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#I need to design some of the canon characters dnd character eventually….
herebecritters · 7 months
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Somewhere in a far off DnD universe, Atlas and Ilawela privately scheme in a cellar
To be clear, these are Hopps and Geshtus dnd characters that they play
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artoriarts · 6 months
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Ok I don’t want to go make art and I don’t want to go find something good to scrounge up and post so I will instead spout assorted madcom headcanons. these are far from the last you will see from me.
- sanmos 4 lyfe (big sloppy heart emoji) they are both like playfully flirty in diff ways with other people but also so so monogamous at the same time they love eachother sooo much have the healthiest relationship known to man. ignore all the killings.
- 2bhank with the same energy as medic tf2 x heavy tf2. but like also 2b is catboy herder for hank. he holds the laser pointer in the relationship. hank isn’t like full creature I’m still the kind of girlie to place him solidly as kind of the stoic and dysfunctional sociopath but he’s got some of those beasty tendencies in him. the two have such strong attachment to each other but they both have such difficulty expressing it. hank doesn’t know how human well and 2b simply isn’t a soft person even when he wants to be. but they work with what they have. deimos and sanford are so invested in their relationship they chitchat about it constantly. in the most supportive way they want it to go well they just talk about the two being cute and try to help when they hit rocky points. the power couple is so stable they can take on other couple’s drama.
- I don’t know what the ship name is for tricky and hank but there’s like a tiny bit of that too. tricky is hank’s crazy ex but they were never in an actual relationship clown has just been desperate for the dick day one and has not let up for a single second. especially after the halo fiasco literally everyone hates them but they stay silly
- whitehank exists because of something along the lines of hank’s genome getting copied to aahw database when he went in the magnifier and using that agency got the bright idea that if they can’t beat hank. they can make their own. I don’t know actually how she should fit into everything but I like the idea it feels appropriately silly for madcom. the only thing I’m really decided on is that she eventually switches sides and 2b, carrying the entire trans community of nevada on his old man spine, hooks her up on titty skittles and him and hank informally adopt her because cold sad clone babygirl needs parents. she’s like all of hank’s feral swagger if you made it sopping wet and also like garage band punk. I can’t decide if she’s musclegirl as I’ve drawn her before or make her skinny legend I need to lock down the vibes. One important design thing that i know is coming however is that since she’s a copy of mag hank specifically, while hank gets demagnified in my little post canon design shit, she does not, so she is de facto tallest out of the. what do you even call the gang. just the gang? agency for hank wimbleton? the motley crew. the dnd party. nevada’s most wanted. that one actually works we’ll go with that
- funny thing I’ve considered for sheriff is that after whatever happens in project nexus dude just. pisses off somewhere. half hooks up with jeb to make a neutral party for people who just want to fuckin live. while jeb’s on the offensive side of that trying to actively stop the madness sherrif is the defensive side just making settlements for normal people to live they lives. something along those lines. it’s quaint. him and whitehank get together maybe. little guy woos the giant cryptid lady with his southern charm.
- the auditor is workplace sexual harassment personified. simultaneously in the fanfic suave way and the restraining order kind. they talk like stephan weyte. they think they’re soo cool and when someone doesn’t think they are when they want them to they run away and cry.
- I wish I could come up with something for jeb to like round out the primary cast but like honestly he’s the one I spin around in my head the least. I like his motive of make shit normal but maybe he’s just like too clear cut. he’s already got a full character there’s nothing for me to add.
thank you for coming to my ted talk
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arcaneyouth · 10 months
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sending you some random OC questions(feel free to only answer one/specific ones and not all):
1. Do you have any OCs that you specifically created to be forgettable, but they decided not to be? If so, which ones?
2. If you had to pick one of your OCs to swap places with for an unspecified period of time, who would it be?
3. Which of your OCs do you think would want to be your friend if they were real and aware that you created them?
4. Do you have any OCs that were created entirely based on the vibes a specific song gave you? If so, which OCs and which songs?
1. would you believe me if i said theron. and now theyre the main antagonist/protagonist.
theron was originally meant to be like. a small detail. like they were part of the origin of how the demon came to be, but they no longer existed and no longer had influence on the demon. but instead they kind of. festered in my mind and fought for control and now the story is about them. its kind of really in theme when the main conflict of the story is about theron reclaiming control of their story that dara took from them. the story is definitely way better for it ADGSGFSHF
2. reverie. rip to them but i could handle the horrors of my reality not being real and i wouldnt take being a cool wizard for granted like THEY did
3. ,,,,,,,im going to answer this one under a cut actually. check the readmore
4. hrmm... this is hard cause i actually like,,,, have not Designed a character for myself in a WHILE. the last 2 characters i made with the intention of being for me and weren't adopts i just kept, were shadow (from the raid shadow legend gang) and ghost. and i made ghost a year ago. and my ocs typically arent based on songs, sure I'll make 200 song playlists for my ocs but i wont Make Them based on songs
im gonna have to count characters i remade for this, I'll go with george! George was originally a dnd npc that i was super hyperfixated on for like a year. that fixation eventually faded and i dont totally remember why i liked him so much, but i was considering remaking him for another story for a while and finally everything i wanted him to be clicked when i heard this
youtube
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(would like to clarify i do not care that much about dsmp the songs just banging. have no clue what its about but its a bop)
didnt realize i even took some visual inspirations from the animation til now LMAO. but yeah now hes a fucked up crime guy whos also a himbo full of love. and violence.
3. this answers a bit. personal <3
most of my characters that Do canonically know i exist dont have super strong opinions on me. reverie was expecting something else when they met me and had to abandon the plan of using me as a way to get out of the game. dara thinks im annoying at best. a nuisance at worst. for pretty much every character ive made thats aware of me, im kind of like. just some guy. im just writing down what they're doing and its kind of annoying but not a big deal. and i know that cause i talk to them sometimes. i never thought it was a big deal i would just think really loudly in their direction and they'd respond. so, because of that, i do know of at least one character who is canonically my friend! phoenix, one of the deathspeaker gods, was genuinely one of my closest friends for a while. we talked All The Time and helped each other take care of ourselves if we needed it. i havent talked to elysium because she doesnt seem to fully be aware im there but if she does ever realize i think we'd be besties. she's so nice and pleasant
(will not be taking any follow up questions on this thanks <3 i have 0 interest in finding out Why they can respond to me they're just my buddies and i like them. dont think about it harder than that)
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Ravnica D&D Campaign: The 1st mission (Part 1 of 2)
Yessir, I am in fact not dead! Yours truly has, indeed, begun working. I am officially a laborer, contributing to society! Wonderful, wonderful.
Back to the important stuff: my playgroup has continued playing DnD! I haven't made a post on it for a while, but you can check out the sessions 0 recap here and also just search for "#ravnica campaign" in my posts, if tumblr is willing to cooperate they should come up!
Soooo since this was my absolute first time DMing and my players' first time playing in a group, I decided to use an adapted version of the Krenko's Way adventure presented in the GGR. The biggest adaptation was the fact that my players are handed down a task by Director Nassius, who is their superior, rather than being contacted mysteriously by Canon Nassius.
What follows is a heavily summarized recounting of the events. This mission spanned 3.5 sessions, so I will be doing some condensing of what happened, because I'd like to catch up to our current status (session 11) and I can't make too many posts like this and still hope to get there soon. So, without further ado... our very own Krenko's Way~
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So... yes, I had the party officially meet in a tavern =p to be fair though, that was a designated meeting point and they all had their reasons for ending up there. I will remind you that they've all been assigned to a special team (1 of 10, this will eventually be relevant) to support the Guildpact's monitoring/assistance to other guilds. They are definitely a weird ensemble, though, and the differences emerge immediately.
Bingus, the artificer goblin and wannabe-izzet, climbs onto the table to better inspect Egyedül, the warforged, and some RP shenanigans ensue, including tossing a precious ring across the table and back. Honestly I just let them interact for a good 15 minutes here, they were having fun and I was glad that they were already exploring their characters! Anyways, they eventually retired for the night.
The next day, the team heads to the Chamber of the Guildpact to receive their first mission. Nassius wants to assign them to a routine patrol, but an emergency dispatch about Krenko's escape from capture causes a change of plans: the Party is to cooperate with the Azorius to locate Krenko and bring him to justice.
