/theatre-review-jane-anger-at-shakespeare-theatre-company/
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mlobsters · 3 years
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Hugh Dancy in "Prince Charming Apologizes from the Pool" by Talene Monahon (captions by me)
I want to say . . . that I'm sorry. I'm sorry that you felt that she felt the way that she said she felt, which was not how I felt.
I'm sorry that I tried to kiss a person on a private pool balcony and then ordered the palace guards and hounds to chase her down while she ran away.
from The 24 Hour Plays:
The 24 Hour Plays: Viral Monologues - Written, rehearsed and recorded in 24 hours!
Our monologues are free to view. Always. Donate the price of a ticket to support. Your donation directly supports this week's participating artists and The 24 Hour Plays' mission to bring together creative communities.
DONATE https://24hourplays.com/viral-monologues/
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Hugh Dancy behind the scenes at Apologia
Instagram Story from Talene Monahon
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livingthegifs · 6 years
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Apologia [x]
By: thejennire
Check the Tags!!! [x]
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hpmoon · 1 month
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vimeo
Introduction by Gryphon Rue
Earle Brown: Calder Piece (1963-66) performance 1 performed by Talujon Percussion Quartet: Ian Antonio Caitlin Cawley Michael Lipsey Matt Ward
Earle Brown: Times Five (1963) performed by Argento New Music Project: Michel Galante, conductor Francesca Ferrera, flute William Lang, trombone Jacqueline Kerrod, harp Conrad Harris, violin Michael Katz, cello
Earle Brown: Calder Piece (1963-66) performance 2
Video Production: H. Paul Moon, cameras & editing Kyabell Glass, additional camera Abigail Hoke-Brady, lighting designer Caley Monahon-Ward, concert recording and mix
Festival Staff: Thomas Fichter, Executive/Artistic Director Caley Monahon-Ward, Director of Production Kayleigh Butcher, Program Coordinator Carly Levin, Production Manager Chris Griswold, Assistant Production Manager
Recorded at Mary Flagler Cary Hall, DiMenna Center for Classical Music, New York City on August 20, 2023. Produced for TIME:SPANS 2023 by the Earle Brown Music Foundation Charitable Trust and the Calder Foundation.
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mistikfir · 3 years
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Hugh Dancy in "Prince Charming Apologizes from the Pool" by Talene Monahon
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caroleditosti · 4 years
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'How to Load a Musket,' a Striking Look at History Through Current American Perspectives by Talene Monahon at 59E59 Theaters
‘How to Load a Musket,’ a Striking Look at History Through Current American Perspectives by Talene Monahon at 59E59 Theaters
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The Company, Adam Chanler-Berat in ‘How to Load a Musket,’ by Talene Monahon, directed by Jaki Bradley at 59E59 Theaters (Russ Rowland)
Why would anyone want to reenact  the most bloody battles of American History? In the World Premiere of How to Load a Musket, currently at 59E59 Theaters until 26 January(unless it is extended which it should be) playwright Talene Monahon examines the nature and…
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writemarcus · 4 years
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The Civilians Announces Tenth Annual R&D Group
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The Civilians will present the newest members of The R&D Group, marking the Group's 10th season, and The Civilians 20th Anniversary Season. The R&D Group is comprised of playwrights, composers, and directors who work together as a writing group for nine months to develop new plays and musicals. The season culminates in the Findings Series, a works-in-progress reading series anticipated taking place in June 2021. The artists were selected from a competitive application process. The open call received a record number of 268 applications, a 60% increase from last year.
The members of The Civilians' 2020-21 R&D Group are Galia Backal, Nana Dakin, Isabella Dawis, Jacinth Greywoode, Jaime Lozano, Emily Lyon, AriDy Nox, Reynaldo Piniella, Tylie Shider, Tidtaya Sinutoke, Rachel Stevens, Ken Urban, and Noelle Viñas.
