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#I just need more of her in S2
abitohoney · 4 months
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Not an ask but I just saw the comments about Sevika wearing the same clothes and it wouldn't let me comment but
I'm like well maybe it's like cartoons where you open the closet and 20 identical outfits are hanging there I mean idk. However the ones where she's wearing an evening gown *ssssss* always so skimpy please give us more Sevika in skimpy clothes for the love of Janna...
That's okay! My asks are open for pretty much anything!
Hahaha! Would be funny to see something like that in Arcane. Whenever I think about the closet full of the same clothes I think back to an old cartoon called Rocko's Modern Life. There was one episode, I don't recall the premise of it, but Rocko's closet was just packed full of his "lucky shirt" and that was it. But yeah, I bet Sevika's closet is a lot like that. 😅
I have seen her in all manner of outfits in fanart and I am convinced she would look hot in ANYTHING. Suit, dress, bikini, UPS UNIFORM! (I actually have an AU crack fic started where she's a UPS worker in those awful brown uniforms they used to wear. 🤣 STILL HOT AS HELL!) Please more Sevika in anything (but the more revealing the better 😏)!!!!
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lucy-ghoul · 13 days
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can't believe a show based on a videogame (usually games adaptations are notoriously bad, which isn't the case here tho) gave me the beauty and the beast/twisted mirrors/enemies to traveling companions/ruthless antihero+optmistic but still badass heroine who takes none of his shit/age gap but make it sexy dynamic of my dreams. as much as i love maximus and i think he deserves the best writing ever because 1. he's a clever deconstruction of the aspiring Knight bro who's actually a bit of a loser and, as much as lucy, sees the world in black&white at first and then doesn't get what he thought he wanted but what he needs (or at least i hope he'll eventually get it), and 2. he's a cutie and i want an epic love story for him too, it's very funny how they tried to give us a puppy kind of romance and the tumblr girlies still fixated on the "toxic ~she bites his finger off and he cuts hers off and sews it on his hand in what we'll pretend it's a symbolic marriage rings exchange or whatever~ asshole who used to be a nice guy/good girl™ with a lot of spunk and hidden anger but unshakeable morals" kind of relationship.
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deztryx · 23 days
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Lil peak of more mscm fallout au stuff <:3
(Just finished the final details I'm onto coloring and rendering rn)
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potato-lord-but-not · 10 months
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Honestly criminal that half of these aren’t canon
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spacedlexi · 3 months
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speaking of fucked up overly hated female twdg characters i find it Super Interesting how people will say carver was the best villain in the whole series, but when lilly is literally just a successful carver (iron fist leader of a community turning children into soldiers) suddenly shes a bad/lame villain for some reason 🤔
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cryptiduni · 9 months
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…i just saw this poll and my unevolved brain gel wriggled inside my cranium like a feral fish:
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idk how you look at his official art and call him conventionally attractive. my man looks like a wet dog and has eyebags for daysss. face full of pox scars, skin pale af, and those shaggy ass hair & a rugged beard hanging from his flat long face.
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he is pretty *to me* but like dude???
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—not exactly a heartthrob boy band material is he?
obv I wouldn’t call him “misunderstood baby uwu” if we are talking a little more seriously —but to be fair jean is having possibly the worst week of his life. the car? fucking sunk. case? unsolved. not to mention his close partner (who is also an ass mind you) doesn’t even remember him, already running around with a new one.
yeah he is absolutely foul and aggressive and degrading harry but like i said before (in my tag essay lol) judit also makes ableist comments and i don’t see people hating her because she’s outwardly nice—
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and respects harry as her superior. her BOSS.
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(also a friend with benefits? /nope, it’s just him harassing judit/ as well but not as a complicated relationship compared jean and harry’s brötherbund. only a few months of acquaintanceship.)
plus it’s highhlyyy likely that harry is not the only one substance abuse. —look at jean’s rudolf-looking-red-ass-nose. a drunkard’s sniffers. probably had few lines with him late at night… when your lifetime partner is an alcoholic it's hard to say no.
about the left for dead thing, they left because harry told them to fuck off. tbh harry is nightmare to work with esp pre-bender. (and am saying as a pathetic little unmedicated neurodivergent woman.)
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but when the second time they left revachol was not jean’s fault, and it was judit’s suggestion anyway. the squad probably thought that since harry had someone a little more responsible looking after him. it will be fine when they come back. the tribunal was absolutely unaccounted for.
