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#Little set of mostly older doodles
sysig · 8 months
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Unexpectedly bright star of the show (Patreon)
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hazerun3 · 1 month
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I just saw your post about the difference between passive and swan. I'd like to ask the difference between young swad and dream?
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shittier doodle this time cuz Im getting tired but the ramblings are probably more unhinged
I dont have particularly strong feelings on dream so this is gonna be mostly younger swad and comparisons to dream when needed
-Views social interaction as inherently transactional and as a game that he can learn to play (he doesnt realise that in the village he was never going to be a player on equal ground, this is why after his ascension his persona is more deity ified rather than a king or smth like nm cuz he wants to be Above it all and in control.)
-Been obsessed with swan even as passives (His Duty to help people got drilled into him, the village feels entitled to his help and swad slowly grows tired of them, but his little brother is always kind to him and doing things for him feels so much more rewarding [tho eventually the village tries to stifle any attempts swad does to get something nice for his brother which frustrates swad so much and swan not asking for anything and just being happy to see him and trying so hard just to make swad happy, even as hes hurt fuels this.] so the mix of the sense of duty, him being the older brother so self imposing a sense of responsibility and swan being nice to him leads him to adopt a mentality where Swan is the only one whos special and actually cares about him not just what he can do for him, but with the way hes raised by the village he tries desperately to try and do something for swan in return cuz he still feels like hes failing in his part of the social bargain)
-Also the cult village placed sooooo much value on stuff like never being angry, always being happy :), youre not allowed to be mean, you Must be hardworking all the time, visibly showing that youre sad is Evil. And swad seethes constantly cuz no one in this fucking village follows that and the one person who embodies all these values the most is swan (who everyone still hates for reasons inexplicable to swad, who believes theres still a way to get swan out of his outcast status if the village just realises that swan is the kindest soul in this rotten place.)
-Dream maintains a more "child" status in the village even as hes older than when swad fights to "adult" status, seeing it as a way to get more social power cuz he picked up that Adults have more power than Children but lol not for him, he just gets to have more responsibilites, the expectation to cut off swan and no money OR gifts for his work cuz gifts are for children doing chores not working adults and since its both swads duty and the fact that he doesnt have anything to spend it on that wouldnt be spending it unwisely they just dont pay him at all! and also hes an object not an adult to them so rushing to try and be an adult backfired miserably
-Swad loves listening to swan read stories to him, reallly wants to be the Prince who saves the damsel and sets his enemies on fire and he projects that persona
-Both he and dream were taken hunting I think, but dream didnt take to it (he had a knack for archery but as soon as he was told to turn that arrow on an innocent bunny he couldnt do it, his more "child" status helps him get out of it) swad was also aprehensive at first but since he places a lot of importance in being the Older Brother and being responsible (also he wants to kill people) so he shoots the bunny, he feels bad and cries about it to swan but he cant let go of the feeling, the smell of blood, the idea of that being someone who hurt swan
-in my head he killed people already lol (used the hunting trips as cover but his hit list is soooooo long and he gets less and less opportunity...)
-he loves shiny things so much but being materialistic and greedy is one of the sins, swan cant get him anything but he does press little flower ornaments for his brother and so much flower jewlery so that swad can roleplay being a prince.
-he hates everyone soooooooo much <3
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mrspockify · 8 months
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I feel like of the two of them Mario is actually the more artistically-inclined brother so here's some rambling headcanons about artsy Mario:
It started when he was in grade school. Art class was always his favorite, and he would come home covered in paint or have dried clay stuck in his hair—anything that made his mama's life difficult. She basically had to hose him down every day.
He struggled with emotional regulation a lot as a kid, getting into fights and getting in trouble with teachers, mostly because communicating was difficult for him. Art served as a good outlet, and he could use it to help people understand what he was feeling, so his teachers and parents tried to encourage it.
As they got older, Mario showed more and more interest in art (and showed a lot of skill), but it wasn't as easy to pursue as it was when he was younger, so he started to fall out of practice.
It was mostly a combination of money and expectations. Nice art supplies that will last are expensive, and he would go through sketchbooks like they were nothing, so his parents couldn't keep up. He'd still doodle in lined notebooks when he had the time, but that's about all he could do at home.
Expectation-wise, the discouragement mostly came from his father. Papa Mario is a practical man, and he knows that art is not a practical career. He didn't mind it as a little hobby, but he started to advise Mario to take more useful electives in school instead of art classes. Luigi was very STEM-oriented, which set a sort of precedent in the household, and Mario internalized the idea that pursuing art would somehow be letting his brother down (how could they grow a life together in the future if Mario was a starving artist?)
Into adulthood, he all but gave it up entirely. He was absolutely the one that designed the logo for their business, but that was just about the only art project he was able to do.
That is, until they got sucked into the Mushroom Kingdom. It took a while for the subject to come up, but eventually Peach found Mario admiring her paintings in the castle, and he mentioned offhand that he used to love art.
She is thrilled at this little piece of information! She immediately sets aside time for them each week to do art together. They take supplies out to different places in the Mushroom Kingdom and have picnics together, painting and drawing the landscapes they see.
Mario is just as messy as he was when he was a kid. Peach falls into a fit of giggles the first time she looks over to find globs of paint stuck in his moustache.
But he's also really good. He picks it all back up right away and improves quickly. Peach is impressed, and so tickled by how happy it seems to make him, so she sets him up with his own private studio in the castle, providing him with any and every art supply he could ever dream of. He's overwhelmed of course, but so, so grateful.
He'll draw and paint almost anything, but he especially loves to make portraits of the people he loves. In Superstar Saga, the bros' house has a big portrait of Peach, and I think he painted it himself.
It was never supposed to see the light of day honestly, just sitting in a corner in his studio gathering dust, but one day he walked in to find Peach holding it and admiring it.
He was wildly embarrassed, but she was just flattered and amazed at his talent. She had it professionally framed for him and never stops telling him how much she loves it every time she comes over.
It isn't until later on, when Mario visits her private wing of the castle for the first time, that he finds an awfully similar portrait of himself painted by Peach in a matching frame hanging on her wall.
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Time again for "Things I Will Probably Never Write!"
Short Version: "Jin Guangyao is reincarnated in a position that would give him power over Nie Huaisang, but finds he can't go through with getting him back because A) Huaisang doesn't remember their past lives, and B) Huaisang's current life already sucks."
More Detailed Version: After being freed from the get-along coffin, Jin Guangyao is reborn into a slightly-to-the-left version of the world where there's still cultivation and still gentry-clan sects, but different ones from those he remembers.
And he does remember. He remembers everything.
Zhan Haoyu originally decides that he is going to stay as far away from the cultivation world as possible, but the allure of the better parts proves too strong. So he, as a teenager, takes up a job as an apprentice bookkeeper for an orphanage that a local sect frequently draws recruits from. It's a close enough position that he can get away with reusing some cultivation techniques to improve his health and such without drawing suspicion, but (mostly) disconnected from all the political bullshit.
It looks like he'll be able to build himself a comfortable, quiet, safe life, until a new child is brought to the orphanage.
It's Huaisang.
His appearance might be different, but he knows this is Huaisang.
His first immediate thought is to do something to get the kid kicked out. Whether Huaisang remembers or not, he doesn't want the boy anywhere in his general vicinity. There are two other orphanages in the town, or the brat can live on the street for all he cares.
But then he finds himself eavesdropping as the adult who brought the child in explains the situation to the matron.
Little Xie Ying had been born to a woman whose husband abandoned her during the pregnancy. She'd been lucky enough to eventually get remarried to a rich man, but when she got pregnant with his kid, he insisted on getting rid of Ying in favor of his incoming heir, and she hadn't argued with him on it. The person bringing him in is a neighbor of theirs who disapproved of the decision, but doesn't have the means to raise him.
The irony is thick enough to choke on.
The incoming half-brother has to be Mingjue, because that sounds exactly like the kind of sick punchline fate would write to their joke of a situation.
Xiao-Ying is six years old (heavens damn it, even the age difference is the same), old enough that he understands he wasn't wanted. Also, most of the orphanage's residents arrive as infants or very small toddlers, so he's immediately singled out as Other.
Watching how small and quiet and miserable he is, Zhan Haoyu finds he can't go through with any revenge ideas. He'll just avoid the kid and that's that.
Except he keeps finding xiao-Ying hiding from the other kids in the library or his office. Not only that, but little scrap paper doodles and halves of the rare treats the kids are given and shiny rocks and other "small child" gifts keep showing up on his desk.
He eventually clues in as to why xiao-Ying insists on always showing up in his shadow, remembering his previous childhood in the brothel and how a lot of the time, being ignored was a lot safer than being noticed. The boy apparently adores him just for not picking on him.
Again, the irony is almost sickening.
But... if he's being honest with himself... this is the side of Huaisang he'd missed.
He's not going to encourage it. He's not going to be this child's friend.
He's not.
The cheap little calligraphy set he leaves on the boy's pillow the day after his realization is just a practical replacement for the brushes one of the older boys had ripped all the hair out of two days ago. Nothing more.
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topibeeru · 1 year
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A bunch of some new and old and REALLY old doodles of my grown up Luna design! (+ a tiny bit of Noel and Dad!Arthur)
She and Noel are Frey and Arthur’s twin children! With Luna being older than Noel by five minutes… allegedly.
More notes about her under the cut!
