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#Idk I was really bored
beatcroc · 1 year
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the real joke here is that i'm pretty sure fake pep is like totally average person height, it's just that the rest of this cast are fuckin pipsqueaks
hey! it's a series! fake peppino world tour: [noise] [noisette]<-u are here [peppino] [gustavo] [gerome] [noisette again]
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dumb-doll-lips · 4 months
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I took this a few days ago and wasn’t sure if I wanted to post it or not.
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reineydraws · 4 months
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wanted: marine hunter takanome mihawk
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rotisseries · 7 months
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God's Country, Ethel Cain
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roukabi · 9 days
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I feel like when it comes to the Dusthide debate, a lot of people seem to misinterpret the main point of Ancients as both a game element and a product.
A big part of Flight Rising is dress-up. While users can argue on what the sole draw of FR is (dragons themselves, breeding, the Dominance system, etc), it's generally agreed that the dress-up aspect is one with a lot of care and resources put into it, and is therefore very important to site gameplay. Dress-up keeps getting updated with new apparel, and if there is to be a new dragon breed, it needs every piece of apparel re-drawn on it. This takes time. A lot of time. Gaps between dragons (now known as Moderns) stretch for years at a time.
Ancients were initially created as a way to fill in these time gaps between Moderns, and the easiest way to do that was to release dragons without apparel. However, this is a game that puts a lot of emphasis on dragon dress-up. Imagine if Obelisks were released without any coded apparel. You'd just have a naked dragon missing a huge element of the game, and for most players, there's no fun in that.
This is where the second point of Ancients comes in: because the appeal of clothing is gone, there has to be some kind of compromise. So... if Ancients can't wear apparel, then they are no longer restrained by the requirements for apparel (1 head/4 legs/2 wings)...
which means that they can break the modern mold freely! You can have a dragon with no legs, or six. Or with two heads, or no head. And now that you don't have to worry about apparel clipping, the tertiary genes can go wild! There is room for customization that apparel can't fulfill - you could give it extra wings, or a jellyfish head, or giant tree horns, or you could give it nothing at all as tertiary genes are optional, and it wouldn't matter because there's no apparel to be drawn around it!
Ancients are supposed to be a trade-off. There's no selling point to a dragon without clothing on the Dragons With Clothing Game, but there is a selling point to a dragon with, say, 13 legs, no wings and no tail. It doesn't wear apparel, because it physically can't, and it makes use of this function in creative ways. The inability to wear apparel is justified by the Ancient's unique proportions.
And this is where the criticisms for Dusthides and other 'basic' Ancients stems from: if your Ancient dragon is just the 1 head/4 legs/2 wings setup, then is it really an Ancient or a Modern you can't dress up? You could have the wildest, gaudiest, 15-limb tertiary gene on a Dusthide and it wouldn't matter, because tertiaries are optional and aren't a permanent part of the dragon that would inhibit the usage of apparel.
If a dragon doesn't have a justifiable reason to not wear apparel, then there's no reason for it being an Ancient.
No amount of linebreaking tertiaries will be able to hide the fact that some dragons seem to be created only for the first, initial purpose: just to tide people over until a better, 'real' dragon is created.
And that's just disappointing.
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mealfreak · 2 months
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do you think God stays in heaven because he too lives in fear of what he's created
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gay-jesus-probably · 11 months
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Seeing as the Gerudo turned on Ganon, he might not have been that much better of a ruler.
First of all, we literally have no idea, because the only ancient Gerudo that we actually get to interact with is Ganondorf himself, and he has nothing to say about his own people. The ancient Gerudo sage doesn't count btw, she doesn't have a name, we never even see her face, and she has literally nothing to say except repeating the exact same dialogue as the sages for the other races. The narrative does not treat the ancient sages as people; they are four completely interchangable weapons that are owned by the royal family.
And secondly, I don't care how Ganon ruled them; the Gerudo only get one man every century, if their king sucks, they've obviously got their own system of government to fall back on. I have no idea what kind of authority the sages had among their own people, but honestly I'd say if the four of them were in charge of their respective people, then they were just puppet rulers appointed by Rauru, given that all four of them happily agreed that to sell their entire race into servitude the second Zelda asked them. Say what you will about Ganondorf, but I fucking know that if he was told the Gerudo people existed for the sole purpose of serving the glory of Hyrule, he'd drop kick Zelda into the fucking sun.