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yet despite all of these things, he will try to come back to make sure he is ok and accommodate harrier to the best of his abilities which is wearing very thin. look at him trying to make up to our harry boy:
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anyways am incapable of writing coherent thoughts (even though i want to talk about it for hours) that make sense so go look at sygneth’s jean psychological analysis instead. it is an excellent read. please go read.
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I can forgive the murder. But I can’t forgive being mean to Emma that was too far.
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lupawolff · 9 months
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Crowley must've been so happy to hear about humans taking interest in the stars. The stars he created thinking that they'd never truly be seen by humans, that they'd just be a twinkle in the sky, a wallpaper. But humans are actively seeking the stars out and wanting to learn more. Going as far as they can to discover more, to explore this nebula that she made. Having books, pictures, and fields of work dedicated to learning more about the nebula she created. You can't tell me this didn't make her fall in love with humans a little bit more.
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justplainmels · 1 year
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2.22 | Out of Mind
“I thought you were dead.”
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p4nishers · 9 months
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ok but the fact that "aziraphale is softening. they haven't spoken in a hundred years: he's realizing they're still friends" and "there's no need to thank me that's what...friends...are for" was in the same night is making me go INSANE
#we NEED to talk more abt the 1941 ep im so serious im not normal about it like i had such high expectations and it suppressed them all.#am i disappointed there wasn't a rejection scene like i predicted?? yes ofc but also aziraphale said he did the apology dance that year so#i wonder what else could've fucking happened#but anyway. let's focus on what DID happen: aziraphale literally GLOWING with love in the car. crowley telling him to shut up cause of a#compliment. aziraphale helping crowley out and crowley looking at him like 'you'd do that for me?'. crowley not only letting aziraphale#practice magic with him but ACTIVELY playing a character to help him and i mean that scene was literally just crowley flirting with him#crowley indulging aziraphale by going to the magic shop with him and agreeing to participate in his show despite the fact that he NEVER EVEN#SHOT A GUN BEFORE. him just leafing thru the guidebook till he realizes there's a miracle blocker than starting to frantically flip thru it#her hands SHAKING on the gun and them being so afraid of hurting az. 'no paperwork :))' sure my guy that's what u r so happy about ofc#'but do u really think it went well' 'absolutely' with such sincerity. the book description saying smth abt ifa demon were to happen across#aziraphale they should report it immediately to the demon crowley. 'you could've just walked away' 'well you said 'trust me'' 'and you did'#its just. its one of my favorite eps it's so nice#good omens#azicrow#good omens s2#aziracrow#go s2 spoilers#go s2#good omens script book#good omens s2 spoilers#aziraphale x crowley
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mwagneto · 7 months
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the fact that almost every character in ofmd is specifically a gay man is seriously so fucking special like usually a show will have 1 character from a minority group and then that character has to be every single thing - a person the straight/homophobic audience can accept and even like, someone that deals with their issues the way they "should" be dealt with, someone who's not too much of anything but simultaneously everything because every expected trait has to be displayed at some point or another.... versus this show with its massive cast of characters who are all able to embody specific (and extremely varying) ways to be a gay man where all of their journeys and personalities and approaches to their sexualities are so unique to them but so true to people that exist in real life........ i wish i could express this better coz it's such an incredible thing to see it genuinely makes my chest hurt with how much it means to me
#I'm literally forever thinking about that interview lauren faust gave abt how cartoons will#usually only have 1 girl and then that 1 girl has to be every single thing#like she has to be smart and kind and athletic and loud and pretty and cool and funny and every other trait ever#so when she got to make MLP she finally got a chance to have an all girl main cast and that#gave her the chance to make them really feel like unique people because they finally#had the space to just exist as girls without having to be The Girl. so they could have like. specific personalities#LIKE IT'S LITERALLY THAT BUT W GAY MEN IT MAKES ME SO ILL...... IM GATHERING ALL OF THEM IN MY ARMSSS#i really really wish i could explain this better#like omg when izzy is telling lucius how to deal w his issues they're both gay. when ed is reminiscing w fang they're both gay.#literally clawing at the walls they all mean so much to meeeeeeeee#ofmd#our flag means death#ofmd s2#ofmd season 2#ofmd spoilers#ofmd meta#i guess ????????#also YES i know there's characters that arent gay men but that's kinda part of my point too#like even in media where there's more than 1 token lgbt person they're always#different identities coz the writer needs 2 different things to explore#instead of exploring how 2 people with the same identity might differ in a thousand little ways#and they also always lose that sense of belonging together that's so essential here#like ohhhmy gof oh mygod they're literally all gay in some way. massive found family of gay ppl....#it's just that i think this show is mostly abt exploring themes of masculinity and mlm so most of the cast being gay men makes cents
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flowercrowngods · 1 year
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i just figure steve deserves some actual healing, and nancy needs to own up (something something don't thank those who broke you for making you grow)
Steve’s not very proud of it, but being alone with Nancy always makes him a bit antsy. Like the history between them is making the air sizzle and cackle with guilt and treacherous what ifs that Steve doesn’t really care about but can’t help obsessing over. Not in a desirable way, just in an If I don’t think through every possible outcome of this specific scenario, I am going to combust on the spot. 