She is a traveling merchant who sells miscellaneous items (from tea sets and golden crops to glasses her father send her to sell).
She LOVES golden turnips the most!
She inherits less than a quarter of Frey’s Earthmate powers (most of it went to Noel), but even with little to no Earthmate powers she still considers herself, in her own words— ‘technically’ a bonafide Earthmate.
She is very outgoing and extremely extroverted, the complete opposite of her twin brother who’s timid and prefers to spend his time alone doing one of his experiments in his little cottage deep in the woods.
She is extremely silver-tongued and is Really Good at making people purchase things they don’t really need.
She (most often than not) leaves her butler Vishnal to travel around the world by herself :’) mostly because she’s so quick on her feet (both literally and figuratively) that he lost sight of her.
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thechaoticdruid · 5 months
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~My Tav for roleplay and story purposes~
Name: Winnie (Winnifred)
Gender: Female
Pronouns: She/Her
Class: Druid (Her favorite form being the direwolf. I also like to imagine she has some doggy-like characteristics because of it lol), she's also multi-classing as a wizard for reasons.
Age: 23
Race: Human
Hair: Reddish brown
Eyes: Pink
Height: 5'3
Alignment: Chaotic Neutral (With a bit of a good lean I suppose)
Love interest: Astarion
Backstory: Winnifred was raised deep in a hidden forest village, amongst her fellow druids. Her grandmother was the archdruid of their circle and took to raising her after Winnie's parents went missing (aka the likely died horribly on an adventure.) Winnie lived a peaceful, but boring life in the village for thirteen years until eventually it was raided by goblins and everyone she'd known and loved was slaughtered before her very eyes. Winnie was captured by the horde's leader, a strange drow wizard who only allowed her to live because he thought she'd be the perfect test subject for his 'experiments'. She never learned his name, but since the event his face has haunted her nightmares. Winnie remained his lab rat for weeks following the raid. Eventually however her suffering came to an end when a band of adventurers came to her rescue. Apparently they were old friends of the family though she had never once met any of them. They freed her from the prison she'd been held in before setting fire to the goblins camp, killing every last one of the circle's murderers....Well all except for the drow...
Sometime after that Winnie was taken in by Arva, a half elf who just so happened to be the leader of her rescuers. She brought Winnie back to her group's hideout in Baldur's Gate's under city and for ten years Winnie learned how to survive on the streets, using some not so heroic skills Arva had taught her....
•Just stuff about Winnie•
Winnie is weird.
She rarely takes anything seriously and will usually use humor as a way to keep herself sane as she puts it.
She's definitely not a saint but there are some big no nos for her when it comes to morals. No harming innocents, children, or animals.
Self righteous rich tits can suck it tho
"Think you can just spit on me? Huh!? I'll bite your fucking ankles!"
Winnie is an insomniac with permanent raccoon eyes. Shh...don't say anything she gets self conscious!
She has really low self esteem when it comes to her appearance.
Growing up all the other children in her village used to call her ugly a lot. Pretty much all of them aside from a gnome child named Demi.
Winnie liked Demi. Demi used to call her tall.
Winnie isn't particularly romantically experienced. Mostly due to her low self esteem and urge to faint or run away screaming when around someone she finds attractive.
Astarion is her first everything really.
Moving on from that Winnie has a bit of an obsession with cheese. It's like her favorite thing ever.
If you have any she will steal it.
Her handwriting is awful.
She has a habit of pretending to be dumber than she actually is to throw people off.
She identifies herself as being interested in men exclusively, but if I'm honest she does have a bicurious streak.
Mostly because Karlach once asked her what she would do if Astarion was a girl.
Karlach is like her best friend, but don't tell Star he'll get jealous. Shhh...
Has a little plant in a small pot that she affectionately calls Vern.
Currently writing erotic Bloodweave fanfiction titled 'Blood Mage' as a side job to afford Astarion's costly wardrobe. Shhh.... don't tell Gale.
Likes to draw exaggerated doodles in her journal a lot. Usually illustrating important events in her life.
She often dwells on something she remembered one of the older druids saying before the raid. The elder druid described Winnie as "a weed amongst the flowers."
Winnie used to flip the old lady off behind her back all the time.
Will probably be updated and expanded on. Feel free to ask questions. I might make a separate one of these for my Durge .
IMPORTANT: While I am open to doing a little roleplay here and there I'm only doing it with users above the age of 18. Anyone without their age on their blog will be blocked or ignored. Also I'm not comfortable roleplaying the canon characters at this time so don't ask please.
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to0thach3 · 2 years
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✧ cherry hearts ✧ eddie munson x fem!reader
summary: reader runs into eddie at the hideout on a tuesday. conversation, confessions, and cannabis-fueled touching ensues.
an: this is maybe the most self-indulgent thing i’ve ever written. it ends abruptly bc i've never written smut and i got scared lol.
cw: 18+ (minors dni), byers!reader, drug use (marijuana), alcohol mention, making out/heavy petting but no smut, reader has dated most of the older kids (steve, billy, nancy, robin, chrissy), reader is in her edgy phase, there is a small amount of billy sympathy and i will justify it if needed, reader is 19/eddie is 20, let me now if i missed anything.
word count: 4.9k
Moving back home to Hawkins by yourself was less than ideal, even if you were too proud to admit it out loud. You’d complained about the move to Lenora Hills since the day you’d found out about it. You’d driven your mother crazy with your protests, empty threats to hitchhike east, until she’d agreed to let you fly back to Indiana, with the non-negotiable condition that you would call home every Sunday, and that you would be staying with the Wheelers.
As welcoming and as warm as the Wheelers had been, moving in just before Christmas made you feel out of place. Mrs. Wheeler had run to Macy’s to make sure you had presents under the tree, and there was a new place setting at the dining room table. They had done everything to make you feel at home, but you still opted to get out of the house as much as you could, so they had time to celebrate as a family.
You’d sit at the park and write a letter to Will or El, or loiter at the video store during Steve and Robin’s shifts. Sometimes you’d get lucky and use the phone to talk to Billy for a few hours. When all else failed, you were never opposed to helping Max and her mom fix up their trailer.
On Christmas Eve, though, you’d finally run out of luck. All your friends had plans with their families, and you knew the Wheelers were home watching holiday movies. You ended up at the Hideout out of necessity, and the fact that they didn’t check ID was an added bonus.
You sat at the bar, sipping a bottom-shelf vodka cranberry and doodling on a napkin. You tuned out the live music for the most part until a low, honeyed voice introduced the next band.
“We’re Corroded Coffin.”
Oh, god.
A moody bassline filled the bar, and your eyes rolled back. God, what the hell was Eddie Munson doing here?
You’d only talked to the guy a handful of times, mostly during your sophomore year. After everything that had happened with Will, you’d started having nightmares. Nothing seemed to help until Chrissy had gotten you a sample from Eddie’s supply. You’d met up with him in the woods once a month or so, until you’d started going steady with Steve. He tried to stay away from that stuff while he’d been on the basketball team, and you had wanted to be supportive.
You never really gave Eddie Munson a second thought outside of your deals. He was a year older than you, and the closest link you had to him nowadays was Chrissy or Mike. Your paths never seemed to cross, but it had to be his band playing tonight.
You tried to keep you head down during their set, to focus on anything other than Eddie’s low voice underneath the heavy instrumentals, and you cursed yourself for not thinking to bring your Walkman. The bar was loud enough with its patrons alone, but the extra noise made it hard to even think. By the end of their set, your nails had dug little half-moons into your palms.
“Can I get a jack and coke, and another round for the lady?”
 The man speaking to the bartender talked with his hands. His forehead was covered in a thin sheen of sweat, and his curly hair was pulled back in a messy knot.
You tried to keep your shoulders steady as your breaths quickened. He took the seat next to you, and you watched from the corner of your eye as he propped an elbow onto the bar, resting his chin in his hand, as he used the steel toe of his boot to spin your stool toward him. “You’re Steve Harrington’s girlfriend, aren’t you?”
Eddie Munson didn’t even remember you.
“We broke up a couple of months ago, actually.” You hoped that the tremor in your voice wasn’t as noticeable as you thought it was. You supposed you should be insulted – sure, you hadn’t been friends, but you and Eddie had met several times. He didn’t remember you at all?
Eddie’s mouth twitched up at the corner. “Back with Hargrove, then?”
Out of all the people in this town, it had to be Eddie Munson.
“He’s in California with his mom.”
“Buckley? Or the Wheeler girl?” You stiffened when he said that, ready to dash to the door if you needed to, but his smile was genuine enough that you stayed put. “Relax, secret’s safe with me. I’ve got nobody to tell.”
You took another sip of your drink, trying to drown the butterflies that fluttered every time he smiled. “I’m not seeing anyone right now, actually.”
“Whaat?” The word was drawn out and incredulous. He leaned closer to you and you mimicked him without thinking. “Pretty girl like you? Don’t you have your pick of the litter?”
“No one’s in it for the long run, I guess.” You tried to bite your tongue, and failed. “What about you? Still screwing Chrissy Cunningham?”
He grinned widely, eyes crinkling. “Chrissy’s mostly into girls these days, sadly. But I’d be happy to remind her that you’re single again, if you want.”
So Chrissy had told him about the two of you. “I doubt you even know who I am, Munson.”