And don't get me started on the implications of the cultural differences we see between the independent Gerudo and the annexed Gerudo. The background Gerudo characters all have their own models, and we can clearly see that the ones siding with Ganon have their own unique looks - for example, the amazing lady with the mohawk that summons the molduga swarm in that one flashback. And men are never mentioned in these flashbacks at all, which implies that the Gerudo genuinely didn't care about settling down. Ganon even speaks derisively about marriage, implying that it's very rare for Gerudo women to make serious romantic commitments with men. It implies that their culture is more along the same line as their portrayal in OOT - they are a closed culture. Men trying to force their way into their areas are arrested, and mocked for being entitled dumbasses. Outsiders are only welcome if they can prove that they respect the Gerudo as people, and aren't just there to try and pick up chicks. It's never outright said, but OOT also makes it pretty clear that the Gerudo women just aren't interested in marrying outsiders - close relationships occur with other Gerudo, Hylian men are only considered useful for making babies.
Meanwhile the Gerudo we see serving Hyrule are all trying to measure up to Hylian beauty standards, and appeal to their men. Their one goal in life is to meet a man and get married. Men are welcome in their lands, and only kept out of the town itself... and even then, there's a small army of guys trying to force their way into the town anyways, which is brushed off as just haha, boys will be boys. No men allowed isn't even about independence, it's just a silly romantic tradition.
Of course this is just a fictional culture in a game world, but it's still really fucking uncomfortable that the 'evil' Gerudo are the ones that have independence, both politically and socially, and display a unique culture that refuses to tolerate disrespect from outsiders. Meanwhile the 'good' Gerudo are the ones that canonically exist to serve a kingdom where 95% of the population is light skinned (even setting aside the unfortunate implications, just saying one race exists to serve a different one is super fucked up), they have classes on how to be more appealing to Hylian's, and their entire social structure is built around finding a Hylian man to marry, making them all inherently dependent on the goodwill of outsiders. Even their biggest value of 'women only' is treated as a joke; men trying to trespass in BOTW are just shoved back out the door, letting them keep trying all day if they want. The crowds of men plotting to force their way in are laughed off as a joke. Nobody cares that there's a guy running laps around their city walls and trying to trick women into being alone with him. I mean for fucks sake, in TOTK we find that the creepy guy trying to lure women away has taken advantage of a massive disaster to get into the town, and he's still there once things return to normal. You can't kick him out, or alert anyone to his presence. And the Gerudo just tolerate Hylians blatantly ignoring their boundaries. For fucks sake, TOTK even reveals that the seven legendary heroines they've been revering the whole time were actually completely useless and unable to achieve anything... because they needed the eighth hero, a Hylian man to teach them basic tactics and do all the heavy lifting.
TOTK does not respect the Gerudo people in the slightest. It doesn't respect anyone who isn't Hylian or Zonai.
...This got a little off track, but the point I'm trying to make is, no, I don't consider the Gerudo turning on Ganon to mean anything. The entire game does not feel like the real story of what happened, it feels like the propaganda version of history meant to make Hyrule look as good as possible. I genuinely cannot believe that we're being told the real story about the Imprisoning War, because none of it feels real, and we don't get to know any details that might have made Hyrule look even slightly imperfect. We're told that Ganondorf is evil because he hates Hyrule, and he hates Hyrule because he's evil. The Gerudo people followed Ganondorf and saw him as a hero of their people, then suddenly he was their worst enemy. Hyrule is a perfect kingdom that has strong, equal alliances with the other races, but also all of the non-Hylian races exist for the sole purpose of serving Hyrule, and their leaders are expected to swear eternal loyalty and submission to the Hylian royal family. King Rauru and Queen Sonia united all of the races in peace and equality, which is why they're sitting on the world's supply of magical nuclear missiles, and every member of the Hylian royal family is allowed to walk around wearing them as cute accessories, but everyone else only gets them at the last second, and they all need to outright swear to only use that power to benefit Rauru and his descendants.
There's just so many fucked up contradictions, and so many hints of something more nuanced going on... but the story refuses to acknowledge any of it, and just keeps aggressively pushing the narrative that Hyrule is the ultimate good and couldn't possibly do anything wrong. I don't even believe that Ganon was a bad king honestly; we never hear why his people stopped following him. We also never even see if the Gerudo people turned on him at all; all we know is the ancient Gerudo sage wanted him dead, and given that she also happily sold her people into slavery, she's not exactly the most trustworthy source of information. All we know is that Ganondorf was a hero to his people, only one of his citizens is ever shown having an issue with him (and her motives are never explained), and then he lost the war and was sealed away, leaving his people open to be conquered by Zelda and annexed into Hyrule. By the time we see any Gerudo actually opposing Ganon (apart from the ancient sage), it's been ten thousand years since the war, and all anyone knows is the Hylian version of the story.
