#Manta Montage

[aboutanimation]

Trailer - Flatastic by Alice Saey (2024) from Miyu Distribution on Vimeo.

Pushed to their limit, the Manta Rays rise up against Man to take control of the Earth; it is the dawning of a new Flat era.

World Premiere in International Film Festival of Rotterdam 2024 Produced by Miyu Productions, Keplerfilm & Spotted Bird (Emmanuel-Alain Raynal, Pierre Baussaron, Peter Lindhout, Koji Nelissen, Derk-Jan Warrink)

Animation / Animation: Wiep Teeuwisse, Daan Faudet, Romane Granger, Alice Saey Scénario, Script / Scenario, Script: Léa Perret, d’après une idée originale de Alice Saey et Léa Perret Décors / Set: Alice Saey / Gideon van der Stelt Castings: Image / Image: Alice Saey Effets spéciaux / Special effects: Gideon van der Stelt Montage / Film editor: Albane du Plessix, Alice Saey Rendu / Rendering: Ingénieur·e du son / Sound engineer: Montage sonore / Sound editor: Bram Meindersma Mixage / Mix: Jaim Sahuleka Musique / Soundtrack: Ruben van Asselt Production Management: Félix Régnier

[vehicle-research]

This was an early concept for Viking II. Still quite handsome today.

One of the most difficult problems for limited production car design and a key factor that defines the fundamental shape of a vehicle is the windscreen.

The designer can either borrow an existing production windshield and accept the compromises of that shape and incorporate them into his design, or bite the bullet and design a shape from scratch and then have a custom windshield made, not an inexpensive undertaking.

Cars designed at the VRI went both ways. Viking I used the Toyota E20 (Corolla) windshield that came with the donor car supplied by Toyota. Viking II used a custom shape, the glass being made by a specialist company in Mexico City. The shape was defined by a wire matrix, shipped to Mexico and six months later, a heavily boxed windscreen came back.

The next generation of Vikings would use a single hatch entry system, with the windshield incorporated into the hatch structure. This required a compromise of an aerodynamic shape and low weight (glass is heavy). Vikings IV and V used a cut-down Opel GT windshield, where about 4cm of material was ground off of the lower corners. This allowed a more extreme rake and provided for a more slippery shape, but the yield for the grinding job process was about 3 to 1 (one good windshield achieved out of three grinding attempts). /1

Viking VI used the Opel windscreen, but the cowl shape of the hatch was redesigned to be slightly more upright so the Opel GT windshield could be used without modification. A higher rake is achieved as the lower corners are slightly embedded in the body and then faired in with filler.

Other cars designed around the VRI had similar design choices to make. Bill Brown's B1 and B2 also used an unmodified Opel GT windshield. The Avion uses a second-generation Toyota Celica production windshield.

The next generation of Vikings would move away from the single hatch and so a more aerodynamic, yet economical solution was sought as the cost of custom windshields had risen spectacularly. One day a student at the VRI was thumbing through an old Road and Track and saw an advertisement for a Manta kit car. The Manta was a fairly accurate interpretation of a McLaren M6 GT, but designed to be built on a humble VW beetle or tube frame chassis. Kit prices were kept low, so a Manta windshield was available as a replacement part for a very reasonable price. So Viking VII and VIII used the Manta windscreen.

Time moved on, and the 70's and 80's kit car market slowly declined. After making over 1000 Manta kits, Manta went out of business in 1986 and with it a VRI source of inexpensive aerodynamic windscreens. So going forward, replacement McLaren M6A windscreens had to be sourced at McLaren M6 GT vintage spare prices.

That said, Opel GT windshields are very dear these days, and are available only through enthusiast clubs and cost a pretty penny.

The side windows of Viking cars are made of Abcite coated polycarbonate which can be heat-formed.

You can see the various windscreen shapes in their original applications below:

Opel GT

Manta Montage

McLaren M6 GT

The extreme nature of the Manta windscreen can be appreciated by looking at the Manta's fiberglass molded cockpit frame.

/1 Grinding the corners of a stock Opel GT windshield was about a six-hour process. Grinding the first corner was usually always successful, and now with some process confidence under one's belt, one would throw caution to the wind and a crack would nearly always appear when grinding the second side.

Viking V broke its windshield en route on the SCORE trip. So taken by Viking V, a Detroit auto glass replacement shop's most enthusiastic and youngest employee stayed up all night grinding a new one. He had success on only his second attempt. The nice folks at the shop didn't charge for the first attempt.

[ciegeinc]

Movie Review...Aquaman and the Lost Kingdom

(2/5) Did this not feel like a copy and paste of Thor Love and Thunder to anyone else? That catch up montage and the Aquaman's character felt all to familiar to the silliness that Thor has been reduced to. Quick as side, I am not sure why studios have decided to reduce the "muscle heads" to jovial idiots. They did it with Thor, Adam Warlock's character and now Aquaman. This was such a huge drop in rating from the first film, which ended up being my favorite film from DCEU. I wonder if the films direction changed with the changes that were happening behind the scenes with WB, Discovery and the addition of James Gunn.

As simple as the plot was the movie runtime ran over 2 hours. CGI was on par with Matrix 2, overused and cartoonish at times. Black Manta for some reason is just not a villain I care about. He got on my nerve in the first film too. He didn't get beat up as much like the first film but he was still annoying to me. Now the main villain...when he actually got what he wanted and was about to do his typical, destroy the world bit, he was on screen for what felt like 2 minutes...and that was the end of him. Where was the climatic battle? Why did we just sit through 2 hours of a movie that was all over the place for this to be the climax. BOOOOOOOOO!!!

