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#I still love what we are given
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Happy 38th Anniversary to the Legend of Zelda series 💜
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ruporas · 1 year
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invisible scars (referenced previous talk here)
[ID: A colourless, digital Trigun comic of Vash and Wolfwood talking about Wolfwood's scars. They're both laying in bed and topless. Vash lays on top of Wolfwood, playing with the rosary around his neck. Then, Vash kisses a spot on Wolfwood's chest. Wolfwood asks, "What are you doing?" Vash smiles sadly, "You got shot here. In the last town we visited. You didn't even bother moving."
Vash props himself up over Wolfwood, who frowns slightly. Wolfwood is quiet for a moment before he says, "You remember that, huh?" Vash grabs Wolfwood's left wrist and brings it to his face. "And here." He kisses another spot there. "When you helped free the hostages from that robber..." Wolfwood dismissively says, looking away, "Was a lucky shot." Vash huffs, “Don’t brag. Jeez.”
Half of Wolfwood's expression is shown, eyes returning to Vash who is now sitting up, continuing to say, "And..." Vash goes on and kiss Wolfwood's right palm. "You got cut here, even though that girl was aiming at me." A moment from the past flashes, of Wolfwood grabbing a knife aimed at Vash, his hand bleeding.
At present, Vash moves down and puts another kiss on Wolfwood's right shoulder. "And here, from watching my back." Another memory flashes of Wolfwood and Vash back to back. Vash looks back as Wolfwood grins while holding Punisher, bleeding from multiple gunshots in his shoulder.
"And," Vash combs up Wolfwood's hair to reveal his forehead, "Here." A final memory shows Wolfwood with a regeneration vial in his mouth while getting shot on his temple. The next panel is framed in blood with Vash at the center, eyes wide and stunned in horror. The next panel is a closed up shot of Wolfwood's eye, locked on Vash's face.
Back to present, Vash’s head is bowed down as Wolfwood raises a hand to his nape and says, “Spikey.”
Wolfwood looks serious and frowns as he says, "We talked about this. Those were my decisions. They're not there anymore. Forget about them." Vash looks very sad before he smiles ruefully and says, "I still see them. All the time." He leans down so they touch foreheads. Wolfwood’s sorrowful expression can be seen as Vash says, "You protect so much. I could never forget what you've done to me. And many others..."
In the last image, they're drawn more cartoonishly. Wolfwood sweats and asks, "You don't actually remember every wound, right?" Vash points at a spot on his chest. "Kuroneko left a scratch here 7 times." Wolfwood, startled, says, "Why the hell are you keeping count—" End ID]
Credits for ID here and here
#vashwood#vash the stampede#nicholas d wolfwood#trigun#trigun maximum#another scars comic for one of the vw week days!!!! frankly i think about their scars WAY too often . most notably wolfwood's because#it really symbolizes a lot for him imo bc for vash it's a history of all the people that's ever harmed him betrayed him and the trust he has#given to humanity despite it all. its a beautiful reflection of his character and then u look at ww and presumably#since we dont really see him half naked Ever (shame) and i mean. i guess technically its a hc -- i assume he wouldn't have any scars bc#of the regen potions (which is why he doesnt have his t scars btw the regen pot took them away :pensive:)#in a way its like washing his hands of blood. giving him the body of someone who might never been involved in a fight never held a gun#but he knows thats not true yet he cant really do anything about it anyway bc he's still just human. if he stops taking the regen pots#he can't press forward. so its just a rinse and repeat and growing accustomed to whats inflicted on him because he knows it'll go away at#the end of the day. he's human but he's also not he's far beyond what could be considered a normal human but he still just is.#mortal but also not immortal. idk. i overthink about it a lot GMSKGMDK frankly i dont think it matters THAT much in the context of trimax#but it means a lot to me somehow. also thinking about how no matter how many times ww kills he's never numb to the sensation of it. maybe#the adrenaline gets to him for the beginning half but ive been rereading like.. vol 3? and that entire fight for ww#u can slowly see him spiral as he keeps on going on. anyway anyway. i love ww#ruporas art
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jemmo · 4 months
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Making sense of love for love's sake: the game
Despite all the things i absolutely adore about how the plot unravels and expands in love by love's sake, upon first watch, there's some things i couldn't piece together, which @lurkingshan echoes in their post:
'The way the author was messing with Myungha and forcing cruel choices on him really does not track with a desire to help him find happiness.'
And to preface, this is not something i fully get yet either. I think i'll need a good month and a sizeable reading list of relevant resources to understand just what/who this author/sunbae is and what his role is and how he is associated with myungha. But as always with the best shows for meta (aka bad buddy), as a plot unfolds, you can always find a better understanding by looking backwards and re-contextualising what you've already seen. so i watched ep 1, specifically the scene between myungha and his sunbae at the bar. And i will talk about how everything said in this scene has a whole new meaning now we know the full story, but for now i wanna focus on that question that they keep coming back to; "Then... will you change it for him?".
