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Aubrie: Hiro...um, thank you. For, you know, having my back in class.
Hiro was getting a few things out of his locker when Aubrie had walked up to him, wanting to express her gratitude.
Hiro, small smile: It’s no big deal. Aubrie, I know you think you can only depend on Liam, but I hope one day you can depend on me too.
Aubrie: I--
Before Aubrie could finish her sentence, Liam walked up to her, a bright smile on his face. His smile was contagious too; as soon as Aubrie saw him, her face lit up and she smiled just as brightly. Hiro immediately noticed the change in her demeanor, and he sighed to himself.
I’m really no match, huh? She might not realize it yet, but her feelings for Liam are obvious...
Liam, loud: Uh Hiro? Are you listening? We're going to meet up with the gang before study hall.
Hiro snapped out of his depressing thoughts and turned to the guy who was his best friend. Liam was like his brother. Liam was quite literally his savior and the only one who knew his deepest, darkest secret. So why, in this moment, did he feel hatred for him?
Why did he feel so much pain when Liam and Aubrie started walking towards study hall together?
Hiro had never been unable to understand his own feelings until now. Or maybe it wasn’t that he couldn’t understand; he just didn’t want to admit the truth.
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I've been seeing a lot of posts lately talking about how no one comments/reblogs/replies/etc anymore, and, as someone who comments regularly on a lot of fanworks, it sometimes makes me wonder if my efforts are worth anything. Then I remember how much happiness I get from comments on my own work/posts and how much the community of fandom can matter, and I remember the power that can be found in spreading joy instead of disappointment.
So -- to everyone who comments on fanfiction: thank you. You make the writing process worthwhile and so very rewarding. You make people happy every day.
To all the people who reblog art and gifsets and meta and anything else with enthusiastic tags: thank you. You make people smile and promote interesting conversations and make being on Tumblr so much more fun.
To anyone who sends people asks about their works, whether it's unprompted or part of an ask game: thank you. You give people reasons to talk about things they love and feel like a part of a community.
To the people who makes reclists: thank you. You give us more to read while showing the author how much their work is loved and appreciated, benefitting so many people.
To everyone who organizes events and groups and blogs and dedicated to fandom: thank you. You build community and love and excitement so effectively and it's wonderful.
To all the authors and artists who respond to comments and build community: thank you. You make people smile with your work and then again with your response.
To everyone who contributes to fandom and community in all the other beautiful, varied ways that I can't even begin to list: thank you. You are why we're here.
And, finally, to every writer, visual artist, gifmaker, cosplayer, maker of edits, writer of meta, or creator of art in any other form: thank you. Your work is wonderful and you make fandom what it is, regardless of who sees your art or how much response you recieve.
Keep going, everyone. You are a part of something beautiful.
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this is a genuine question not at all meant as a rude gotcha, but I feel like I've seen lots of people cite the relatively low barrier of entry as a huge advantage of podcasts as a medium, "if you have access to decent audio tech you can make a podcast" etc etc. So where does the need to sell a script come in? Is it a financial thing, and IP thing, something else?
this doesn't read like a rude gotcha at all, it's a really good question! there is a much lower barrier to entry when it comes to podcasts compared to tv, film, theater, etc. (though not as low as writing a book if we're talking about hard resources - you can technically write a book with just a laptop and a dream and then self publish! though as a writer who has written a lot of scripts and four books (3 published) writing a book is a much bigger psychological burden imo lol).
the need to sell a script, for me, is entirely a financial thing. if I had the money to produce podcasts at the level I want to entirely independently, I would! I know how to do it! but, unfortunately, I really only have the funds to produce something like @breakerwhiskey - a single narrator daily podcast that I make entirely on my own.
and that show is actually a great example of just how low the barrier is: I actually record the whole thing on a CB radio I got off of ebay for 30 bucks, my editing software is $50/month (I do a lot of editing, so this is an expense that isn't just for that show) and there are no hosting costs for it. the only thing it truly costs me is time and effort.
not every show I want to make is single narrator. a lot of the shows I've made involve large casts, full sound design, other writers, studio recording, scoring, and sometimes full cast albums (my first show, The Bright Sessions had all of those). I've worked on shows that have had budgets of 100 dollars and worked on shows that cost nearly half a million dollars. if anyone is curious about the nitty gritty of budgets, I made a huge amount of public, free resources about making audio drama earlier this year that has example budgets in these ranges!
back in the beginning of my career, I asked actors to work for free or sound designers to work for a tiny fee, because I was doing it all for free and we were all starting out. I don't like doing that anymore. so even if I'm making a show with only a few actors and a single sound designer...well, if you want an experienced sound designer and to pay everyone fairly (which I do!), it's going to cost you at least a few thousand dollars. when you're already writing something for free, it can be hard to justify spending that kind of money. I've sound designed in the past - and will be doing so again in the near future for another indie show of mine - but I'm not very good at it. that's usually the biggest expense that I want to have covered by an outside budget.
but if I'm being really honest, I want to be paid to write! while I do a lot of things - direct, produce, act, consult, etc. - writing is my main love and I want it to be the majority of my income. I'm really fortunate to be a full-time creative and I still do a lot of work independently for no money, but when I have a show that would be too expensive to produce on my own, ideally I want someone else footing the bill and paying me to write the scripts.