After failing to defeat Aquaman the first time, Black Manta wields the power of the mythic Black Trident to unleash an ancient and malevolent force. Hoping to end his reign of terror, Aquaman forges an unlikely alliance with his brother, Orm, the former king of Atlantis. Setting aside their differences, they join forces to protect their kingdom and save the world from irreversible destruction (rottentomates.com)

#movie review #film review #film #review #movie #aquaman and the lost kingdom #aquaman #aquaman 2 #DCEU

[tomsubalou]

8. Samstag 02.12. bis Montag 04.12.2023

Gestern Abend sind wir gerade noch vor der hereinbrechenden Dunkelheit am Campingplatz angekommen, nachdem wir auf der Mexiko 85 mindestens 20 Baustellen mit ewigen Wartezeiten hatten. Der Platzbesitzer wollte gerade gehen. Glück gehabt, sonst hätten wir an der Baustelle vor dem Eingang übernachten müssen.

Die Nacht zum Samstag neben der lauten Straße verläuft wenig erholsam und frühmorgens wird in der Nähe mit Sägearbeiten begonnen. Wir beschließen, schnell weiterzufahren, nicht ohne noch mit ausdrücklicher Erlaubnis des Besitzers reichlich Mandarinen und Orangen von den umliegenden Bäumen einzusammeln. Der Himmel ist bewölkt und die Luft extrem schwül, schon kleine Aktivitäten sind schweißtreibend.

Nach zweistündiger Fahrt mit weiteren Baustellen und den dazugehörenden Fahnenschwingern, die denen vom Rutenfest glatt den Rang ablaufen könnten, fahren wir wieder hoch ins Gebirge. Unser Ziel sind die heißen Quellen von Eco Alberto, die wir morgen erreichen wollen. Entlang des Weges werden Weihnachtsbäume aus Plastik, Rehe und Rentiere aus Bast und Kunstschnee angeboten, alles schön bunt und mit viel Glitzer.

Die Straße wird jetzt besser, aber es geht mal wieder mit vielen Kurven über 1000 Meter aufwärts durch den Dschungel. Wir kommen durch kleine Dörfer, deren Häuser auf Stelzen über dem Abgrund stehen. Bauland scheint knapp zu sein und die ganze Gegend wirkt nicht sehr wohlhabend. Aber anscheinend ist ausreichend Geld da für den Bau der unzähligen Topes, die uns an den unsinnigsten Stellen ausbremsen und auf die wir jederzeit gefasst sein müssen, denn sonst gibt es gewaltige Schläge, die weder Balou noch wir besonders gut verkraften. Hier nachts zu fahren wäre vollkommen unmöglich.

Wir tanken in einem größeren Ort und die Tankwartin will erst mal unsere Kreditkarte mit zur Kasse nehmen, natürlich ohne uns. Das geht schon mal gar nicht, aber wir haben gottseidank genügend Bargeld dabei. Und für das Übernachten im hinteren Teil der Tankstelle müssten wir einen Ausweis abgeben, geht´s noch? Die Tankstellen hier in der Gegend sind allgemein bekannt für kleine und größere Betrügereien, da machen wir uns doch mal lieber aus dem Staub.

Kurz vor der Dunkelheit finden wir ein verstecktes Übernachtungsplätzchen in der Nähe der Straße.

Am Sonntagmorgen stellt der Bordmechaniker fest, dass die hintere rechte Bremse leckt, nachdem sie erst kürzlich eingehend überholt worden war. Also beschließen wir zähneknirschend, zurück in die Werkstatt nach San Miguel de Allende zu fahren, das mittlerweile ca. 230 Kilometern entfernt ist, wenn wir die kürzeste Strecke nehmen.

Durch meine vielen Reisen mit dem Wohnmobil mittlerweile seit über 40 Jahren bin ich mit fast allen zu erwartenden Beschwernissen ziemlich vertraut und auch einigermaßen abgehärtet, was die weniger erfreulichen oder etwas abenteuerlichen Ereignisse betrifft. Häufiger mal sind wir im Sand stecken geblieben oder am Strand hat uns die Flut überschwemmt, wir haben uns bis zum Anschlag im Kies eingewühlt oder sind im Sumpf eingesunken, die Räder haben auf steilen Schotterwegen durchgedreht, wir sind durch tiefe Wasserlöcher durchgeschlittert oder mussten uns Wege in ausgetrockneten Flussbetten suchen. Wir wurden von einem Opel Manta abgeschleppt, ein Monsterquad hat uns rausgezogen, ein Traktor war die letzte Rettung, andere Wohnmobilisten haben uns geholfen, wir selbst haben einige Womos und PKWs irgendwo rausgeholt. Alles war schon mal da und et hätt noch immer jot jejange, wie der Kölner sagt.

