In the most unironic way, I'm intrigued by this scorching hot mess. The subtitles are nonsense. The product placements are wild. The plots are questionable. However, episode zero proved that this crew did its homework and aced Kink 101, which is why I love it! It's cringe, but it's cringe with a heart.
We have the A+ plot with Burger and King (who were missing this week), but we also have Lil' Dom Daddy Masochist, Mateo, who is doing it the best I've seen. Mateo talked about puppy play, blade play, needle play, wax play, bondage, impact play, consent, and AFTERCARE! And he mentioned that play does not equal sex. And AND he gently explains to Shogun what is happening. And AND AND he isn't ashamed of his kinks.
They lost the key which is the introduction lesson in Kink 101 and resulted in them ending up in the ER where King's mom lectured them about being safe, but Mateo has got the spirit. Also, I loved that when Mateo hung up the phone and announced his mother was coming over, Shogun merely told him that he needed to clean his room.
I thought Mateo was going to regret picking Shogun as a playmate after Shogun compared Mateo's toys to a story about a queen and a princess.
And I think even Mateo thought twice about it.
But a product placement quota had to be met, so Mateo decided to continue with the play date and taught Shogun the importance of aftercare. He wasn't expecting Shogun to reciprocate. He simply wanted to value Shogun and care for him like a good Lil' Dom Dom.
Plus he reminds Shogun to be kind to himself. Ken was emotionally abusive to Shogun, and here we have Lil' Dom Daddy Masochist telling Shogun that he is special, and that Shogun should believe it as well.
Mateo bought every instrument Shogun wanted. He didn't get the teacher, but that wasn't the deal, so even though this started strange, it's equally beneficial, and the limits can always be negotiated. Shogun hears how other playmates are, which helps him see how compatible he is with Mateo. Shogun doesn't have to role play or clean as punishment. Mateo just tells him he is pretty and buys him things in exchange for him tying Mateo up and gagging him. That's a win in my book!
Also, Mateo has friends.
He is aware of what is going on (that comment about Saint already having an extension of himself around 24/7 = Hida), but listens to them rather than judges.
And he helped Hida remain the constant barrier between Saint and his girlfriend for at least six more years. What a trifling bitch Hida is. Don't change, babygirl.
I like the objectionable parts (Hida x Saint) of this show as much as I like the sweet ones (Burger x King).
Leo getting hit with a truth curse but instead of forcing him to admit to super sad or worrying things it’s things like “it was me who broke the remote” “I saw Mikey prank Donnie and helped hide it because it’s way funnier if he didn’t know who it was” “I rip my clothes to look more like Raph’s because he’s really cool” “my stripes aren’t even red they’re pink!”
had a human au thought of Barnaby and Wally. idk doing their taxes or going through bills together since they share a house & Barnaby going "hey we could get married for tax benefits and health insurance. wait no what if i want to marry Howdy someday? it's illegal to be married to two people." Wally goes "we could get divorced" and Barnaby gets legitimately sad like:
Upon coming back from the dead, Joronia is currently staying with Taranza, the only person in Dream Land she knows. She is sleeping on his couch in his small home in Dream Land.
She remembers everything she felt and did while corrupted, which she feels terrible about. She's taking the initiative to find everyone she's personally wronged and make it up to them however she's able, which will be very difficult and embarrassing for her.
Joronia is energetic and driven, but a bit haughty. She's struggling to adjust to the life of a relative commoner, having been raised in a palace with every need of hers met. Joronia's very outgoing, but she struggles at connecting with other people.
Her biggest worry is about her friendship with Taranza, and whether it can be repaired after everything she's done.
I keep on telling people you're the only one who knows how to plot. Can you teach all of us how to plot, please? I love you.
I AM SUMMONED? PLOT BRAIN SUMMONED?
I love plotting. It's my favorite part of the writing process. Plot is "things that happen" and the best part of writing is imagining things that happen. I'm going to assume that whoever may be reading this knows how to imagine The Happenings, so I'm gonna be talking more about structure, but in like, a kinda abstract sense.
A good plot is a little bit more than a string of events. Plot is like music: there's variation in rhythm and sound and melody, but ultimately there's cohesion, because it's all one song. You can have a bunch of wild things happening, but no matter how strange, there should be something that links them all together, because you're telling one story.