Unfortunately, the Azorius they need to coordinate with are lead by the same guy, hussar commander Migellic, that arrested Cornelius for making a fiery mess during one of his performances, so not off to a great start, but they do receive some instructions, some leads, and a magical signet they can activate to display the azorius symbol in the sky to call for help (which my players lovingly dubbed the Bat-signal).
The party decides to go down the Falish route, so they try to figure out where she lives in Tin Street and eventually find her home/lab (after scaring half to death a shattergang goblin that was following). Bingus cracks the lock on the door and bam! The whole party except Egyedül, who is immune, and Iris, who was standing guard in the alley, fall asleep.
Regrouping after the trap, they enter the lab and poke around a bit, basically nabbing anything noteworthy for themselves. They then discover the secret passage that leads to the sewers and manage to track Falish down, cutting through a few moldy zombies and lobbing several long-range attacks ar the fugitive to get to her. The party strikes a deal with Falish, basically ensuring nothing bad will happen to her if she just gives them intel on Krenko. After returning to the lab and giving back everything they'd stolen (some, meaning Bingus and Iris, more reluctantly than others), the party + Falish get ready for the next day, when the weapons dropoff is scheduled.
This was another chance for the party to interact a bit amongst themselves and also with a single NPC, Falish, so I let them take advantage of that and made a few notes on their approaches and interests. Iris actually left the lab to send her parenrs a letter telling them she wouldn't be back for the night, followed by Vomyr who wanted to make sure nothing dangerous happened. Cornelius did no such thing (keep this in mind for the next post).
Finally, the gang goes to sleep, and the following morning Egyedül, who doesn't need to sleep, informs them that there were some loud noises during the night. The party does a quick scout outside and finds out that the streets are teeming with boros and soldier patrols due to some shattergang explosive attacks during the night... which complicates things somewhat.
How did the party manage to un-fuck the situation? Stay tuned for the next post!
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wetbloodworm · 1 year
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still in AIverse hell, now considering those kids in dnd au
the first question is whether i stick more to their canon for inspiration or if i lean more towards the generic human AU i've got. the problem with the latter is that there isn't much plot or really any kind of foundation there, it's just 'modern times and also zeph is human'. so my instinct is to go the canon route, so that i at least have a starting point for whatever kind of story is going on
OKAY so the next question that follows is what the fuck is zeph's deal here. warforged are the robot equivalents in dnd but that doesn't feel right, both in appearance and especially in the species features. i think reborn is actually a better fit for him? reborn origins can be all over the place and there are examples of reborn having manufactured bodies. i think that's a more fun space to play in here, zeph already has straight-up 'sentient robot' in his canon, why not complicate the situation here. throw in some mad science. so he's a conglomeration of organic and artificial parts plus some random soul that got snatched up for the experiment. maybe he's powered by a soul gem? potentially multiple soul gems? i can include crystals in his design that way fuck yeah. so yeah, science/magic experiment that's awakened without any memories and very quickly decides uh he wants no part in this actually? this feels kinda... real fucked up. so. uh. bye
zeph escaping the necromancer somehow, he meets up with andrew eventually b/c gotta get my boys together, but we’ll touch on that later. i think zeph does get occasional flashes of memories from his previous life (lives, if there's multiple gems) but largely he just feels hugely uncomfortable and tries to ignore them. he doesn't fully conceptualize those memories as HIS, more like... he views himself as a new person with an unfortunately stolen soul. not his fault, but that person had to die for him to be here now, and he doesn't like thinking about it.
idk what class he'd be? a caster of some kind makes sense to me. sorcerer? or potentially warlock? looked up subclasses and i think warlock w/ The Undead as his patron. he wasn’t the one that made the pact, the necromancer was during his creation. zeph isn’t like... 100% sure that his patron can’t just fucking un-awaken him for not doing as instructed so he lives in fear of his patron contacting him.
now andrew... i know immediately that he's a martial class. just his vibe. fighter, i think? fighter feels the most right out of everything, and i like the cavalier subclass. it mentions that cavalier are usually born among nobility and that feels right for him. for species... half-elf sounds right. and i just really like the idea of andrew as an adventurer! exploring the world, taking on jobs as they come, trying to help people! i’m deciding now that he’s traveling with sada (air genasi artificer), aimee (half-elf ranger), and gaige (elf wizard).
andrew’s situation is much simpler than zeph’s so i don’t have as much to say about him unfortunately, sorry my son. but he and zeph run into each other shortly after zeph has escaped. i don’t know exactly how they meet, but i know that zeph would feel safer in a group than alone, and also he hasn’t been awakened for very long with only spotty memories so there’s a lot of shit he needs help with, so he might’ve been seeking a group to travel with.
i’m losing interest in this post and i don’t want it sitting in my drafts forever so we’re ending it here. i’m probably going to make character sheets tbh
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jaythelay · 1 month
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Y'know what OOT through WW did best?
Leaving alot up to creative interpretation. I love art where memories of Young Link's adventures are aside with Link's adult adventure. It's not something explored that heavily in-game, but these characters and situations are similar to toys. I mean, does anyone think Link back-hopped everywhere? He probably took a nap at some point.
But that doesn't need represented, that's apart of the Player's creative interpretation. It doesn't need fleshed out in-game because it can't beat the imagery in my head, much like with horror. Link sleeping at a firepit isn't as interesting as the DnD campaign going on in my head at Lon Lon Ranch with me sleeping outside getting bit by bats after failing to sleep inside the barn.
Then Majora's Mask adds onto that creative interpretation, the playing with toys aspect becomes a bit more serious allowing deeper introspection. If you think about it, Link went through some fucked existential shit in OOT. MM could be his bad dream in someone's interpretation.
Bare in mind, I don't mean interpretation as like, headcannon or anything canon. Like in DnD ya gotta sleep eventually, but not everyone does and it's just interpretation that at some point the adventure takes a break. Regardless, a Video Game isn't great to have a "Roll for Sleep" mechanic and thus, it comes down to interpretation.
Not whether Link is a bottom or Malon's dad Mario makes his own Booble Miluk.
Idunno how to put it, very few games really give me the same feeling as Loz, Kingdom Hearts is a near second, but it's smaller world design makes it harder to interpret much in-game, though world travel is cool.
I guess it's also because, Link don't speak, Gordan Freeman will elicit the same creative spirit of creative interpretation, and I think it's because you yourself are never shoved out of the way for the writer to tell you what to feel, but instead, that it's time to feel.
I think alot of that magic was lost in Twilight Princess for me, because so much player agency is thrown to the wayside for plot so often. Interpretation can still happen, but it's more plot driven than character controlled at times. I also found it out of character for Link to say the Fuck word and that be his only line but that'a a whole other conversation. I think OOT did something few games have with time travel and a voiceless MC that allows the player to fill in gaps for themselves that don't need filled by the developer most of the time. What does Link feel after going into the future and being an adult now? That's rather existentially alot.
Idunno, that generation of games is difficult to describe. The low poly models give a toyification effect, the kind where it didn't matter if your wrestler toy was always screaming, he wasn't in your mind. With all the high polies and what not, we know exactly every possible detail and are no longer along for a journey but on a highly orchestrated disney ride.
OOT/MM have some deep flaws, but the creative energy it bleeds can't be killed until the generation from it moves on. Idunno if the same feelings can be had today as to then, and with flatscreens furthering away from retro titles, these game's visuals continue to lose alot of the toyification effect in place of "bad grafix!" despite 4k being more than able to emulate CRTs if handled well.
It's Insane that technology makes old tech look worse when on it, but not in comparison. If ya haven't seen CRT comparisons, please do, your entire perspective of retro game visuals will flip and an entire generation will be understood better. Fill your humanity with the knowledge of others or some shit.
Anyways, Link was definitely not a bottom in OOT because he was too young to know what that means and I don't think Sex Ed was great in Hyrule at the time. Especially when you're sleeping for 7 years. Ludicrous. All of it.
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notafeeling · 5 years
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Infinitesimal (Part I)
A/N Infinitesimal (originally titled in a haze as “LOGAN IS BARRY BLUEJEANS”) is a Sanders Sides AU set in the world of The Adventure Zone: Balance, a DnD podcast made by the McElroy brothers. If you have not started The Stolen Century arc and don’t want spoilers, do not read.