When you watch the show for the first time, your brain follows the simplest, most obvious version of the story you're being told, one where myungha has been pulled into the world of his sunbae's novel that's being turned into a game and given the opportunity to fix the thing he didn't like about it; making yeowoon happy, and thus you just think the rules of the game are imposed by the author, and so when these cruel choices first come up, you see them as the difficult roadblocks that are nevertheless necessary to any kind of game, forcing the player to make an impossible choice so that the game can continue in a certain direction and its only after that you learn whether it was the right choice or not, or there is no right choice, it simply changes the game you are playing.
And when its revealed what this game actually is, at first i tried to interpret these cruel choices, namely the choice between yeonwoon and myungha's grandma, and at best i could come up with the concept of this being a choice between staying stuck to the past aka choosing his grandma, even though he knows that choice doesn't mean she's safe bc he knows the future where he loses here, its an inevitability, but thats the small happiness he knew before it was taken away and thus that happiness is known and safe, theres no risk, versus choosing to pursue a new happiness, a love of yeowoon and thus himself, which he doesn't know, he hasn't experienced yet, and could be risky. Its a happiness that isn't guaranteed like his grandma, but its a happiness that looks to the future and has hope in it that he can find a new happiness to pursue despite what has happened in his past.
And that fits nice, okayish. But then i watched ep 1 and heard that question "Then... will you change it for him?" And watching through the rest of the eps, we come back to this scene at the bar and each time we get a new run up to the author asking this question, either new dialogue is added or we hear a different piece of the conversation entirely. It starts at the beginning of ep 1 as:
"Because Cha Yeowoon is the only one who's miserable." "It can't be helped that some people's lives are like that" "The fact that some people are destined to live that kind of life is what's vile."
Then a bit later in ep 1 we go back and its expanded.
"It can't be helped that some people's lives are like that" "The fact that some people are destined to live that kind of life is what's vile." "Why? Do you think you'd write it differently?" "Yes, definately. Someone like Cha Yeowoon, or someone like me with an awful life, can also be happy."
And then all the way on in ep 6, we get this new dialogue.
"I don't like talking about destiny." "Why?" "Because it means everything is predestined." "Then do you not believe in fate?" "Fate and destiny are the same. My grandma likes to say that. She said life is like a written book, and how you'll live and die are written in it. (...)I don't like things like this. Even if fate is already destined, I think it can still be changed. Otherwise, there's no point in trying." "Really? Then Myungha..."
And while we don't hear the author ask the same question, I feel like him getting cut off like that insinuates that the conversation leads to that same ending point. All that is to say, every time we hear this question being asked, its like we learn more and more about what this whole thing is, what the game is, what myungha is saying he will do by agreeing to do what the author asks. And every time, we see myungha being more defiant against the idea of yeowoon being resigned to his miserable ending. He starts off thinking that kind of life is destined, and while it's miserable, its not something he can fight. Then he says he'd want to write the story differently, bc yeowoon, or even him, could be happy. He challenges the idea that yeowoon, and thus himself, is fated to be miserable, and opens up the possibility for happiness for them both, but doesn't yet have the means or resolve to do it, its like he knows its possible on a fundamental level, but doesn't see it as something he can actually achieve. But then we circle back to the idea of destiny and books, both of which came up in the previous quote, and seems incredibly pertinent seen as this whole thing is about a novel this author has written. Myungha talks about how he hates the idea that life is a book where everything written is predestined to happen, from the moment you live to the moment you die. He says "Even if fate is already destined, I think it can still be changed. Otherwise, there's no point in trying." That vile way of life he described before that he said was destined, he is now saying it can be changed, and that possibility is now something he's holding onto, its what he sees hope in so that he can keep trying, bc now he finally is trying, he has the resolve, he's trying to realise this thing, this impossibility of rewriting the life he thought was destined through the way he loves yeowoon.
And coming back to those cruel choices, given this fresh context, it made me think. bc this isn't actually a game that myungha has been put into where the rules are dictated by an author completely separate from him. He said himself, he'd rewrite it, he'd change things for yeowoon. And when you start to think of it less as him fighting against a rigid, removed system and more like him being a character in a story he is trying to rewrite himself, that has both the author and his own limitations, or just his own if you're in the school of thought that the author is some figment or part of myungha himself or his conciousness, then you can start to see where these cruel choices might come from. They could be myungha, the author making edits to this new story, imposing his own doubts and limitations on himself. When he says he has to pick between Yeowoon and his grandma, what if that's the new author myungha seeing this story unfold and thinking no this isn't right, he can't have it all, i'm not deserving of this much happiness.
