Happy Halloween Everyone!🎃🎃
Wanted to squeeze in a haphazard Year One Scarecrow as I was requested for one and of course it’s his month and I haven’t drawn him in a while.
Hope you have a good night, have fun and be safe!
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also when i was redoing my masterlist i realized how stupid fics look when they're posted through an ask and are reblogged, now?? like idk i feel like before they looked like normal posts but now on mobile they're like really skinny and gray and look long and weird??
maybe i'm just being picky sjdhkfs
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【直接的性格】 BLUNTNESS AND DIRECTNESS
kiyoko is one of the more blunt characters in haikyuu , evident by the way she refuses second-year tanaka’s proposal , humbles the third years during their shrine visit by informing them that a prayer to the gods won’t grant them a victory at nationals , explains to sugawara that she has no intentions of marrying him when she tries to steady his hands with her own , and constantly rebukes tanaka and nishinoya’s outlandish requests to be spanked/scolded.
this blunt character is unique , not only as a character trope , but also in cultural context. directness is viewed as a negative attribute in japan since it can be conceived as abrasive and self-centered—— and it’s especially considered a negative trait for women. in a lot of ways , japan is still conservative about femininity , and women’s behavior is certainly not exempt from scrutiny. most women in media and in trends exemplify youthful cute charms ( girlish femininity , innocence , kindness , etc. ).
it is rarer to see mature and “sexy” styles , especially those that also involve blunt and direct personality types. part of the reason that kiyoko isn’t criticized for being blunt is because she’s attractive and able to suit this style. other haikyuu characters who go against the natural grain like ushijima and tendou don’t have the same sort of social “clout” that a beautiful high school girl does , so their directness is considered a fault. tendou isn’t conventionally attractive and he’s a bit of an otaku nerd ( which isn’t a problem in today’s high schools , but in a private high school 10 years ago could easily have been an isolating factor ) , and ushijima is attractive but a jock-type who doesn’t have the same social fluency as other students ( since he focuses mostly on volleyball and might produce very one-note conversations ). kiyoko may be blunt , but comparatively she doesn’t have anything that ostracizes her from fitting in. she simply chooses not to engage with people at times.
of course , if she weren’t attractive , her bluntness would be considered a fault. it’s simply because she was lucky enough to be beautiful that her direct personality isn’t considered “abrasive.” instead , it lends her character to the onee-san trope ( a mature , no-nonsense , cold woman type ). being beautiful and blunt effectively elevates a woman to some goddess-like level. it may be because onee-san types are somewhat “rarer” to find—— not only is beauty “rare,” but a woman who isn’t the average girly/cutesy type is also “rare.”
however , i think it’s easy to lose sight of the fact that kiyoko isn’t completely cold-blooded and unfeeling. her behavior with the team may make her an onee-san type , but with other characters and other teams , she’s not quite the same. rather than directly refusing others , she adopts a technique of disregard or avoidance. she ignores oikawa who tries to talk to her , rather than confront him—— a person she doesn’t know—— by saying she has no interest in him. she also avoids talking to the players on other teams at the training camp in tokyo who are ushering to try saying hello to her , by instead chatting with the female managers she’s more comfortable with.
when she does have to interact directly with someone , she’s polite and indirect. terushima stops her in the hallway at the spring interhigh and rather than be blunt or ignore him , she uses the typical japanese style of deflecting ( which is considered more polite ) and explains that she has people waiting for her. in japan , people understand an excuse like this to mean that she’s not interested and to signal that she’d like to break away.
also , the way that she interacts with yachi and the other female managers completely contradicts the notion that she’s cold and blunt. tanaka and nishinoya even ogle that she’s chatting a lot , smiling , and having lots of “girl talk” with the other managers , which means that she’s not the sort of solitary person who blocks everyone out.
at face value , an outsider would see kiyoko’s behavior of being quiet , enjoying time to herself , and avoiding/ignoring interactions with people she doesn’t know as being very onee-san-esque. it’s easy to label her as an onee-san because of her outwardly expressed behaviors , in conjunction with the fact that she also doesn’t fit neatly into the cutesy girly trope. from my experience , most japanese women are sorted into these two categories ( the third might be somewhere in the middle , like the “girl next door” type , though that tends to lean youthful and girly too ). but this trope is , of course , just a shallow label and doesn’t hold any weight when considering the spectrum of kiyoko’s social styles. it may just be because most people don’t end up talking to her that they view her this way.
in my portrayal i try to emphasize depth in her personality—— her humor , her tendency to take care of others without being asked , and her thoughtfulness that may not fully manifest as words or actions beyond simply her own ideas. i do think that she’s more blunt and direct than most people. i think she’s not afraid to speak her mind , and to do so concisely—— which isn’t common in japan. i think it makes her a unique character when compared with others in the series. however , i don’t think it’s the one and only aspect of her personality , nor do i think it should be emphasized as the encapsulation of her personality. it’s just one element , and clearly one that she disproves by her proclivity for disregard and avoidance , and her ability to have friendly , sensitive , and supportive conversations with other characters.
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