Aber was jetzt passiert ist, bringt mich echt an meine Grenzen und jagt uns beiden Angst ein. Die Ausfahrt vom Übernachtungsplatz zwischen ein paar Felsen ist relativ eng. Der im allgemeinen sehr umsichtige Fahrer Tom konzentriert sich voll auf den Felsen links und gerät etwas zu weit nach rechts auf eine kleine Steinmauer, die unter dem rechten Vorderrad wegbricht. Mein Schrei bringt ihn zur Vollbremsung. Der Anblick nach dem Ausstieg ist besorgniserregend, Balou steht mit der gesamten rechten Seite direkt am Abgrund. Der ist zwar nicht sehr tief, einen knappen Meter vielleicht, aber wenn die folgende Aktion schiefgeht, besteht die Gefahr, dass Balou nicht nur vollends abrutscht, sondern umkippt und hinunter auf die Seite fällt. Was für eine Horrorvorstellung. Aber heulen kann ich noch später.

Im Nieselregen schleppt Tom Schwarzenegger riesige Steine heran, um die Mauer zu stabilisieren. Nachdem der Kamikazefahrer das Untersetzungsgetriebe und sämtliche Sperren aktiviert hat, beobachte ich die Rückfahraktion, um eventuell abwinken zu können, bevor noch mehr passiert. Während des Zurücksetzens bröckelt das Mäuerchen vollends in sich zusammen, aber Balou steht jetzt wieder auf sicherem Grund Heulabsicht einstellen. Im Anschluss ist die Tatsache, zurück zur Werkstatt fahren zu müssen, irgendwie nur noch halb so schlimm.

Es geht wieder runter durch die Sierra Madre, die Straße ist nebelverhangen, die Topes oft schwer zu identifizieren. Wir kommen nur langsam voran und das Navi leitet uns am Fuß des Gebirges in eine Einöde, in der die Straße zu Ende ist. Heute ist wohl nicht so unser Tag.

Der Dschungel verschwindet langsam, es herrscht wieder die trockene, etwas öde Landschaft vor. Schließlich finden wir die Autobahn und kommen kurz vor der Dunkelheit an der Werkstatt an.

Am Montagmorgen winkt uns Jonathan direkt in die Halle und beginnt mit der Reparatur. Matthias befindet sich wohl in seinem Teilelager in Laredo, vielleicht auch mit der Familie in Arizona, was Genaues weiß man nicht, er wird wohl nicht vor Ende der Woche zurück sein.

Heute übernachten wir jedenfalls wieder direkt in der Werkstatt, denn das Hinterrad ist noch abmontiert.

[rainbowriderjt]

1983 Coyote Manta Montage From The TV Series "Hard Castle & McCormick"

[xiwivivavubo]

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[gepekokuhew]

Logicom manta 150 mode d'emploi samsung

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Consultez gratuitement le manuel de Manta 200 de Logicom ou posez votre plus les autres propriétaires de Samsung Galaxy A7 ont de chances de vous

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[gigulifav]

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<br> </p><p>&nbsp;</p><p>&nbsp;</p><p>Logicom Manta 150 – Solo – Taupe. Telephone sans fil. Remise 5% pour les adherents, commandez vos produits en ligne et retirez-les en magasin. Creee en 1993,

Nous en aurions besoin afin de pouvoir consulter sa notice. N'hésitez pas à nous tenir au courant. Bonne journée, Emmanuel de l'équipe Electroguide.

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L'évolution du téléphone mobile : de 1956 à l'iPhone Notice LOGICOM MANTA 150 - téléphone sans fil Trouver une solution.

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[carsthatnevermadeitetc]

Manta Montage, 1980. A replica of the McLaren M6 GT road car based on the platform of a VW Beetle (the later Montage T had a custom space frame chassis and used GM X-body V6 drivetrains). 

#Manta #Manta Montage #replca #McLaren M6 GT #1980 #1980s #Volkswagen Beetle #kit car #custom car

[sweetcinnamonrolls]

Serilda's Journey Part 3 (Finale)

Serilda swim to an ancient sharktroll temple

Within this temple lies the special herb she needs to finish the formula. The hawk's eye herb.

The reason why barely anyone escapes is because of the maze that has been built inside the temple is nearly impossible to get out of. Only the most clever make it out alive...and that was sadly a small number of trolls.

Serilda: Here I am~ the Temple of healers.

(Dramatic music in the background)

Serilda swims inside and the first things she sees is the warning

Serilda: beware all who enter for if you challenge the maze it may be the end of your days~ only of whom has a clever mind, the exit and herb you will find~ but if one is impatient and unwise, then you shall meet your demise~

Serilda thinks it over

Serilda: so I have to be smarter than the maze to beat it at it's own game of trickery~ I think I can manage that if I'm calm and collected~

She enters the maze

At first she decides to swim straight but after passing the same marking three times she evaluates her surroundings

Serilda: Ok let's take a look at these markings~ "reads them"

Suddenly she hears grunting nearby

Serilda: huh? "Swims towards it"

She rounds the corner and sees an all too familiar troll

Serilda: Goose~!

Goose turns around startled

Goose: Serilda! W-what are you doing here? ... and so early

Serilda: I'm going to get thes hawk's eye herb for Malik to help his eyes~ why're you here?

Goose: to get the same herb for the nectos.

Serilda: Oh....hmmm...well maybe there's enough herb for the both of us~

Goose: not if we don't get out of this stupid maze. I've been stuck here for two straight days!

Serilda: Oh goodness! You must be starving! Here take this~ "gives him her leftover rations"

Goose: thank you. "Eats them" "sighs" how're we going to get out of here?

Serilda: We need to be clever than the maze. I think it wants us to get impatient when we keep going in circles and lose our sanity.

Goose: so what do we do?

Serilda: Simple. We do exactly the opposite of what the maze markings tell us.