And what makes me like this idea even more is that when we get that second choice between ending after 14 days or getting 100 days back at the cost of resetting Yeowoon's affection to 0, that whole conversation happens in what I think the bar actually is which is this frozen moment in time where myungha is in the water with this extension of a voice in his head that is talking through these things. That conversation in itself needs its own post, but when you look at it both as a decision to break up or not or a decision to hold onto life or not, you can see how the author is just this soundboard relaying the decisions myungha is going through in his head. The author's voice is his own, weighing up his decisions. And if he is the author here, it only reinforces that the person making the rules of this game is him. You can even extend it further to the idea of the debuffs, where he puts in place this thing that makes it so he causes harm to yeowoon when he's around, and its only by garnering affection that he can prevent it. He gives himself a reason from the get go to stay away from yeowoon and reason it as him doing it for yeowoon's safety, when in fact the only way to make yeowoon safe is to increase his affection, which he can only do by being near him. Its a system that at first gives myungha a reason to stay away aka not like himself, but ultimately says the only way you're going to make yeowoon like you, or the only way you can like yourself, is if you accept risk. And that in itself screams to me of a myungha writing in these game systems that are trying to encourage his own-self love while falling at the hurdle of his own lack of self-worth.
The idea is still messy in my head even for me, but i just really like the idea that myungha could be trying to fix this thing both as a character and game master, and that both these versions of him have these flaws that manifest in their different ways to cause the events we see. It kinda is the definition of being your own worst enemy, the idea that in order to work towards loving yourself, the biggest obstacle you have to encounter is yourself, bc we are the ones holding ourselves back, making all these rules that make it harder to like ourselves and pursue our own happiness. The voices in our head telling us that we aren't good enough and aren't deserving are our own, and while the things that happen to us can inform what they say, we're the one's reinforcing those words. And what this show teaches us is that, if we're the one holding that pen all along, we can choose to change what those words are. If we make the rules, you don't have to create a game with concrete ultimatums, you can create a game where rules don't control you. Instead, you make the decisions, and you can make the ones that make you happy.
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egophiliac · 3 months
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So the final character turns out to be based on Ryugen, but it feels kinda weird how there is also one based on Zangetsu and they aren't brothers
Or what if plot reveals they are brothers and he was actually adopted or stollen
I CAN'T BELIEVE HE'S ACTUALLY RYUUGEN?! I made a joke about it when Toten got revealed but I didn't actually expect... (I'm counting it as a win though, which means I guessed three out of sixteen! ...given how wacky some of these got, I'm actually pretty proud of that.)
he seems very sweet though! I hope he and his secret hamsters are very happy together. 🐹
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(also:
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THIS WAS MY EXACT TRAIN OF THOUGHT TOO! either this is an incredible bit of meta foreshadowing, or an incredible bit of Takahashi trolling, and I -- I honestly don't know which is more likely)
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sysig · 7 months
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Ellen McLain’s commentary from my trivia playthrough
#She's so cute <3#WPP#Portal#Ellen McLain#If you haven't played through the audio commentary I would Absolutely recommend it it is So fun#I clicked out of curiosity - kind of just expecting like a movie's audio commentary y'know? Like a video that highlighted specific scenes#No it's just the whole game again but with trivia pop-ups! I love that!!#It reminded me so much of like trivia track or the pop up fun facts from special editions of movies I would watch as a kid#But you can play through them!! You have to click on them and they spin! I love that!!!#I always love hearing the design and development process - fascinating how the playtesters reacted to this new game!#We take it for granted now but yeah I imagine it would've been very confusing at the time#And I was like ''Well it was such a small team and Ms. McLain was such a large part of it - surely she'll have a few bubbles?''#She does lol - as soon as I got to her first one (it was a slow burn! They buried the lead with her lol I'm already invested!) I had to go#I saved-quit the game out of sheer excitement and giddiness lol I had to sleep on it before I was ready to come back#It is so cool to hear her natural voice ah <3 And the kinds of direction she was given! Other bubbles also talk about her vocal direction :)#Very cool! I wonder what TTS they used for reference :0#But to hear her real laugh without the audio processing over and and she still sounds like GLaDOS! I mean of course she does but just jfdksl#That's /her/ laugh! They share a laugh! It's a very similar laugh!!#Not to mention her talking about wanting to play and just fdskalfd they clearly did such a good job with her performance and ahhh#It's too cute it's all too cute sharing a room with GLaDOS while her voice actor talks about making a cake to share with her friends stopppp#I am so enamoured <3#I also took a bunch of screenshots of GLaDOS still shit-talking while she was being destroyed lol#Actually beat the ending in one try this time :P I ran out of time the last time pfft#But now I've beaten it twice in as many days :D Although I did start it the first time several days ago - but I beat it again quickly!#Has me all the more itching to replay 2 ♪#WPVG
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undefeatablesin · 9 months
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My angel, my pride and joy, my beloved AKA the Good Hunter Ruza lmao 🧡 ft. Her Lost Chikage and her fun outfit from these screenshots! + some lil headshots of her in the Yharnam Hunter Garb, a look I also care Deeply About ✨️
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meddybears · 4 months
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The Final 4 | Women’s Singles | 2024 Australian Open
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moonpaw · 10 months
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Fighting DEMONS rn trying not to get invested in one piece to figure out wtf you're posting about!!!!