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fibi-draws · 10 months
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You found a spider in the ceiling... er... the ceiling of the multiverse? Weird
[Commissions are open]
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closeup :)
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unicyclingdogs · 5 months
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sky!!! 💙💙💙 I tried out a new coloring style here and tried to put less emphasis on line art, and I really liked how it turned out!!! :)
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politemagic · 2 months
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everyone say congratulations to the first time homeowners!
edit: i may or may not have been inspired to write some headcanons based on this, if you're interested
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franken-shits · 1 year
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Watched the jenna oretga Wednesday addams show. Loved her but her two love interests reminded me of this meme
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✧ written for 'charm' ✧ word count: 548 ✧ rated: T ✧ cw: none ✧ tags: vampire eddie, also thirsty eddie ✧ @steddiemicrofic ( •̀ ω •́ )✧
Eddie stalks closer.
He's been starving for weeks. Every night, he comes back here and makes his way through the crowd of bodies, weaving through their rhythms as they dance to the loud, loud music booming out of the club speakers.
But there's been no one.
Not one single person he could feed on, not one body that caught his hunger's attention, just making it fester and claw its way through his flesh until he has to leave before he can make a scene.
Jeff offered to help him hunt but his own damned pride doesn't want anything between his hunger and his meal, even a helping hand.
But now he's found a lonesome little thing outside the club. It leans against a streetlight, dressed in black as if to blend in with the shadows, as if it knows what it means to be one with the night.
As though it isn't sweet, sweet prey.
The streetlight flickers, once, twice, and in between those moments he's right there, hand stretched out.
"You're -"
The man - it's a man - turns around to face Eddie and oh.
"- pretty." Eddie says dumbly.
The man's pinched expression turns blank, before he ducks his head with a shy smile, looking up through lovely lashes.
Eddie blinks as those hazel eyes gaze back at him sweetly, his brain scrambling to gain any sense of gravity that was lost the moment he met those eyes.
"Thanks," the man says with a grin, one of his (scarred, veiny, pretty) hands pinching the hem of his black skirt and swishing it back and forth. "I've never worn one before but I thought it suited me, y'know?"
With an audible gulp, he nods, hand dropping pathetically between them. "Y-yeah, it does. It suits you. You're pretty."
Giggling, the man hooks a finger around the pinkie of his pathetic hand and it sends crackles of warmth through his veins, crackles that burst into his ribcage and make his heart beat again.
"You - I - uh," Eddie stammers and the man laughs again, pulling Eddie closer gently by the single point of connection they have.
"Are you always this articulate?" he teases as the streetlight flickers again and Eddie sighs when he catches a glimpse of the man in the moonlight, radiant and sweet and -
"Hi," Eddie says dreamily, tilting his head, void of thought, unable to resist the charm, the thrall of this pretty, pretty man.
The man leans back against the post, crooking up a leg so his knee grazes the skin peeking through the rips of Eddie's trousers. Eddie stares at the thick thigh now in his immediate space, fingers itching to stroke along the flesh, but then a finger gently pushes his chin upwards until his eyes catch on hazel once more. The man smiles at him and says softly, "Hey."
Eddie swallows.
The streetlight flickers for a few seconds and as he’s basked in the silvery glow of moonlight, the man whispers, “Do you want me?”
Eddie nods.
The hand under his chin ghosts over his skin, curling up behind his head to grasp his hair, and he gasps. The man pulls him closer, he smells incredible, and laughs darkly as the streetlight finally goes out.
“Then take a bite.”