Pairing: eventual logince (Logan/Roman)
Genre: scifi; slowburn
Warnings: temporary character death; TAZ-canon-typical violence
Word Count: 7.5k
Summary:
Logan had always thought that being a human meant he had to work harder and faster than everyone else to truly make a difference in the world. When his home is consumed by an intergalactic force known as The Hunger and he’s forced to go on the run through space with six others for a century, he realises that that’s not exactly true.
Or, Logan accepts an offer to join the Institute of Planar Research and Exploration and to travel around the mysterious planes that control his planet for a few months, but ends up hopping realities and dying a whole bunch alongside his mismatched crew members, learning how to love somewhere along the way.
-
Logan knows that, as a human, he has certain limitations in this world. For one thing, his 80-year expected lifespan is nothing compared to the centuries-old elves and dwarves who are considered teenagers. For another, it means he can’t rely on magic. He doesn’t have enough time to spend it mastering something he was never meant to have.
He turns to science at a young age.
The stars call him from outside his dirty, cracked window, and he dreams of the day he can fly among them. He wants to touch, he wants to grow, he wants to be something more.
Even at 8, he knows that his world doesn’t have the technology for that, and won’t for a very long time. It doesn’t stop him from yearning, though.
His parents send him to an academy at 15, only because he managed to get a scholarship. He graduates at 17 at the top of his class.
It’s still not enough.
He devotes the next five years of his life to mapping the stars and their constellations. Nothing that hasn’t been done before, but Logan’s determined to do this on his own.
If he won’t be able to live among them, then he’ll commit them to memory. Maybe he’ll travel along the constellation Pneuma Cascade in his dreams.
-
Having two suns is a fact everyone on Phaethon has long since accepted. The early civilisations made entire mythos surrounding those two stars alone, and children of his world are told stories of two lovers who chase each other endlessly. The second is dimmer because of his eternal pining, but he will follow the other to the end of times. When parents are asked why, they reply “because they’re in love,” and that’s all there is to that story.
Logan’s long-since moved on from folklore and the notion of love. Instead, he wants to know how. How can these two massive celestial objects coexist without succumbing to one another's’ gravitational pull? How does his planet, as small as it is, only orbit around the two without being sucked in?
Those questions give Logan purpose.
-
At 30, Logan finally has something to show for all his research.
The problem with examining two suns is that first of all, you shouldn’t look directly at them, and secondly, they’re too far away to properly study.
He devises a tool. It’s mostly cylindrical, and the otherwise hollow interior contains several panes of glass. Originally it was designed to filter out the sunlight, but Logan quickly figures out how to magnify the image he’s seeing.
(It’s kind of embarrassing that it took someone with corrective lenses for his short-sightedness to figure that one out, but all that matters is that it works.)
It takes him a few more years to have a perfected prototype. And he sees something no one else has.
He can see the suns in shocking clarity, but he doesn’t care about them (too much) anymore. Instead, he focuses on the slight rift between them. It’s not exactly a rift, more like… a divide. A shift.
Logan spends countless hours studying this, almost forgetting to breathe at times. This is what it’s all been leading to. There’s more! He can be more, do more!
It doesn’t take him much longer to figure out that the second sun is a double of the first. No, not exactly a double.
The second sun comes from the Ethereal Plane. The existence behind theirs, to put it simply. So it’s not a double, more like… the same one, but ever so slightly behind.
And the divide? It’s a weakened point between his plane - the Material Plane - and the other. Which means-
Holy shit. If there are other weakened points to other planes, then they could travel. He could explore! Not just magic-users who pop into the Ethereal Plane for brief moments, nor necromancers trying to break into the Astral Plane, no. Everyone.
Notes and ideas spill furiously from Logan’s mind, down through his arm and onto a thick, leather-bound journal. He lives off of caffeine and adrenaline as he completes his paper on Interplanar Travel, and not long after, he’s contacted by Thomas Sanders, the leader of the newly established Institute of Planer Research and Exploration (IPRE, for short).
Thomas offers him a position on the team of explorers that will be tasked with travelling across planes and, hopefully, beyond that at some point. He explains that although not too long ago, their world certainly didn’t have the technology, ever since the Light of Creation fell there’s been massive leaps in scientific advancement.
(Logan must have been holed up in his study during that time, as he has to pretend he knows exactly what his future boss is referencing.)
It’s everything Logan’s ever wanted, so of course, he accepts.
-
YEAR 0.
10 months later, and he meets his teammates. He’s already known and worked closely with Thomas (soon to be Captain Sanders) for the past few months, and he’s certainly earned Logan’s respect, but the rest of the team has some… shortcomings.
For one thing, he isn’t sure why they need two wizards who also double as cooks (Roman and Virgil) though he supposes the fact that they’re twins who seem to have done everything together makes them a package deal.
And, okay, he gets why they might need a cleric, but surely Patton could also double as the journalist (a young tiefling named Kalumnia), or vice-versa!
Also, if they have a ship that can withstand the heat of passing between two suns and the extremities of space, then why can’t they add a few weapons? Why do they need a security officer? Can’t the twins do magic?
He doesn’t have much time to convince Thomas to hire more fitting members (why not a maintenance crew?) because he meets all these people right before they’re given matching red robes with IPRE emblazoned on them and are told to walk onstage in front of the largest gathering of humans, elves, orcs, tieflings, dragonborns, etc. that Logan’s ever seen in his life.
He’s more than happy to let his Captain manage the questions from various reporters while he sits back and attempts to get to know his crewmates. After all, he’ll be living with them for a few months, possibly longer if the mission is a success. Might as well get comfortable.
“So,” Logan murmurs to the person he’s seated next to (Roman? Or maybe Virgil?), “why did you sign up for this?”
The high-elf casts a cursory glance in his direction as his twin whispers something in his ear, making him snort. They’re definitely laughing at Logan, which. Okay. He can deal with childish behaviour.
“Look! His ears are going red. You embarrassed him, Ro,” the furthest one says.
“I did not! You’re the one who made me laugh!” Roman retorts.
It’s a relief when Thomas calls him up to the podium.
“Salutations. My name is Logan and I’m the Science Officer of IPRE.” His voice rings out all around him and reporters call his name. He chooses one at random - a young human woman with wild hair.
“Hi, Linda from Phaethon Press here. I read your report on Interplanar Travel and I’ve been blown away with the progress you’ve made since!”
“Thank you.”
“Anyway, could you explain what you’re hoping to find or learn from your journey?”
Logan’s struck once more by how much he has to explore and a wide smile spreads over his features. “Well, not much is known about the other planes. The Ethereal Plane is usually only used for short periods of travel because of its ever-changing nature. To stay there too long would leave you clueless about how to get back to the Material Plane. And we all know about the Astral Plane, where the departed souls from our plane go. While we don’t have any concrete goals because of our limited knowledge, we do aim to explore the other 9 planes. We don’t know what we’ll find - maybe new life forms or energy or-”
Roman fakes a cough as he exclaims, none-too-quietly, “Nerd alert!”
Logan clears his throat. “Uh, so, we basically aim to explore and research the planes.”
“You don’t say,” he hears Virgil mutter.
God, he can’t imagine living with these people for the next few months.
-
The night before they leave is spent drinking onboard the newly-christened “Starblaster”. Logan makes a face every time he hears the name, but it was suggested by a drunk, giggly Roman and backed up by the equally intoxicated members of his team.
He wants to put as much distance as possible between himself and the twins, so he joins Patton and Kalumnia, who spends half the conversation listening and the other half writing down everything that’s happening. Logan has to admire her penmanship.
“Goodness, I wonder what other planes there are?” Patton wonders aloud.
Logan’s interest is piqued immediately. “Oh! I’ve actually been thinking about that a lot. We know there’s some sort of Celestial Plane because that’s where clerics draw their power from- though I suppose you already know that.”
“I do, but I don’t mind!” Patton smiles.
This guy is infinitely better than the twins, Logan decides. “So that, the Ethereal and the Astral are the planes that have the most impact on ours, so they must be closer or at least, larger and more prominent than the other planes. Therefore, the other planes aren’t likely to bear any sort of intelligent life, but the magic there could be completely different.” Magic that he might possess.
“That’s so cool!”