come here cyber.... we have this thang
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#mp answers#i've been trying so hard not to be annoying to my bnha friends but if you will allow me to push this for this ask let me say 🙏#if you're afraid of the episode count for one piece the manga is a lot quicker read while being just as enjoyable because the art style is#an actual delight. its great its fantastic im absolutely in love with it#the series is soooo good and i know luffy can seem unappealing to people before they start but he's just SUCH a great character & continues#to be even now. the story is SO GOOD the characters are SO GOOD... theres so much lore and world building that its insane#if you read the manga we get 'cover stories' on what's going on with previous characters to see what theyre up to even though we moved on#from where we left them. a lot of these cover stories blend into the main story so well its just seamless#there's one where we get introduced to a character we dont see hundreds of episodes into the anime and they show up like; during the second#saga. the series is about traveling to other islands and every single arc has been tied to another in some way or form that shows up later#even if its sagas and sagas later- it still becomes relevant again!! it's a huge ongoing story and there isnt a single arc that feels like#it has no purpose (sans filler in the anime-but even then!! some filler arcs are really entertaining!)#it's emotional! its sad! its downright stupid and silly but GOD... you can feel the love that oda put into this series and his characters#and the emotions in the expressions and the messages the story gives off it just makes me UEUHGHHAHGHH!!!#it's all about the adventure and the romance of it all! its about the freedom it brings and bringing freedom to others!#its a series where treasure should be a focus given its pirates and the its a giant treasure hunt for the one piece and yet! and yet so man#of the characters treasures are things that are not coins and gems but people and promises and family and and#im going to EXPLODE i love one piece
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bookworm-2692 · 1 year
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Life Tracker updated for Episode 7! This one is much quicker than Episode 6 on account of not being on holiday at the time, even though there were two thirds more deaths this time. Previous posts: Session 6, Session 5, Session 4. Also Session 8 (finale) post!
As usual, close ups and commentary below the cut. I’ve also added another graph for the average time of each team, which will also be below the cut.
There was so much carnage! 45 whole deaths in a single session! Not all deaths were awarded time during the session, but Scott’s video advised that it would be added by next session, so I have taken the liberty to add all the time as I see fit, hence why Scott is back to 7.5 hours. I haven’t seen every episode yet (in fact, other than Scott, I’ve only seen those that have perma-died), so I’m not sure if anyone else’s time is a mismatch, but if so I’m happy to explain where I’m getting my time additions and subtractions from!
Now for some close ups.
First, there was enough chaos that I decided to take a close up of Session 6 and 7 together so we can properly appreciate it:
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And a close up of Session 7 by itself:
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So many people lost major time, so it’s interesting to see Scott’s uptick of time at the end - he ended on only 30 minutes less than he would have been if he hadn’t died at all this session. Pearl didn’t die at all, and got the kill credit for Martyn blowing himself up in a trap, so she actually ended the session 30 minutes better than she started it. Grian also did very well for himself - he killed and died so many times, but somehow ended on the exact time he would have been on if he had experienced a peaceful deathless session.
BigB, Cleo, and Martyn all ended the session 1 hour poorer than they started, and Bdubs and Scar ended 1.5 hours below where they would have been. Nosy Neighbours are thus doing super well, with Mean Gills and Clockers not too far behind, in terms of maintaining position from the start of the session.
TIES had an awful time this session, with Impulse and Tango both losing a net 2 hours, and Etho and Skizz losing a net 2.5 hours - and obviously Skizz entirely died.
Joel possibly had the worst time, losing a net 3.5 hours this session - though it didn’t help that 5 of his 7 deaths were all caused by the one person. Technically Jimmy didn’t do too badly, given he only lost a net 1.5 hours... but given that he was out of the series only an hour into the session, and also the first out entirely... it really didn’t go well for him either
I also find it interesting the sheer number of vertical lines this graph, the ones representing a death immediately followed by a kill or vice versa. I would love to figure out a way to show only one line at a time on the graph, so we can more easily see someone’s journey, but I haven’t had time to look into it yet.
Now onto the graph of the average times per team.
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This one is super interesting to me, especially TIES’s line - they had the lowest average life right from the start, but somehow by Session 4, through Session 5, and for most of Session 6, they were the team with the highest average time, and then it quite literally went downhill from there. The only thing saving them from being last now is the fact that the Bad Boys are down to only a single living player, and even then Grian is doing far better than most of TIES.
It’s also interesting to me how Mean Gills had a significant time uptick at the end of both Session 6 and Session 7 (the first due to Martyn and the second due to Scott). Scott’s time was so high that it kept Mean Gills’ average time as yellow for all of Session 6 despite Martyn being red for most of it... and Martyn then got enough kills to keep it there. Mean Gills is also the only team in the entire graph to anywhere gain such consistent significant time.