So he thinks about Nancy. Like that, sometimes, but not because he wants her. It’s just… He knows her either like that or not at all. They never really talked about what happened. They never really cleared the air and instead let the heaviness settle. 
Maybe it’s because heaviness in the air is all Steve knows, but it is starting to wear on him. Especially after everything he said in the face of approaching death. He meant it, too, but in retrospective, he is aware he only sees Nancy with him because no one else ever let him see himself somewhere. 
And Nancy let him. When she knew damn well that her heart wasn’t with Steve. She let him. 
And she let him in the Upside Down, too, let him ramble and let him apologise and let him thank her. I love you, I’m sorry. What the hell am I sorry for?
He wants to be mad, wants her to acknowledge the hurt he went through, wants her to apologise. But it’s been two years. He should be over it. 
How could he be, though? With air so heavy it feels like he’s breathing in lead? 
And now here they are, alone in his house – this big fucking house – and she’s taking a seat on the couch opposite him, both of them leaning sideways against the backrest. 
“Steve,” she begins after a while, her arms around her legs, her head on the couch, looking really pretty in the soft glow of the warm light. 
“What’s up?” 
They’re quiet. Somehow, with Nancy, Steve is always quiet. 
There must be a poem in this somewhere. 
She sighs and just looks at him for a while with that look. That Nancy Wheeler look of I’ve got you all figured out but you need to help me fit the pieces together and show both of us you’re more than the mere sum of your life’s pieces. Steve swallows and waits, mirroring her position on the couch. 
“I need you to take that back. What you said in the Upside Down.” 
His heart skips a bit, the lead growing heavier now, turning into apprehension and dread and the fear of being seen by Nancy Wheeler. Or the fear of having her think that she sees him when she never really did. And now she’s asking him to take back the one time he needed her to really, truly see him. 
“What do you mean?” It’s barely more than a whisper, but it carries through the heaviness just fine. Don’t reject me now. Not again. Not as your friend. Not as Steve. 
“You called yourself an idiot,” she says, a smile tugging at her lips, but there’s more, so Steve bites his tongue. “And you said something about… You were thanking me. For giving you a hard enough thump on your head so you could change and grow into a better person. Remember?” 
Remember the one time you did not shy away from sincerity because you thought you were going to die and told the one person who let you love her, really love her, that you were thankful for everything that happened even though it ended like it did? Remember the one, the first time, you told anyone about your dream? About your life, your future, your desire? 
Remember, Steve Harrington? 
“Sure,” he rasps, his eyes now breaking away from Nancy, focusing on a loose thread on the blanket thrown over the couch. “What about it?” 
“I need you to take that back.” It’s Nancy’s turn to whisper now, and she sounds so sincere that Steve never wants to look at her again because he’s so scared of what he’ll find in her eyes. 
“Why? It’s true.” 
“No, Steve. No, it’s not.” 
She doesn’t say anything more than that for a while but he feels her gaze on his shoulders. His confusion must show on his face and his head is starting to hurt form the frown between his brows, but still he doesn’t look up. 
“Steve,” she whispers, imploring now, and he closes his eyes because he has a feeling like his world is going to fall apart again any second now, and once more it will be because of Nancy Wheeler. 
Even two years later, she still holds that power, even though she doesn’t hold his heart anymore. 
“That growth, that healing that you did? That’s not on me.” Her voice is wavering and Steve’s frown feels more intense by the second, and maybe he’s clenching his eyes shut. Maybe his hands are shaking where they’re clenched together, wrapped around his shins. “You can’t… I hurt you. I hurt you so bad, Steve, and I know that. You didn’t deserve any of that, and–” 
“You were scared and grieving Nance, it’s–” 
“It’s not fine,” she interrupts him, and she sounds so final that Steve clamps his mouth shut. Everything about him is tense and he doesn’t want to hear it, but at the same time he feels like he can only breathe again when he heard what Nancy has to say. It’s a special kind of torture. The Nancy Kind. 