Plot structures are patterns in stories. I'm pretty sure most of them were developed as analysis tools (as in, story already exists > look! it follows this pattern) rather than as writing tools, but people use them as writing tools because it's a neat little way to organize the chaos that is "shit happens." Stories follow patterns for the same reasons music follows patterns: we enjoy the certainty of hitting certain beats. But we also like being surprised. A good pop song doesn't sound like a random collection of sounds, but it also doesn't sound like the middle slider of other songs.
There is this shared concept in both music and writing: the idea of tension and release. Basically, you're playing with reader expectation: there's an imbalance in the experience (tension), and we want to see that imbalance resolved (release). All the common plot structures deal with this basic pattern:
You set an expectation
There are complications to the expectation
You meet the expectation
And this rhythm is happening on multiple levels in writing. Scenes follow this structure (we're gonna get past that door, we're gonna find the murder weapon, we're gonna collaborate and come up with a plan) and all those scenes feed into the overarching expectation (we're gonna solve this murder!). I usually think of chapters as their own mini-story, part of the larger whole. And I think of scenes as their own mini-story, part of the larger chapter. I have engineer brain. I see the gears spinning in the clock. That's why all my chapters have at least One Important Thing happening, because that's that particular chapter's Step #3.
And One Last Important Thing:
In music, a delayed resolution is almost always more interesting than the standard resolution. In writing, that means you wanna drag out Step #2 for as long as you can. That's where the bulk of the story is happening, that's how you build tension, that's how you get people to turn the page.
So when you write a fake dating fic, those bitches better not get together until the very end. I came here for fake dating, not for real dating, damn it. If you resolve that expectation early on, you better replace it with a different expectation that's just as engaging.
But also don't drag it out for too long. Sorry. The hard part of writing is learning the difference between too short and too long. Writing is unfortunately a nuanced skill which is why my advice is like "do this but not too much teehee." But tension and resolution is just rhythm, you can build a sense for it if you engage with enough stories.
i cannot explain how simultaneously complexly fascinating and deeply hilarious this fucking intimate coming out scene between flint and silver is in the s3 finale of black sails.
like. imagine you are james flint. you have a horrible secret tragic backstory you won't tell anyone about how you became the fearsome and capable pirate captain you are today. that tragic backstory involves being the bisexual unicorn for a rich couple's poly triad dreams in 1700s england. you confide in someone outside of this dynamic for the first time after everything happened about what happened because they asked to know. you bare your soul uncharacteristically about being bisexual, polyamorous, and griefstricken. nobody else but one person in your life has seen this of you. the person you confide this to is someone that genuinely worried about you killing them in front of your entire crew like, literally 10 days ago, for confessing to betraying you abt smth that took months of efforts and dozens of death to try to achieve. this person, who is the most kindly understanding and softspoken person on your ship of ragtag hardened pirates, looks you in the eyes by the soft lighting of the campfire under cover of nightfall after burying literal and now metaphorical secrets, and says, in order, to your FACE, that 1) firstly he is a hashtag gay ally (in the 1700s) and so sorry for your loss but 2) he's been thinking lately it's kind of weird everybody around flint dies and he doesn't want to be next bc everybody flint trusts is a dead man walking bc 3) hey flint have you ever considered maybe it's your fault this happened and that you are doomed bc of just who you are as a person? and 4) but it's okay actually bc if it came down to it i think i've grown as a person enough that if anyone dies in this partnership it will be you 😤
like. to his face. i repeat, to the face of the most feared pirate this side of the americas, who has considered killing him within the past month or two, who opened up to silver in the most baring way possible for a regular man, much less a man like flint--to his FACE silver said that "maybe the homophobia you experienced that ruined your entire life was actually your fault for existing and everybody you love is doomed to die because being around you is a curse :/" in the most GENTLY understanding tone of voice while staring deeply into his eyes and professing genuine care and friendship and respect for him.
i'd lose my mind. i'd implode. no fucking wonder flint takes a preparatory, longsuffering swig of liquor with the most exasperated expression i've ever seen on a 40+yo man's face the literal second silver's mouth is open for longer than 2 sentences. silver is SO goddamn lucky this man stopped seeing him as an enemy 6 weeks ago and instead switched to begrudgingly ominous mentor and weird older brother.