These averages also coincide with the comments I made above about the time offset difference for each player from the start to end of the session. Mean Gills are doing well, but they’ve been doing well for so long that I’m sure most players are aware that they need to be a target. Nosy Neighbours are also doing well but I feel like they’ve flown under the radar, and are not a significant target right now.
Here is a close up of this graph with Sessions 1-4:
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And the close up for Session 5-7:
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And the Session 7 only close up:
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I kept the dead players in the teams’ averages, since I think it is a better reflection of the teams’ strength as a whole, but I also created a version that excluded dead players. In those screenshots you can really see Bad Boys’ and TIES’ time jumping up at a death, instead of falling as it did here.
Here are the alternate averages graph:
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And close ups:
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This makes Bad Boys look a lot better, because Grian does have a lot of time... but he is also alone. And there is definitely strength in numbers. Two players at an hour and a half each can fend off an attacker more easily than a single player at three hours can... unless nerves and panic get to them, as we definitely saw this session.
Wow and I almost forgot to include the raw data for this session!
The first hour of the session:
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The second hour of the session:
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There is just so much death! Look at all the box outlines!! I could barely fit this data on two screens on the zoom I was on, and I did not want to zoom out further.
I also obviously have data for the averages, but it was too far away from the column with the times on it that I wasn’t sure if it would still be useful on its own? Let me know if you want to see it!
This has once again been fascinating to see, and I cannot wait to see how Session 8 will go. Will it be the last session? Will they go until everyone is dead? Will they somehow have enough people with enough time to get to Session 9? Will Mean Gills be the final two and get to play fun relaxing games like Scott was suggesting? 
Only time will tell.
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Once, Always
(Edmund has an abundance of birthdays)
 .
“I say,” murmured Edmund sleepily as the fire burned low. “When do you suppose it is here? I mean—what time of year? Do you think it’s the beginning of September, the same as it was in England?”
“Summer,” said Lucy. “Certainly summer.”
Peter agreed. “I think it must be Highgrass, if I had to guess. Perhaps later. Greenroof?”
“If it’s Greenroof, then Edmund gets another birthday,” Lucy sighed. “Eleven or twelve, Ed?”
“Neither,” put in Susan. “A thousand, if you’re going to rationalize it that way. Now everyone hush, please, and get some sleep.”
.
Edmund’s birthday was the fifteenth day of Greenroof by the Narnian reckoning. Greenroof, late summer, when all the leaves were dark and broad. Narnian summers were long, but Greenroof was the last and best of the summer months. Greenroof was hunts through the dense foliage, blackberries heavy with juice, lazy afternoons, bonfires, wild romps, and the pleasant kind of sweat. Edmund’s birthday celebrations were always held on Dancing Lawn in the old days: the sort of long, laughter-bright nights that summer was made for.
The second time Edmund celebrated his eleventh birthday, it was just past three months since he and his siblings had returned home from the country. Their house was glass-strewn and battered, but still standing when they arrived home. By August it was beginning to feel really safe again, but sometimes Edmund still woke in the night to find his mother standing silent in the doorway, drinking in the sight of her two sons returned to her.
The professor sent one of Ivy’s famous spice cakes for Edmund’s birthday. It arrived tied in red string, which made Lucy reminisce fondly about dear Mr. Tumnus. Edmund’s siblings pooled their allowances to buy him the new Nero Wolfe detective novel, and his mother gave him a new cap and an electric torch.
“How do you feel?” his mother asked over dinner.
“I don’t feel any older, if that’s what you mean,” he said. “Eleven feels just the same as ten did yesterday.”
All four of them missed their birthdays the first year in Narnia. Too much else was going on at the time, and none of them was quite sure when their birthdays were supposed to be besides. The measurement of time was a thoroughly tangled issue.
The Narnian year had four hundred days even, divided into fourteen months of inconsistent lengths. Furthermore, the kingdom had only known winter for the last hundred years. The Narnians themselves were still remembering how the calendar worked in a world where the seasons changed. They didn’t have the words yet to explain it to their sovereigns.
“Eustace,” said Edmund, “your journal is wrong.”
“Give me that,” Eustace scowled at once. “I know it’s wrong, but there’s no need to rub my face in it. Aren’t I trying to make up for how I was?”
“No, no, that’s not what I meant. The month is wrong. You’ve got September written here, but time works differently in Narnia than it does in the Other Place. Haven’t you noticed that it’s summer, not autumn?”
“Oh.” Eustace shrugged. “I followed Occam’s Razor and assumed that the climate here was different rather than time itself.”
“Occam’s what?” This was Lucy.
“Occam’s Razor: the simplest solution to a problem is the most likely—never mind. Well, go on, what month is it?”