Led by R&D Program Director Ilana Becker, the artists share work as it develops, discuss their creative processes, and provide a community of support for one another. Each project develops according to its unique methods of creative inquiry, offering new approaches to the idea of "investigative theater." Methods may include interviews, community engagement, research, or other experimental methods of inquiry. The artists will meet twice a month, virtually.
"The sheer talent and curiosity we encountered in this year's applicants proved exceptionally heartening. This season's R&D Group artists, in particular, inspired us with their visionary and deeply personal approaches to questions that demand illumination," said Becker. Artistic Director Steve Cosson added, "I am overjoyed to mark the 10th Anniversary of The Civilians' R&D Group with these exceptional artists; I'm immensely excited as they embark on the process of developing these vital new projects."
Ken Urban's project, THE MODERATE, joins the group through The Civilians' new work development program; his play is commissioned by the EST/Sloan Project, developed by The Civilians, and will receive its first reading at EST. This season, Cosson and Becker will also hold two virtual roundtable sessions with Finalist Directors in order to better get to know their work, and to expand community.
The 2020-21 R&D Group projects are as follows:
SUNWATCHER
Libretto by Isabella Dawis, Music by Tidtaya Sinutoke, Directed by Nana Dakin, with support from Producer/Cultural Consultant Ikumi Kuronaga
SUNWATCHER, a Noh-inspired musical, is the story of astronomer Hisako Koyama (1916-1997) - intertwined with the ancient Japanese myth of the sun goddess Amaterasu, in a retelling inspired by the structure of classical Noh theatre. Hisako was a woman with no formal scientific training - also a survivor of the 1945 US air raid of Tokyo, the deadliest bombing in history - who managed to rise to the stature of Galileo. She did so by drawing the sun in painstaking detail every day for 40 years, a landmark achievement for solar science. SUNWATCHER is a celebration of Hisako's extraordinary dedication to ordinary observation, reminding us how seemingly small acts can have an immense impact over time and space.
BLACK GIRL IN PARIS
Music by Jacinth Greywoode, Book and Lyrics by AriDy Nox
BLACK GIRL IN PARIS is a musical about one of the most famous and least known black women in the American historical canon: Sally Hemmings. It hones in on her years spent in Paris, a point in her life where she both had the most access to freedom ever afforded her and the beginnings of the relationship that would forever define her legacy. Black Girl in Paris seeks to explore the inherent contradictions of an enslaved young black woman held in bondage in a city where slavery has been outlawed, under a man widely considered to be one of the architects of one of the greatest articulations of the necessity of freedom in the western world. It also centers an ensemble cast of Ancestors who chide and guide Sally along her journey, interweaving fables and history to craft the nuanced world Sally is forced to grapple with. At the heart of this musical is the question "What does it mean to be free?", a question black Americans have been grappling with since the original kidnapping and enslavement of Africans for The American Project.
DESAPARECIDAS (Working Title)
Lyrics and Music Jaime Lozano, Directed by Rachel M. Stevens, Co-Created by Lozano and Stevens
Told through the lens of Mexican folklore, our story explores the psychology behind societal suppression and the strategic erasure of female voices in the fight to end gender-based violence and the killing of women and girls. A female ensemble assumes a community of characters in a tapestried play of dramatized accounts, fictionalized scenes and musical sequences to unearth and dismantle the moral behind the 'myth' of violence against women.
DISSENTARY
Written by Reynaldo Piniella, Directed by Emily Lyon
Tasked with escaping your neighborhood, you inevitably run across environmental hazards that impede your progress. Especially if you're Black, Indigenous or Latinx. Dissentary takes inspiration from the classic game The Oregon Trail and adds an environmental justice lens; your group can do one of two things - leave in pursuit of clean air, water and healthy food, or stay and defeat the corporations focused only on profits. Dissentary will both be a participatory theatrical piece as well as an accompanying card game that will allow people to play the game off-line themselves, thus giving access to people who normally don't have access to the arts.