✧ this is dedicated to the lovely @xenon-demon because i wanted to write you something and you asked for a reverse on the monster thralling a human plot and i think we both won here ✧
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butterflysonnets · 3 months
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yes i'm rooting for m*leven breakup because byler is neat but mostly? i'm rooting for m*leven breakup for the sake of el and mike.
to me, their romance was always a puppy love born out of a combination of social pressures, naïve curiosity, and a lack of true understanding regarding intimacy and romantic love and what it really is. it was real in that they do truly, deeply care about each other and they are close friends, maybe even shared an attraction, but a maturing romance is so much more than that. they've grown up and out of being boyfriend/girlfriend, and that's okay! i think television/film needs to show more often that most of us don't have definite "soulmates" or first childhood loves that we spend our whole lives with. it doesn't mean these relationships meant nothing and didn't impact us, it just means they've run their course and that something else is in the cards, and this is part of life!
i've always felt el was at her best and most confident self when broken up with mike, discovering who she was and what she liked alongside another girl her age instead of just relying on mike for mentorship on how to live in the real world. she deserves more of an opportunity to find herself, her autonomy, and her independence, and to love who she is, and she's made it clear she's felt insecure in the relationship with mike because she isn't being loved and understood the way she wants, needs, and deserves from someone who is her partner.
also, it's okay if mike doesn't love her in "the way he should". he is not obligated to love her romantically and stay in a relationship with her just because she's a girl, because she "needed someone", or because he cares about her a lot. he shouldn't be pressured into a romance if it's not truly coming from his heart. he deserves freedom to find out and honour who he is, too, instead of just staying in his non-functional first relationship — one he got into as a child, essentially — and defining himself that way because it's what's expected when a boy and a girl are close. he loves her in some way, yes, but it's okay if he doesn't feel comfortable or secure being her boyfriend anymore, for whatever reason that is. he's felt insecure too, and that's valid and it matters.
they are their own people and are steadily growing and changing every day. they need time to figure out who those people are, and it's become clear (at least in my opinion) that those people aren't meant to be a couple at this stage.
they deserve freedom. they deserve to grow up and be authentic to themselves and not feel like they need to lie for the sake of a relationship. they deserve to move on from this version of their relationship that isn't making them happy and rekindle the best part of their bond: their strong, beautiful friendship. they don't have to be a couple if it doesn't make them stronger and better and happier people.
i think it would be healthy and wonderful for a show, especially one consumed frequently by young adults, to show a relationship starting, progressing, and ending on good terms in this way. sometimes things don't work out, and that is okay.
#eve text#elmike#stranger things#byler#only tagging byler because i feel like yall will like this take lol#tagging tagging tagging WHAT ARE EVERYONE ELSE'S THOUGHTS#god i can't believe i'm making a post about stranger things. this feels like poking a bear#i'm not particularly anti m*leven but like... they'd have to do something pretty special at this point for me to feel like it's viable#i'm seeing the bts of s5 and it's got me Having Thoughts#elmike friendship is something i am so passionate about#even before i ever liked byler (didn't ship at all until s4 even though i knew it was a thing before) i've felt this way about elmike#i always believed they were close friends at heart and needed to break up#the romance part of them felt very distinctly young and very much “he was a boy she was a girl” to me#and it hasn't deepened into anything more mature and i don't see how it could based on the current state of the writing...#the fact that lumax exists — a young relationship that is actively maturing and is healthy — makes that clear to me#and the “love confession” in s4 and how disingenuous and miserable it felt was just the nail in the coffin#also the fact that will (who is IN LOVE with mike) was instrumental in making it happen? ... uh... okay... interesting choice…#fucked up and reductive if they make it another queer unrequited love sacrifice for the sake of pushing the heterosexual agenda YUCK#so i really hope the speculation about a m*leven breakup is real!! i think it just makes sense for their characters but who knows#i don't believe in the notion of love at first sight or one true love and i think the writers don't too???#love to me is an accumulation of experiences and we inevitably choose it at some point rather than fall into it... but idk#tv is so fixated on keeping couples together... sometimes it's just not reality guys especially with young people... LET IT GO...#like i said though i'm not 100% sold that they're going to give up their “golden couple” LMAO#stranger things hasn't historically subverted too many tropes if i'm being honest#anyway i seriously need this season to come out quickly... i'm so bored and getting my master's is crushing my soul#i need frivolity#ALSO btw i won't respond to hateful messages about this so please don't bother. it's not that serious. this is a netflix show
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starryocean · 7 months
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Why did I write this
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mikesbasementbeets · 7 months
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honestly i like my characters with huge glaring personal flaws. “this character is a perfect angel” “this character has never done a single thing wrong in their life” ok you have fun with that. sounds boring to me
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krasytoonz · 7 months
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how u draw eddie and barnaby is so silly and goofy like marketable plushies
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I sometimes get cuteness aggression when I draw them in the cutesy way (for example eddie right now)
And then another side of me wants to draw them in this out of pocket way with very detailed expressions
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