“Highgrass,” said Lucy.
“July,” said Edmund at the same moment. “More or less.”
 .
They worked it all out one afternoon as the second spring of their reign was ending. Peter and Susan wrote out the English calendar on one stack of parchment while Edmund and Lucy sat down with the Narnian calendar and penciled in seasonal markers as best they could manage.
“The first crocuses came up right at the end of Cleardome, yes?”
“Yes, I think so. And the snowdrops were in their full glory that month too.”
“How do you want to deal with leap year?”
“Just forget about it. Narnia doesn’t have anything similar, so I think twenty-eight days for February is fine for our purposes.”
“Magnolia in Laceveil, yes?”
“Laceveil is a good marker in general. We ought to set that as May and go from there.”
Birthdays were guesses, no matter how much counting they did. Yet as memories of England receded and Narnia’s world blossomed into everything they knew, those guesses solidified into fact. Edmund turned eleven for the first time on the fifteenth day of Greenroof. He was the first of his siblings to celebrate a proper birthday in Narnia.
The fourth time Edmund turned twelve, he received another electric torch to replace the one he’d lost. He laughed for half a minute, holding that gift in his hand.
“Really, you should have expected it,” said Susan primly.
"I did."
Their mother tsked and added something about keeping track of one’s belongings, but that was alright. His siblings understood.
Edmund flicked on the light and watched the beam land on the far wall across the living room. Bright at the edges and dark towards the center where the bulb was. He moved his wrist sideways and watched the spot of light follow.  
Edmund might have forgotten about his birthday aboard the Dawn Treader if Lucy hadn’t remembered. She conspired with the cook to have a spread of Edmund’s favorite foods at supper (such as could be managed at sea) and coerced Rynelf into playing jigs on his fiddle afterwards. While they were dancing, Caspian called for a cask of his best wine, and soon the ship’s whole company was making merry like only Narnians could.
“Didn’t you have a twelfth birthday the last time you were in Narnia?” Caspian asked curiously as the party was dying down.
“Yes,” Edmund replied, “and the time before that too. Confused yet?”
“Ed has all the luck,” Lucy pouted playfully. “We always seem to return to Narnia in the summer, so he gets all the extra birthdays.”
Caspian's face lit up. “How extraordinary! When’s yours then?”
“Cleardome. There’s a year and a half between Ed and me, and he never lets me forget it.”
“It’s really not as exciting as all that,” Edmund added. “We’re not living our lives backwards, or unstuck in time, or any such nonsense. It’s more like—our lives are folded in on themselves, you see? But never the same way twice.”
“I think it’s more like music than anything else,” Lucy said, a kind of fond wistfulness in her voice.
“Yes,” said Edmund. “I know what you mean.”
On the thirteenth of Greenroof, the Telmarines laid down their arms and surrendered to Old Narnia. The next day, messengers were sent forth across the land with news of the surrender and with terms for the Telmarines. Caspian’s coronation followed, and then Edmund woke and it was his birthday again.
Breakfast that morning was long and languid, for Peter and Susan knew that they must say farewell to Narnia, even if the younger ones did not. They lingered round the table with Caspian and Trumpkin and the rest, and presently Peter offered a toast.
“To my brother King Edmund, who is eleven and twelve and sixty-three and thirteen hundred years old today.”
Everyone raised their cups and repeated, “King Edmund.” Caspian nodded and added, “Long live the king,” with an almost ironic tilt to his head.
Naturally, Edmund nodded back. “And to you, King Caspian. Long may you reign.”
Another round of assent followed, and then Lucy cleared her throat. “But also,” she said, “To late summer and the rebirth of Our Narnia. And to the land, the sea, the hills, the trees, the sky, Cair Paravel-by-the-sea and Dancing Lawn and all the flowers that are still in bloom. And to the color green. To all of us here today, and to those who are gone. And to Aslan.”
“Here, here.”
There were tears in Susan’s eyes now. “Happy birthday,” she whispered, and squeezed Edmund’s hand tight. Edmund looked down at his plate, fiercely overcome with love for this place and these people. In a strict, chronological sense, it had been less than a month since his last birthday, but how did the saying go? Time was just a tangled string, or falling snow, or whatever else Aslan told it to be.
“Bother,” said Edmund, “I’ve left my new torch in Narnia.”
Everyone chuckled at this, but Susan said, “Wait a year. We’ll get you a new one for your next birthday.”
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feroluce · 2 months
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Thinking tonight about Caelus, and the nature of his loss and his grief after the Everything that went down in Penacony during 2.0.
Because Acheron, Black Swan, and Misha kind of knew of Firefly, they at least met her, but they didn't like really know her, and Caelus never even got the chance to introduce her to the rest of the Astral Express Crew. The only person who would have talked to her much was Sparkle, who is. Probably not really someone Caelus is interested in grieving with skznmsks
Anyway, all this to say, I like thinking about how alone poor Caelus is in his grief, because he was the only one who knew Firefly. He's the only one really mourning her. There's no one to talk about her with. There's no stories to trade or memories to reminisce with anyone over. It's not as though he knew her for long, but still. No one else knew her at all.
