Mary Beth Edelson, Death of Patriarchy / A.I.R. Anatomy Lesson, (cut-and-pasted gelatin silver prints with crayon and transfer type on printed paper with typewriting on cut-and-taped paper), 1976 [MoMA, New York, NY. © Mary Beth Edelson]
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Mary Beth Edelson (intro by Lucy R. Lippard) - Seven Cycles: Public Rituals - self-published - 1980
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Mary Beth Edelson Untitled (n.d.) Mixed media on paper 72.1 x 102.6 cm
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The purge of material, including works on paper, was organized by her son, Nick Edelson. Some who came to take items criticized the disposal.
Edelson rose to prominence in the 1970s as one of the early voices in the feminist art movement. She is most known for her collaged works, which reimagine famed tableaux to narrate women’s history. For instance, her piece Some Living American Women Artists (1972) appropriates Leonardo da Vinci’s The Last Supper (1494–98) to include the faces of Faith Ringgold, Agnes Martin, Yoko Ono, and Alice Neel, and others as the apostles; Georgia O’Keeffe’s face covers that of Jesus.
Dealer Jordan Barse, who runs Theta Gallery, biked by and took a poster from Edelson’s 1977 show at A.I.R. gallery, “Memorials to the 9,000,000 Women Burned as Witches in the Christian Era.” Artist Keely Angel picked up handwritten notes, and said, “They smell like mouse poop. I’m glad someone got these before they did,” gesturing to the men pushing papers into trash bags.
A neighbor told one person who picked up some cut-out pieces, “Those could be worth a fortune. Don’t put it on eBay! Look into her work, and you’ll be into it.” {read}
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Mary Beth Edelson
Goddess Head (Calling Series), 1975
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"Write By The Tail/Bite The Tail/I Bite/Belly Snakes" from The Woman Rising Series
Mary Beth Edelson
1973
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Mary Beth Edelson, Unfinished Plans for Utopia: Transformation Celebration, 1977, Crayon, colored pencil, watercolor, and ink on jute tag, 29 3/4 x 36 in.
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Mary Beth Edelson, “Memorial Pilgrimage/See for Yourself,” 1977
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Mary Beth Edelson, “See For Yourself,” from the series Grapčeva Cave, 1977
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Mary Beth Edelson, Death of Patriarchy Anatomy Lesson, 1975. Lithography, A.I.R. Gallery
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Mary Beth Edelson, Some Living American Women Artists, (cut-and-pasted gelatin silver prints with crayon and transfer type on printed paper with typewriting on cut-and-taped paper), 1972 [MoMA, New York, NY. © Mary Beth Edelson]
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Mary Beth Edelson, Death of Patriarchy, A.I.R. Anatomy Lesson, 1976
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Mary Beth Edelson, Nobody Messes With Her: Fire Bird, 1973. Oil, ink, and china marker on silver gelatin print | 25.4 × 20.3 cm
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