Somehow your faces were just inches apart, and when he whispered your name you could feel the heat of his breath. “Y/N Byers, everybody knows who you are.” He let the words linger for a few moments, and you couldn’t bring yourself to break the eye contact. Your body leaned closer of its own accord, and your noses were nearly touching when he spoke again, widening the gap. “But it did take me a second to recognize you. You look different.”
You let out a breathy laugh. “I already wasn’t fitting in in California. Figured it couldn’t hurt to change it up a little bit.” You crossed your legs, letting them rest on the bars of Eddie’s barstool. If you moved an inch, your legs would have been touching.
“So that explains the tan and the short skirt.” He gave you a once-over, and you told yourself that you were only imagining the way his eyes lingered on the tops of your thighs. “But I was talking more about the stripes in your hair and the pretty tattoos on your chest.”
You felt heat rise into your cheeks. You had managed to fit an entire adolescence’s worth of rebellion into nine short weeks, dyeing your hair and putting a silver bar through your tongue. Your mom had thrown a fit when you came home with the ink on your collarbones, a dozen small bats flying toward your sternum.
“Needed a bigger change,” you finally said, moving to cross your legs the other way. Your knee bumped lightly against his thigh, and his eyes snapped back up to yours. They were a warm shade of brown, and darker than they had been a few minutes ago. “Do you like them?”
His arm reached out, and he rested his wrist on your knee. He was clearly showing off the tattoo below the crook of his arm, but all you could focus on were the cold rings touching your leg. “I think you have good taste.” He gripped your leg a little tighter, and the bats on his arm rippled with the movement. “Great minds think alike.” He looked at you for a long time, eyes flickering from your eyes to your mouth to the bats on your chest, and he was quiet for a long time. You were excruciatingly aware of every millimeter of your skin that was touching his.
 “So why’d you end it with Harrington?”
Whatever you thought was going to come out of Eddie’s mouth, it wasn’t that. “I, uh – We didn’t know how to make it work long distance. Actually, I didn’t know how, I guess. Steve, he wanted to try, but… honestly, I kind of wanted to leave this whole place behind. That didn’t work out, obviously.” The words came out rushed and choppy, but Eddie listened attentively. “Steve’s perfect, it’s probably better that I let him down sooner rather than later. He doesn’t need me holding him back. I can’t quite seem to stop hurting the people I date.”
Eddie ran a comforting thumb along your knee. “Do you wanna talk about it? I’m a good shoulder to cry on.” You didn’t doubt it. His shoulders were broad, and the leather of his jacket looked worn and soft. “I’m also a good distraction, if you wanna get out of here.”
You didn’t ask him to elaborate. You could use a distraction, even if it was just a quiet ride back to the Wheelers. “I would love to get out of here.”
✧✧✧
Feeling soft and comfortable, you stretched your legs out onto the dashboard, letting your head loll back against the headrest. The windows were rolled up, and you stared at the swirls of smoke that filled the van. Eddie tapped your arm, and you blindly grabbed the joint. You took a deep breath and held it for a moment, ready to exhale toward the ceiling, but his warm hand gripped your jaw and turned you toward him, letting the smoke wash over him. The center console put about a foot of space in between the two of you, and you were close enough to see his glazed eyes in the dim glow of the parking lot lights.
His hand squeezed your jaw lightly. “You’re so pretty. Why are you so pretty?”
You laughed, voice rough with smoke. “You’re stoned.” The whole situation started to seem a little funny. It was Christmas Eve, your family was two thousand miles away, and you were hotboxing with Eddie “The Freak” Munson. “God, my mom would kill me if she knew what I was doing right now.”
His hand dropped from your chin to the console, and he twisted his rings with a smile. “You never got caught when you used to smoke?”
“I was careful! Never when she was home, and never in the house if I could avoid it. Didn’t want Will thinking it had something to do with him. Jonathan probably caught on eventually, but he wouldn’t rat me out.” You passed the joint back to Eddie, who cracked his window to tap off some of the ash. “Plus, he’s no better. He’s got a new friend who deals, and I don’t think either of them have been sober since Halloween.”
“Why would your brother think you were smoking because of him?”
You shrugged, fiddling with the lever on your seat until you were sitting up a little straighter. “Because I was, I guess. Every time I closed my eyes, I just saw that body they’d pulled out of the quarry. I never thought that I might outlive either of my brothers, and it freaked me out. I was a mess. Mom was going crazy, I shut down. Jonathan had to plan the funeral by himself, which I’m going to spend the rest of my life apologizing for. Even when we found Will… I couldn’t get over it. I started buying from you because Chrissy thought it might help with the nightmares.”
Eddie adjusted his seat to be level with yours, and mimed a small bow. “Glad to be of service. I’ll try not to be hurt that you found another dealer.” He rolled the rest of the windows down a bit, and you reveled in the feeling of cold air entering your lungs.
“As if. This is the first time I’ve smoked in over a year.”
“Harrington make you quit?” Eddie reached into the back seat and grabbed a beer, offering it to you. You wrinkled your nose and shook your head, fishing a water out of your bag.
“Nah, he wouldn’t do that. But he was the reason, yeah. I tried to be the supportive girlfriend during basketball season, and that was hard to do when I was always high. Not that I was a great girlfriend either way.” You drummed your fingers along the plastic bottle in your hands. “I don’t wanna bore you, Munson. You don’t need to listen to my whining.”
Eddie took a swig of his beer and offered you the joint. His index finger brushed against yours, and you fought back a shiver.
“You say that like there’s something else I’d rather be doing,” he said. “I don’t know what you think my social life is like, but sharing a spliff with Y/N Byers is the most exciting thing that’s ever happened to me.”
“Bullshit.”
“I’m serious! If my middle school self could see me now, he’d be so proud. I had the biggest crush on you back then. Remember when we found out we had to repeat a grade?”
You threw your head back and groaned. Eddie had been held back twice: he was a second-time senor, and he’d gone through eighth grade twice. You’d only been held back once, in the seventh grade, but it was a sore subject for you. The fact that you’d be graduating at 19 bugged you to no end. “That was on a technicality!”
Eddie laughed, and the warm sound filled the van with ease. “Whatever the reason, that was the first time I noticed you. Decided you were the girl of my dreams, yadda yadda yadda.”
You studied him in disbelief. “You never even talked to me until Chrissy introduced us.”
“I never said I wasn’t a coward!”
You hummed in response, reclining your seat and letting your eyes slip closed. You focused on the cold breeze, the hum of the streetlights, the scent of Eddie’s cologne.
“Can I ask you something personal?”
You rolled onto your side to face him, curious. “I guess so,” you said before pressing what was left of the joint to your mouth.
Eddie ran his tongue along the seam of his lips as if he were searching for the right words. “Are you still in love with Harrington?”
You inhaled quickly in surprise, sputtering out smoke. Eddie watched bemusedly while you recovered, nudging your water toward you. “You okay there, angel?”
You felt your cheeks go hot. “Just wasn’t expecting the question.” You drank your water in small sips. “No. No, I’m not in love with Steve. I love Steve, Steve is the best, but I think we both finally realize we’re not good together. Not as a couple, anyway.”
Eddie nodded, looking thoughtful. “What about your other exes? Still into any of them?”
You narrowed your eyes. “You’re nosy. How many people do you think I’ve dated?”
“Five,” he answered promptly. “People talk, I listen. What can I say, I love gossip. Are you gonna answer the question?”
“It’s two! Where on earth did you hear five?”
Eddie tipped his chin down, looking at you knowingly. “Two you told your parents about. I thought we were being honest with each other, Byers.”
You kept your eyes locked with him, doing the calculations in your head of how trustworthy Eddie Munson really was. As far as you could tell, he didn’t have much to gain by outing you. Eventually, you caved. “If we’re being honest. I don’t really count Nancy. Being in love with your straight best friend is more embarrassing than anything. We kissed three times and I don’t think it meant anything to her.” You shrugged. “But, no, I’m not in love with Nancy anymore. Robin and I never used the L-word, and me and Chrissy are very happy in the friends-with-benefits stage.”
“And Billy?”
You didn’t like to talk about your feelings for Billy. It felt safer to leave them unspoken. But, you reasoned, your words would never leave this van. “I’m probably gonna love Billy for the rest of my life, but he’s going to be so much happier if her never comes back to Hawkins. ‘If you love someone, set them free,’ and all that shit.” You passed the now charred joint to Eddie, who took a quick drag before flicking the filter out the gap in his window. “We still talk as often as we can, but it’s not the same. I just need to move on.”
“What if he moved back?” Eddie took a deep drink from his bottle. “What would happen?”
You mulled the question over, your mind foggy. “I’d cry. I’d probably hug him. And I’d beg him to leave.”
Eddie whistled lowly. “Want him to stay gone that bad, huh?”
“I think everyone I care about should get the hell out of Hawkins before they end up dead.”
A heavy silence rolled over the two of you, and you scolded yourself for bringing down the mood. Here you were, playing twenty questions with one of the coolest guys you’d ever met, and you were lamenting the loss of your ex and the curse of your hometown. “Sorry.”
He smiled at you, stretching his legs back as he moved his seat back. “What for? I asked.”
“What about you? Any tragic love stories?”
“Oh, too many to count.”
“Oh, I’m sure. I pity all the ladies who’ve had their hearts broken by Eddie Munson.”
“What can I say?” He looked at you through heavy lids. “I drive the girls crazy.”