And I love the thought of all of this coming bubbling up, hot and acidic and bitter, during a conversation with Sampo, who Caelus just so happens to run into in the Golden Hour. Poor Sampo is kinda blindsided, he knew shit was going down in Penacony, but yeesh. And he just. Isn't quite sure what to say about it all, because he's never really encountered this before. His feelings about the Masked Fools are...a mixed bag, but he's been a part of them for a very long time, and when you're with a close organization like that, it's hard to feel alone, in grief or otherwise.
So Sampo sits there on their little bench that the two of them have occupied, and he thinks of his old friend April, how she'd died in his arms cackling and spitting her own blood after a heist gone wrong, and how after he'd dragged himself back to the World's End Tavern they'd all held a Fool's Funeral- which is basically just a big party where everyone gets really really drunk and reminisces and toasts the dead and celebrates their life.
He still thinks about her a lot, and he remembers how the time he'd most keenly felt her absence was on Jarilo-VI, the one place where he couldn't talk about her because he couldn't say anything to give himself away as an alien. The Fools still tell stories about her every time he goes back to the Tavern. His first toast of the night is always in her name. Even now, all these years after she'd died, Sampo is still learning new things about her. He's never had to grieve her alone.
Caelus doesn't have any of that.
He might never have that. As they speak, Caelus has no proof that Firefly was even her real name, or if she dreamt with her true appearance. He might not ever find out who she even was.
And just imagining that kind of loneliness hollows out a strange little pit, right behind his sternum, deep between his ribs.
So Sampo claps Caelus' shoulder and offers him a deal. Come find him outside of the dream. He knows a guy who can get them a lot of beer for really cheap-
("Is that guy you and your five finger discounts?" "Whatever do you mean, dear friend, I don't even know the meaning of the phrase, hehee.")
-and they can hole up in a bar or a hotel room or something, and get completely shitcanned. Tell him all about Firefly, tell him everything, and he'll tell Caelus about April and everyone else he's ever lost. Sampo will carry Caelus' memories of Firefly with him, and at least this way, Caelus will be a little less alone in remembering her. And the next time they cross paths, Sampo will be the one to bring her up, and to tell her stories, and Caelus can get to be the one listening. He won't have to be the only person to talk about her anymore.
Caelus rolls his eyes when Sampo avoids another remark about sticky fingers, but...ok, yeah. That sounds good. Nice, even. Thank you. Caelus bumps his shoulder against Sampo's. Sampo bumps back.
(They find each other again the next day, and true to their word, get themselves completely and utterly shitcanned. Caelus talks more than Sampo has ever heard him; every minute detail, every word choice, Firefly's every odd little mannerism and habit. Because Caelus wants to make sure this will outlive him, that even if the Stellaron dwelling within him finally burns him to a crisp and he really does up and kick the bucket, or even, godforbid, if he forgets, he wants to make sure someone remembers her. She deserved that.)
((And it takes quite a while, after that. Caelus doesn't see Sampo again until after everything has settled down. On his last day in Penacony, he finds the guy slinking out of a seedy back alley and all but runs right into him. Sampo happily leads him to some dive bar in an even seedier back alley that Caelus has never even heard of, and Sampo raises his glass. "To Firefly! Who sounds like she probably would have hated me at first, but I would have liked to have met her anyway."
And Caelus stares at him, almost looking startled, long enough that Sampo worries that he's read him wrong and brought this up too soon. He's halfway into planning how to talk himself out of this situation when Caelus finally throws back his head back and laughs, tells him that yeah, Firefly would have politely called him out on every lie he told, and all their conversations would take twice as long with the way Sampo is so full of shit.
And he can see it, the same way he watches and sees through everyone, that Caelus' eyes have a tightness to them, his knuckles are nearly white around the handle of his mug. But he smiles. He hits his glass against Sampo's far too hard and throws it back and gets foam everywhere like he does every time they drink because the guy's about as elegant as a raging bull, but those things don't lessen the genuineness of his smile.
The grief is there, but so is the elation, and those emotions aren't a sliding scale between one or the other. It is all of both and both at once, and that's what contents Sampo enough to throw his own mug back when Caelus makes a toast of his own, "to April!!".))