Goose:....what?

Serilda: Just wait until the montage of booby traps and you'll see~

(One montage of booby traps later)

Serilda: "has a few cuts" and we're here! The healers garden! ....or what's left of it

Goose: "covered in sea cucumber slime" Ugh... finally...

They swam to the remains of the garden

Serilda: According to the gardening patterns in this book. The hawk's eye herb should be down there. "Points to the south side"

They swam over there and saw a whole field of the herb

Serilda: we did it! Let's grab as much as we need~

After they gathered what they needed

Serilda: perfect! I have enough to make the formula and you have enough for the necto trolls~!

Goose: yeah.....great...

Serilda: what's wrong?

Goose: it's just that......after I bring this to the necto.... we're going to leave...

Serilda: leave? ......like forever?

Goose: "nods sadly"

Serilda: so..... I'll never see you again?

Goose: most likely...but...we might return some day...but I wouldn't count on it

Serilda:.......Oh....."ears drop" so......this is Goodbye?

Goose nods

Serilda: "very sad"......well...if this is the last time we see each other....I want to do this

Goose: Do wha-?!!!!!

She wraps his arms around him and kisses him deeply

He hesitates before he does the same

They both hold the kiss for quite some time before parting

Serilda: "smiles sadly" I love you~

Goose: "smiles softly" I.....love you too~

And with that he swam away to the exit

Serilda stood there a moment contemplating all of the feelings she was having before leaving the temple

She made camp at a nearby cave for the night and got to work.

The formula took 3 hours to make and it was very precise but she managed to perfect the recipe

She pours it into a vile and looks at it

The formula glowed a beautiful indigo color

Serilda: It's beauty matches it's power~

She sets it in her bag and went to sleep

By the next morning she retraced her steps back to Techno Reef where everyone was waiting for her

Zips: Welcome home Seri~! "Hugs her"

Tank: Oh Thank cod you're alive~!

Tide: of course she is tank she's Serilda afterall~ nothing can knock her down~

Torrent: it's great to see you safe Serilda~

Serilda: Thank you Torrent~ now if you'll excuse me I have a formula to deliver~

Torrent: of course~

She swam to the med bay

Echo: "sighs in relief" you're alive~ but you're still hurt.

Serilda: I know~ I worried everyone to death but I was completely ok~ where's malik?

Echo: back here.

He led her to Malik's room

Serilda: Malik! I have the formula~

Malik: "gasps" you do? How wonderful!

Serilda: echo remove his bandages please~

Echo does just that

Serilda: Now malik this will sting but it'll go away when its over.

Malik: ok... I'm ready~

Serilda applies the formula to Malik's eyes

Malik: "winces" Ah! That DOES sting! It's like a manta ray sting!

Serilda: I know~ just hold still until the formula process is over~ "holds his hand"

Though malik couldn't see the process was astoundingly beautiful.

There was a vision of a healer sprinkling sparkles over his eyes and then it disappeared

Serilda: that should do it~

Malik stood up and blinked a few times at first it was blurry but then it all became clear

Malik: I...can see.....I can see.....I CAN SEE~!!!!! WOOHOO! I can see! I can see so perfectly! Even without my glasses! thank you Serilda~! " hugs her tight"

Serilda: you're welcome malik~ "hugs back"

Sharktrolls belong to @sparklijam

Serilda belongs to me

#serilda the sharktroll #sharktrolls #trolls oc #trolls fanfiction #Serilda's Journey

[huntsman-ash]

LiveThoughts: RWBY V8E6

Second attempt at this since last time Chrome just DIED for no reason...

Im going to put literally the entire thing with Cinder under one note; Called it.

Its a great set of stuff, sure, but it doesnt relaly tell us anything we didnt already know about Cinder, and I personally feel it doesnt really explain why she turned out the way she did. I feel like we’ve had another weird twist of the situation again...M+K? Coronas fault? Who knows. Either way, this section isnt great by my taste and I kinda skipped most of it. 

Few things to note though; Apperently in Mistral scrubbing by hand is still more viable floor cleaning tech than using Dust.

The wind vane on the roof has the Rooster Teeth symbols rooster on it. 

The hotel Cinder is bought by is named the Glass Unicorn, fittingly enough for...several reasons. 

The coffees behind the stepsisters when we first see them are the animated versions of the real life stuff RT put out just before this season went live. 

No one seems to notice the fact cinder has orange eyes. I wonder if weird eye colors are just a THING in Remnant?

The control collar/shock thing is incredibly inefficient in design, since it doesnt actually hold on to her very well. A more effective brace/choker design would have worked better.

The song that goes on during all of this is...kind of obvious and a little bland? Fitting for younger Cinder I guess. 

Mmm. Random greasy huntsman. 

I guess in Atlas its fine to laugh at struggling teenagers?

Im going to assume there’s a 3+ year gap here where she gets older, cause she stops being smol and gets closer to how we see her now.

Also even here, in Atlas...really? The most effective way to clean these carpeted floors is to have a TEENAGER SCRUB THEM BY HAND?

How do you scrub...I assume its carpet anyway?

And how you tell civilians are lame in Atlas; they are impressed...by a sword.  Just a sword. A boring, half-cut sword. Losers.

I assume this would be Cinder’s semblance manifesting. Also note on the desk; “we do not serve faunus”. Well THAT doesnt surprise me.

