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filmphilics · 3 years

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Recommendation of the week: Quo Vadis, Aida? (2020)

Dir.: Jasmila Žbanić

Cast.: Jasna Djuricic, Izudin Bajrovic, Boris Ler, Dino Bajrovic, Boris Isakovic.

Genre: War

Plot: Aida is a translator for the UN in the small town of Srebrenica. When the Serbian army takes over the town, her family is among the thousands of citizens looking for shelter in the UN camp.

Filmphilics score: 8/10

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moviescramble · 2 years

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Quo Vadis, Aida? - Review

Quo Vadis, Aida? – Review

The Bosnian War – the result of the break up of Yugoslavia amongst other issues – raged from April 1992 until December 1995. Ethnic cleansing was common practice, through either mass murder or forced expulsion. The Srebrenica Massacre of July 1995 saw more than 8,000 Bosniak Muslim men and boys lose their lives. Quo Vadis, Aida? charts the build up to this harrowing event, through the eyes of a…

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#Boris Isakovic #Boris Ler #Bosnian War #Dino Bajrovic #Female Director #International Cinema #Izudin Bajrovic #Jasmila Zbanic #Jasna Djuricic #Netflix #Oscar Nomination #streaming

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genevieveetguy · 3 years

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Quo vadis, Aida?, Jasmila Zbanic (2020)

#Jasmila Zbanic #Jasna Djuricic #Izudin Bajrovic #Boris Ler #Dino Bajrovic #Johan Heldenbergh #Raymond Thiry #Boris Isakovic #Emir Hadzihafizbegovic #Reinout Bussemaker #Teun Luijkx #Juda Goslinga #Jelena Kordic #Alban Ukaj #Christine A. Maier #Antoni Lazarkiewicz #Jaroslaw Kaminski #2020 #woman director

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gregor-samsung · 5 years

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Smrt u Sarajevu [Death in Sarajevo] (Danis Tanovic, 2016)

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ourbalancedlife · 3 years

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#poster #movies #the prosecutor the defender the father and his son #iglika triffonova #romane bohringer #samuel fröler #izudin bajrovic #ovanes torosian

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sweetsmellosuccess · 3 years

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Quo Vadis, Aida?

Dir. Jasmila Zbanic

War movies, almost by definition, tend towards either the macro or the micro: sweeping epics, or intimate confessions, but movies about war’s reverberations manage to be a bit of both. Jasmila Zbanic’s fact-based drama, about a UN translator, desperately trying to keep her husband and two sons from being taken by enemy troops during the Bosnian War, tells its harrowing story from the perspective of its protagonist, but always within the context of the thousands of other victims of Serbian strongman Slobodan Milošević.

The film also features a powerhouse performance from Jasna Djuricic as Aida, a Bosnian teacher, working as a translator for the combined UN forces under the auspices of Colonel Karremans (Johan Heldenbergh). When we first see them, the Colonel is formally meeting with the nervous mayor (Ermin Bravo) of Srebrenica, a small Bosnian city about to get swarmed over by Serbian troops. The Colonel assures him that the UN has issued an “ultimatum” to Serbian leaders about progressing any farther, or having to face a series of air strikes, wiping out their troops. The mayor, an anxious man, lets his feelings be known about the imminent danger facing his constituents, and demands some kind of promise from the Colonel. In response, the heavily mustachioed Karremans shrugs (“I’m just the piano player,” he says, very unreassuringly). The Mayor’s concerns prove entirely prophetic: The Serbs continue unabated, pouring into the outskirts of the city, and heavily bombing the place, while the terrified citizens head towards the only safe harbor they can: the UN-held encampment on the other edge of town.

Amongst those fleeing to the relative safety of the UN compound are Aida’s husband, Nihad (Izudin Bajrovic), and her two sons, college-aged Hamdija (Boris Ler), and high schooler Sejo (Dino Bajrovic). With many thousands left outside the compound gate, Aida manages to smuggle in her family, offering them at least a chance for safety. In this, she’s far luckier than most — throughout the film Srebrenicans, many of whom know her by name, implore her to help them in similar fashion — but it’s all she can do to keep her own family together.