#caelus#sampo koski#hsr caelus#hsr sampo#sampo & caelus#honkai star rail#hsr#my fics#me a few days ago: my favorite silly little guys uwu#me today: ANGST#honestly I feel like this isn't even a super strong angst though#it's more just. bittersweet? melancholic? something.#I JUST. REALLY LOVE STORIES ABOUT THE NATURE OF GRIEF#and 2.0 laid the groundwork for that beautifully woohoo#I just remembered this probably isn't common knowledge oops but April is the cute red haired girl in Funny Bone#her name was revealed by the creators on twitter. she's named April like April Fools!#anyway I ship it hardcore now thanks bucket boi & studio#but anyway yes I love and adore the loneliness of the trailblazer's loss and grief after 2.0#because we know from Sunday that Firefly is “spiritually dead” but the trailblazer wouldn't have that knowledge#and they wouldn't know her identity or about any of her connections to other people#and I love that juxtaposed against Sampo and the possible strange nature of his own grief-#-given how the Masked Fools operate and how they see Elation in everything and everywhere#Sampo is no saint- like at all lol- but I do like him and Caelus getting along and being bros#and I don't think it would be terribly ooc for him to care about someone he sees as a genuine friend#he maybe rarely considers someone a genuine friend. but still dmxjjdjdk#listening to Sam's boss theme as I tag this... have been listening to it a lot ever since I finished 2.0 tbh#it's probably what inspired a lot of this haha#because it does sound strong and intimidating and imposing#but you can hear it#the heartbreak
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allfortzu · 10 months
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what if i EXPLODE
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kvoshis · 3 months
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so the only good writing/story thing about the Netflix adaption is that they made Oma and Shu lesbians huh
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I feel like I’m falling in love with Jaiden all over again. Shoutout to the ones who were there in her animations days! But also a huge welcome to all the new fans of her new content. Like it is unbelievable that a childhood hero is still reaching new audiences and people, I am so happy.
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grandcovenant · 4 months
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it's such a shame that sophia as a character is so reliant on keeping everything about her a mystery until.... literally the last chapter, because it makes her a lot weaker as.... one of the main characters. she's intended to have the same level of importance as geppetto in the narrative, however, in execution..... you can't really get invested in her because she doesn't really offer anything meaningful to you until the very end, and by then it feels a little too little too late. (and so much of it is wrapped around simon's plotline, which i have already expressed i don't really care for.)
i think it's why i try to make a bigger deal of things like the hermit's cave, or the thing about being a listener being "the devil's power", according to sophia's mother. these bits show her as an existing part of the setting she's in, and not as the walking Big Reveal set-up she... kind of is, honestly.
sophia is meant to be p's guide through his growing humanity, a counterpoint to geppetto, and i wish more was done with it!!!
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sysig · 5 months
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Anyway, back to testing (Patreon)
#Doodles#Portal#GLaDOS#Chell#Curiosity Core#Space Core#Cave Johnson#So many GLaDOS'!! She needs all the <3#And then also featuring some others lol ♪ Replaying 1 really made me want to fill out the cast a bit more!#I'm still the most used to drawing her Portal 2 design tho - which is a shame because her 1 design is so weird!! I like it :D#I still haven't given her a proper study but I do like how in the audio commentary they talk about how she has a feminine edge hehe#She does! They did a good job with her design ♪ And improved upon it in 2 I think :D I still haven't gotten to that audio commentary#I'm so curious as to what they'll say about her there hehe ♫ But I'm still just playing normally for now! I forgot how much longer it is :0#I tore through it the first time so now taking my leisurely time feels funny haha ♪ I am enjoying myself tho :3#Anyway!! Back to what I love about 1 <3 <3 Her tone switch literally Always has my heart ♥ Ughhh I love herrr#I also quite like Chell's design from both games :) I wonder if GLaDOS keeps making remarks on her appearance because of the changes :0#She does have fuller cheeks in 2! She's not as gaunt - and she looks like....made-up? Make up made up? Y'know? :0#Not that we get a particularly good look at her in-game but hm! The differences#As well as in her long-fall boots! The braces really were just stuck on her legs in 1 weren't they :0 No wonder the Curiosity Core was rude#I do really love the Curiosity Core tho haha ♪ Probably my favourite canon Core :D I think she'd get along well with Space Core lol#And then leaving off with that one little human-GLaDOS headcanon thing I posted about! Impatiently lol#I made these like The Day after posting that I couldn't help it I was too deep in the paint XP It was fun ♪#I really do think she'd look so much more like Cave still! Especially after replaying the bit where he says to put Caroline in ''his'' place#Is that retrofitting? Was it designed with him in mind initially? Hmmmmm#I also figure if I'm going to give her a human design I might as well go the whole way and not just slap robot parts on her face lol#It's hard to imagine her with two eyes tho! Like I might even go so far as to say she can have three eyes but not two! Only one or three#Her third ''eye'' would be the mole next to her eye lol - how would her vision work in that case :0#Would she have panoptic depth perception or like triple vision or what?? Or maybe just leave her with one functioning eye lol#Handplates!Gaster-core (Core lol); turtlenecked one-eyed evil scientist with labcoat lol#Y'know it's funny - when I first drew GLaDOS several years ago I compared her to Gaster at the time too. Huh. Sure that's nothing :)
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