HEHEHEHEHEHEHEHEHHEHEHEHEHEHEHE. Get fucked Cinder. HEHEHEHEHEHEHEHEHE

I dont even feel pity for her, this is funny to me.  Also the fact that this kind of shit aCTUALLY EXISTS is...amusing to me. Like, really? So I guess indentured servitude is a thing in Remnant too. 

And this is why Cinder likes to use swords. Really. Wow. LAMEO.

Huh. Dual maces. Interesting. Thats a prety cool weapon.  Looks like they open up too. Bet he could bash some skulls with that.

“Hurting them isnt going to make your life any better”. Um, excuse me? I think hurting them is the very best thing to do in this situation. At least, for the moment anyway. 

Huh. So she’s ten at this point? Even as a child, shes older than she looks. 

And training montage. Huh. Or at least I assume it is. I get the feeling being able to go where you want too and do what you want too is the main reason Hunters exist. There must be crazy tight immigration laws...or, maybe, its just that traveling between kingdoms is stupid dangerous cause of Grimm. I think the latter is most likely considering every form of public transit extra-kingdom we’ve seen (even between cities, see Argus Limited) has some kind of defensive weaponry. Limited and ineffective, for th emost part oddly.

So you can take the exam at 18. Okay cool. Pre-that must be prep school. Wonder what happens if you wash out? Also I like how this dude is just “yeah, 7 years of training, we got this.”

I think this is the first time we’ve seen the other side of the moon. Or at least, the proper other side...bloody hell I STILL dont know how all those piesces are still held in place, the thing looks like it should start yeeting bolides at Remnant. 

Better still we see it MOVE, rotate in time to the passing of years. So it literally does rotate on its own axis, and more importantly, unlike OUR moon, its NOT tidally locked. We only ever see the same side of our moon. REmnants rotates MUCH faster. Also it doesnt seem to have phases like ours does. I’ll check on why that is. 

Well at least we have an explanation for why Cinders so damn good at fighting people. Trained by an Atlas Huntsman.

Also as a note the device is quite literally just an electrical Dust crystal attached to a necklace. Things the most inefficent torture device Ive ever fucking seen. 

Wonder how often they have to change the crystal.

And there goes the moon rotating again.

I like how NO ONE comment on the blade going missing and that guy never came back for it. I guess he must have just bought a new one.

I get the very distinct feeling they wont just let her go honestly, permission or not. 

AWWW WE DONT EVEN GET TO SEE CINDER MURDER THE SISTERS. Also no blood. Odd.  Good kill on the  stepmother though. Oh, that NECK CRACK.  I like how all the bitch can do is try and shock Cinder, like, uh...adrenaline up? SHE HAS A SWORD? MAYBE FIGHT BACK?

Hah. Weak ass fuckin Atlas people.  Also the clock going off in the back ground twelve times. How fitting. Welcome to midnight. 

Also shes kind of glowing here cause the room is dark, and I find it amusing this is probably the last time she wears white.

And THERES the Cinder we know

Sick ass music, cool. Also THAT is an interesting semblance...I guess he turns himself to metal? Also DAMN his aura broke after THAT? Hes a Huntsman...ah who cares. Again probably in Cinders memory more than anything. Which at this point is probably about as reliable as a coked up hookers.

SHANKED. Sucker. You shoulda seen THAT one coming.

And thats all it took to get the shock collar off. Lol. 

So what happened to the hotel? Did they just...write it off? I mean four people got murdered in there...

And now we’re back on the whale. HOW THE SCREAMING FUCK DID CINDER JUST...

Wow. She just got up after eating that blast. Fucking plot armor.

Merc making the hard calls honestly.  Im actually gonna watch all of this now which is nice because I want to know whats happening in the real world. PITY MORE THAN HALF THE EPISODE WAS THIS FUCKING FILLER.

I like how Cinder just...goes quiet the moment she realizes shes lost Mercury. Not that he was USEFUL mind you but if I had to guess she liked being the boss. But now shes...basically back where she started. 

So the whale is basically a ship. It has a bridge. Probably Salems throne room.

Man, Oscars literally just RTs punching bag this season isnt he? Literally in this case. 

His clothes are still scortched too which I find interesting.  The black eyes also staying. Auras not back up then? Aura repair and regen seems...werid half the time. Like RT does what they want with it.

Ah so someone finally says it...but at the same time what exactly does Salem have to fear? If she cant fight the whole world...what could they do? Maybe overwhelming her? It...Im having a hard time putting the “she cant be stopped” with “shes afraid of fighting all of Remnant”. 

Somethings missing here. I know it.

The sound of the “door” opening reminds me of the Flood doors in High Charity in Halo 3s Cortana. Fleshy twisting.

Mention from Hazel, but AGAIN...no details. I guess if you nail down how she can do stuff its harder to write? 

Glad someone made a comment on the futility of the Hunter academies. 

I really hate how Salems giving us creepy mommy shades. 

Hmm. So yeah the bridge IS the throne room/command deck. I like how Neo doesnt give a fuck is just casually kneeling. 

Ah okay THATS why he grabbed the scroll. 

Heh. Interesting. How exactly does this work I wonder. 

...Why does Salem have a ring. Has she always had that ring?

Neo looking at the Hound like “oh, I could ride this thing”. 

Oh cool the Ace Ops. And they’re arguing, shocker. Sounds like Elm doesnt trust tech either. No shock there.  Idiot.

Atlas elite. Yeah, right.