Your inhibitions were lowered and you had to fight back a whimper. “I don’t doubt it, Munson.”
His smile left you breathless, even though you’d seen it several times tonight. “Really? Didn’t think I was your type.”
“Oh, fuck off. You’ve been flirting with me since the bar.”
“I never denied that.”
“So what is this?” All the questions you’d been wanting to ask came spilling out. “Reliving childhood memories? Trying to sell? A holiday hookup? What do you want from me, Eddie?”
“Do you want me to be honest?”
You blinked. “Yes.”
“Completely, totally honest?”
“Yes.”
“I’ve had a thing for you since middle school. I knew you weren’t interested, so I kept my distance. I wanted to ask you out a couple years ago when we’d meet in the woods, but I never had the guts.” He tossed his empty beer bottle into the back seat, and you cringed at the sound it made. “Then you were with Hargrove. Then Harrington. Then you moved away. Mike told me you’d moved back, and I was going to stop by to see you, but… yeah, I guess I’m still kind of a pussy.” He laughed to himself, and looked over at you.
Your brain had shorted out somewhere around “middle school,” and the only thing you could really focus on was the way Eddie’s hair fell over his shoulders like silk. “And now that you know all my emotional baggage? Still think I’m crush-worthy?”
“Still want me to be honest?” You nodded, and he grinned crookedly. “I think you’re perfect. I think you’re too good for this shitty town. I think I could spend all night talking about how fucking cool it is that you’re even hanging out with me, and it goes without saying that I think you’re beautiful.”
You were leaning toward him now, silently cursing the center console that separated you from him. “You could still say it. If you wanted to.”
Eddie hesitated, searching your face for anything that indicated you were kidding. You stared back at him, eyes wide and waiting. “You’re so fucking pretty. I’ve always thought so, you know. You’ve got those eyes and that mouth and your body…” He scanned you up and down and drank in every inch he could see. The way you were angling yourself toward him gave him a clear view down your sweater. “I’m gonna stop myself there.”
“Don’t.” You were as close to him as you could be without tumbling into his lap. “Please keep talking.”
The hungry look in your eyes made his body go weak. “Come on, Byers, are you really gonna make me say it?”
You nodded. “Please.”
“You’re pretty much the only thing I’ve jacked off to since I was a freshman. I’m insanely jealous of anyone who’s been lucky enough to fuck you, and I think I’d be willing to commit arson if it meant your let me just touch you.”
His words drew a whine from your lips. “Can you please kiss me?”
Eddie’s hands were on you immediately, lifting you by the hips and maneuvering you onto his lap. You let out a sigh of relief at finally being able to touch him, and your body moved of its own accord, grinding your hips down onto his. Eddie groaned, overwhelmed by the fact that he was getting everything he’d ever wanted. “Fuck, honey. I thought you just wanted a kiss.”
“And I thought you wanted me.” The pout would have been evident in your voice even if Eddie couldn’t see it on your pretty lips. “Come on, Munson, thought you wanted everything.”
“God, baby. Just let me kiss you first, okay?” He kept one of his large hands on your hip, moving the other up to cup your jaw and guide your lips to his. You returned his kiss with fervor, and Eddie had to slide his hand around to the back of your neck to hold you still, biting lightly at your bottom lip and swallowing the little noises that escaped you. “Easy, sweetheart. There’s no rush, hm?” He pressed his lips to the corner of your mouth and started leaving a trail of kisses along your jawline and down your throat, sinking his teeth in just to hear you gasp.
“Oh, don’t tease me,” you breathed out, voice catching every time his mouth latched onto a new spot on your neck.
He left a kiss on your pulse point before licking up to the shell of your ear. “Actually,” he whispered, “I think you like it.” He guided your lips back to his, and you couldn’t help but let out a whine at the way he kissed you, deeply, overwhelming all your senses. You moved your hips again, and he pulled back with a groan. “Please let me take you home.” Your breath caught in your throat, and he was immediately covering your chest in open-mouthed kisses. “Please let me take you back to my place, I can barely see you in here.” Eddie gripped your waist tightly, holding you against him. “Plus, the heat in here is busted and you deserve better than a quick fuck in a cold van.”
You let out a breathy laugh. “You’re just afraid you won’t be able to keep it hard in the cold.”
“You wound me, Byers.”
You crawled back into the passenger seat, swatting Eddie’s hand away when he reached out to smack your ass. “Easy, Munson.”
“Thought you wanted to give me everything, baby. I don’t get to touch?”
“Get us to a real bed and you can touch it, ‘kay?”
“Deal, sweetheart.” The van creaked as he shifted it into drive, giving you a few moments to put your seat up and buckle your seatbelt before he peeled onto the street.
“Your uncle works nights, right?” you asked, shimmying to readjust your mini skirt. Eddie watched you out of the corner of his eye, making a note that the skirt’s zipper was on the side, not the back.
“Yep. You sure the Wheelers aren’t expecting you back tonight?”
“Mhmm. I’ve spent most nights since I’ve been back at Robin’s anyway, they’ll probably assume I’m with her. As long as I’m back for breakfast it should be fine.”
Eddie tapped out a beat on the steering wheel. “Since you made me spill my guts, can I ask you something?” He waited for your nod. “Do you and Robin ever – ah, never mind.” You might not had given it a second thought if he hadn’t gone red in the face, reaching up to rub his neck.
“What were you going to ask? Do Robin and I ever…” You looked at his blushing cheeks and connected the dots. “Eddie! You pervert!”
“Hey! It was just a question! You don’t have to answer it.”
You easily could have refused to answer and the subject would have been dropped. That was definitely what you had been about to do, when you noticed Eddie’s left hand stealthily readjusting the front of his jeans. Oh. “We do. We have. Quite a few times since I’ve been back.” Gauging his reaction, the way his knuckles tightened around the steering wheel, you continued. “So do me and Chrissy, if you were curious.”
The van swerved slightly. “Shit,” Eddie muttered, correcting it. “That’s fucking hot.”
You laughed. “Tell me about it. Fucking the head cheerleader really is an ego boost, isn’t it?”
Eddie nodded, and the two of you were laughing when the road turned to rubble as he turned into the trailer park.
“Welcome to my humble home,” he quipped, the van jerking as he pulled into his lot. You watched with a smile while he parked and got out of the van, jogging to the passenger side to open your door before you could do it yourself. “M’lady.” He bowed at the waist, extending his hand.
“Corny move, Munson.” You took his hand and helped you down the high step-off.
“You love it.” He moved his hand to your waist and struggled to unlock the trailer with one hand. “Shoes by the door, make yourself comfortable, Byers.”
You slipped off your shoes and let Eddie guide you to the back room. The door was plastered with posters and doodles and the words “THE FREAK” written in spray paint, with a crown above it.
“Nice place,” you commented as you stepped into what you deduced to be Eddie’s bedroom. The walls were just as covered as the door, a collage of blown-up metal band logos and a few framed autographs. There were clothes strewn around and it seemed like his main method of storage may have been shoe boxes, but the room was surprisingly tidy. The bed was even made, although a little sloppily.
“Ha ha ha.” Eddie feigned a laugh, reaching out to strum the guitar mounted over his mirror. “Very funny.”
“I’m serious,” you said, setting your purse on the floor beside the bed before sitting down on the foot of the mattress. “Better than my dad’s old place. At least this feels like a home.” You patted the bed beside you. “You gonna join me or what?”
Eddie grinned widely and shrugged off his leather jacket and denim vest underneath, tossing them onto a chair. The white tee shirt he wore was almost indecently tight, and you tried not to stare. “You’re impatient.” He grabbed a small metal box off his bedside table and sat cross-legged on the floor in front of you. “Did you wanna smoke some more? Or are you out of practice?”
“I will if you are.” You crossed your legs at the ankles, overtly aware that Eddie was eye-level with your thighs. The dim lamp in the corner of the room cast shadows over his face and his eyes twinkled when he smiled up at you. “You’re so handsome.” The words slipped out so easily and thoughtlessly that you almost reconsidered your decision to keep smoking.
Eddie looked up from the joint he was rolling and grinned widely. “Flatterer,” he said, leaning forward to place a quick kiss to your knee, delighting in the way your face went pink. “I can’t wait to fuck you. You’re gonna look so pretty underneath me.”
“You have got to stop talking to me like that,” you whispered, keeping your eyes on his large hands and long fingers, and the pretty silver rings that adorned them. “It’s not fair.”
Still smiling, he placed the joint between his teeth and cupped his hand around it, flicking his lighter a few times until the embers stayed lit. He inhaled deeply before sitting up on his knees and leaning forward to press his lips to yours, breathing the smoke out steadily into your lungs. You gripped his shoulders to keep yourself balanced, and you quickly grew dizzy from the smoke and the sensation. Eddie broke away so you could both get some air, and you found yourself chasing his lips desperately.
Eddie watched you, the way the smoke slipped out from between your pink lips and how your skirt bunched up at your thighs. He wanted to take his time with you, worship the body he’d been fantasizing about for years. He didn’t count on you being so needy, so responsive. He stubbed out the joint, getting to his feet, and you looked up at him with wide eyes.
“So, how do you wanna do this, honey?” He slotted a leg in between your thighs, and it took all your focus to listen to him rather than move your hips against him. “I can be nice, or I can be mean, or I can be a little of both. Whatever you want.”
“Both,” you breathed out, the word coming out a whisper.
