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#Kode9
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Kode9, 2013. Another of Ken Okuyama’s designs, built in limited numbers in Japan based on a Lotus Elise, powered by a Honda V-TEC 345hp supercharged 2.0 engine.
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fancypantsrecords · 3 months
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Cold Storage - wipEout: The Zero Gravity Soundtrack | Lapsus Records | 2023 | Silver
Includes the original scores to wipEout and wipEout 2097 (aka. XL) + new remixes
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earsinyrheadphones · 1 year
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Top albums of 2022:
I, Parasite - Österlanden
Blushing - Possessions
Boris - Fade
Porcupine Tree - Closure/Continuation
Sidewalks and Skeletons - Exorcism
HEALTH - DISCO4 :: PART II
Kode9 - Escapology
WASEI JJ CHIKADA - Cyberia Layer 4
Ada Rook - UGLY DEATH NO REDEMPTION ANGEL CURSE I LOVE YOU
D R O I D R O Y - 人工進化 「Artificial Evolution」
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tilde44 · 11 months
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Listen/purchase: Infirmary / Unknown Summer by Kode9 / Burial
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radiophd · 6 months
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kode9 -- angle of re-entry
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gamtozu · 8 months
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389 · 2 years
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Lagrange Point Kode9 [Hyperdub]
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dustedmagazine · 2 years
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Kode9 — Escapology: Music From Astro-Darien (Hyperdub)
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Astro-Darien is a historical sci-fi multi-media “sonic fiction” created by Hyperdub founder Steve Goodman AKA Kode9 in collaboration with visual artists Lawrence Lek, Silvia Kastel and Optigram. It is named for the Darien Scheme, an ill-conceived publicly funded plan to establish a colony and trading post in western Panama in the 1690s. Its failure put Scotland on the verge of bankruptcy and was a significant factor in acquiescence to 1707 Acts of Union that subsumed the country into the United Kingdom under the control of Westminster. In the past two years, the Scottish government has signed off on the construction of spaceports on the Shetland Islands and the north coast of Scotland. Many hope that in time these facilities can become a conduit for space tourism and perhaps colonization. Taking these threads as a starting point and in anticipation of the referendum on independence proposed for 2023, Astro-Darien ponders the lessons of the past in the context of a reimagining of the future.
On Escapology Goodman introduces more beat-driven elements into the narrative in the hope the record will stand alone as a more familiar Kode9 production. It is not always a comfortable union. Passages of club-based rhythm and mechanoid agitation are interspersed between and within more ambient narrative pieces replete with the sort of sinisterly anodyne announcements one hears on planes, trains and presumably the tourist rockets of Bezos, Branson and Musk. Hubris, greed and decay lurk and erupt throughout. “Toxic Foam” is full of rust and bubbling sludge eating its path through erstwhile pristine landscape and architecture alike. “In The Shadow Of Ben Hope” mimics rockets overhead and after the proverbial countdown, the tectonic rumbling of vertical lift-off. It makes for a disjointed aural experience, the frantic beats, the clank and squeak of distressed rivets giving way to sections of sci-fi optimism and on “Torus” for instance the kind of wildly propulsive, technically intricate orchestration associated with Carl Stalling and Raymond Scott. 
Kode9 fans will enjoy club ready tracks like “Uncoil” and “Lagrange Point” and as with his previous work, the mastery of dynamics and the production values are to rights but there’s a sense the music cannot carry the weight of its associations alone. 
Andrew Forell
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definitiveworld · 2 years
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smac30 · 1 day
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kingstown [vox] by Kode 9 & Space Ape TD 725 buy the track: https://kode9.bandcamp.com/track/kingstown-vocal
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crabscrabscrabs · 13 days
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One thing I am doing and committed to is seeing Kode9 in July while I'm at Marxism festival. I was never a big 'clubber' I'm excited I've never been to one in like 10 years, about the time brostep destroyed everything.
Dubstep is like my thing, I'd started listening to drum and bass at 11 and it was when dubstep was really becoming a thing so I got to grow up with it from the good days to when Skrillex killed it. Some people are conniseurs of whiskey, I feel like a conniseur of dubstep.
So I'm going to spend the day discussing revolutionary theory, get something to eat, then I'm going to down enough acid and shrooms to disable an elephant and skank till I can't walk, I think that might help with my depression, maybe.
It's good timing as well cause my latest batch of mushrooms will be ready to harvest in about 20 days.
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mitjalovse · 3 months
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Do electronic music labels actually dictate their signings? The answer is, of course, no, yet you have to check the founders of the label to understand why that feels like this sometimes. For instance, Steve Goodman of Hyperdub Records releases the type of tunes his house publishes, though he uses the name Kode9 for this. These are not vanity records, he does follow the ethos of his label as he moves within the strands of the electronica that somehow remained in the ethos of the 90's, yet the idiom also added a lot of technical innovations, which weren't possible at the time. One can claim this causes there's a strange melancholic disconnect present here, which does get to be heard mostly on another player of Hyperdub – Burial.
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tilde44 · 2 years
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Listen/purchase: Escapology by Kode9
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edmconspiracies · 4 months
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radiophd · 4 months
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kode9 & the spaceape -- promises
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therarefied · 5 months
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Kode9's "Infirmary"
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