Kalumnia nods. Her bright, golden eyes watch Logan as he continues to talk, pointed ears perked. Patton asks questions and his own brilliant blue eyes widen whenever Logan mentions something he previously hadn’t known. Even Missy, the security officer Logan has avoided due to the scowl she wears, wanders over and joins the discussion.
For the first time in his life, Logan’s listened to. He could get used to this.
-
It turns out he could and should get used to it because as they leave Phaethon, a thick, suffocating darkness descends on it. They catch a glimpse of 11 other planes before black tendrils shoot out of their plane and pierce the others, and slowly drag it into its massive, incomprehensible form.
“Head for the rift!” Logan yells as his Captain maneuvers them through space.
Columns shoot out at them but the Starblaster dodges them with ease. Alarms blast, ringing sharp and shrill as they rocket towards the two suns, picking up speed each nanosecond.
He, Kalumnia, Thomas and the twins are huddled at the front, staring straight forward into the divide.
Patton and Missy are the only ones brave enough to watch as everything they’ve ever known, everyone they’ve ever loved, is consumed.
They just have to get to the rift. If they do that, they can break through to another plane. They can survive, they can run. They just have to get through, and they’re almost there, so close-
“Right!” Logan cries. Whatever’s attacking comes through the rift, barrelling straight for them.
Thomas jerks his controls to the right, tilting the ship so far that Logan crashes into the side.
His crewmates scream as they collide with something, sending them spiralling through space. Hungry black surrounds them, reaching out, trying to ensnare them and pull them in, but it only ends up flinging them in another direction.
“Change of plans!” Thomas yells, lifting his controls high, trying to break free.
The monster makes one last desperate grab, colliding with the bottom of their ship with a loud clang!
They’re flipped end over end, further and further from the rift. Further from the other planes. Logan’s head bounces off of hard metal, his body thrown around like a sack of bricks. There’s a snap, and then burning pain shoots through his right arm. His vision fades as the pain magnifies, becoming so intense it's unbearable. The panicked yells of his teammates seem so distant, but he manages to pick out a scream of “Roman!” and Patton making one last, desperate effort to heal them.
Black greets him soon after.
-
YEAR 1.
Pure, white light surrounds him. Threads of light stitch him together, restoring his body, and it’s not long before it unravels and reveals the rest of the IPRE members. Logan watches as its wisps are drawn away and disappear from sight, fading into the night sky. Except… he’s on the Starblaster’s deck. So it’s not the sky, it’s… It’s space.
There’s not a single scratch on any of them - apart from the battlescars Missy shows off proudly, but they had always been there. Nothing shows that they had just survived an attack on their home planet, unless… Unless they didn’t survive? Or Logan dreamt it? Or…
A sob breaks the stunned silence surrounding them. Virgil pushes past Logan as he runs toward Roman, tackling him to the floor.
“You died!” He screams. “You died. You were dead. I saw it; I saw your body in front of me, Ro. How are you- how could you-”
Roman pries his arms out from under Virgil and wraps them around his brother. “Shh, it’s okay, I’m here,” he murmurs, stroking Virgil’s purple hair. His eyebrows are knitted together, trying to remember what happened.
Logan does the same.
“Are we- did we die?” Patton whispers. “Where are we? Where’s Thomas?”
At that, Logan realises that there are only six of them. He bolts towards the cockpit. The rest of the team, barring the twins who seem content to fuss over each other, follow in hot pursuit.
The door slams open as the four of them charge through. There, at the controls, is their Captain.
He bolts out of his chair and spins around, hands raised as he readies a spell. When he sees his crew, his whole body relaxes and he goes limp. Missy rushes forward to steady him.
“You’re- you all disappeared,” Thomas breathes out as he’s lowered to the floor. “You all were taken by this- by this light, and then I was surrounded too! I came to back in this chair and you were all gone. I thought- I thought I was alone.” His voice drops to a whisper at the end there and even Logan has to inhale deeply to stop the panic that rises when he imagines being forever alone in space.
Patton grabs Logan’s wrist, pulling him towards Thomas and Missy, and Logan doesn’t fight it when he’s scooped into a hug.
Patton’s arms may not be able to reach around all of them, but they’re warm and comfy and remind him of his parents. At least they didn’t die at the hands of that… thing.
Logan’s the first to pull away. “We need to take stock of what we know and what we have. Our first priority is to figure out what that being was and if it’s going to attack us again. Then…” His gaze catches sight of a plane. And another. And another! Excitement stirs inside him. “Then we explore.”
-
It takes them around ten minutes to realise that the twelve planes they’re flying around are completely different from theirs. It takes Logan two days to draw the conclusion that by not jumping through the rift and being thrown off course, they somehow managed to enter a new… planar system? Reality? He couldn’t say.
Basically, there’s no going back home - if their world even still exists.
Roman and Virgil are the only ones who don’t seem to care at all.
Logan doesn’t know much about them (other than the fact that they delight in tormenting him) so he doesn’t want to judge, but their carefree attitude is somewhat rude to Patton, Missy and Thomas who are in mourning.
On the third day, they decide to test their luck on this new Material Plane. As Thomas eases the Starblaster into it, they’re greeted with luscious green forests and wide, stretching savannahs and grasslands and mountains-
The likelihood of that is astounding, and Logan spends quite some time with Kalumnia chronicling the biomes of this planet.
But that’s about where the similarities end. There are no oceans, though there are lakes and rivers, so water isn’t a problem. However, the fauna is even more interesting.
The population of this strange place is mostly made up of giant creatures that are up to ten, twenty, thirty times their tiny, Phaethonian frames.
“Now I’m not the only dwarf,” Patton jokes when they first hover above the planet, trying to find a safe place to land. Logan lets out a stunned laugh, but it's more from the joy of a new discovery than anything else.
-
That night, Logan lays on the deck of the Starblaster, admiring the countless new constellations and planes, all his to explore!
It’s so clear, up here on a mountain in an undeveloped world, far from artificial light sources. It’s serene, it’s beautiful, it’s-
“Ro, let him be a nerd in peace.” Virgil’s furious whisper cuts through the pristine air and immediately, Logan has a sour taste in his mouth.
“Hush, brother.”
Logan resolutely keeps gazing up at the stars, ignoring as Roman’s boots clack against the metal. He ignores it when they stop by his head, and he continues to pretend Roman doesn’t exist even when he plonks himself down beside him.
“You’re missing out on a glorious feast, you know,” Roman says at last.
Logan tries to detect the sarcasm or the hidden meaning, but he either needs to brush up on his social skills or there isn’t any. Which, coming from Roman, is impossible.
He slides his eyes to his left. In the starlight, Roman’s usual vibrant red robe and equally crimson hair are paler, softer. Instead of his constant smirk and perfect death stare, he seems almost wistful as he too stares into the sky. Logan tears his gaze away and clears his throat.
“I’m fine with freeze-dried cubes of nutrition.”
Roman laughs, and that too is gentle compared to the harsh delight Logan had committed to memory after only a few days. It’s hard not to memorise it when it’s being directed at you more often than not. “Weren’t you the one talking about rationing? C’mon, Lo, me and Virge went through all that effort to take down one of those beasts! Aren’t you going to at least try it?”
Maybe Roman just has a really annoying whiny-voice or maybe he’s hungrier than he thinks because Logan actually considers it. Then he remembers that they don’t know if the meat on this planet is even edible, let alone feast-worthy. “Who said you could call me Lo?” he replies instead. It comes out harsher than he intends.
Roman scoffs and jumps up on his feet. Logan frowns and looks up at him, only to find a scowl as Roman avoids his eyes. “Fine, whatever. Sorry for trying to include you, I guess.” The clacking of his shoes is considerably louder as Roman stomps back to his twin, who murmurs a quiet “I told you so.”
Logan’s insides squirm uncomfortably. Something in him urges him to apologise, but he fights back the feeling. He didn’t do anything wrong. He just wanted to ensure the food wasn’t going to kill him. What’s so wrong with trying to survive?
(Later that night, he sneaks into the kitchen and finds a plate with a slab of meat and a couple of roots. He throws away the note that reads “You’re welcome -R” and braces himself for the first forkful of his new diet. Instead of the strange, bland flavour Logan expected, when he bites into the mouth-wateringly tender meat, he’s met with an explosion of tastes. He can see why Thomas insisted on tasking both Roman and Virgil with cooking now.)
