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#I hope I can get back to doing digital art regularly within a few weeks or so
r0b0t1me · 4 months
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dippedanddripped · 3 years
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Founded on the streets of Flatbush, Brooklyn, in the '90s, Carl Williams founded his iconic brand with "$1000 and a dream". Born in an era where your outfit was social currency, Karl used his passion for style to develop the influential brand we now know and love as Karl Kani. A self-taught designer, Karl's designs have been worn by icons such as Tupac, Nas, Jay-Z, Aaliyah, and Snoop. Building his own baggy-fit, hip-hop ready blueprint, Karl used his "hustle-hard" upbringing and a savvy eye for street-influenced fashion to create a globally-renowned brand.
Coming for an era where nobody believed hip-hop culture could become pop-culture de rigueur, Karl faced skeptical detractors, unsure if a street-influenced label could go global. Despite being confident, Karl would always ask himself "Can I do it?" This existential question was the launching pad that drove Karl to legally change his name from Carl Williams to Karl Kani. So, the question of "Can I?" morphed into the brand name "Kani", and with that, a legendary label was born.
Fast forward to the global pandemic of 2020 - in a time of uncertainty, many creatives are asking themselves: "Can I keep my business going," "Can I still perform," and "Can I stay fit and healthy?"
Looking to Karl's story for inspiration, an overarching message prevails - together "we can" do this.
In this candid video, Karl touches on his storied journey, from getting up at 5:30 am to sell newspapers so he could buy clothes, to gaining inspiration seeing his father visit tailors as a child. Ever the optimist, Karl touches on how he overcomes setbacks, remains grounded and healthy, and how we can grow as a community.
Volume 90%
As our community of creative talent grows stronger and stronger, we look to a diverse range of talents who provide individual stories of creative fortitude. With the effects of Covid-19 taking a toll on the industry, this inspiring set of creatives prove that an "I Can" attitude can overcome any obstacle. From rappers to visual artists, their stories provide hope during tough times.
KOBY MARTIN – ARTIST
A proud export of Ghana, London-based artist Koby Martin uses traditional and digital mediums to illustrate his work. His emotive style fuses Ghanian and British influences, articulating his life experiences through personal struggles and tragedies, turning them into artistic triumph.
With collaborations with the British Council, and The British High Commission - for which he was commissioned to create a live painting for 2019's Afrochella concert at the El Wak Stadium in Accra, Ghana. Koby's artwork spans over a variety of subjects, often using bright colors - a reflection of his heritage and spontaneous personality.
How has the current climate impacted your art and the way you create?
The current climate has me in a very reflective mood - in regards to how I use my time - whether spending time with family, friends, and even working. It’s also made me aware of how fragile & short life really is. Creatively, I always work in isolation, so it was quite hard to differentiate the climate from my normal routine. But, it also pushed me to experiment with other materials and learn new techniques. I also started reading more, which I rarely do, because of my short attention span. Although we have had a lot of tragedies and losses, I personally believe it's made me stronger, tougher, and smarter for any challenge ahead!
How can I make a change?
Change comes about through self-belief and the realization of who we are as individuals. It's a domino effect that begins with the man/woman in the mirror. I set out to express that through my gift of creating, collaborating, and having yearly exhibitions, which I believe brought together a sense of awareness, togetherness, restoration, and healing, especially within the black community.
How can I inspire others?
Inspiration starts with self and comes from within. To inspire, one has to believe in self and take action on the standards and goals they have set out for themselves. In doing that, it sparks a viral sense of awareness, belief, and motivation with the people you are around.
How can I create in the current climate?
The current climate has taught me to be still. I have learned to put everything at a standstill when it's time to create, a momentary pause from all the stresses of life. This allows me to get lost in my work. I step into a different world, a whole new dimension that allows me to create with joy. Something like stepping out of the business of a matrix and skip-hopping into a Teletubby world is the best way I can explain it.