Huh, is this a Manta with landing gear? I guess they do have them...seems kind of silly to have them so high up though. I guess thats what the thing under the door is for, so they can deploy a ramp. Man, I really dont like Atlas’s airship design.

Hare needs some fuckin suppresants. 

Annnnddd...here we go, things go straight to hell. I was warned of this. I am going to try and not be mad...but from what Ive heard the incomptence of the military in this particular section is astronomical.

Huh. So...Grimm can be convirted into a rock-punching liquid? Interesting. Has that always been a thing or... Also why the fuck are you jsut standing there in awe, go kill the fucking thing! Fucking Specialists.

...that is all it took to get through Atlas’s shield? THAT?

I also love how no one does anything. Ironwoods like “wait what the fuck”. Come on bro. 

And...thats the Atlas navy. Everyone. Two lasers. One of which missed. Remind me again what exactly these things are used to shoot?

Wait, no, that took down part of it, and then the rest is, surprise, hitting the soft rock on the outside. 

THERE goes the shield. 

Hang on a second, how long have those giant squid things been there?

And...what. The whale just approaches, nothing happens? You’ve got 12 fucking ships there, shoot the fucking thing.

Again, WHY IS NO ONE DOING ANYTHING?

Oh, it just beach-headed. Okay fine, whatever. 

Im not really worried.

Lets see how RT makes this WORSE though...

And thats this weeks episode.

#rwby #rwby v8 #spoilers #rwby spoilers

[neoduskcomics]

Aquaman

I just saw Aquaman.

Holy fucking shit what a fucking hot mess of fucking ocean garbage. If someone took the script from this fucking movie and tossed it into the pacific it would pollute the water more than any toxic waste or oil spills we've dumped in there for the past hundred years. AND SOMEONE READ THIS SCRIPT AND APPROVED IT.

What is dialogue? All we have on tonight's menu is 5 million gigatons of TNT-laden exposition and monologuing.

THERE ARE FOUR SEPARATE SCENES IN THIS MOVIE WHERE A CONVERSATION WAS INTERRUPTED BY AN EXPLOSION. FOUR. SEPARATE. SCENES.

Mera looks weird. Black Manta has a building montage in the middle of the movie for no reason. He gets a laser rifle that blows up a mountain and goes "Fuck dude this is awesome. Gonna make a giant saucer helmet now to stick THIS in."

"Oh the saucer helmet exploded because of course it did. BETTER MAKE IT BIGGER."

The entire plot is a stupid, contrived fetch quest. It felt like I was watching a cutscene compilation from the first God of War game.

Getting through this movie was like lying awake in bed with insomnia. You want it to be over. Sweet cheese and crackers you just want unconsciousness to take you. BUT IT DOESN'T. YOU JUST SIT THERE. EYES OPEN. TAKING IT. TAKING IT BECAUSE THE UNIVERSE HATES YOU AND YOU DESERVE IT.

Holy shit was this movie gorgeous though. Like there are a lot of boring scenes, but fuck, it has some of the most beautiful and amazing set pieces and action sequences I've ever seen in a superhero film. The ending fight is amazing even though it's dumb as fuck.

This movie is garbage though. Also the acting is terrible and everyone's careers should be ruined because of it. Final verdict -20 billion out of ten. Go see it. It's amazing and fun and action-packed. Fuck is it garbage though. But go see it.

I'm very tired.

#aquaman #review

[itbeslikethat]

Yahya Abdul-Mateen II is literally on that Trevante Rhodes level of fine. Ain’t no need to be that fine. Every time he’s onscreen I’m like...raw me.

That entire montage of him working on the Black Manta suit in that tank top.

[speaksfish]

Heeeeeere’s Arthur. TL;DR : baby boy waddles into sea, comes out an inked up king. 

Welcome to my MTV Mixed Canon Crib :  

Arthur Curry was born to Queen Atlanna and Tom Curry. Atlanna had been facing exile over her growing curiosity towards Land dwellers when she swam across Tom Curry who, like the young dumb salty fisherman he was, nearly got himself drowned during a storm he had no right being in the middle of. Theirs is a great love story, that I will keep, but by no means was Atlanna rescued. She later returns to Atlantis, marries, has Orm ( and raises Tula ). 

Tom Curry had no friggin clue about Atlanteans. He moved to Amnesty Bay, Maine after the Muana Loa volcano erupted. Using the insurance collected from his family’s property he purchased a lighthouse that is still in circulation with the Curry’s to date. SO ... Suffice it to say, when his son started waddling out into the current entirely unphased by water that crashed overhead ... he knew something was up. 

His childhood was mundane for the most part. He lacked academic motivation and faced a typical bullying agenda given the decade he grew up in and his non-whitebread ethnicity. By the combined efforts of his father and Vulko, Arthur wound up a functioning adult with some sense of direction and purpose. His father started his training young for better control ( and concealment ) of budding metahuman differences while Vulko tutored him in the ways of Atlanteans. Including, but not limited to, a Rocky training montage where some strange looking old man absolutely kicks a teenagers ass on a well-populated beach and no one thinks twice about it.

Arthur was given the name Aquaman, he did not call himself that. This line of work started right after high school. Took up that fishing town lifestyle and went to man some local boats for that coin. 