-
The Light of Creation falls early the next day. Logan misses it (again), but when he wakes up, it’s to Thomas flying the Starblaster at breakneck speed towards where it fell.
“Why has it come here?” Patton asks. No one has an answer.
They find it a few hours later, and already, the surrounding fauna looks… smarter?
There’s a cacophony of sound as a mixture of bleets, honks and moos turn into something singular, cohesive. It’s the sound of language.
“After only this much time?” Logan questions.
“Yeah, well. That’s kind of what happened in our- in Phaethon,” Thomas explains. “When it fell, it didn’t take long for people to start inventing things. You invented your little, uh, cylinder thing-”
“Telescope.”
“Yeah, telescope, when it fell.”
“It was a work in progress!”
“But you only perfected it after the Light, right?”
Logan can’t say for sure, so he stays silent. It’s not like it’s a bad thing to make scientific advancements, it’s just… He wanted it to happen from his own merit. Not because some mythical light suddenly gave him the ability to.
“So,” Virgil pipes up from where he’s leaning against the wall, “should we take it?”
“I really want to steal it,” Roman says.
Logan sighs. “Can we at least see what these animals do with it first?”
“No! I mean, yes, but we shouldn’t steal it,” Patton says, wide-eyed.
“It’s not stealing,” Virgil replies. “It’s not theirs.”
“But it’s not ours either!”
“Not until we take it.” Roman pats Thomas’ shoulder. “C’mon, Cap, let’s get this thing.”
They wait a week and then bring the Light onboard.
-
In the following months, Virgil and Roman rope Patton into learning the new animal language and over dinner, they talk in a series of grunts and honks that make Logan infuriated. He pretends he isn’t trying to figure it out by delving into the food (still as delicious as the first time, if not more) but at some point, Virgil and Roman confront him.
“Want us to teach you?” Roman asks, and Logan, pride be damned, nods.
-
Missy starts building herself a home. She gets Logan to make a saw and then she chops down a tree (and she only needs the one). After a month, she has a nice home that she and Kalumnia often stay in.
Patton studies the flora while Logan studies the fauna, and together they help Kalumnia with her chronicling of this world. Dwarves must have some connection with a nature god because the plants lean into Patton’s gentle touch. Flowers spring up underneath his fingers and he thrives out in the jungle.
Thomas remains on the ship, but he’s never alone. They meet up for dinner every night (Missy loves climbing a mountain every day, for some weird reason) and they talk about the progress they’re making in this world.
Logan can speak the language too now, and even though he hated it before, more often than not he, Roman, Virgil and Patton are communicating in it.
It’s a nice rhythm they’ve settled into. Logan thinks he could get used to this.
-
Another month passes. Everything goes to shit.
Patton notices it first. The grass is dull; the wind quiet. The sky is darker and the lakes are no longer a clear crystal blue. He tells the others about this and Logan wonders if it’s because of their ship, or their presence, or maybe the Light.
He’s answered a few hours later when the 13th plane arrives.
Its form is bigger this time. Darker. More violent. Shadows pierce down from the sky and form humanoid shapes - some short and stocky, some with pointed ears, some who look human - and Logan’s struck with a terrifying realisation that these shadows are people from Phaethon. Or, he should say, were.
Logan and Patton aren’t far from the ship, and the twins, although they like to explore, have been sticking close by recently. Kalumnia had already been in her study onboard, and Thomas is at the controls when Logan enters. Missy, however…
As Thomas brings the ship up into the sky, the rest of them search desperately for Missy. They know they can’t stay too long. This thing, this beast, it’s stronger. Smarter. They need to escape before one of the shimmering black columns pierces their ship and they’re bound to this plane.
“There!” Virgil cries, his elven eyes picking up Missy’s struggling form.
She’s fighting valiantly, taking out multiple shadows with just one swing of her axe. The animals around her stomp and charge, but it’s not enough.
“I can’t get close enough!” Thomas says, weaving the ship through the black.
“Fine!” Roman shouts, and then he runs out of the cockpit and onto the deck, then flings himself overboard.
Virgil rushes to the edge. “Bro, what the fuck?!” He calls, before he too leaps over the railing.
They see the twins float downwards, blasting off spells as they go, and it’s not long before they’re down there fighting with Missy.
Roman’s body becomes a force of fire, burning bright as he flings massive fireballs into the fray. Virgil summons a massive bolt of lightning and the resulting thunderclap is so loud it hurts Logan’s ears.
“We have to go,” Thomas murmurs. Logan and Patton’s heads whip to him. “We have to go, now!” He says more forcefully this time, and Patton starts arguing with him.
“We can’t leave them behind!”
“If we don’t leave then that’s just more carnage, more bodies for that thing to consume. We’re leaving.”
Logan has never, ever, heard such a cold voice coming from Thomas. But he understands.
“Look, Patton,” he begins, “when we left Phaethon, I died. And so did Roman. But we came back. I don’t know how, and I don’t know if it will keep happening, but we need to leave. Or else there’s no hope for them.”
Patton tries to argue, but Thomas is already flying them away, out of the Plane, then out of the Planar System. He doesn’t react when Patton pulls at his arms, trying to get him to turn around. He’s not cold, he’s calculating. Thomas- Captain Sanders is making an executive decision and Logan knows he can’t change it.
The black follows them, and he sees it withdrawing from the planet in favour of pursuit. The cogs in his head turn as the white threads from a year ago weaves around them again, and Logan manages to cry out “It wants the Light!” before he’s wrapped up entirely.
-
YEAR 2.
Logan wakes up on the deck of the Starblaster, Virgil behind him. Like last time.
He furrows his brows and races back to the cockpit, and sure enough, his captain is there.
When everyone piles in, Logan’s in the middle of theorising.
“Every time we leave a planar system, we’re brought back to our original positions,” Logan says, mostly to himself but Kalumnia starts to transcribe what he’s saying in her journal. “That thing-”
“The Hunger!” Roman supplies.
“Not your most creative name.”
“Got a better one, Virge?”
“Fine, the Hunger wants the Light of Creation. When we left with the Light, it left the planes alone and tried to follow us. When did the Light fall on Phaethon?”
“About a year before the Hunger came,” Kalumnia murmurs.
“And it was about a year after the Light that the Hunger found us on that plane, too!” Logan clasps his hands together and straightens up. “Is there a blackboard on this ship?”
Kalumnia nods and leads them to her study, then wordlessly hands Logan a piece of chalk.
It’s the first time Logan has been in here, and he’s blown away by the countless journals and books from their home planet that remain on the sturdy oak bookshelves. There are also sketches pinned to a corkboard, mostly depicting the strange life they had encountered on the other planet. They’re only sketches, but the extraordinary amount of detail blows him away. How had Kalumnia kept this to herself all this time?
He shakes his head and gets to work. “So, what do we know?” He asks, then divides the board in two. He labels one column “Already Know” and the other “Need to Know”, then scribbles some notes in the former.
“The Hunger’s shadows looked like Phaethonians,” Missy says.
“Yeah, but they could change their form at will. I would blast one with fire and the black would disperse before coming together as a new Phaethonian.”
“It was stronger this time,” Virgil adds, shaking ever so slightly. Roman wraps an arm around him.
Logan nods and continues scrawling. “That means that when it consumes a plane, it adds it to its… collection. Its army.”
“We just left a plane full of massive creatures! How are we supposed to fight that?!” Roman exclaims.
“Well, no. As I said previously, when we left, it followed us. It started to withdraw from the Plane.”
Patton turns to Logan. “You mentioned the Light before we- we reformed. Why would it want that?”
He shrugs. “That’s why we have a Need to Know column,” he answers, then adds that exact question to the board.
“A better question,” Virgil steps forward and takes the chalk from Logan, “is how are we reforming?” He looks around expectantly.
“There’s this light that surrounds us - almost like thread.”
“I think I know what that is,” Captain Sanders says at the same time Kalumnia adds, “It’s the Bond Engine.”
Seeing their blank looks, both of them shake their head.
“We’ve been living on this ship for a year. How do you not know what the Bond Engine is?” Kalumnia has a rare smile on her face as she and the Captain launch into an explanation.
“The Bond Engine doesn’t use any fuel, it runs on bonds.”