I love that audio fiction has the low barrier to entry it does, because I think hobbyists are incredible - it is a beautiful and generous thing to provide your labor freely to something creative and then share it with the world - but the barrier to being a professional audio drama writer is certainly higher. I'm very lucky to already be there, but, as every creative will tell you, even after you've had several successes and established yourself in the field, it can still be hard to make a living!
anyway, I hope this answers your question! I love talking about this stuff, so if anyone else is curious about this kind of thing, please ask away.
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sometimes it drives me literally insane to see romance requests that are like
--I want a romance wherein it's basically the happy epilogue throughout the book
--I want a romance that has great communication and they never withhold anything from each other ever
--no "miscommunication trope"
The last thing is just a general gripe about how so many of the things people say are tropes are not tropes, and it's pedantic and snobby but like. Miscommunication is so broad. It's not a trope. People are miscommunicating. WHAT are they miscommunicating about? Is one of them keeping a secret identity from their partner? Because a secret identity romance iS a trope. Is one of them withholding their feelings out of fear of rejection?
Because people DO miscommunicate. Often writers do write it clumsily. If people miscommunicate for no reason, sure, whatever. But if they miscommunicate BECAUSE of a REASON--like, often it's not even miscommunication lol. It's the hero keeping his dire supernatural secret from his wife because she'll die if she finds out (honestly, valid to me, but whatever). It's the heroine finding it difficult to trust the hero with her heart because her dad left when she was young (maybe cliche in theory, but actually a very real thing that happens).
If all you want is plotless nothing wherein everyone is happy and nobody makes mistakes, I personally have a hard time thinking of it as a book, because there is no story. It's just vibes. And essentially EVERY time, people have to mess up and make mistakes in order for there to be a plot.
I just don't understand the point.
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There's a lot of talk about Heiji's tendency to drop everything and go to Tokyo to help—or even just to see!—Shinichi, and rightfully so. It's something Heiji unabashedly admits to (Episode 278, Magic File 5)...
Heiji: If any other suspicious persons show up, just call me! I'll run right over!
Ran: Hattori-kun saw that incident on the news and rushed over because he was worried about you, Conan-kun.
Heiji: Grabbed the first bullet train in the mornin'!
And I still can hardly believe that Heiji's canon, actual, real-deal reaction to a request to put his life on the line and impersonate Shinichi... is an immediate "OK" composed out of heart emojis (Episode 345).
Seriously. That happened. Heiji couldn't not help.
Heiji (internally): I had no choice. After all, Kudo e-mailed me asking me to do this.
But in Shinichi's first appearance since being poisoned (Episode 49), after seemingly refusing to show his face to Ran or Inspector Megure or anyone else in town for who knows how long, he unabashedly claims that he dropped everything to meet Heiji. He smiles about it!
And of course it's a lie, but there's a smidgen of truth to it, too. Conan did accompany Heiji, despite feeling terribly sick and harboring zero interest in the (apparently) non-murderous case, because he was intrigued. Because he was impressed with what Heiji had uncovered about him already and was nervous about what else his so-called "rival" could reveal.
Conan (internally): I don't wanna go, but there's no telling what this guy might say!
But even without that context, Shinichi's easy, immediate cover story gets to me. He really, truly, unhesitatingly asserts that meeting Heiji was important enough to jump right on a train to get there.
It reminds me of Shinichi's excitement when he first learns of Heiji (File 520), and his grin when he thinks of meeting Heiji for real one day (File 522):
Shinichi: Really? Then he's just like me!
Shinichi (internally): We'll meet each other again... on that mysterious stage...
I think I could totally buy that Shinichi actually would have done exactly what he claims in the clip. He is interested in other detectives like himself, and with the pain of the antidote wearing off in Episode 49, that smile's gotta be genuine.
Finally, while it's Not That Deep, there's maybe something to be said about how Heiji is symbolically the key to Shinichi's true self, since it's Heiji's alcohol that transforms Conan back into Shinichi. With this clip, Shinichi underlines the same idea. It's Heiji who brought him back after so long. It's because of Heiji Hattori that Shinichi Kudo makes his first appearance after vanishing.