He gripped your jaw, and you swooned. “Speak up, sweetheart.”
“Both,” you repeated, louder this time. “Please.”
“’Please,’ huh?” Eddie ran his thumb over your lower lip. “I like that."
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baratiddyappreciator · 5 months
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Hii! I heard you take requests? How about some childhood headcanons? Like what were these guys like when they were small… :0
Oh I am so glad someone asked this one because I've been having ideas bouncing around but haven't actually thought of making a post of my own. (Throwing in a bonus Natsue and Tokugawa because why not?)
Baki:
He was a trouble-maker through and through. He didn't pay attention whenever he did attend school, and he'd always pick fights with any kids bigger or stronger than him so he could improve and get stronger, like his father.
Emi probably got a lot of phone calls from the schools to come get her rowdy ass child because he was being a menace. He wouldn't bully kids, but he would bully the bullies, and while a lot of the younger kids admired him because he'd get the bullies off their backs, they also feared him.
Baki has chilled out a lot since he first fought his father and joined the underground arena, bro used to be a fireball.
Kozue:
She was an angel, a quiet child, but an angel. She was sweet and helping her teachers with any tasks that they were doing. This girl cleaned the chalkboards, helped tidy up the class, and would even collect test papers and set them on the teachers desk, all without even being asked to.
Sweet to even the other kids, she wouldn't get picked on because most of the older kids thought she was just too adorable, and any attempts from younger students to pick on Kozue were very quickly thwarted by older kids, and once even Baki, though that was completely unintentional.
Despite her hard-working personality, sometimes Kozue would finish up early enough to just sit and doodle on her work instead of doing other things. The margins of her notebooks would be full of little flowers, butterflies and cats.
Hanayama:
Quiet. Very quiet. He didn't really have a lot of friends as a kid, he was just big and quiet and other kids were too scared of him to really bother him. He spent a lot of time with his mom instead of his dad, though considering his dad passed pretty early on in his life, that wasn't really something he did willingly.
He didn't talk to a lot of kids, instead, he found himself mostly hanging around adults, so he's got a very old man way of speaking compared to other people his age, but sometimes he slips into a more expected tone.
It wasn't until he was about thirteen that he really started getting a cocky attitude, and by that point it was just puberty, which, obviously, hit him like a fuckin bus.
Katsumi:
Before he was adopted by Doppo and Natsue, he was a pretty careless kid, but seeing his own biological father get mauled by a lion did a number on him. He used to have nightmares about it, but after a few years of therapy and care from Doppo and Natsue, he came to terms with it.
Given the chance, with the proper financial support and some of the best out there, Katsumi absolutely flourished. Doppo was teaching him Karate, sure, but he also had tutors to help him get some of the best grades in class.
He started slacking off when he was about sixteen, but he still did fairly good. He was a major spoiled brat when he was in his mid teens, though he did still at least treat his mother well.
Jack:
He was always a really quiet kid, even before he was put back into his mom's custody, and he just kept getting quieter as he got older. Part of that is due to Diane's poor parenting, but another part of that is just his own personality.
Man was an absolute menace, he would crack back at anyone if they annoyed him enough, teachers, other students, anyone. He's quick with his words, though he doesn't always use them.
He's really good with younger kids, purely because he'd be running around just as much as them when he was younger in an attempt to get his stamina and strength up. He quickly became that cool older kid that would lay the younger kids climb all over him.
Kosho:
He was very similar to Kozue as a child, surprisingly enough, very quiet, but super sweet towards his teachers. Unlike Kozue though, the only thing protecting him from bullies was Kureha, and if Kureha wasn't there, he was free game.
By the time Kureha was going into high school, Kosho was left alone by bullies, because good lord he had this feral look in his eyes and nobody was about to mess with that.
He'd lose his homework a lot, not when it was time to turn it in, but right when it was handed to him. It would go into his bag, and then it would just vanish. He'd always find it in time to fill it out and hand it in, but it was just an odd occurrence he never knew how to explain.
Kureha:
He was a well behaved child, but ask any of his old teachers and they would tell you that they just got this feeling that this kid was weird, but he never really did anything worthy of getting into trouble.
He was sly, and he was really good at being sly. If he wanted someone to do something, he'd find a way to get them to do it without him even having to ask them to do it.
Definitely had a reputation as a boy scout to literally everyone but the kids that would pick on his younger brother. Because once there were no eyes on them, this man was a straight menace.
Retsu:
An ANGEL, just an absolute sweetheart. He looked up to his teachers and mentors. Really, before he accidentally, you know, killed a man, he was a perfectly sweet person.
He absolutely was the kind of kid that got jealous that he didn't have a full beard. Look at some of the people he grew up around, he was absolutely fuming that he didn't have a full beard. Until he tried to grow one, then he realised that they weren't for him and has been clean shaven since.
Someone had to show him how to braid hair at some point, and he was just flabbergasted by the idea. He tried to braid literally everything that he could just do that.
Doppo:
An absolute charmer. We all know that super charismatic kid, and that was definitely Doppo. Just look at that smile! You can't tell me that he didn't learn that a grin like that could get people to do what he wanted.
He was a smug bastard too, definitely one kid that would annoy the hell out of any adult, but one that would absolutely be popular with other students because "oh look he's talking back to the teacher"
He was a class clown in high school, all charming and funny, but he would start stuttering whenever Natsue walked into the room. Man was head over heels for her, even back then.
Natsue:
Natsue has always been somewhat of an old soul, even when she was little, but she was absolutely a girlie girl for a long time. Everything had to be pink or purple, pastels were her favourites.
She loved going to different field trips to important landmarks, she's always liked them and finds them relaxing to go to.
On her first date with Doppo, he took her to a festival, got all dressed up and everything, only for him to get a "random" and violent nosebleed (he got punched in the face before he went and it was a delayed reaction) and they wound up just ditching the festival to go sit up by the river and watch the fireworks.
Shibukawa:
T R O U B L E. Just trouble. He was a brat and a little shit. Stinky man. Problem causer. He would constantly pull pranks and cause problems in his classes and at home.
If this man had siblings then I guarantee you he was simultaneously the favourite and least favourite. Because he absolutely would do something stupid and blame it on his siblings, then make it up to them later... Only to do the same thing and get them in trouble.
He was absolutely the fun older kid that showed the younger ones cool tricks and funny jokes, if only to spread some mischief.
Tokugawa:
He wasn't too different, admittedly. Just take him, remove the wrinkles, give him hair and shrink him a little bit, and boom, you have child Tokugawa, relatively care-free and happy-go-lucky.
Really, the only thing that made him stand out was his knack for finding talented fighters. He would just get really quiet, and then, in a sweet little child voice, he'd point at someone and go "you've killed someone before"
He and Sabuko used to be really close, but when he inherited the dome they started to grow apart, especially since she had her own life to handle.
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sianagrace · 15 days
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Meet Me in St. Louis_Roundtable 3
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Meet Me in St. Louis follows the Smith family living in St. Louis the year before the 1904 World’s Fair. Esther Smith, played by Judy Garland, is the middle “child” of five siblings but is notably the most outgoing, and thus the lead, of her entire family of eight. Garland sings most of the featured songs, including those original to this film:  "The Trolley Song", "The Boy Next Door", and "Have Yourself a Merry Little Christmas”. Most of the remaining songs we popular during the time of the World’s Fair.
Social Context for Musical Relevance
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This film straddles two remarkably different eras of US history. The beginning of the 20th century (when the film is set) marked great changes in industrialization and first-wave feminism, while the 1940s (when the film was made) can be largely characterized by WWII and FDR’s final term. Two songs - “The Boy Next Door” and “Over the Bannister” balance these two times while mostly serving to satisfy the 1940s audience. “The Boy Next Door” follows a conversation between Esther and her older sister, Rose, who leaves her sister with the sentence “My dear when you get to be my age you’ll learn that there are more important things in life than boys”. The first few scenes of the film cover the fact that Rose, despite her “spinster” age, is not yet married. While this isn’t necessarily problematized it is heavily emphasized. Instead of following in her sister’s footsteps, Esther yearns for love and attention but seeks it out on her terms. Her relationship with the boy next door, John Truett, begins with these two songs. Last week we discussed Altman’s “inevitable couplings”: this pairing, despite falling into the heteronormative framework and finality of so many other musicals, does require effort and initiation from Esther’s character specifically. When John first kisses Esther, long after the performance of these songs, she hesitates. While this relationship is a goal for Esther, she prioritizes her family and personal needs. Rose and Esther’s overall characters and personalities are reminiscent of the feminist movement they harken from, but their ultimate decisions to settle down with comfortably wealthy men aim to please an audience engulfed in war, loss, and instability.
The Cultivation of Christmas Cheer and Nostalgia
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Though half the songs are original to the score, the pieces that make this a jukebox musical serve mainly to cultivate nostalgia and joy. Again, the films release during WWII shaped the messaging required or desired by audiences. “Skip to Ma Lou” is sung to the tune of “Yankee Doodle” and other short ditties popular in the late 19th and early 20th centuries but likely still familiar to adult audiences in 1944. This party scene as a whole evokes normalcy, making the plot and characters more desirable and relatable. Other songs included in the score are “auld lang syne” and “the first noel”, some of the oldest Christmas songs that maintain their relevance to this day. Meet Me in St. Louis is often categorized as a Christmas movie despite only the last 20 or so minutes being set during the holiday season. Including these familiar songs in the score sends clear messages about the persistence of peace and being in communion with one another. These songs don’t necessarily have specific or relevant histories but they do have age-old recognition.