TORI TAIWO – PHOTOGRAPHER
Photographer Tori Taiwo runs Hercuts, an empowering haircut page for women who have embraced shaving their hair, favoring unique and charismatic low-cut hairstyles. After leaving home and falling out with a family friend, 33-year-old Taiwo was given a place in a hostel. Too terrified to stay there, Taiwo was determined to change her life. She continues to empower, inform, and inspire others via her art.
How has the current climate impacted your art and the way you create?
The current climate has allowed me to explore and revisit my prior passions. During the first lockdown, I started shooting products, this allowed me to gain new skills and open a new revenue. I have started booking clients, and shooting and filming products, which I can do from home. How can I make a change? By being open to trying new things and willing to allow for changes that are unforeseen, as well as collaborating with other creatives to keep morale up and encourage others to try new things too!
How can I inspire others?
By sharing the process of pivoting and exploration - high, lows, and everything in between.
How can I create in the current climate?
By changing my outlook on the creative process - stripping back and using what I have at my disposal to create; trying new things & exploring.
STEFANI NURDING – SKATER/ ENTREPRENEUR<
As the founder of skateboard brand Salon Skateboards, Stefani Nurding hopes to destroy the "boys only" stereotype that plagues the skate scene. A skater who was once told she was "too pretty to skate", Stefani is passionate about promoting diversity within the skate community. With a respected brand, Stefani juggles being a mum and pro-skater in a male-dominated industry.
How has the current climate impacted your art and the way you create?
Before the lockdown, I would say that it really made me think about being disconnected from people. I felt much more like I wanted to film and photograph others skating, as opposed to focusing on myself. One of my projects was to shoot instant photos of friends or strangers skating, then give them the photo afterward. Now that we're in lockdown, I feel even more disconnected from people, so I try to make my content fun and positive to try and uplift people.
How can I make a change?
I realized that I have a lot of knowledge about how to make money as a self-employed person. My friends were losing their jobs around me, and I became aware that some of them had no idea how to make money other than having a job. I coached a few friends that needed help, and I also set up affordable online courses about time management and setting up your own business.
How can I inspire others?
After I had my baby, I felt so lost with skateboarding and my own identity. It felt like I didn't know what I liked anymore and had no idea if my body would return to my previous level of fitness after my cesarean. Fast forward 20 months, I am in peak health, doing pilates regularly and skateboarding 2-3 times a week. I am 32 and a new mum. I just really hope that others who see 30 as old, or think they can't do things after becoming a mother will just maybe think "screw it, she is doing it and so can I".
How can I create in the current climate?
I have my skate brand Salon Skateboards as a creative outlet for my graphic design which is nice, but I love to create sporadically and get ideas all the time which I need another outlet for. I have been creating a lot of different things - painting, experimenting with Photoshop, photography, printing clothes, and just generally having fun with making art. There are a lot of things where I just think "meh, will never use it", but occasionally I come out with a gem.
ROXXXAN – ACTIVIST/RAPPER/MODEL
Birmingham-raised rapper Roxxan represents the LGBTQ community with enormous pride. For the last ten years, the queer rapper has built up her own unique identity. A self-proclaimed tomboy, Roxxxan has expressed her want to create a space for women who adhere to non-gender specific traits. After relocating to London, Roxxx has displayed perseverance and determination - from coming to London to get a job at a major label to then being signed as an artist eight months later.
How has the current climate impacted your art and the way you create?
The current climate has affected the energy around me and where I go for inspiration. Before lockdown, I would meet friends, be around family, different energies, and walks of life, which made it easy to be inspired or do things that spark creativity. Now I go for walks or sit on a park bench so I can soak up all around me, then process it and let it out my way.
How can I make a change?
I can make a change by being visibly patient and open to change and growth. I aim to make a change by also being present for any women POC or fellow LGBTQA's. A lot of people are finding it hard to cope, I can make a change by being there for any and all of my people.
How can I inspire others?