“Bonds are what tie us to the Planar System. They’re the experiences and the connections we have to the planes, and it allows us to travel between them without the risk of ending up in a black hole.”
“How come we were able to leave both Phaethon’s System and the other one?” Patton asks.
Kalumnia and Thomas shrug, but Logan’s quick to reply. “It must be the Hunger. We haven’t been able to leave any Planar System until it comes. It must… cut our bonds with the planes. That would mean we don’t have ties to the Astral Plane, so if we die, we don’t go there. Instead, the Bond Engine brings us back onto the ship, in our original positions.”
“So what I’m hearing is,” Roman begins with a grin that he shares with Virgil, “we’re basically immortal, right?”
“No, because we do still die, we just come back-”
“Technicalities, technicalities,” Roman dismisses. “Anyway, this year I’m going to do some wild shit!”
“If you die on me, I’m going to be so fucking pissed,” Virgil threatens, but he also seems excited to be able to do whatever without consequences.
-
The Light falls into an ocean. They’re unable to retrieve it when the Hunger comes and instead, fly away as soon as they see its black pillars descend. Call them cowards, but at least there wasn’t much life on this planet to begin with. If there was any, it’s all gone now.
-
YEAR 5.
Logan hadn’t meant to become friends with the twins. It’s more like that they decided they were going to hang out with him, and he hasn’t been able to shake them since.
He finds he doesn’t mind, which is a feat in and of itself, considering he hasn’t had friends for the roughly four decades he had been alive for.
-
One night, they’re stargazing. Well, Logan is.
Roman and Virgil are wrestling each other next to him and surprisingly, Virgil wins.
“How are you so strong?” Roman whines, flexing his arms to show off his quite impressive muscles.
Virgil shrugs. “I chug my bone juice,” he replies, and Logan decides not to question what he means by that. “Do you give up yet?”
Roman laughs and charges Virgil. His momentum carries him forward and he crashes into his twin, then he swipes his leg out from under him and pins Virgil to the ground. “Take that!”
“Oof, my bones,” he deadpans, and Roman helps him up.
“Are you two done?” Logan asks.
Instead of insulting him, like they would’ve done five years ago, they nod and sit beside him. Logan’s chest flutters when Roman leans into him easily, knee gently bumping his own every now and again.
“So,” Virge begins, and judging by the glint in both his and Roman’s eyes, Logan has a right to be worried.
“We were thinking,” Roman continues, “that we don’t know much about you.”
“And we know everything about each other!”
“So why not tell us about yourself?”
Logan sighs. “What do you want to know?”
Virgil considers this, then asks, “Do you have a last name?”
“No.”
“Cool,” Roman says, “It’s Bluejeans now.”
“What?” Logan splutters. “You can’t just give people last names! And these jeans are comfortable and practical!”
“Whatever you say, Mr Bluejeans, sir,” Virgil mock salutes.
Logan tries to argue with them, but it’s clear he’s getting nowhere. “Fine! Have it your way, Virgil… Purplehoodie.”
Virgil laughs, and okay, it wasn’t his best work, but it’s not like Bluejeans is any better. “So what? Roman and I are twins. Does that make him Roman Purplehoodie? I don’t see a fucking hoodie, nor anything purple. That doesn’t make sense, Lo.”
Logan doesn’t react to the nickname. Instead, he exclaims, “Neither does Bluejeans!”
“You wear blue jeans!” Roman protests.
“And your brother wears a purple hoodie!”
“Not all the time!”
“Almost all the time!”
“Oi, keep it down!” Missy shouts from somewhere inside the ship. “Some of us are trying to sleep.”
“Don’t worry, we’re just playing card games in here!” Patton tells them.
“They ain’t need to know that!”
Even though Missy was bluffing, they stop arguing.
“Do I get to ask a question now?”
“Fine, shoot Mr Bluejeans.”
“I’m never going to get rid of that name, am I?” Both Virgil and Roman shake their heads. “Alright. Can I ask a question now?”
The twins glance at each other and shrug. “Seems fair.”
Logan ponders for a moment. He doesn’t really have any burning questions, but he supposes there had been one thing he was always curious about. “Are you two identical?”
Virgil’s gaze flashes to Roman, then back at Logan. The movement is so quick he almost misses it.
Roman leans back on his palms and puts on an easy smile. Logan knows that he’s only pretending, but he doesn’t get the chance to backpedal before Roman answers him. “Nope,” he pops the p.
Logan waits a moment, then opens his mouth when no explanation follows, but Roman must have changed his mind about how much he wants to share.
“I’m trans,” he blurts. Logan watches as Virgil’s arm snakes around his brother and studies Logan for his reaction.
He doesn’t miss a beat as he says, “Oh, but you look too alike to not be identical.” It’s awkward and kind of clumsy, but he genuinely means it in an “I thought you were identical twins” way and not a “How can you possibly look so masculine?” way. Virgil and Roman seem to pick up on it, at least.
“Genetics, dumbass,” Virgil replies, and the three of them laugh. “Honestly, the scientist should know this!”
“I’m an astrophysicist, not a biologist.”
“Those words? Fake.”
“You can’t call words fake.”
“All words are fake!” Roman and Virgil retort at the same time.
Logan goes to argue. Then he considers it. And okay, maybe they have a point. Especially their words. He’s not sure if they’ll find another Planar System that speaks Common - or any of Phaethon’s languages, in fact. It doesn’t stop him from wanting to learn the others’ languages though, so he gathers up the courage to ask a second question.
“Would you two mind teaching me Elven?”
-
YEAR 12.
It’s a good thing he’s fluent in Elven now, because this new place is entirely elves. It’s literally called Elfington.
He and the twins have no problem fitting in, and to their surprise, neither does Kalumnia.
She shrugs and with an abashed smile she admits, “I know all of Phaethon’s languages.”
Roman and Virgil share a wide-eyed look. “That’s how you always knew about our pranks!”
“We thought you were a mindreader or something!” Roman adds.
Kalumnia laughs. “I do know that spell, but I wouldn’t invade your privacy like that.”
-
That year, he and the twins almost exclusively talk to each other. Kalumnia joins in on their exploits around town, and Logan notes that she’s much less reclusive than at the beginning of their journey. He supposes over a decade of selective company would result in that.
Wait. Holy shit. Had they really been doing this for a decade?
Logan catches a glimpse of himself in a store window. At fifty, he expects wrinkles around his eyes like the ones Patton’s had since day one, but no. There aren’t creases in his forehead, no grey hairs, nothing. For all intents and purposes, he hasn’t changed one bit.
Maybe Roman and Virgil weren’t too far off when they joked about immortality.
“And they call me vain!” Roman huffs as he comes to stand beside him. Despite his comment, he leans in to fix his hair in the reflection, running his slender fingers through newly-dyed red. It’s like this at the beginning of every cycle, and for the past week they’ve been on Elfington, all Roman has talked about were the hairdressers and the possibility of dye.
Logan’s friend is always excited when they begin a new year just because he gets the colour back in his hair. He suspects Virgil shares the same enthusiasm, but at least he doesn’t talk his ear off about how he should be able to invent dye when it starts to fade. For starters, he’s an astrophysicist, and secondly, he’s busy, thank you very much.
He wants to study the Light. Considering it has such a big impact on both the Starblaster crew and whatever plane it falls on, they need to learn more about it. Maybe one of these cycles, they can find a way to fight off the Hunger.
Logan doesn’t know how that would work, but this new world that’s positively teeming with life renews his motivation. He doesn’t want to see them get destroyed. He doesn’t want them to fall to the Hunger.
They’ve already recovered it so he wastes no time in setting up experiments.
Around the second month, Roman starts popping into the Starblaster to “make sure he isn’t nerding too hard” (his words, not Logan’s). At first, it’s only for a few minutes. Roman asks a few questions about what he’s doing, Logan responds with questions about what he and Virge have been up to, and then Roman goes back to Elfington.
As time passes, Roman grows more and more keen to help. It gets to the point where Roman and Logan do their experiments together. Kalumnia records for them, keeping track of what they’ve found (the Light of Creation emits waves of some form of energy) and what they need to know (what the fuck is that energy). Missy mostly makes sure that the pair eat and drink when necessary, occasionally throwing them over her shoulder and dragging them to bed.
Even Captain Sanders checks in on their progress (and with the two of them working together, it’s truly remarkable)!