Melodrama Meets Musical
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Meet Me in St. Louis combines opera, show tunes, and classical music to create a sound that effortlessly blends into the diegesis of the film. Erin Blakemore notes how the film lacks large, spontaneous musical numbers despite all the crowd scenes and possibilities for such fanfare. Rather, the creators integrated music into the Smith family’s regular routines: their parties and goodbyes, moments of comfort and joy. The rest of the score is used more like it would be in a non-musical drama as a sort of choral, background send-off. This movie is undoubtedly still a musical, but it's more “natural”, and perhaps more aligned with the folk musical, than the others we’ve analyzed.
@theuncannyprofessoro
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sysig · 8 months
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Muscles are fun (Patreon)
#Doodles#These are actually mostly on the older side! Which is a shame I wouldn't mind doodling some more arms ♪#I always enjoy muscle studies :)#I tend to work on things piecemeal - anyone remember like two years ago when I was working on legs? Lol#It's just nicer to pick a muscle set and break 'em down and reconstruct! Min-max strategy - specificity#Honestly it was mostly upper arms that I wanted to work on initially which you can see in how I've chopped off the other half for several#I think it was something of an elbow thing? Although knowing me it was also a wing thing lol#I do have an angel mannequin with no arms so maybe I was thinking of him? I've forgotten by this point haha it's been too long!#That little bump from the shoulder that feeds into the bicep was definitely a big thing as well - it's such an interesting shape#Backs are still incredibly fun as well ♪ They're just so layered! It's neat#Angles and push and pull ♫ Very enjoyable#I think I want to work on the neck next - especially since I only learned about the hyoid bone recently! The heck!#I couldn't find basically any diagrams or muscle guides or animations of what the hyoid actually looks like in motion >:0 The heck#Do you suppose animated-from-death skeletons would have a hyoid bone? Would they fall off or be magically affixed?#'Cause it's not like skeletons have the necessary tendons to tie themselves together so hmm maybe there's just a little peeky-peek neck bone#Well until then - arms and chests and bellies and backs hehe
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tabl3 · 4 months
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Some things™ about the rewrite
Chase and Taylor made a pact to get their little brothers set up
Leo doodled a bunch of L + L shit on his notes (he's so cringe I love him)
Blue Tornado has wings
Solar Flare is selective mute. when she wants to communicate, it's normally by sign language (which work bc her wife is deaf) Gamma Girl wasn't born deaf, but became so due to explosions from her powers.
Techertz think they're hiding their relationship Perfectly
The team always steals Kaz's clothes bc they're big and comfy
Alan is semi-immortal like Horace. he's Skylar's age in the sense that they're both about 40 earth years old
Kaz often has to go down to Mission Command to bring Chase to bed
Skylar and Bree wind up in the kitchen at 3am a lot, either chatting, trying to cook, or dancing to One Direction (it's iconic for them in my rewrite)
Horace is legitimately afraid of Tasha. He works fine enough with Douglas, approves of Bree for his daughter, thinks Chase is the most impolite person to exist, and greatly fears Adam and Leo in his hospital bc they break everything lol
Bree's (non-related) best friend is Taylor
Chase's is Skylar
Kaz, Oliver, and Skylar are each others' obv (plus Gus and Jordan (Kaz and Oliver are the closest ofc))
Leo's are Kaz and Taylor
Tasha and Douglas are each others'
Adam's are his siblings lol (esp Naomi)
Chase feels for Oliver what he does for Leo, making them have an older/younger brother vibe now that they've reconciled
Skylar keeps forgetting Chase is older than her lmao
I aged the SuperParents™ up bc the Flames needed a bigger gap from Oliver
Snowstorm is the youngest hero, age 28. Blue Tornado is 31, Solar Flare 32, Gamma Girl 34, Megahertz 40, Tecton 43, and Horace biologically 47
Naomi plays with the (non-powered) action figures of her siblings, often showing Douglas and Tasha the epic battles (which they love)
How their dysfunctional ass family dynamic w AJ works: Chase: overbearing helicopter mom, Kaz: irresponsible (let's drive this car as fast as we can while dropping mentos in coke) dad, Bree: wine aunt, Skylar: beer aunt, Oliver: uncle that crashes on the couch and tells him to do his worst impulses for his entertainment
Douglas and Tasha are completely platonic, just co-parents and support for each other
Blue Tornado split with his fiance, also amicably co-parenting his young son. He doesn't talk very much bc he's naturally shy, and mostly just enjoys being in his coworkers' company in silence
(he has a crush on Snowstorm)
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surveillance-0011 · 5 days
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Hey what if I *draws your alien that hates humans as humans* lol
These are all a little old (from jan-march) but save for giblets I feel like I’ve got everyone pinned down nicely. Notes under the cut!! Don’t repost, feel free to tell me what you think 💕
1-2: Krubis. I hope you see my vision here. Mostly just trying to figure out if I like this hair texture for him or if I go curlier. I’m set for his work outfit though and I like the idea of him wearing glasses or shades 24/7. But yknow. I think this captures his essence. This is the sort of person he is in my eyes.
The second doodle is kind of rushed but I think in a human au maybe he’d forgo a prosthetic in most circumstances. Hell I think if he can remove the drill at all in canon then he does so when it comes to paperwork and shit. I think he was born without the arm so hes learnt to get by without any sort of prosthetic. I need to do more research into the matter though
3: Douglas. The shorter cut is more in character but I do like the (VERY SPLATOON INSPIRED BTW) braid idea. I think he’s on the younger side alongside the Skrendels? But also he’s very baby faced I think. To mirror the whole “actually Douglas was the silly blue goober the whole time” thing
4: Dr. Giblets. As I said before this sketch is a bit old but I did touch it up. A bit too lanky his face needs to be rounder. I think he’s the oldest of the officers maybe older than Garm. Probably? Not by much. Also 5 Torg in the corner but I didn’t like how she came out so she’ll be in the next batch of whatever 💔💔💔
5: Angela + Jonathan in armor bc for a human/more anthro au I think they’d all have these helmets that mirror the one big eye(and headcanons for what happens when they argue: Angela mediates between Jonathan and Mona, Jonathan does the same when Angela argues with Mona, and Mona just straight up leaves the two to beat the shit out of each other then tearfully apologize .). Also nipulon weezer blue.
6: Garmantuous. Idk if he should be bald or not. Also like 40? Could be a bit older maybe even younger… extra eyes HAVE TO be plugs though I have decided on this. I feel smart for this.
7: more Mona ^_^ more developed sketch of the same hc that he just dips if the other two ever argue + fem presenting alt design + probably what went through his head by the time the BH took out his other brothers during the fight. Also his hair would be bleached blonde 👍🏼 but all the Skrendels have very dark hair naturally.
(On that note: as mentioned before Krubis’s hair is all grey now to mirror the drill. Douglas not sure probably brown or strawberry blond/gingery but dyed blue. Giblets. Uh. Idk it’s pink ish but that way naturally somehow and greying obviously. Garm also blonde but probably bleached? And like I said Skrendels all have black or brown hair but Mona bleached his and Jonathan dyes his hair every now and then
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carehounds · 7 months
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Room anon
I guess I mostly meant furniture and colors! How you'd put that stuff together and all!!
I SEE I SEE, WELL,
for that I can say is that its really really important what the context is out there for the room, what the purpose it serves and if it has history its before, Its definitely also knowing your characters well and seeing how they would interact with the room, what their taste in furniture is, how messy or how tidy they are and what they usually do. The house is a reflection of the people in it, after all! but it does depend and there are exceptions in some cases. You gotta have a good grasp of what you want in your mind first and then work on iterations to get it just right, get the idea on paper as fast as you can(even if it sucks) and then do some problem solving and adjust as needed. its all very trial and error
↓ shitty little doodle
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IN MY CASE, FOR THE GIRLS IN PARTICULAR. Apart of my process for making the rooms in their house is taking the trio's house and then changing the hue of the colors to fit their scheme and making adjustments to make it pleasing/to serve the style i want. their house is inspired by alot of kitsy 50-70s kitchens and interiors, but i dont avoid adding things that may be modern or from older generations because time is weird where they are, not because they actually live and take place in the 50s-70s. I would often collect refrences to the side and do research while designing things off my head, then make changes to make sure its all consistent etc etc
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↑albums specifically for refrence
and ofc for technicality! when picking out colors you gotta know how to distribute the color hierarchy on your pallete well, it also helps to check your values and make sure the colors dont confuse one another in the house, (you can do this by adding a white or black layer on top of your drawing and setting it to color) making backgrounds is another thing and you have to know how to do that before you get into drawing rooms, except what i find is what you can get away alot with natural landscapes, rooms/interiors have specific design principles and a need for better understanding on perspective to work in your favour. You can start out by observing your own house/room and base it off of that !
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TLDR IS ....... make sure the house looks lived in/consider whos living in it and the condition its in and design the house accordingly, Think about what you want for the house to look like and use refrences as needed, get a grasp on a few colors and build off of that and make sure the values are consistent and not jarring or clashing. THATS ALL good luck on your rooms friend
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darby-draws · 3 months
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1 and 12 for Quinn, 18 for Andre ?