And I love how forthright Shinichi is about it.
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hello... (and bye ig 👋)
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i'd rather be friendless than to constantly have my boundaries disrespected
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not to beat a dead horse but i think what rubbed me the wrong way about day getting his sight back in the end, besides the message that *i* felt was being conveyed was that you can't be happy or complete while being disabled, is that after the first sugery didn't take as well i assumed it was going to be like chinzhilla losing hot wave in my school president. it didn't go the way the characters might have wanted it to but it will be okay! if you lose a competition you worked hard for it will be okay! if you lose your eyesight and can't regain it, it will be okay! you can be disabled and be happy and okay!
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sometimes i feel just bc a villain has "sad moments" or is sympathetic, doesn't mean it's the author trying to make them appear less bad or that they should be forgiven. people have a range of emotions and experiences, and even villains have moments where they're sad, or they feel bad about something that happened. my point is whenever i write devil feeling remorse or upset rn, just know i'm like this behind the screen;
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recoloured this old warmup to repost cause I had it on my mind.
If Clark is going to be in earth 19 (gotham by gaslight universe) (they're publishing more gbg and clark is going to be there), then listen to me listen to me, he needs to be a cowboy. Superman needs to be a cowboy in the big city. I am SOO serious about this. I am on my knees, DC, let me write for you, I would add so many themes about modern technology versus traditional knowledge and sprinkle in some anticolonialism PLEASE.
You could have a cute little Daily Planet that has to struggle against yellow journalism in a smoky little backroom & setting their own type, a la The Truth. You could have gentlemen's clubs. You could have a brutal war against unions in the streets and one lone titan of industry giving into their demands. You could have the exact same 3 batkids from the movie, there's literally nothing to improve on there. You could have Clark tear down a barbed wire fence with his bare hands, in a futile attempt to unravel colonialist ideas of private land ownership. Imagine the alien knows more about the earth, the real earth, than the knight in his city does. Imagine the American dream failing Clark, who has to go back east to the big city, failing Bruce, who lost his parents, failing everyone over and over until they decide to build something without it. In an era of rampant exploitation, what do real heroes look like?
Or you can make the justice league fight big steampunk robots ig I'm excited either way.
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hi guys please wish me luck for my college entrance exam tomorrow for one of my dream schools xoxo
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coach ur so cool but i hate exercising :(
SON. LET ME TELL YOU. THERE IS A CERTAIN THING ALL THE LANKY BINOS IN THEIR HAUGHTY-TAUGHTY UNIVERSITIES AGREE ON. AND THAT'S THAT THERE ARE *SOME* THINGS THAT ARE ESSENTIAL TO BEING A HUMAN. ART -- MUSIC, DANCE, VISUAL MEDIUMS. FRIENDSHIP, BROTHERHOOD. JOY AND SORROW. SHARING OF KNOWLEDGE. FAITH. LOVE. FOR SOMEONE ELSE, FOR THIS WORLD, FOR YOURSELF.
AND, LAST BUT NOT LEAST -- PHYSICAL ACTIVITY. FUCK YEAH
BE IT PLAYING TIGGY IN THE SCHOOLYARD OR BEING A PROFESSIONAL LINEBACKER PRETTY MUCH EVERYONE PLAYS A SPORT OR EVEN JUST WALKS SOMEWHERE AT SOME POINT IN THEIR LIFE. FOR GOOD REASON -- EXERCISE RELEASES ENDORPHINS AND DOPAMINE AND OTHER FEEL-GOOD SHIT IN YOUR BRAIN, BALLFACE, AND EVEN IF YOU DON'T CARE ABOUT ALL THE OTHER BENEFITS OF STAYING HEALTHY AND BEING ABSOLUTELY YOKED AND TAKING CARE OF YOUR BODY THAT SHOULD PROBABLY CONVINCE YOU TO TRY OR SOMETHING LIKE THAT
SON, I'M NOT GOING TO CONVINCE YOU TO TAKE UP BODYBUILDING OR ANY OTHER HEFTY COMMITMENT LIKE THAT. THAT WOULD BE FANTASTIC BUT EVEN I CAN RECOGNISE THAT IT'S NOT FOR EVERYONE. I CAN ONLY OFFER THIS ADVICE.
IF YOU HATE EXERCISING THEN THERE ARE ONLY SEVERAL (AT LEAST ONE) POSSIBILITIES WHY YOU DO.