I try to inspire others by living in my truth and fully accepting who I am; using my differences or things that have held me back in the past as my gifts to the world. I understand times are a lot different now, but had some of the artists and people I looked up to like Missy Elliot and Queen Latifa been open about their sexuality, I believe I would have found mine a lot sooner. Which also would lead to me finding myself sooner. I aim to be that for younger people growing up.
How can I create in the current climate?
In the current climate, I create at home with my iPad studio. Through spring and summer, I sat with and felt all the highs and lows of 2020. It’s only recently that I’ve finished processing, and now I’m ready to put everything into words and my outlet and art.
SILAI ESTATIRA – SPOKEN WORD ARTIST
Silai Estatira aka Mishaal Javed is a young British hip-hop artist, spoken-word poet, micro-influencer, and full-time international relations student. A brave artist, Mishaal has gone against the grain of what is expected from her culturally by venturing into rap, spitting socio-political raps with a unique and fresh take on streetwear style.
How has the current climate impacted your art and the way you create?
During lockdown, music almost became a lifeline. It has always felt like my purpose, but I realized how much I needed it. I’ve been writing more, going back to the basics of it, sometimes just freestyling in my room or with my best friend and having fun with it again. I’ve been revisiting some of my favorite projects too. Retracing the steps of artists I admire, just taking it all in.
How can I make a change?
I want to fight for the world to be more inclusive. To be a space for everyone, not just a representation of some voices. Fighting for all diaspora, the people who are othered, and everyone who doesn’t feel represented. Music can make a big change. I want my music to comfort people, and to give company, the same way it does for me.
How can I inspire others?
I want to let people know it’s okay to ride their own wave, step outside the box, and live outside it. It’s okay to venture into spaces you’ve never ventured into before, especially when people tell you that you can’t do it. Never stop. Keep perfecting your art. It belongs to you, it is yours. Everyone has a destiny, we can’t let anyone - including ourselves - stop us from chasing it.
As Muslim women, people talk over us (metaphorically). Everyone has an opinion, and there’s so much dehumanization and categorizing that happens. I know girls that have had to fight that. I still fight it. But we’re still here, going. For us, It’s a movement.
How can I create in the current climate?
Because there have been no gigs, I’ve had so much time to write and experiment with sounds. I’m lucky because I’ve always recorded in my room so I’ve just been continuing that. I’ve had more time to think about how to present and reflect on my pieces too. There are so many ways to create, it’s just about being present with yourself, and knowing what story you’re trying to tell.
KANAH FLEX – DANCER / MOVEMENT ARTIST
Born-and-raised in south London born, self-taught dancer and movement artist Kanah Flex was discovered busking by FKA twigs in 2014. The autistic dancer struggled to express himself, before finding his calling in the world of dance. A free spirit with a dedicated following on social media, the father of two challenges society’s ideas of normality, pushing his followers to achieve their goals.
How has the current climate impacted your art and the way you create?
I feel as if climate change has forced me to exercise all of the other gifts that I have shunned in the past, due to sheer laziness or the comfort of being inside the box. I feel like even though my physical might be on lockdown, my spirit is free.
How can I make a change?
The only change I am going to start with is myself, it’s impossible to change anything before that  - I must start with me. Self-discipline is very key to change.
How can I inspire others?
By staying true to myself, my family, and my people
How can I create in the current climate?
I make things work with what I have and what I am surrounded by. I cannot play the victim in these times, even though the climate has changed, my creativity hasn’t. I’m always thinking of innovative ideas.
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norcumii · 5 years
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Reblogged from the prior tumbl, originally posted 02/04/2016. Question submitted by @makiruz. Slightly reformatted to avoid a readmore cut and whatnot.
In Full of Sith, they always ask new guests how they got into Star Wars. And you know? That's a good question, how did you got into Star Wars?
HEH. Oooh, that’s a bit of a loaded question. So I’ll give you the short answer, which I suspect would fit the thing you mentioned what I haven’t heard of; and then because I’m a wordy bastard what overshares, the long answer which is more accurate and has content warnings for self harm and suicide.