Like all poetic stories, there are repeated histories. Bad storm swooshed in, threatened the lives of all on board, Arthur managed to keep everyone together and drag them back to shore safely. Thus birthed an era of lowkey superhero-ing. While not widely known, they likened him to a guardian during particularly bad weathers or illegal activities overseas. I’ll keep this vague juuust in case a Garth ever shows up but he was the first Idylist Arthur met ( that he actually cared for ) and essentially raised the kiddo. DC can fight me, Garth was Arthur’s 1st adopted son. 

Involving the two main headaches in Arthur’s life : Black Manta’s history with Arthur is .......... rough. Real rough. Arthur did kill his father, he was not just a bystander in his death, that is a thing in his history he is not proud of. I credit the scar over his brow to Black Manta (OG). After the incident, though it was too little too late, Arthur’s view on killing as a means to an end changed. I won’t mention Kaldur here as I’d like to work through that with their writer. Orm’s was a little different. Orm was never just “a villain” in Arthur’s past. He’s his little brother, he gets into trouble because like a lot of Atlanteans we’ve met he can get a taste for power then become unwilling to relinquish it. Makes Arthur’s job difficult every five years or so. 

One of my biggest divergences from the DCEU is the age at which Arthur acquaints himself with Atlantis as their king. The DCEU makes him out to be the reluctant king and, while that’s absolutely true, he did not avoid his birthright until his late 30′s. Instead he was around Twenty-five when he first made his claim known. A Xebelian was sent to wipe the sea floor with him, keep him from returning to Atlantis ----

And naturally, that had the opposite effect. Arthur wound up more invested in researching his mother’s role in Atlantis. His mother proved an avid chronicler of important events or artifacts, one of which pointed to the Trident of Poseidon. He fought and won against Triton ( Poseidon’s ‘son’ ), pissed off the Poseidonis, and gained his title of “King of the Seven Seas.” 

Which spins us forward to the here and now. Arthur was still young when he had his ‘hero’ persona, which has since faded with time. He agreed to join the Justice League during the events of the Mother Box because it directly affected the lives of those under his care. 

He’s since missed the action of it all. The land of it all. And is working diligently on marrying the people of the sea to those on land, with his goal to create some semblance of unification and diplomacy.

That’s about it for now! I’ll definitely come back and tweak a few things, this is just to give a sort of vague timeline on where my Arthur is coming from. 

#united intro

[oscar-isaacs-number-one-bitch]

“Aquaman” Movie Review

Aquaman is DC’s sixth and latest entry into their cinematic universe, and the first since the severely underwhelming box office results of Justice League made us all question whether or not this attempt at replicating Marvel Studios’ success was ever actually going to succeed post-Wonder Woman. This film finds Insidious and Conjuring director James Wan helming the story of Arthur Curry, the son of a lighthouse keeper from Amnesty Bay and the Queen of the underwater kingdom of Atlantis. After the events of Justice League, as well as a submarine rescue in which he encounters the man who will become Black Manta, Arthur returns home to his father. It isn’t long, however, before Princess Mera finds him, and warns him of a coming threat: Arthur’s brother, King Orm, means to declare war on the surface world, and everyone in it. If he is to be stopped, Arthur must put off the grudge he has against his people (whom he has denied because they supposedly killed his mother), and become the hero he is meant to be.

If there were a single word to describe what I felt sitting in the theater watching Aquaman for the first time, I wouldn’t know what it would be. I’ll say ahead of time that Wonder Woman is absolutely still DC’s strongest film to date, but the sheer level of commitment this movie has to its mid-2000’s levels of cheese and pulp give it an affecting charm not too many superhero films find themselves openly sporting in the modern day. Many superhero films, especially when it comes to those put out by either Marvel Studios or Warner Bros, have a particular dispensation towards either hard-hitting emotional drama or outright action comedy, so to see something so bizarre as Aquaman’s singular commitment to its premise that sounds like something a 10-year-old playing with action figures would have written significant portions of is really something quite special to witness.

This is all thanks to the visionary direction of James Wan, a man so adept at building worlds and creating wholly unique atmospheres for actors to play in that he might as well have actually gone underwater to the kingdom of Atlantis just to get some primary location photography. Seriously, the underwater worlds in this thing are genuine stunners with easily the best bioluminescent environments and effects on screen since James Cameron’s Avatar (not that anyone’s really tried all that hard since anyhow). Traveling through the kingdoms of Atlantis, the Brine, etc, is wonderous and somewhat frustrating, but only because you’re taken through it so quickly you never stay long enough to drink in every bit of visual beauty this movie has to offer. But if you thought the visuals and central premise of an Atlantian superhero having to find a trident and fight a war against his brother underwater for the safety of the world is the most absurd thing in Aquaman, you are not prepared for the hurricane that’s about to hit.

About one third of the way through the second act, there are a number of montages that occur all within about ten minutes of each other and feature the only three songs in the entire movie whilst the rest of its runtime is filled with a mostly workable but never-quite-finds-its-footing score from Harry Gregson-Williams. These montages begin with a sort of half-committed Baywatch tribute that features a cover of Africa by Toto (sung by musical artist Rhea), which is mixed in with a rap by Mr. Worldwide himself (Pitbull). Not even half an hour later, the film sports another fantasy tribute by setting a Tangled­-esque scene between Arthur and Mera in a shoreside town near the same beach. It really is quite something to witness this movie simply take a break from itself in the middle of the second act just to play three music video montages in a row and then get right back to the action that brought the characters there.