Meanwhile, Srebrenica is taken over by the notorious Serbian General Mladic (here played by Boris Isakovic), an image-conscious sort of leader — he has a cameraman on him at all times, as a sort of personal documentor of his exploits — who quickly dispatches a bunch of troops to the UN site, where thousands of unprotected Bosnians wait for some sort of aid. Separating men from women and children, Mladic orders the latter whisked off to a faraway town in Bosnia, while systematically executing the men some 200 meters from the compound. Aida, in terror over her family, tries everything she can to keep them protected inside the UN facility, but when Colonel Karremans allows armed Serbians into the place (in order to “make certain” it’s not harboring any soldiers), things predictably fall into chaos.

If the film makes one point emphatically clear, it’s the toothless manner in which the UN (and, to be fair, much of the rest of the world) reacted to Serbian hostility, playing along and avoiding outright conflict — the promised airstrikes never happen, the Colonel is told because the UN “can’t afford to anger the Serbs” — and, in so doing, allowing Milošević’s troops to massacre and rape the Bosnians almost at will. Indeed, the UN’s utter uselessness is never better exemplified then when Mladic’s seasoned soldiers first arrive at the compound, and are met at the gate by a team of young, callow UN soldiers (mainly Dutchbats, without anywhere near the amount of firepower necessary to repel the Serbs), in sky-blue helmets, who, in their tank tops and khaki shorts, are no possible match against the grizzled forces before them. It’s like watching a group of camp counselors having to square off against the Huns.

Having exhausted all other methods of keeping her family from being expelled from the compound, and forced onto the waiting Serbian trucks, Aida literally gets down on her knees and begs a UN official to preserve them, but she is firmly denied (“We stick to the rules here,” he says, a statement so patently nonsensical, his mustache should catch fire). She watches helplessly as her family is pulled away from her and hustled onto a truck outside the compound.

It is that, coupled with growing sense of everyone else’s excruciating pantomime — for the benefit of either their legacy in history, or to protect their own conscience — that makes Zbanic’s film so gallingly effective. The General will claim no harm will come to civilians, when he knows full well he intends on massacring them; the Colonel will stand by his edict of following the rules, even as his world crashes all around him; and, the UN will make threats of force that they have no intention of carrying out. All of them denying the reality that is staring everyone in the face. In Zbanic’s film, it may be this sort of PR game for these world leaders, but not so for the ordinary citizens in these conflicts, who have to live with the grief and misery of these decisions for the rest of their lives.

#sweet smell of success #ssos #piers marchant #film #movies #jasmila zbanic #bosnian war #UN #Serbia #Slobodan Milošević #Jasna Djuricic #boris ler #war #politics #eastern europe

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jtothedoublejj · 2 years

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leyb2aflam · 3 years

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فيلم Quo vadis, Aida? 2020 مترجم

فيلم Quo vadis, Aida? 2020 مترجم Quo vadis, Aida? 2020 هو فيلم من بط��لة Jasna Djuricic و Izudin Bajrovic و Boris Ler. البوسنة ، تموز / يوليو 1995. عايدة مترجمة لدى الأمم المتحدة في بلدة سريبرينيتشا الصغيرة. عندما سيطر الجيش الصربي على المدينة ، كانت عائلتها من بين آلاف المواطنين الذين يبحثون عن مأوى في معسكر الأمم المتحدة. بصفتها أحد المطلعين على المفاوضات ، تتمتع عايدة بإمكانية الوصول إلى…

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#أفلام أجنبية

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cinemty · 3 years

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الفيلم الاجنبي Quo vadis, Aida? 2020 مترجم

مشاهدة وتحميل الفيلم الاجنبي الحرب التاريخي Quo vadis Aida 2020 مترجم مشاهدة اون لاين تحميل مباشر , قصة Quo vadis Aida هو فيلم من بطولة Jasna Djuricic Izudin Bajrovic و Boris Ler Aida هو مترجم للأمم المتحدة في بلدة صغيرة من سريبرينيتشا عندما استولى الجيش الصربي على المدينة كانت عائلتها من بين آلاف

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barkoturktv · 5 years

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'Saraybosna Film Festivali' başlıyor