SHORT ANSWER
It was the 80’s. I was young, in single digits, though I couldn’t tell you exactly what age. I was already dealing with an irregular sleep cycle, though all I knew was I had a flashlight, a pile of books near/on my bed, and a thick pound puppies duvet to read under.
I don’t know if I was in my room or on my way to/from the bathroom, but I could hear my parents watching something downstairs. Swooshy noises, a shrill screee, and some thwoom bzzts.
Of course I went downstairs.
I don’t know if it was episode 5 or 6. I’ve a fondness for 6, but carbonite left a HUGE fucking impression on me, and my parents have always approved of muppets, so Yoda.
I knew I loved it. I didn’t have any toys, though I think somewhere there was a print edition of A New Hope running around. I do recall multiple sleepovers at my grandmother’s place – a tiny house on acres and acres of woods – and she’d sometimes pull out Return of the Jedi and we’d watch it together on her tiny TV. Later on I’d be in bed, staring out at woods and trees that I knew, but seemed huge to a little kid, and I’d dream of Ewoks.
RotJ was Gram’s favorite, and for many years mine, too.
I like Ewoks.
VERY LONG ANSWER
TW: mental illness, depression, self harm, suicide, abuse
In late elementary, early middle school, my brother and I were basically reading ANYTHING we could get our hands on. He sometimes dove into books that didn’t interest me, so I’d read the first of something and then be bored and he’d keep going.
Star Wars EU was one of those. It was too grim for me. I think I didn’t run into any of the really good writers. It was all Han and Luke and Leia on the covers, so take that for what you will. There also was no Wookiepeia, so I was depending heavily on the writers’ abilities to convey things to someone very visual, yet pretty impatient with descriptions, so it never took.
I was in high school when The Phantom Menace came out. Mine honorable brother was off at college, so it was with great excitement on my part, and bemused tolerance on my parents’, that they and I went off to the theater.
On the one hand, I was dazzled.
On the other, there was Jar Jar. There was the fact that I hadn’t been impressed with the re-release of the OT – Han shot first. FITE ME. There was the fact that TPM didn’t feel like Star Wars, which was darker and grittier and…simpler to me.
So I wrote it off. Packed Star Wars away as “one of those things” that I’d been into, but felt like I was moving past. I was obsessed with Gargoyles, I was looking at going to college, and I would keep m’damn ewoks without needing to try to extend that vision with gungans.
College sucked. I went in, not sure if I wanted to go into English, for writing, or Psych, because I had always been what I’d now call The Mom Friend. I met a nice guy who tried, but things never really clicked between us, and there was an interesting bit that he was mad about Star Wars and insisted that I read the Rogue Squadron books.
That was a Good Decision. Dating him, not so much.
I had a huge assortment of Life Issues. Got into an abusive relationship that would end up lasting 14 years. Transferred schools. Got the fucking Psych degree, though literally only by the grace of a professor who didn’t want to see the kid not graduate just ‘cause she couldn’t numbers and I did go in and try. Talked to him and still couldn’t with the maths but the effort was there to bump me a few points above failing.
I was burnt out. I was depressed. I tried killing myself a few times – not very good at it, as you can see. Took up self-harm as a coping mechanism. Failed in the still never successful search for a decent therapist in Pittsburgh. Got a job slinging food, because needed some kind of income, and people without pressure was nice. The keeping on a schedule thing failed, leading to an average of 4 hours sleep a night. Losing contact with family and friends because I couldn’t stand the pressure of “how are you?” and “what’s going on in your life?” Clinging to Warcraft because repetitively farming was better than clawing open my back or neck again, and the people there were ok with some rando dropping out of sight on a dime, and only a persistent few had the grace and spirit to make it past some serious defensive issues of mine.
I stopped writing. Stopped caring about Gargoyles, stopped being able to see into that AU I’d made for myself of a crazy clan and the weird human who survived cancer with them.
Stopped going on IM, for the same reasons I stopped talking to people.