Speaking of action, this is some of the most unique and kinetic the DC Extended Universe has ever had. Given the premise that most of the fighting in Aquaman is based around one-on-one trident warfare and hand-to-hand combat, what of the action isn’t grandiose superpower grandstanding has to be very up close and personal bow staff style fight choreography, and the way it plays out is a beautiful thing to see. It’s wonderfully edited during the up close and personal stuff, and some of the tracking shots during the larger battles between civilizations are truly some of the best in DC’s pantheon. I suppose if there were any negatives to the action sequences, it would likely be that most of them start the same way, with the characters getting quiet and then an explosion rocking them back to preparedness, which wouldn’t be a problem except that it occurs four or five times throughout the film, thus costing each subsequent surprise attack its effectiveness by making it too much of a habit.

But enough about the action and visually stimulating underwater worlds; how are the characters? A film can have all the spectacle in the world, but without proper character, it’s going to flounder. The characters in Aquaman? They’re…fine. Truth be told, anyone who wasn’t already on board with Jason Momoa’s bro culture rendition of the title character isn’t necessarily going to be won over by his mostly stilted but badass-in-action-scenes performance here, but they do tone down a lot of his more annoying quirks he was introduced with in Justice League, and that should count for something. Momoa is a physically dominant force as Arthur Curry, but whether it was some of the line he was given or because maybe he’s just not been with the right directors yet, his performance here really only reaches dynamic screen presence levels; there’s not a lot of room for nuance in his acting, and while that may be for the best given the kind of performer he is, it does hurt the film a bit overall.

Showing up again as well for round two is Amber Heard as Princess Mera, who more than fits the part as the woman trying to get the reluctant hero to do the hero’s arc because it’s important for him to know he can do it on his own (and she easily has the best costume design in the entire thing), but part of her arc has to do with her relationship to Arthur, and it gets a little confusing because this had supposedly already been covered in Justice League. She does really well for what she’s given to work with, but unfortunately Momoa just doesn’t give off a lot. Also here is veteran Wan-man Patrick Wilson, turning yet another leaf in the journey of acting circles around everyone even with a somewhat messy script to work with. As King Orm, he’s act once fiercely commanding and brilliantly emotive, but he never takes his performance so far as to overshadow Arthur’s main narrative. Willem Dafoe is in…something, but it’s not Aquaman. Seeing him show up as Valko is a real treat to watch, but largely because he’s such an interesting performer, it’s almost like he’s brought back his Norman Osbourne character to teach Jason Momoa how to swim. I’m sure the character probably matters more in the comics, but here, he just feels unnecessary, despite the joy just seeing Willem Dafoe on screen brings.

The unsung hero of this movie, though, at least in terms of performance, is unquestionably Nicole Kidman, who runs the emotional gambit from motherly chiding/affection to kick-ass warrior queen to awestruck-but-terrified literal fish-out-of-water in just her first fifteen minutes of screen time so smoothly and so expertly you’d think she might actually pull an Oscar nomination out of this. She really is having a great year performance-wise between this, Big Little Lies, Boy Erased, and the upcoming Destroyer, and it’s really been quite something to see her come back mid-50’s and show up everyone on any screen she shares by her sheer level of talents and commitment to character. In fact, her part in this movie might not just be the most compelling of the character turns, but also of the plot threads – it actually moved me, and cut right to the heart.

Some negatives about the film (besides what I’ve mentioned already) would include fairly subpar editing and lack of narrative focus; it’s not exactly bad most of the time right up until the second act where the music video montages come in and feel incredibly out of place in this already two and a half hour long movie (that you absolutely do feel the length of during the transition to act three), but it is somewhat off-putting, especially when certain scenes seem to either just start right in the middle of what was probably a longer take, or they’re just strangely placed as if they’re out of order and the editor just forgot about it. It kind of seems like part of the time, it doesn’t know what it wants to be about, and this is particularly felt during the scenes with Black Manta, who (while cool) doesn’t seem like he really was necessary to include this time around. The sound design also sometimes makes things difficult to hear since a lot of it takes place underwater, and while I certainly understand the need to communicate that, it might have been better left to the visuals to communicate, as the effects sometimes blurs certain lines and entire character monologues get lost. In addition, some of the visual effects (while there are a lot that are incredible to see) are actually pretty subpar, particularly wherein green screen is used to give location background to actors that are clearly acting against nothing during a beach training scene where most of the close up shots are straight on rather than from the side or done with two people in frame.

Still, despite its somewhat obvious flaws, Aquaman is the sort of rock and roll good-time superhero movie 10-year-old me would have eaten up. It’s cheesier than a white man’s casserole and pulpier than Tarantino’s back catalogue, but its sheer commitment to the dumb fun of it all really makes it a charming wave to ride. The visuals and costume design are all (mostly) immaculate, and the overlong runtime, while noticeable, doesn’t overshadow the film’s fair share of crowd-cheer moments so cool you wanna jump out of your seat. It may be quite bizarre even for DC, but their innate faith in James Wan’s filmmaking prowess and risk-taking shows they’re taking a few steps (or swims) in the right direction.

I’m giving “Aquaman” a 7.8/10

#Aquaman #Movie Review #The Friendly Film Fan #Jason Momoa #Amber Heard #Willem Dafoe #Patrick Wilson #Dolph Lundgren #DC #DC Comic #Warner Bros #Warner Brothers #Film #Movie #Review #DCEU #DC Extended Universe

[xiwivivavubo]

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