Thanks for asking! [questions]
Read More for big long post! <3
1 What was the first element of your OC that you remember considering (name, appearance, backstory, etc.)?
It was right after Art Fight and I desperately wanted a Queer Horror OC before Halloween season. There was a lot of talk about what kind of horror we wanted to go towards. (which maybe still is not quite settled as there are multiple "Horror Movie Plots" in our Whorror Movie story.) But we settled on demon possessed with some religious trauma and a bit of delicious revenge, and Darla and I both worked on designing our own guys separately and see how they would fit together. I sketched these:
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I thought the demon might be similar to an AU demon we have, Goopy, who possesses Lucky and Nate in a story, so that's why I have the drippy drawing in the corner and the inspo for the top surgery tattoos. That's how Goopy was! But Quinn's Demon is a bit different now! Black hair with horns was a must but it mostly became spiky hair with the Vibe of horns. (… unless! rule of cool: draw them as horns anyway its badass!!)
In an early iteration of the story Quinn and Parker were going to find a baby possessed by a demon, from an Evil Cult Town. Quinn's demon and Parker's strength (and bloodthirst) destroyed their Big Bad leader who was doing the baby/demon sacrifices, and the baby was abandoned, maybe thought to be dead? They were like sure… We'll see what we can do with this little thang. They named it Blair Belladonna. They knew of an older witchy/demon knowledgeable grandma figure (literally Domino's Grandma before Domino was a character) who could help them learn about this baby's demon and how to raise a little demonling. BUT That never settled into canon, there is no baby Blair. (However! Much of the baby demon possessing cult thing turned into Domino's backstory. 👀)
12 What have you found to be most difficult about creating art for your OC?
Remembering the dripping perma crying eyeliner down his cheeks. Yes it's supposed to be a permanent feature. 😔 Also figuring out how to draw the hair in between the "horns", how to make it spiky but not distract from The Big Spikes, which direction its going off in, etc. Otherwise I think Quinns pretty easy to grasp for me! 🤔 I love when I get to use flat black for hair and clothes when I'm just doodling so thats always a relief.
18 What is the most recent thing you’ve discovered about your OC?
This was trickyyy ahh Andre's such an old character that hasn't been the main focus lately, so a lot of thinking of him recently has been like. Reminiscing on old facts and not necessarily bringing in anything new. If theres something I've recently discovered of him, I can't think of it!
One thing I've recently decided after some consideration is that I'm going to fuse the Original Andre story where he adopts Delilah the robot and the AU where Andre has an Actual Human Baby instead of the robot together. So now, Delilah and baby Leia exist at the same time! Yay, two of them!!! It's gonna have to make me rethink and plan out his timeline a bit differently and see how he reacts to things now. I just haven't actually set out the time to plan the combined story yet. I feel like I softened up Andre's story a bit in the baby AU, (less drug use, less bad relationships with sketchy people, etc) so I'll have to see if I end up keeping it slightly more balanced or if it'll stay more true to the Actual Canon events, maybe just pushed around the timeline a bit.
Something else that feels new from semi recent times: I thought of an AU where all three of his parents actually like. Get together/stay together polycule it up and raise Andre together rather than the usual backstory of:
two good friends in college befriend and get a crush on the same woman
the guys start a business together
one of them marries the woman and they have a kid together but he gets way too into his work and neglects his wife, oops :(
she then goes to their friend for comfort, which leads to cheating, which leads to she GETS PrEGNANT (WITH ANDRE!) (NOT her Husband's child!) oops :(
she tells her husband the truth and they talk about separating
The Friend leaves The Business and is told to basically never speak to them again
Husband decides will simply raise this child as his own and works on bettering himself and the marriage (if only for appearances and/or for their older daughters sake) and he will simply Not resent the New Child for any reason, it's That Easy! (he said, you know, like a liar.)
Andre finds this out (Accidentally! From his SISTER) as a full grown ass adult and it fucks him up for a bit. oops :(
⬆ this is a lot to Get Into. And also it's Not the new stuff, although I probably haven't actually delved into it before…!
But basically, all this to say, this New 3 Parent AU leads to Andre being much more well adjusted, because so much of his… THing in his life (in canon timeline) has juust been. family treating him unfairly for something he had no part in and resenting/reacting to that. 🥴 And his two dads are such opposite strict/lenient personalities that they'd balance each other like, reallly wellll if they had that opportunity to both raise him from the start, and Andre would have someone in his corner when he's Going Through rough times in life. AUgh. If only… (Also his bio dad is … probably autistic like him so I think someone would like, UNDERSTAND him and the way he does things while growing up which is like, wow groundbreaking.)
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mc-speculation · 9 months
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Ravagers, part 1!
Ravagers are ungulates (hoofed mammals + whales) similar to large tapirs or cattle - morphologically, probably not genetically/taxonomically - that stand at 2.2 blocks (2.2m/~7’2”) tall.
Ravagers are herbivores! They are not aggressive because of a hunting instinct, but rather because of a defensive instinct. If the fossils in the Overworld and the reemergence of sniffers is anything to go by, the minecraft world used to have much more megafauna. I don’t think it’s a huge leap to say this aggressive behavior came about as a defensive measure against very large predators that are now extinct.
This defensive aggression isn’t just an attack-everything-you-see kind of thing, though. Ravagers are extremely protective of their own herds (or, whatever they consider their herd) and are actually pretty gentle/docile around each other! This is how they were domesticated, and why they will never attack an illager.
Domestic ravagers often have their tails and ears docked by illagers to look more intimidating (tragic).
Ravagers have somehow been rendered extinct in the wild. Most likely by whatever took out their predators - which was probably quite a few factors.
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Text transcripts for the first image (left to right, top to bottom):
ears + tail often docked
babey!!
most teeth are for eating plants, but they do have canines for violence purposes
undocked ears
Text transcripts for the second image (left to right, top to bottom):
old lady takin’ a snooze
[Image IDs: All are various sketches of Minecraft ravagers, which in my art are as described above. They are heavy-set with four hooves toes like a tapir. They have big, round bellies and sloped backs, making their shoulders and hips stick out a bit. They have trunks on their snouts, which are mobile and not much longer than the end of their snout. They have huge, long horns that stick out from the side of their heads and quickly bend upwards.
ID1: Four ravager drawings. The top right drawing is a side-on of a ravager, showing the whole body in rough detail. Its mouth is open and its trunk pulled up to show off its teeth, which are mostly flat save for 4 large canines (two on the top jaw, two on the bottom jaw). Its tail and ears are docked. The first and third lines transcripted pertain to this drawing. The top left drawing is just the head and neck of a baby ravager. It has a cute, round face and large eyes, with adorable round ears that haven’t been docked yet. It has little circular nubbins on its head where its horns will grow in. The second line transcripted pertain to this drawing. The bottom left drawing is a very very rough sketch, showing another ravager from the side. Only its head, back shoulders and front left leg are depicted. The bottom right drawing is similar to the drawing of the baby, but is of an adult. It’s showing what undocked ears look like on an adult, and is captioned with the fourth line of transcripted text as well as an arrow and a thumbs up.
ID2: Two ravager drawings. The top is more detailed, with wrinkles and scars that make the ravager look older. This one has huge horns and docked ears. She’s laying on the ground, with one leg tucked into her chest and the other stretched out in front of her. This is the only drawing that’s colored. The ravager is all grey, with lighter horns and scars, and there’s gold lighting and stark deep blue shadows. This is the drawing the other transcript pertains to. The bottom drawing is a doodle of about half a ravager, not the same one as before (this one’s younger and has no scars or docked ears). Its laying flat on the ground, pouting. One leg is out to the side, with their foot folded underneath their leg. Their trunk is goofily flopped on the ground.
ID3: One drawing of two ravagers. The left one is an adult, only pictured from the shoulders forward. The other is a very young baby, pictured in full. The baby is sprawled out on the ground like a baby deer, its head held up and eyes closed. The adult is leaning down towards the baby, one leg bent in front of it and the other underneath it with its foot folded under it. It’s reaching out to the baby with its trunk and touching them on the snout.
ID4: One drawing of a ravager. They’re trotting forward and to right of the viewer. They have a docked tail and ears. They’re lifting their trunk up (presumably in either excitement or aggression) showing off just a bit of their teeth.
/End IDs]
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albatris · 2 years
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whats atdao about?