RESET: RACE and CULTURE CONTACTS in the MODERN WORLD
Written by Tylie Shider
an investigative work of theatre
about how incidents between police and black Americans
continues to reset race relations in the country.
THE MODERATE
a new play by Ken Urban, directed by Steve Cosson, commissioned by the EST/Sloan Project and developed by The Civilians.
ACCEPT. ACCEPT. REJECT. ACCEPT. REJECT. For a minimum of eight hours a day, with a target of at least 2,000 videos a day, Frank evaluates the videos and photos uploaded on the world's largest social media site. What Frank sees, he can't un-see, but he soon realizes he has the power to change the world. Playwright Ken Urban and director Steve Cosson will interview scientists, researchers and policymakers in order to dramatize the hidden human cost of the internet and imagine a future when a free exchange of knowledge and information is possible again. This project is an EST/Alfred P. Sloan Science & Technology Project Commission.
EL CÓNDOR MÁGICO
Written by Noelle Viñas, Directed by Galia Backal
El Cóndor Mágico examines the events of Operation Condor, the US-backed campaign of right-wing dictatorships and repressive regimes in South America throughout the 1970s-80s via oral history, research, and satire. It will also explore the American fascination with magical realism, a Latin American narrative tool rooted in history in a region where people have been known to "disappear," problems miraculously go away, and corruption can serve as a curtain behind which history does tricks. Research will unravel how the political imprisonment of over 400,000 people, varied intimidation/torture tactics taught by the US, and unknown thousands of "disappeared" people set a precedent for relations between the US and Latin America that haunt us today. With an eye on Operation Condor's long shadow and impressive wingspan, it asks: who is the magician behind the "magical realism" when it comes to the relationship between Latin America and the US?
FINALISTS
In honor of the overwhelming amount of talent and curiosity displayed amongst this year's applicants, The Civilians are pleased to share the exceptional finalists considered for this season's R&D Group:
Finalist Projects were proposed by Calley N. Anderson; Masi Asare; Helen Banner; Aaron Coleman; Sara Cooper & Kira Stone; Annalisa Dias; Dominic Finocchiaro & Stephen Bennett; Franky D. Gonzalez; Suzy Jane Hunt; Rachel Gita Karp, Ben Hoover & Jacob Russell; Divya Mangwani & Kate Moore Heaney; Talene Monahon & Adam Chanler-Berat; Brett Robinson; Dominique Rider & Nissy Aya; Marcus Antwan Scott, Ryan Kerr, & Dev Bondarin; David B. Thomas, Nick Hatcher, & Sheridan Merrick; Xandra Nur Clark; and Sim Yan Ying "YY" & Alvin Tan.
Finalist Directors are é boylan, Britt Berke, Matt Dickson, Joan Sergay, Noam Shapiro, Emerie Snyder, Leia Squillance, Alex Tobey, and Michael T. Williams.
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jgthirlwell · 7 years
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04.14.17  Charlie Looker debuted his new ensemble at Knockdown Center in Maspeth. The group featured such luminaries as Kelly Moran (piano and synths), Russell Greenberg of Yarn/Wire (percussion), Caley Monahon-Ward (violin), Nate Wooley (trumpet), and for one piece, special guest sopranos Daisy Press and Megan Schubert. Along with Charlie’s distinctive vocal stylings I felt I heard the occasional echo of Peter Gabriel and Van Der Graaf Generator and one of his previous groups Seaven Teares. It was also punishingly loud.
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“Tell Hector I Miss Him” by Paola  Lázaro
Atlantic Stage 2, 2017
Starring Victor Almanzar, Sean Carvajal, Alexander Flores, Yadira Guevara-Prip, Juan Carlos Hernández, Selenis Leyva, Talene Monahon, Flaco Navaja, Dascha Polanco, Lisa Ramirez, Luis Vega, & Analisa Velez
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