A) YOU HAVEN'T FOUND THE RIGHT OUTLET. TRY OUT A NEW SPORT YOU HAVEN'T PLAYED BEFORE THAT YOU CAN PLAY AT YOUR LOCAL GYM. HARRY WAS THE FUCKING GOAT AT BEING A GYM TEACHER BUT NOT EVERY GYM TEACHER IS AS FANTASTIC AS HE WAS AND MAY NOT FACILITATE THE FULL EXPERIENCE OF PLAYING A SPORT SO MAYBE EVEN TRY PLAYING SOMETHING YOU THINK YOU DON'T LIKE. HELL, MAYBE TRY SOMETHING LIKE ACROBATIC ARTS, THAT SHIT NEEDS STRENGTH AS WELL. FUCKING BREAKDANCING. BECOME AN ANAL ACROBAT LMFAO. HELL, YOU DON'T NEED SOMETHING STRENUOUS -- EVEN IF YOU GO FOR A WALK IN YOUR LOCAL PARK EVERY MORNING WHEN THE SUN'S JUST RISING (THE VIEW AROUND THE LAKE IN THE MIDDLE OF JAMROCK IS BEAUTIFUL) OR DO SOME STRETCHES WHEN YOU WAKE UP THAT COUNTS FOR SOMETHING. DON'T LET ANYONE PUT YOU DOWN FOR DOING LESS THAN THEM.
B) YOU HAVEN'T GOT THE RIGHT PEOPLE SUPPORTING YOU. AGAIN, YOU ONLY WISH YOU COULD'VE HAD OUR HARRY AS YOUR TEACHER AND REFEREE, BUT IT ALSO COMES DOWN TO YOUR TEAMMATES, WHETHER THEY FACILITATE YOUR PRESENCE AND BUILD A SENSE OF CAMARADERIE WITH YOU. YOUR SPOTTER, WHO YOU PLACE ULTIMATE TRUST IN. YOUR FRIENDS AND FAMILY, THE PEOPLE YOU HOLD CLOSEST WHO YOU CAN SHARE YOUR ACCOMPLISHMENTS WITH. OR EVEN JUST THE PERSON DOING THEIR OWN THING NEXT TO YOU WHO MIGHT GIVE YOU A WORD OF ENCOURAGEMENT OR CONGRATULATE YOU WHEN YOU HIT A NEW PERSONAL RECORD. GOING TO A GYM CAN HELP WITH THIS WHEN YOU ALL HAVE A SHARED GOAL, BUT THERE'S PLENTY OF ELITISTS THERE WHO MIGHT SHIT ON YOU FOR BEING A NEWBIE OR NOT HAVING THE SAME CAPABILITIES AS THEM OR EVEN HARASSING YOU FOR YOUR IDENTITY. TUNE THEM OUT. THESE KINDS OF PEOPLE ARE PRESENT EVERYWHERE YOU GO AND YOU SHOULDN'T ALLOW THEM TO SULLY YOUR EXPERIENCES. OR ALSO YOU CAN DECK THEM IN THE FACE. PERSONALLY I'M LEANING TOWARDS THE SECOND ONE BUT IT'S YOUR CHOICE (DO THE SECOND ONE)
NOW THAT WE'VE GOT THAT STRAIGHT, I'LL TELL YOU RIGHT NOW -- ONLY DO SOMETHING YOU KNOW YOU'RE CAPABLE OF, AND SOMETHING YOU KNOW YOU CAN ENJOY. DON'T TURN THIS SHIT INTO A GODDAMN CHORE THAT LEAVES YOU SUFFERING EVERY TIME YOU DO IT, THAT'S NOT THE FUCKING POINT OF ANY OF IT. I DON'T KNOW YOUR PERSONAL SITUATION, NOT EVERYONE'S GOT THE MEANS OR THE TIME OR THE PHYSICAL CAPABILITIES. BUT CALISTHENICS DOESN'T TAKE ANY SPECIAL EQUIPMENT AND EVEN JUST SOME STRETCHES WHEN YOU GET UP WILL DO. GODDAMMIT, COACH *WILL* FIND SOMETHING THAT WORKS FOR YOU, BOY
ANYWAYS DAMN RIGHT I'M FUCKING COOL DON'T YOU FORGET THAT
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Ooh, could I request something with a royal vampire Scriabin x vampire hunter or priest Edgar?? I just saw their outfits for day 18 and was like 👀 "I immediately love them", lol. My brain also keeps making a half connection between this concept and vampire moths, probably because of the Vargases' weird relationship with moths/butterflies since the diaryfic. So if you felt like including any butterfly imagery, I'd be interested how you would incorporate it!
Day 24 - Try again? ♥
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traitor to the cause forgets national holiday every year KILL HIM
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