“It’s not fine, Steve, and… And still you’re out there, thinking you will die, and you thank me? That’s when I realised that I never apologised. I never let you… I just…” A sniffle interrupts her monologue and Steve feels his own eyes beginning to sting. “All that growth, Steve, that’s on you. And you didn’t grow because I thumped your head. I broke your heart. Big time. And you chose to grow. To heal. You chose that. Do you remember when you told me, right after everything happened, ‘It’s okay, Nance?’ and ‘I might be a shitty boyfriend but I’m a damn good babysitter’, or something like that? That’s. That’s you. That’s always been you.
“I’m the one who hurt you. Who broke your heart. But I will not be the one who lets you believe that those who break you get to take any credit in how you heal. I will not be the one who stands by and listens to you calling yourself an idiot in the same breath you’re thanking me for breaking your heart like that.” 
Nancy is crying now, the silent way that will make your voice waver and the tears roll, but that won’t turn into sobs or anything like that. Steve knows, because maybe, maybe he’s crying, too. 
“You can’t spend your life tricking yourself into misguided gratitude when the only one to ever change your life and your heart like that is you, Steve Harrington. Do you hear me?”  
There is a hand on his knee, and suddenly they are hugging, clinging to each other like the lead in the air between them has now settled on their shoulders, and the only way to be okay is to cling to each other with the grip of understanding and forgiveness. 
“I’m so sorry,” Nancy whispers into his neck. “You’re so good, Steve. So good. And you’re all of that because of you.” 
Steve doesn’t really know what to say, and even if he did, he couldn’t say it around the lump in his throat, so all he breathes out is, “Okay,” and, “It’s okay,” and, “Thank you.” 
He’s not sure if Nancy hears, but it doesn’t really matter. She is smart enough to know simply from the way he refuses to let her go, breathing around her for the very first time in two years. And he knows from experience – so much experience – that breathing is where healing starts. He has a notion that they will be fine. Finally, finally, they might be fine.
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Can't send asks from my sideblog, but this is @chewing-the-drywall
I feel like much of s2 fell into Frenchie's "we put it in the box and then lock it and don't open it again" in the sense that it set up A LOT that I was intrigued about how they would address it, but it either never was mentioned again or was handled poorly.
Examples range from light, like how I wish we saw more of the crew interacting with each other in ways that built on their characters from S1, where in S2 they didn't feel any more developed, or even regressed. (Example, Fang used the word Fingies 2-3 times through S2, and it felt like they were using it almost as a shorthand for his character, rather than making him feel more real and multidimensional as a character.)
100% @chewing-the-drywall. When I first heard that line I had I was so excited for the story to prove Frenchie wrong. Or show how important it can be to put aside problems to stay alive in the moment. But in the end, this one line summarized how the season handled everyone, besides Stede and Ed. Below, is an in depth discussion on where this season decided to spend it's limited amount of time. Instead of focusing on the characters and plotlines they'd already established.
This season had so MANY ideas it wanted to touch on.
Izzy trying to deal with his unrequited love and opening up to a new way of living. The traumatized 'Revenge' crew trying to adapt to a softer way of life again. The abandoned crew learning how to help their traumatized friends. Introducing new characters like Zheng, Auntie, and Archie into our main group. Setting up a conflict to resolve in season three. Along the way, referencing Pirates of history like Ned Low, Mary Reed, and Anne Bonny.
Notice, I've said all this and we're not even at our romantic leads.
Which is fine. Stories are fluid things. As long as the story knows how to flow from our leads to our side characters. Which leads us to how I feel this show took a lot of time away from establishing our central crew-
[Warning- this will be a controversial opinion- I want to know what y'all think about this] Zheng/Oluwande. This seasons habit of retreading old plotlines and referencing scenes from S1.
What S1 did so well was paralleling the side stories with what was going on with Ed/Stede. Usually, highlighting how well Stede/Ed worked by showing how much Ed/Izzy DIDN'T work. Or general hijinks that tied into the plot (Oluwande and Frenchie on the French ship).
Season 2 chose to parallel our main story with what was going on between Zheng/Oluwande as a budding romance and Izzy's slow recovery. The reason Zheng/Oluwande scenes felt like a waste for me in that the story was JUST a retelling the story we watched from S1.