The only one who keeps his distance is Virgil.
Logan finds out the reason for this on their tenth month.
It’s a typical afternoon. Logan had visited Elfington for last-minute supplies, and he had been carrying armfuls of metal parts and spell components when he heard low voices around the corner, where his newly-appointed lab was.
He pauses. He quickly figures that one must be Roman (he had told him to go ahead, but he must have wanted to wait) and therefore the other is Virgil. He considers making his presence known, but it sounds like they’re arguing. And the twins never do that.
He doesn’t mean to eavesdrop, honestly.
“I know why you’re doing this,” Virgil hisses. “You want to stay here.”
“I do not! And even if I did, what’s wrong with that? We haven’t had a home since we were fucking twelve, why can’t you just settle down?”
“This isn’t about that and you know it.” When Virgil continues to speak, his voice loses the anger and instead takes on a much softer tone. “Roman, we have the Light. There’s nothing else we can do for them.”
“You don’t know that.”
“Yes, I do! In case you haven’t noticed, we’ve been doing this thing for over a decade. We either get the Light and some people die, or we don’t and everything gets consumed by the Hunger. We’ve tried fighting it, we’ve died, and honestly, I don’t give a shit about the planes anymore!”
“How can you say that?” Roman murmurs. Logan’s equally surprised by that revelation.
“Look,” Virgil sighs. “We’ve been to like, four planets with life on it. And each time, we decide it’s a grand idea to make friends! Why not build our bonds? But at the end of the year, it’s the same thing. We fly away and we watch those people get torn apart into nothing. They’re dust. We’ve only had each other for so long, and you and the other five people on this ship are the only people I can count on. Everyone else? They’re dust, Roman. If we see them as anything else, we only get our hearts broken. And I can’t take that. Not for however long we’re stuck on this ship, going through the motions.”
Roman’s silent for a long time. Eventually, though, he says, “You’re lying.”
“What?”
“You’re lying,” he repeats, more forcefully. “You can try and pretend like you don’t care, but I’ve seen you with those kids. I know you care about them as much as I do. And I know you’ll fight for them at the end of the year.”
“Because they’re us, Ro!” Virgil’s outburst shocks Logan. He knows he definitely shouldn’t be listening at this point, but he’s frozen in place. “I mean, seriously? Two elven siblings, living on the road? When I see them, all I see is me and you as preteens forcing ourselves to entertain sickos by streetfighting just so we can eat. All I see is you giving me your one jumper because you know I hate the cold even though you were freezing just as much. All I see is us fighting over who should have the last scrap of food, not because we wanted it, but because we wanted the other to eat. So, of course, I’m going to fight for them. But at the end of the day, if it comes to saving you or saving those children, there’s no choice.”
Logan hears Virgil stomp the opposite way and when he’s sure Roman’s alone, he steps into the corridor.
Roman’s back is to him. Logan takes another cautious step forward, then another, and as he gets closer, he can see how he’s shaking. Roman’s fists are clenched at his sides, head hanging low.
“Roman?”
Roman straightens his back and raises one hand to his face. Logan can’t see what he’s doing, but when the hand comes back wet and Roman turns around with red eyes and a watery smile, he can hazard a guess.
“Hey, Lo!” he greets, far too cheery. “Let’s get to work!”
He doesn’t have time to ask what’s wrong because Roman grabs his arm and pulls him into the lab. All day, he interrupts Logan when he goes to offer comfort, and his smile is too wide, too forced. Logan doesn’t understand why he feels sad too.
-
At the end of the year, Roman pulls all-nighters alongside Logan. He and Virgil have long since made up, but his brother still steers clear of the lab. Logan doesn’t blame him - he’s never heard the pair fight before, and he’s sure it’s something they want to avoid.
Roman’s project that he had Logan helping him with is almost complete. It radiates a golden hue and its form almost replicates the Light exactly. It’s far from perfect, but it might just work. At this point, that’s all they can really hope for.
When the Hunger comes, they’re ready. Roman and Logan order Thomas to bring the ship over a mostly empty country (some mountains bordering an ocean) and they fling the fake Light down, watching as it splashes in the water. Immediately, the black smog that was chasing them dives down.
The Starblaster uses this chance to dart away, hurtling through the skies at breakneck speeds and it's not long until they breach Elfington’s atmosphere. The Hunger chases them, having figured out what they’ve done, and it seems angrier, more determined.
Little darts of black break free of its form and head for the ship, determined to bring them down. Thomas banks right, then left, before dipping down low. The other IPRE members have long since learnt their lesson about seatbelts, but they do rub at their necks during this process.
Roman and Logan share a smile. Most of Elfington was saved. Not just some, most.
Maybe they can win.
-
A/N That was the first part of Infinitesimal! If you enjoyed it, feel free to ask questions/scream to me about it because this is possibly one of my favourite concepts and I will take any opportunity to talk about it.
I hope I was clear with the whole Planary System stuff. If not, there’s more of an explanation coming in the following parts as well as some romance and maybe a touch of necromancy! Who knows? ;)
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fiction-over-facts · 5 years
Text
a land so wild and savage Character Detail Post
AKA: all the things I wanted to write in the notes of the fic but even I know when they’re too long. Eventually. 
(This is just a little post containing the planned classes and reasoning for each of them. It’s not important but I figured 1. maybe someone would be interested and 2. it would be helpful to have this saved somewhere if I ever decide to do more in the verse (especially something where this stuff actually really matters).)
General Character Summary
formatted as (name, character level, class levels):
Hashirama- 17 (12 Forest Druid, 5 Life Cleric)
Tobirama- 16 (16 Transmutation Wizard)
Mito- 16 (either 16 Paladin or 12 Paladin, 4 Warlock)
Touka- 16 (12 Rogue, 4 Barbarian UPDATE: 10 Rogue, 6 fighter; I honestly have no idea why I wanted her to have barb levels when i wrote this. If I had a reason it obviously wasn’t very good because I’ve forgotten it.)
Madara- 16 (16 Warlock, Fiend Patron (maybe?), Pact of the Blade)
Izuna- 16 (16 Lore Bard)
*Race note: in the fic I don’t really mention it but the Senju are all definitely humans, Mito is (probably) a water genasi and both Uchiha are tieflings. 
**I don’t specify some class details (like Mito’s Oath for example) because I really don’t know that much about d&d outside of learning through exposure to CritRole, so I’m not sure what the best selections would be in some cases.
Character Decision/Design Notes
-Hashirama- The easiest thing to decide was that Hashirama was going to be a Druid because, I mean, it’s Hashirama. I attached Life Cleric later on, just because it felt kind of right to do (and also I love healing and wizards Concern me. Plus, I think Hashirama, already down two brothers and raised in a society where that’s much, much less expected than it is for ninja, would also be Concerned.) 
-Tobirama- Tobirama as a wizard was the second easiest. I sort of thought about him being a wisdom class at first (for the perception, which could be sort of an analog for sensing in this verse) but Druid didn’t feel right and neither did Cleric, really (though from what I know he would’ve been a Grave or Death one). But wizard felt right since Tobirama, as we know, is a Nerd as any good wizard should be. 
(I still wanted him to have high wis though, because unperceptive Tobirama is just wrong, so I maxed int and wis and gave him 6 charisma as a trade off (the inverse justification for this is that Tobirama isn’t precisely bad with people, he’s just logical and tells people things they definitely don’t want to hear because he doesn’t really see why he shouldn’t, so his charisma checks very, very rarely work out.)
-Madara- Madara was the third easiest, tied with Touka. Based on the temper he’s portrayed with I briefly considered barbarian but it didn’t really feel right so instead, because of the whole deal with Kaguya, he’s a Warlock. I don’t have any dnd books (or any knowledge from outside CR) but I kind of wrote him as Pact of the Fiend with the mentioned use of Hurl Through Hell toward the end of the fic (ie. what Madara did to the goliath strangling Tobirama). 
Does it feel wrong to have Madara be a charisma based class? 
Yes. 
Do I picture him somehow still managing to fail a truly astonishing amount of charisma checks in conversations anyway? 
Yes.