I still kept track of some folks via LiveJournal. A handful of the Gargoyles folks who were determined, gods know why and thank you, since I know several are here on the tumbles and I genuinely love you to bits.
I quit my job after five years, because enough was enough between the fact that it had all the hallmarks of an abusive relationship and I was fucking tired of being a manager without any actual authority, and the endless hamster wheel of hiring and people quitting because it was a nice, but highly dysfunctional place.
I missed the customers, though. Several of them are here too, and it’s kinda funny ‘cause I know in at least one case I talked to them about Star Wars. I still hope they’re not too shellshocked that I kinda went down the rabbit hole pretty deep.
Started getting more sleep. Not less anxiety, not less depressed. Tried out a few depression medications, with very mixed results.
Then one day @dogmatix came into the LJ area I still hung out in. Enthusiastically recommending to all and sundry that if there is even a shred of interest in Star Wars, THERE IS THIS THING YOU SHOULD READ.
She drew a Wookiee. That was a character?
I’d always liked Wookiees.
And I needed something to read.
Star Wars was one of those things, from back in the day before things went to shit. Low investment, since if I didn’t like it or didn’t care, then eh. Whatevs.  Dogmatix was one of the Gargs holdouts still in my circle (or whatever it is that I was hovering at the edges of), and in the past I’d liked her recommendations more often than I disliked them.
I’m also endlessly weak to her art.
Wookiee.
So I did that thing. That so many of us here have done. It took me about 2 weeks to get through Re-Entry. It had trouble taking root in the depression, but Obi-Wan going crackers was something I could empathize with and appreciate.
There was the hope that had been missing from the EU novels I’d tried reading back in the day.
There was Wookieepedia, which meant I could stop and see what a Nautolan was. I had tabs open for DAYS so when someone named Adi or Gallia who were apparently the same person? I could see who that was. I got stupidly distressed that Abella didn’t have an entry, until I twigged and checked for a Chitanook, and holy shit I could never tell what character was going to crop up as canon, obscure EU character, or home brewed.
I honestly expected to set it aside, get updates as they happened, and gradually step away because that’s how things were going at the time.
But I still needed something to read, to stave off empty hours when my brain was too full of screaming.
On Ebon Wings. I’d loved The Crow when I’d seen it back in high school, and that story tapped into the powerful visuals and the lovely message I’d adored and in ways I still don’t quite understand it somehow validated that I could be mad and still be ok. Maybe. Maybe not now, but someday.
Maybe.
So I gave in and got a Tumbl. I’d been a stubborn holdout, regularly checking the same half dozen feeds daily because dammit, I don’t wanna go through the trouble and I was close to giving up on LJ and another journaly thing? That was stupid. But I wanted to follow Flamethrower and Dogmatix, and it made it infinitely easier to follow several blogs (and oh GODS one of those is a mutual and holy fuck I swear I screamed the day that happened and it’s still a high to realize).
Dogmatix wrote Möbius and Accidental Timeshare, wherein Venge goes universe hopping. That’s also a weakness of mine.
I’d been kvetching IRL about the treadmill and wanting something to watch, and someone mentioned in Dogmatix’s feed The Clone Wars – which conveniently was on Netflix. So I figured what the hell. I was disinclined to like clones – ‘cause yeesh, they’re the reason the Jedi all died, and yeah, ok, the Order was SERIOUSLY FUCKED UP, but.
I still had never seen Episodes 2 or 3.
I turned on the Clone Wars movie, and within ten minutes I nearly fell off the back of the treadmill due to crying.
THIS was the Star Wars of my youth. THIS was what I remembered. A little grim. Lots of quips.
That sound. Lightsabers igniting. A-wings rumbling overhead. Blasterfire, and that music.
I had to stop and calm down and for the first time in ages WRITE [, because I just had to ramble about how it all hit me in the feels]. I had no idea I’d missed this.
