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#Latin percussion
souvboa · 1 year
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Rooftops DJ Souv SLT 12pm Tuesday 4 April 2023 by Souv Boa Via Flickr: Hey there party people! Are you ready to salsa your way to the top of the world? Then come join us on Tuesday, April 4th at 12pm at Rooftops Club for a salsoul extravaganza! We've got DJ Souv on the turntables, spinning the hottest salsoul beats you've ever heard, and Hostess Lux will be there to keep you all entertained and looking fabulous. And let's be real, who doesn't want to look fabulous while dancing the night away? So come on up to the rooftop and let's party like it's 1979! We promise you'll have a blast and leave with some serious dance moves. And don't forget, the dress code is funky and fabulous, so leave your boring clothes at home. See you there, party animals! maps.secondlife.com/secondlife/Honor/164/122/3555 Salsoul music is a genre of dance music that originated in the late 1970s in New York City. It is characterized by its use of Latin percussion and disco-style arrangements, and is often referred to as "disco-salsa." The term "Salsoul" comes from the name of the record label that popularized the genre, Salsoul Records. The label was founded by brothers Joe and Ken Cayre in 1974, and quickly became one of the most important outlets for dance music in the US. Salsoul music was heavily influenced by the disco sound that was popular at the time, but also incorporated elements of Latin music such as salsa and mambo. Some of the most famous Salsoul artists include the Salsoul Orchestra, Loleatta Holloway, and First Choice. Salsoul music had a significant impact on dance music as a whole, and helped to pave the way for later genres such as house and techno. Today, Salsoul music is still enjoyed by dance music fans around the world, and continues to influence contemporary dance music production.
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artistbookings · 3 months
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Latin Connection - Trio
Latin Connection stands as a trio format music band. Their lineup comprises a vocalist, a percussionist, and a pianist. The band's live performances are further enhanced by the incorporation of meticulously produced high-quality musical tracks. Their current repertoire spans a diverse array of genres, encompassing salsa, bachata, boleros, cumbia, merengue, Latin pop, reggaeton, Brazilian music, and English pop. 
The band has cultivated a specialization in crafting artistic entertainment tailored for diverse and international audiences. Their performances are distinguished by an ambiance of elation, as they skillfully channel the positive energy that defines each member. This convergence of musical expertise and vibrant stage presence harmoniously unite to create an immersive experience that resonates joy and cultural fusion.
Instrumentation: Vocals, Percussion, Piano
Music Genre: Pop, Salsa, Bachata, Boleros, Cumbia, Merengue, Latin Pop, Reggaeton, Brazilian Music
Size: Trio
Setlist: Latin Connection
Hire For: Weddings, Private Parties, Functions, Events
Covered by the Artist Bookings 100% reschedule/replace/refund guarantee
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banana-up-yo-butt · 10 months
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Practicing some latin rhythms
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soulmusicsongs · 11 months
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Lupita - Nico Gomez And His Afro Percussion Inc. (Ritual, 1971)
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fuchinobe · 4 months
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Live At The Montreux Jazz Festival 1980 (1980, Latin Percussion Ventures, LPV 474)
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mudwerks · 2 years
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(via Tied Up In Red - Yello (1988))
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piononostalgia · 2 years
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Lucecita Benítez performing “Todas Las Mañanas,” accompanied by percussionist Cándido Camero, on The Ed Sullivan Show
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helmar-weiss · 1 year
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Salsa Playback für Bongo Grooves (Martillo+Variationen) jetzt auf Soundcloud:
Video auf Youtube:
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#salsa#bongos#martillo#playback#MobilerMusikunterrichtRegensburg#percussion#latinmusic
#salsa#bongos#martillo#playback#MobilerMusikunterrichtRegensburg#percussion#latinmusic
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jeffrevolucion · 2 months
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Dedicado a mi abuelito papá Vicente. Descanse en paz, te quiero mucho...
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😉👍✨♟️Checkmate ♪
"エンタメステーションin札幌ド真中『melowdeux』" を YouTube で見る
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dyingpharaohsmx · 1 year
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Me enfadé el otro día sobre mi vida es muy triste perdiendo el tiempo sin hacer nada preocupante todos los días
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thisismeph · 1 year
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Toontrack EZDrummer 3 with Jazz EZX All Presets Demo
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artistbookings · 3 months
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Hypnotic Groove - Latin Band
Hypnotic Groove is Australia’s most representative large Cumbia Orchestra. Their wall of sound is unstoppable on the dance floor and with the collective energy of authentic Colombian singers, accompanied by a serious Orchestra vibe and strong percussion section, combining elements of Reggae, Ragga and Roots from the Colombian Caribbean performed by some of Australian finest Horn Section. This orchestra has conquered Australia’s music scene.