Bosna Hersek'te 1992-1995'te yaşanan savaşın izlerini silmek ve başkent Saraybosna'yı yeniden kültür-sanat merkezi haline getirmek amacıyla düzenlenen Saraybosna Film Festivali (SFF), bu yıl 25'inci kez kapılarını sinemaseverlere açacak. Yarın başlayacak ve 23 Ağustos'a kadar devam edecen organizasyonda, "Saraybosna'nın Kalbi" adı verilen festival ödüllerini almak için 4 kategoride toplam 53 film yarışacak. Uzun metrajlı film kategorisinde 9, kısa film kategorisinde 14, belgesel film kategorisinde 16 ve öğrenci filmleri kategorisinde 14 film bulunuyor. Ev sahibi Bosna Hersek'in yanı sıra Türkiye, Arnavutluk, Ermenistan, Avusturya, Azerbaycan, Bulgaristan, Hırvatistan, Güney Kıbrıs Rum Yönetimi (GKRY), Yunanistan, Gürcistan, Macaristan, Kosova, Kuzey Makedonya, Malta, Moldova, Karadağ, Romanya, Sırbistan ve Slovenya'dan filmlerin yarışacağı festivalde 23 filmin dünya prömiyeri yapılacak. Festivalde 4 filmin uluslararası, 24 filmin bölgesel ve 2 filmin de Bosna Hersek prömiyeri gerçekleştirilecek. Açılışı "The Son" yapacak Geride bıraktığı çeyrek asırda Robert de Niro, Angelina Jolie, Brad Pitt, Orlando Bloom, Daniel Craig, John Malkovich, Morgan Freeman, Gerard Depardieu ve Nuri Bilge Ceylan gibi dünyaca ünlü birçok ismin katıldığı festival, bu yıl da tanınmış simaları ağırlama geleneğini sürdürecek. Festival kapsamında verilen "Saraybosna'nın Kalbi" Onur Ödülü, ödüllü yönetmenler Alejandro Gonzalez Inarritu ile Pawel Pawlikowski'ye verilecek. Bu yılki festivalin açılışını, Bosnalı yönetmen Ines Tanovic'in "The Son" isimli filmi yapacak. Uliks Fehmiu ve Emir Hadzihafizbegovic, Izudin Bajrovic ve Admir Glamocak gibi bölgenin deneyimli oyuncularının da rol aldığı film aynı zamanda dünya prömiyerini de gerçekleştirecek. Türk yapımı 4 film yarışacak Bu yıl festivalde, 4 kategoride 4 Türk yapımı film de "Saraybosna'nın Kalbi" ödülü için yarışacak. Yarışmada Türk yapımlar olarak uzun metrajlı film kategorisinde "Kız Kardeşler", kısa film kategorisinde "Siyah Güneş", belgesel film kategorisinde "Kraliçe Lear" ve öğrenci filmleri kategorisinde de "Dünya Tutuluyor" filmleri yer alacak. Uzun metrajlı film kategorisinde ödül için ayrıca "Heidi", "Open Door", "Rounds", "The Son", "Mo", "And Then We Danced", "Cat In The Wall" ve "Take Me Somewhere Nice" filmleri de yarışacak. Kısa film kategorisinde ise "12 K. Marx Street", "Natural Selection", "Postcards From The End Of The World", "Symbiosis", "The Pit", "Mr. Mare", "One Of Many", "Salt, Pepper To Taste Duz", "The Distance Between Us And The Sky", The Last Image Of Father", "The Last Trip To The Seaside", "The Van" ve "Tina" yapımları yarışmaya katılacak. Belgesel film kategorisinde de "A Small Documentary About 3 Letters", "Daughter Of Camorra", "How Far The Stars", "If Only Dreams Came True", "Stack Of Material", "The Golden Girl", "The Soviet Garden", "Yet Another Departure", "Palace For The People", "Then Comes The Evenings", "The Euphoria Of Being", "When The Persimmons Grew", "When Tomatoes Met Wagner", "Honeyland" ve "In Between" filmleri yer alacak. Öğrenci filmleri kategorisinde "Elephant's Graveyard", "Sad Girl Weekend", "Sherbet", "The Shift", "God The Mother", "Life Between The Exit Signs", "As Up To Now", "Broken Things", "Day Release", "Favorites", "How To Fly A Kite?", "Night Session" ve "Sigh" filmleri yarışacak. Read the full article

#BosnaHersek #film #SaraybosnaFilmFestivali #yarışma

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gregor-samsung · 5 years

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Smrt u Sarajevu [Death in Sarajevo] (Danis Tanovic, 2016)

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hoihrc-blog · 13 years

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Legal Games of Desire Movie Download

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