-Touka- Touka was set to be a Monk for basically the entire process as, as far as I know, her characterization is completely fanon whereas Izuna at least has some canon base traits and we all just fill in holes. So she was set to be a fast af hard-hitter till I saw that Monk class effectiveness apparently feels bad in later levels? And, really, there was no way in hell I was going to design a party without a rogue in it. I considered ranger at some point but melee felt right for her and from what I’ve dug up fighter/rogue works Really Well (and her being a rogue lets her really take advantage of sneak attacks when Mito or one of the others are also engaging with an enemy) (+ they really needed a way to disarm traps and pick locks and without using Knock and announcing themselves and their intentions to the world.)
-Izuna- Izuna was tricky, mostly just because there’s just enough of him in canon to be problematic but not enough to be that helpful. Also I have a bias to the way I write Izuna, based a bit on other peoples’ Izuna and a bit on me just loving the idea of him being a charismatic, vaguely childish troll. I considered Paladin and Fighter for him (Fighter just because it’s kind of the least. telling class in my mind? I suppose. Paladin because Izuna is shown to be very dedicated, against the Senju until his last breath which...isn’t really applicable here, but could serve as a character basis anyway.) He was going to be a bard/rogue for a while but that’s apparently not a good multiclass and I liked rogue better on Touka anyway. (Plus not multiclassing gives Izuna the greatest access to his bard spells.) I like Izuna as the type who seems very light-hearted or even careless but has some very well hidden depths and catches on to much more than people think he does, so bard felt appropriate.
-Mito- Mito was the hardest, because there’s 1. so very little of her in canon and 2. not that much of her written in fanon either, so I didn’t really have a pre-established idea of her personality or what she would do like I did for Izuna or Touka. 
Still, I figured—noble princess of a storied nation, bearing a great burden for her people? (Added to the fact that we always talk about the great vitality and constitution of the Uzumaki?) Sounds like a Paladin. (Also that means that the two best melee fighters in the party would be the ladies which is the best possible choice.)
She is the only one with an or in her class notes because I wanted her to still be the Kyuubi container in this verse, though in a different way. The or denotes my lack of decision on whether or not she can draw power away from the godlike being imprisoned in her stomach.
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merryfortune · 6 years
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Thanks for your Spectre HC you just posted, I love reading people's thoughts on him! Do you have any other thoughts about his character?
I have a lot of thoughts, actually. here are my other Spectre metas that you might be interested in (earth ignis!Spectre) and (water ignis!Spectre)
And I’ve also got a lot of unpublished fics involving him. Some of these are unpublished because its not the right time (stupid rare pair week being in December and not now) and others are unpublished because they’re unfinished (more earth ignis!Spectre and some naughty stuff)
my main philosophy with characterising Spectre, and I admittedly have a lot to perfect, comes from reading Majin Tantei Nougami Neuro and that is, Spectre is the inverse of the titular character. He is Neuro, if Neuro was a masochist. 
also, i’m a huge revspec shipper so revspec is implied below frequently, I am also intrigued by polyamorous shipping with him and all the lost kids because i feel like its inevitable (like in a5 with the yu-boys and b-girls, its a similar sort of thing. lost kids squad need to bond ok). 
but i do dislike some ships involving him (him and pl.aymaker as well as him and sou.lburner but the former is slightly bettered by a threesome solution involving revolver) and then I loathe some ships involving him (him and bl.ue an.gel)
So here is like the comprehensive list of things I think about him either in general or in tandem with other characters
fluffy/general
The best art tropes are when he’s portrayed with long hair (like waist length) or with earrings (specifically Ryoken’s)
he is a huge green thumb; his room is just overflowing with plants. that being said, it is rather messy because he absolutely can’t prune to the level that is needed
he likes classical musical and instrumental covers of heavy metal music best
of the lost children, i think he was the eldest. looking at how yusaku and takeru are portrayed as children, spectre looks closer to how ryoken was portrayed. so i think he was 8 at the time of the incident; not to mention, when he first appeared, I thought he was 20+
loves androgynous fashion and is open to dressing femininely but chooses not to because he’s worried it looks unprofessional
he makes the best teas and cakes. he also cooks a lot and is very good at it. he’s very, very domestic in general.
i love… precocious kid Spectre and dumb childhood friends to lovers tropes like “I’m going to be the one who marries you when we grow up” and pinkie promises type thing (though, if spectre broke a pinkie promise, i’m certain he’d break his pinkie finger too)
he’s also quite affectionate due to being touch starved which is really at odds with the fact that he hates people and he wants to maintain a level of professionalism with the one person he does (or had a history of) want to be affectionate with
spectre has a photographic memory and remembers every single detail of every single day, however, he is (more or less) lying about remembering those things from infancy; those’re coping daydreams. they did happen/similar things happened but he’s dreamt up most the details
angsty
He needs a therapist really, really badly and I’m of the hopeful belief that he will eventually get the opportunity to work through his issues in a professional environment
he often wonders how different his life may have been had he been born either a) a girl or b) a more ‘attractive’ child.
Dr Kogami would not approve of Spectre having romantic feelings for his son
Spectre had so many mixed feelings about the death of Dr Kogami 
the Kogami family situation is so fucked from this perspective because Ryoken is so loyal and his father is Like That
I think there was at least one couple who attempted to get to know Spectre; maybe he was the most physically similar child to them or they were intrigued by how intelligent he was and he probably scarred them for life.
other
Spectre doesn’t wear a mask. All the other members of Hanoi wear masks but Spectre doesn’t. I still don’t quite know what to make of this but it does, I think, speak to how low he might perceive himself since he is so subservient to The Cause
I really hope he gets a re-design. I think, other than Ryoken, he is probably the most pressing character who needs a redemption arc. after all, he is a Lost Child. but also because he has a kinda boring design?? like, it isn’t as eye catching as the others, you know?
related to the one above, I think that if any character gets a more permanent death, especially of the lost kids, it’s Spectre with his head closest to the chopping block unless he gets redeemed - unless death is redeeming but fingers crossed he’s still alive by the final episode otherwise I might go into some hardcore denial
also ya girl is a dumbass because she incorrectly thought that Spectre and Go’s orphanage was the same one but no, they’re different places altogether lol
his English VA is spot the fuck on. I really, really enjoy his dubbed voice
I am certain that Spectre will recruit his Ignis and he won’t kill it. I think his Ignis is Earth but I kind of really want it to be Aqua too purely because mixed gender Ignis/Origin pairs intrigue me and the fact that the silhouette of the girl from the lost incident is shown having twin tails ending up with Earth is hilarious
I hope we get more Spectre backstory because its one of my favourites in all of yugioh tbh because it’s just so balls to the walls with W H A T 
i’d love to write more gen fic of him but he just pushes the right effing buttons for me so nsfw under the cut jsyk
smutty
bondage, collars & leashes, tentacles, dendrophilia, body worship (if he’s doing it to someone else), sadism/masochism play: all things he absolutely enjoys. 
he’s probably down to try anything so long as it’s like hygienic or whatever
has accidentally (or not so accidentally) called his s/o mummy during sex
he is a VERSE. stop erasing his identity people. this man is a switch and proud
he’s one of those people who doesn’t talk about sex but you can absolutely tell from a mile or a million away what he is high key into and that is rather far from ‘vanilla’
his biggest kink is being loved and appreciated and making his s/o feel the same though, lbr
revspec smut fics i wanna write
bonus category because i wanna talk about the kinky things i wanna write involving him
dungeons and dragons inspired au where he’s a dryad and instead of having conventional genitalia, he has a flower Ryoken can penetrate but there are also tentacles and a lot of nectar which kinda acts like nice tasting cum and aphrodisiacs are a Thing too 
post-canon or mundane au fic where he and rev more or less get married, Spectre brings the wedding bouquet into the bedroom and either a) puts on a ‘show’ for Ryoken involving it or b) Spectre takes it up the ass from Ryoken whilst masturbating/humping it 
another dnd/fantasy world au with dragon!Revolver and human sacrifice!Spectre. you can probably tell where that’s going. Spectre gets devoured in ways he hadn’t expected :eyes:
ok this fic won’t ever happen but it still came to me in a dark, dark time: post canon fic where he and rev have outdoor sex in the presence of Spectre’s tree mother;
either a fic where ryoken threesomes with irl!spectre and vrains!spectre or spectre foursomes with irl!ryoken, s1!revolver, and s2!revolver because I’m a slut for surreal sex like that
i feel like i’m forgetting something bUT YEAH
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