and they're both still being friendly about it like silver isn't casually portending one of their deaths because of the other because of the inherent darkness of their souls and like flint hasn't killed men on his own crew for saying less than this behind his back. this is fucking insane energy. i want to study them both. i want to microwave them at high heat. i want to put them in a jar and shake it. you two really live like this?
the implication some version of animated teen tita.ns vaguely like ttg exists in comic canon.... i desperately need to know who in dick's life is a die hard show fan and how many times he rants he's 'not like that'
I love Wandee Goodday a whole lot but I cannot handle this fucking scholarship competition. I beg your everlovin pardon? The employees and the patients at the hospital will vote on the winner???? The patients???? Dear god I hope it's an anonymous vote. Do the patients have the opportunity to opt out? What exactly are the voting on? What is the criteria? Why is part of the scholarship to best market the hospital? They're doctors. In what world does this showcase which doctor is most deserving of the scholarship for doctors?
Their fellow doctors also vote? Again I hope the vote is anonymous. I'd be scared of potential retaliation if I were a patient or a coworker. What is the point of the written test if 70% of the total score is based in something that neither of them are professionally trained to do?
What is the criteria?? What are the rules and requirements? What instructions have they been given to follow? They have four months to come up with a campaign? Do they have any other deadlines?
Why is this a part of the scholarship for DOCTORS???????
i love makoto so much but fanon does her so much better (the good parts of the fandom) because in the game her character is so lack luster. they butchered her confidant it is so borning and not even about her. they made her a cop. A COP. they pushed this "canon waifu" role onto her (before sumire came along and did it Even Worse). and it SUCKS because SHE IS SO MUCH MORE!!! SHE IS SO MUCH BETTER!!!! SHE COULD'VE BEEN SO MUCH BETTER!!! the way i feel about canon makoto is the same way i feel about the canon ryuji events post komoshida where he's horribly mistreated and used purely as comic relief: i ignore them <3 my game now <3 never happened <3 my ocs <3
You are so right. I generally apply this to all characters in p5 bc the game does such a shit job of staying consistent with character arcs and personalities. Theres a desperate need to throw in perverse jokes at the expense of female characters and a need to show that the police (as a whole) are reliable people who are not influenced by things like money and power; only the BAD cops do that. Not to mention this obvious fatphobia and homophobia but i feel likes thats a given.
But back to Makoto. Shes a victim of bad writing just like everyone else. Ryuji during the kamoshida arc was fighting with self loathing and genuine anxiety, and aside from the like. One comment on Panthers outfit in the metaverse, hes more than well behaved. All of that is shelved as soon as Kamoshida is gone and replaced with him being weird comic relief (and the focus of alot of sexual jokes that were nonexistent in the beginning of the game). Anns arc about self love and empowerment is completely dropped as soon as the nasty bad guy is put away (so that its good to be weird about her w the Good Guys). Makoto loses her a chunk of her personality to be the mature waifu which is INSANE to me bc shes like. Not okay or normal at all 😭😭😭 she THINKS shes responsible and so does everyone else on her team, but its an act! She doesnt know shit! And she doesnt know that she doesnt know shit bc shes respectful and adults dont care about anything as long as u respect them!
Its very telling that for literally every single thief (and goro), you can see the exact moment the writers gave up on adding anything of worth to their characters outside of the social links. Its like they didnt know what to even do w the characters at their disposal after their main arcs were complete. No mention of friends hanging out without you, no mention of having group hangouts. Everyone is treated as a core, important member of the friend group DURING their arc, but outside of it, they are acquaintances at best. Theres nothing in the game that convinces you that these guys are legitimately friends who care for each other and do Friend Things. And i describe it like that bc there IS a game that treats them all as friends, and its strikers! Strikers/Scramble genuinely feels like the game p5 wanted to be; a road trip w your team where they stay up at night talking to each other and hanging out and doing things together that dont necessarily include you, the player. Its refreshing and lovely but it sucks that u get that kind of attention to detail in a ‘spinoff’ title