A frustrated first mate(Auntie), and a legendary captain(Zheng) fighting over the captain falling in love with an idiot(Olu). In season 2, much like every callback for me, it felt like it slowed down the plot by pulling us out of the story. Like...yeah, you did the thing again, do you want me to applaud you for it?
I LIKE Zheng and Oluwande as a couple! I like that Oluwande was debating leaving Stede and taking Jim and Archie with him. But at the same time, I didn't care about Zheng until episode 7 when she beat up Stede, showing that yes. She's not just some all powerful woman taken down by a mix of love(the crew in ep3) and thinking that she was above it all (ep 7). She's fast on her feet, smart, and willing to stab someone who gets in her way. She's her own person. But.
Every other scene that established her was about her romance, felt like we could have put Rhys and Taika in there. It didn't feel...unique. It's as if the show only knows 1 way to write a romance between a badass and a bumbling idiot. Again. Oluwande in season 1 wasn't dumb in the same way everyone else was. He was protective of Jim, a bit nervous overall, but he was the person the crew chose to lead them. The season just dumbed everyone down a bit and called it a day.
This comes to the larger issue. When we only have eight episodes I don't want to rewatch the exact same plot beats with different characters. Time spent here ends up taking away from other stories we could have told about trauma and growing as a family and other forms of growing as a family. We didn't need another romance plot line. Imagine taking this time instead to show Lucius reaching out to Pete AND the crew for help. Or Frenchie finally feeling safe enough to play his lute. Or Roach helping Fang get over his thing with cakes-you get my point.
The fact we took all the found family stuff from season one, and pushed it onto only Izzy in S2 means when he dies, all the found family shit falls away. His death makes us realize we've been ignoring the central family we were supposed to care about. Because in so many words, their trauma was ignored.
[I even theorize if Izzy was alive and sailed away with them. Showing how he was taken in and loved by his crew, the ending wouldn't feel so hollow. This crew doesn't feel like a caring family. The person who protected them for months died, wasn't mourned, and then they threw a wedding the same day. Not even a full day to mourn. The 'New Revenge' feels like a heartless crew of characters we barely recognize because they aren't a family like they were at the end of S1. More like coworkers who sometimes fall in love with eachother.]
Trauma, Timelines, and Tonal issues when jumping from Episodes 1-3 to Episodes 4-5.
When the crews meet up, the story chooses to focus on the fun plot. Ed and Stede recovering their relationship, only dipping back into that serious tone when Izzy or Lucius come on screen to 'make things sad' again. I don't think the transition from 'serious' to 'comedy' was handled well.
I don't have an official timeline of the events of season two. But from what I remember, everything happens within 2 weeks.
In episode 4, Stede ignored the vote of his crew- to let the man who was torturing half his 'FAMILY' for at least 80 days- back aboard. This rubbed me the wrong way, as it showed Stede being a selfish prick in a way that could seriously harm his crew. That's when I started to see how not adding a *single* time-skip mid-season would hurt S2.
Imagine if we had a one-week off-screen time skip between episodes 4 and 5.
Maybe it's implied that they stay in that town for a bit. Izzy would a bit more time to learn to move on his new leg and start to open up to those he already trusts. Include a scene of Izzy WITH the crew, maybe laughing about something with the old traumatized crew, even if it's just a 30-second opener. Imply that the traumatized crew would have more time to settle in with the family they miss. Show that yeah, the traumatized crew needs more time to heal. Imply at the start of the 'Ed apology' that Ed and Stede have had more time to talk their issues out.
THEN have Ed apologize. You can even keep the bullshit corporate to show that Ed still has to work for this.
Healing takes time. Setting a series over the span of two weeks after half your cast was tortured by your lead love interest? After five of your main crew thought they would sail off into a storm and die after months of stress and life threatening battles? Why did that shit get shoved to the side so quickly?
Framing episode 5 as the START of Ed making amends with the crew, only to drop the plot by episode 7? Not a smart move. Because let's be honest, 'poison into positivity' in episode 6, referring to the fact that they sold all of Ed's loot to pay for the party, ignores the sacrifices the crew made to live that long. (The death of Ivan, and intense trauma they all need to work through). In a way, Ed throwing this party was him asking the crew to start putting everything away in that imaginary box.
It's Ed retroactively letting himself say 'hey, that time I spent torturing my captives was worth it because we got something good out of it' while still ignoring his own guilt. Ed needed to take accountability for his actions. No more 'I took 'a' mans leg' bullshit. The reason his arc feels so unsatisfying is that the plot easily forgives him. Fuck. I hate what they did for Ed's arc, but that's not the point.