!! atdao!! it's been a while since I've talked about atdao at length! :D
atdao is...... all the doors are open! a story about cracks in the fabric of spacetime and loving your friends!
it’s YA! sci-fi-ish! fantasy-ish! it’s something I’d describe as “our reality but a little to the left”, though it gets progressively weirder as it goes on
it’s set in South Australia, n it’s set in a world where the fabric of reality is starting to unravel at the edges and cracks in the universe called “Ports” are cropping up more and more frequently..... n these cracks are letting in all sorts of whacked out energy, fuckin with physics, causing weird phenomena to occur all over the place.... one time the suburb of Hackham just moved places overnight for no explicable reason......... basically reality’s comin apart at the seams, but for the most part folks are just sorta like “ah geez” about it bc like. what can ya do. it’s not like all your normal people problems are gonna go away just ‘cuz the world is edging towards its inevitable weird doom
so people are just kinda going about their lives against this bizarre apocalyptic backdrop and hoping they don't, like, glitch through the sidewalk on their way to the supermarket
the story primarily follows Tris and Noa, best friends and co-narrators..... and also Shara and Kai, not viewpoint characters but equally important :3 and it’s mostly just about these guys trying to deal with the weird apocalyptic garbage happening to them alongside their everyday lives, and about how all their individual odd little mysteries connect with each other and form a bigger, odder mystery
they have some little character intro cards and doodles and facts over here! :D
the plot? this thing got a plot, I hear you ask?
yeah! I'm always debating whether or not to leave Tris and Noa's plotlines twined together in one book or write two companion novels. There Is A Lot Going On
anyway, lots of words, ahoy
so your first key player is Tris Greer, whose parents are dicks but whose siblings are chill. most notably of said siblings there is Jacob, older brother by thirteen years, whom Tris believes is just about the coolest person on the entire planet. the Tris plotline kicks off when Jacob gets caught in the midst of a freak car accident that somehow causes him to just kind of…………….. blip out of existence entirely and without a trace?
n Tris is understandably horrified and distressed by Very Much All Of This, but hey, at least there are responsible adults who can look into this obviously Port-related weird disappearance and figure this mess out, right?
well, the relevant interdimensional authorities are brought in to suss out the situation and these authorities are kind of like “hmmmm idk about this” but are all set to take Tris at least somewhat seriously until they learn the following:
that Jacob had already been reported missing to police in his home state three days earlier
that Jacob was in the midst of several ongoing personal crises and at least one nervous breakdown
that Jacob was allegedly tangled up in some real weird shit that would more than account for a disappearance under suspicious circumstances
that Tris is schizophrenic, prone to hallucinations, confusion, memory issues and quote unquote “letting his imagination and anxiety get the better of him”, and precisely zero people can actually corroborate his story that Jacob was even there are the time of the accident to begin with
and after some back-and-forth and Looking Into The Evidence pretty much everyone in any position of authority comes to the conclusion that this is just Ordinary Regular People Crimes and whatever happened to Jacob had nothing to do with weird apocalyptic energies, and that Tris is (at best) stressed out and delusional or (at worst) lying through his teeth because he knows more than he’s letting on
so our young hero Tris is forced to hop pretty quick from “I’m sure someone will handle this” to “no one believes me but I’m sure if I can find some concrete proof they’ll listen and someone will handle it” to Well Fuck I Guess That Someone Is Me
cue bizarre reality-hopping fantasy quest into a collapsing unreality pocket dimension best descibed as "lost down the back of the universe's sofa" - which is ten times easier said than done when most of the time Tris is terrified enough just, like, going to the supermarket
he enlists the help of his new classmate Shara, amateur paranormal investigator and professional weird-bullshit enthusiast, who agrees to help him puzzle out what the fuck happened to Jacob in exchange for his assistance in mapping out Adelaide’s interdimensional “fault lines” as part of her ongoing quest to track down the source of the apocalypse
she’s got big fuckin dreams, ok, go hard or go home
slso worth noting at this point that there HAS been an uptick in Ports and their related reality-bending strangeness in Adelaide recently which is why this is of particular interest to her currently. gotta find out What Makes The Weirdness Tick, gotta find out Why The Sudden Extra Weirdness
his quest also puts him in contact with the eccentric traveling trader Kai Lancaster, peddler of interdimensionally messed-up trinkets. honestly, Kai initially gets involved in the plot because Kai just likes drama and being all up in people’s personal business. Tris brings them on board for one single afternoon like “hey I will pay you some money to come to my house and fix my fucked up phone so I can listen to an interdimensional voicemail” but forgot the apparently key addendum “and then leave”
their first three chapters of them knowing each other is basically Tris being like “stop inviting yourself into my house we are not friends” and Kai being like “that’s a rude thing to say to your friend. also your sister gave me the netflix password and I used your kitchen to bake pastries feel free to help yourself”
Kai, of course, has their own baggage to deal with, and is currently grappling with the emotional and social repercussions of losing seven years of their life to a time...... whirlpool? basically, they went into a cool abandoned house for an hour and came out to find seven years had passed and their family thinks they died :)))
but yeah so Tris’s story mostly focuses on his quest to figure out where Jacob got yeeted to and how to get him safely home, whilst also dealing with rising family tensions, whatever shifty stuff Jacob was involved with prior to his disappearance, and his own creeping doubts about his perceptions of reality
n I’m also saying flat out it’s not a plot that’s going the “oh the whole thing was just a delusion all along” route because ew
his psychosis is a fairly involved part of his character but the explorations around it are more to do with, like……… the difficulties he has in trusting himself and whether he has the luxury of letting himself get swept into some Big Weird Implausible Adventure when this has extremely different implications for him than it would someone else. n eventually to how his success and survival is not ~in spite of~ but specifically because of the different way he understands and interprets the world and the skills he’s developed
your SECOND key player is Noa Yun, who has rather a lot on her plate right now. she’s broke as fuck and her mum is sick and her car is making Noises and she’s not getting enough hours at her job at Not-IKEA-for-legal-reasons and everyone is on her back about her failing studies as if that’s a thing she has the energy or time to care about. feeling rather backed into a corner by life’s bullshit and her financial situation, she blatantly lies her way into an entry-level field job at the Department of Interdimensional Instabilities, because A) surely it can’t be THAT bad, and B) what does she have to lose?
so more or less what she’s doing is the equivalent of emergency services for Port-related weirdness, it’s going out and dealing with highly unstable otherworldly energies head on, navigating Weird Phenomena and bendy patches in reality……… it is, among other things, a job that’s relatively easy to get into because no one wants to touch it with a ten foot pole unless they absolutely have to
things kick off for her when in true Noa fashion she hurls herself into a dangerous situation to help out a coworker and gets caught up in an “overlap” where the barriers between universes are a little fucky, but hey, she seems to come out of it with nary a scratch, so it’s reasonable to assume everything is fine, right?
INCORRECT
she basically gets some whacked-out otherworldly energies latched onto her that are now following her through her everyday life, and it turns out she’s starting to bend the reality around her the way certain types of Ports do, which is! obviously not ideal! she’s not exactly a Port herself, because she’s pretty sure that’s impossible, but it’s clear capital s Something happened to her in that overlap, and she doubts it’s good news. and to make matters even more disconcerting, she’s now being dogged at every step by strange visions of a child who speaks in an unfamiliar language and who seems Real Fuckin Pissed at her
and man, she Needs this job. but also, she's surrounded by people whose job it is to eliminate and neutralise dangerous interdimensional energy - like the stuff she's now full of, which is a recipe for panic and paranoia
so her thing is basically “I acquired fucked up reality-bending powers against my will and they might be lowkey killing me ‘cause Ports are notoriously unstable like that and also I’m haunted for some godforsaken reason” which all somehow ended up being, like, the least interesting part of her plotline for me lmao
her search to find out what’s happening to her re: Weird Children, being a Port-adjacent something-or-other, and whether there’s a way to stop her own unravelling leads her to an unlikely partnership with (DII trauma counsellor? rogue computer programmer? mad scientist? general shifty bastard?) Melissa Marrick Thiele, who claims to have suffered a similar affliction in the past and now does some real interesting research ~on the down low~ about the subject. n this lady. well. she’s got some fuckin stuff going on
she definitely knows more about the nature of Ports than she should. also is she actually researching what she says she’s researching? is she really like Noa? what the fuck happened to Avery, that other kid she was supposedly helping out?
but yeah at about the same time as Noa goes “actually fuck this you’re shady as hell I’m out” she stumbles into, like, The Actual Reality of what Marrick is up to re: manipulating Ports and interdimensional doorways for her own gain, and the various ways this spells bad news not only for her but potentially for the entire city and anyone else unfortunate enough to get caught in the crossfire, and she shifts gear to “actually you know what I’m gonna kick your ass”
there are various reasons for this, but first and foremosterly you have to understand that Noa’s got a fuckload of pent-up rage and she will bring it in full force the moment you say some stupid shit like “some people are expendable” or “it’s inevitable for the greater good”
but yeah the main story here mostly follows Noa’s attempts to undermine Marrick, bastard supreme, and find a way to fuck her up before she goes, like, Full Cartoon Supervillain, n also like……….. Noa's attempts to keep up her work at the DII despite her rising paranoia that the teammates she’s growing to care about will notice her increasingly unstable state and the fact that she’s all tangled up with the very forces they’re meant to be thwarting. n along the way discovering the reality of what happened to her in The Aforementioned Overlap Incident and about her visions and such..... and, oh, what's this? is it all connected? of fucking course lol <3
anyway that's. words
general, for Tris, his plotline, you wanna think, like, fantasy/adventure vibes which veer pretty sharply into horror, and for Noa you wanna think…… kinda, sci-fi mystery conspiracy vibes with a dash of some superhero bullshit maybe except not really
anyway! it's equal parts “absolute nonsense hijinks and ridiculousness that doesn’t take itself too seriously” and “oh fuck oh ouch oh no my heart”.... every main character ends up safe and happy and in a much better position than they started..... lots of cheesy themes like self love, the power of connection and kindness, universes that don't care and people that do,,,,, all the good high-quality cheese
also at one point Noa does a whole cool action sequence scene with a permanent marker moustache on her face because she didn't have time to take it off and Tris uses a ceiling fan blade full of otherworldly energy as a sword and it screams loudly every time he swings it
ok thank u for reading if u read this far, please have an excellent day <3
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