Put together by Colombian and Australian musicians, the project has the common vision of introducing the purest sounds of the golden era of Orchestrated Cumbia to Australian audiences. Cumbia is the most contagious, joyful rhythm from Latin America.
Instrumentation: Vocals, Guitar, Drums, Keys, Bass, Piano, Percussion, Congas, Shakers, Trombone, Tambora, Trumpet, Saxophones, Clarinet, DJ
Music Genre: Cumbia, Latin, Ragga, Reggae
Size: 15 members
Buy Music: Spotify
Hire For: Festivals, Venues, Corporate Events, City Of Sydney Events
Equipment Supplied: Yes
Languages: English, Spanish
Covered by the Artist Bookings 100% reschedule/replace/refund guarantee
"Hypnotic Groove are a treasure to Australian music scene. An extremely talented family of musicians bringing the high-powered infectious sounds & rhythm of Columbia to Sydney. They are some of the finest people we have had the pleasure of working with."  -- Souof Sydney "Oh Wow. Just saw Hypnotic Groove at Manly Jazz Festival. Have never seen so many people up dancing at this festival before. Amazing band and so so much fun. Great set guys!"  -- Saskia G. "Just wanted to say thank you to the whole band. You are all amazing artists & the joy & passion you all bring to your shows is fantastic! I’ve been to approx half a dozen or more or your shows, and always have so much fun!"  -- Clare M. "They are pure Colombian Soul and Fun!"  -- Mario P.
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banana-up-yo-butt · 2 years
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Little Samba by my friend Joan Torres :)
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motaedu · 2 years
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#caminho #dresden #latin #jazz #pop #brasil #drums #percussion #schlagzeug #schlagwerg #ludwigsburg #eduardomota #bosphoruscymbals (hier: Ludwigsburg, Germany) https://www.instagram.com/p/CiSyulZKXT_/?igshid=NGJjMDIxMWI=
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kemetic-dreams · 5 months
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House is a music genre characterized by a repetitive four-on-the-floor beat and a typical tempo of 120 beats per minute as a re-emergence of 1970's disco. It was created by DJs and music producers from Chicago's underground club culture and evolved slowly in the early/mid 1980s, and as DJs began altering disco songs to give them a more mechanical beat. By early 1988, House became mainstream and supplanted the typical 80s music beat
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House was created and pioneered by DJs and producers in Chicago such as Frankie Knuckles, Ron Hardy, Jesse Saunders, Chip E., Joe Smooth, Steve "Silk" Hurley, Farley "Jackmaster" Funk, Marshall Jefferson, Phuture, and others. House music initially expanded internationally, to London, then to other American cities, such as New York City, and ultimately a worldwide phenomenon.
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In its most typical form, the genre is characterized by repetitive 4/4rhythms including bass drums, off-beat hi-hats, snare drums, claps, and/or snaps at a tempo of between 120 and 130 beats per minute (bpm); synthesizerriffs; deep basslines; and often, but not necessarily, sung, spoken or sampled vocals. In house, the bass drum is usually sounded on beats one, two, three, and four, and the snare drum, claps, or other higher-pitched percussion on beats two and four. The drum beats in house music are almost always provided by an electronic drum machine, often a Roland TR-808, TR-909, or a TR-707. Claps, shakers, snare drum, or hi-hat sounds are used to add syncopation. One of the signature rhythm riffs, especially in early Chicago house, is built on the clave pattern. Congas and bongos may be added for an African sound, or metallic percussion for a Latin feel
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One book from 2009 states the name "house music" originated from a Chicago club called the Warehouse that was open from 1977 to 1982. Clubbers to the Warehouse were primarily African, gay men, who came to dance to music played by the club's resident DJ, Frankie Knuckles, who fans refer to as the "godfather of house". Frankie began the trend of splicing together different records when he found that the records he had were not long enough to satisfy his audience of dancers. After the Warehouse closed in 1983, eventually the crowds went to Knuckles' new club, The Power House, later to be called The Power Plant, and the club was renamed, yet again, into Music Box with Ron Hardy as the resident DJ. The 1986 documentary, "House Music in Chicago", by filmmaker, Phil Ranstrom, captured opening night at The Power House, and stands as the only film or video to capture a young Frankie Knuckles in this early era, right after his departure from The Warehouse. 
In the Channel 4 documentary Pump Up the Volume, Knuckles remarks that the first time he heard the term "house music" was upon seeing "we play house music" on a sign in the window of a bar on Chicago's South Side. One of the people in the car joked, "you know that's the kind of music you play down at the Warehouse!" In self-published statements, South-Side Chicago DJ Leonard "Remix" Rroy claimed he put such a sign in a tavern window because it was where he played music that one might find in one's home; in his case, it referred to his mother's soul and disco records, which he worked into his sets
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