Overall.
My issue with this season is not that it chose to do these topics, it's that it didn't think about the implications of what they were bringing up. It didn't dare to think 'maybe it's fucked if we quickly brush off a trauma like this'. Again. I know we have to blame MAX for cutting off two episodes. But I don't think 2 additional episodes would fix a tone problem seen going from episodes 3-4.
Fucking hell. Each member of the revenge had the potential for their own arc, so it's baffling to see them all reduced to 'well meaning idiot' when they all felt so fleshed out in S1.
When izzy gives his speech about belonging, there's a reason the only image in the show of the crew all together was from S1.
At the end of the day, Season 2 didn't let our surviving side characters grow. This is a mean spirited bit on how I feel the writers see the their own characters.
Stede and Ed are our leads. They won't die, not in this genera. Their shitty actions will be forgiven because it's a comedy, and as long as it's joked about, it holds no weight. They won't die. They won't get fatally hurt. Their trauma will be taken seriously, but it's a 50/50 on if they'll talk about it before breaking up again. They will eventually get a happy ending, their trauma looked at head on, because duh.
Jim, Olu, Lucius, Pete? Characters who used to have defined personalities in S1, but haven't been defined much beyond their relationships with their partners? Whose trauma might be mentioned, but will quickly be 'resolved' in one scene? Shame. Seems like they're only useful as set dressing, But we might make you useful as interchangeable side characters to riff against. Oh, and you're in love! Isn't that cool!
Izzy? I'll just quote Jenkins here. "To have him become a father figure to Blackbeard, and on some level to the rest of the crew, and to see him become the heart of why we’re giving pirates the chance to stand for being able to live how you choose. In reality, they’re thieves and criminals, but what our pirates stand for is a life of belonging to something larger than they are in the face of a crushing, slightly fascist normalcy." So...Is Izzy a pirate and accepted into the Revenge family? Or is he still an outsider? Jenkins gave us a romcom but still defines Izzy's character as that of one stuck in a drama/tragedy. Point and laugh, because tonally these two things clash HARD and will make an audience lose trust in it's writers unless well established. Leading us to the entire issue we've pointed out of not letting your characters actions hold in dramatic weight in your story.
Frenchie, Wee John, Roach, and Fang- Ah. No love interests again...shit. Well. Background actors it is... for now. We'll see. But we need 2 more scenes of the couple breaking up, so MAYBE you'll get some backstory hinted at in dialogue. You all have 1 thing your good at, so that's easy enough to put you where you belong.
Buttons and Swede? Well. They're still alive!! Don't be sad, fans :) The actors just couldn't show up anymore. We don't want our silly happy queer pirate rom com to not end on a happy ending! (Closes the lid of the trash can where they're keep Con O'Neill a bit tighter, thanking God Con was silenced by a strike this entire season from social media)
Do you agree, or disagree? Leave any lingering thoughts down below!
I'd love to chat down below.
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dollypopup · 11 months
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so many people out here mad af that Colin isn't in love w/ Penelope from jump and completely ignoring that the single sexiest thing a man can do is be friends w/ a woman wholeheartedly and without having any romantic or sexual expectation from her
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sisterdivinium · 6 months
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Kristian a "good man"? What?!
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youraveragecatastrophe · 10 months
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[Image description : three drawings of characters from the 2019 show Carmen Sandiego, lined with black ink and colored with pencils. Carmen is wearing a striped shirt with the colors of the original Gilbert Baker flag, and she and Player are draped with a large transgender flag. They are looking at each other and smiling. Julia, her hands in her pants' pockets, wears a brown leather jacket and a horizontally-striped shirt the colors of the lesbian flag. She is looking at the viewer and smiling. Devineaux, his hands on his hips in a proud posture, wears a vintage-styled jacket in the colors of the transgender flag. /End description]
To cap off this pride month, a few of my queer headcanons for Carmen Sandiego (2019) characters!
I headcanon Player as a trans boy and Carmen as a trans woman! I also definitely think Carmen's sapphic but I don't have a more specific identity in mind for her.
Julia is a lesbian ofc. Her shirt is inspired by this retro lesbian shirt! If I had seen it before inking I would have made it an actual shirt with a collar and all but alas I saw it too late.
And I headcanon Devineaux as a trans man. His jacket was heavily based on this vintage jacket, obviously with the colors reworked. That's his new lucky coat probably.
(I have headcanons for other characters but since they're less fixed I won't talk about them here)
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