By the end of the movie I’d decided ok, I wanted more. Wasn’t sold on these clone fellas, and damned if I could tell one set of armor from another (this is ALSO due to the treadmill screen being calibrated to be a compromise of a very short person – me – and a very tall person, which means neither person gets a decent view but that’s not what the treadmill tv is for).
I’d been told there was an order to the episodes, but I didn’t care. Continuity is for those who think about the future, and I was still regularly suicidal.
So the first episode I watched was Yoda romping around a planet, playing with droids while three clone troopers tried to babysit his mad little ass.
They had me, all in one episode. I loved these guys. They had individuality, I could tell them apart by the voices (which is sometimes just as important to me as visuals) even if I couldn’t name them, and the personalities –
They were loyal. Their primary concern was old batty Yoda which I had adored as a child because MUPPETS. They were willing to die to keep him safe and there was this lovely reciprocity in taking care of each other and all of them, clones and Jedi alike were doomed to extinction and I don’t think I knew yet HOW the clones were except they weren’t in the OT so there was shit going down.
Tragic figures, loyal found family, incredible voice acting, Batty Old Yoda who OH YEAH FUCKING KICKED SO MUCH ASS I COULD NEVER GET ENOUGH.
I wanted to keep those three clones. I was willing to keep them all.
Final blow, that knocked me into the fandom so hard I’ll be surprised if I ever leave?
THIS.
The origins of Balance. This is the post that started a simple notion, to try to write something when I’d gone….anywhere from 7 to 10 years of not writing A SINGLE. DAMNED. THING of substance – and that was after thinking I might try to get a degree related to it.
Darth Wraith was a tentative idea. I was scared @deadcatwithaflamethrower would be irked I wanted to play in her sandbox (oh my gods I was inserting myself into a conversation with her this amazing person who wrote blindingly well and so damn much and how the FUCK was I daring to speak up about a silly half DREAM I’d had because once again I couldn’t sleep).
Then, because I was trying to break out of the depression, the cycles of mental ill health, and if I was on this tumbls thing, fuck it, I’d try the IM thing again.
I’d been gone long enough that pretty much no one on my contact list was still there. That…was ok. There wasn’t the pressure.
And Dogmatix popped on, asking if I wanted to share details about this Sith Qui-Gon thing.
I had A SCENE. ONE. SCENE. And she was spinning it off into this EPIC, which at first I was gleeful because she had neat ideas and I couldn’t wait to see what she would do with it and then wait, she’s not talking about writing it herself, this is more about something WE could work on.
Thank gods it was IM, because I had a little panic about commitment to a project when I regularly was sure I wasn’t going to see tomorrow and if I didn’t wake up one morning that’d be MORE than ok.
Still. There was that itch. The visuals in my brain. The characters I’d started to like in Flamethrower’s universe, which had formed my mental voices for them.
The only sound in my head for so long was just screaming.
Writing down that scene in Knock On Effect, where Venge meets Wraith – that felt good. It never changed much from the first draft to what was posted. The rest grew, and quickly. It was clear if we were doing this, then there were multiple stories, spanning in universe years.
And then there were spinoffs. Wonderful ideas and plots spiraling away from this one notion, and gods I wanted to write about those glorious clones.
How’d I get into Star Wars?
Chance. One strange little step at a time, and a bunch of miracles and horrors that kept me bleeding but not dying. Damn good fic. The kindness of friends. The generosity of strangers.
The tragedy of a once great order of space monks, and their allies-forced-to-be-betrayers clones.
One little picture, of Qui-Gon Jinn with Sith eyes.
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arecomicsevengood · 5 years
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Stuart Immonen Superman Comics Circa 1998
There’s a lot of “best of the year” lists that appear at the end of the year, but after that flutter of activity, tied to commercial imperatives, there are moments for reconsideration, as we approach the year to come and ask ourselves what it is we want. So now is as good a time as any to talk about some Superman comics Stuart Immonen drew some twenty-odd years ago. The artist announced earlier this year that he was “retiring” from comics, but this didn’t mean he was going to stop making comics, just that what he did would be “personal” work, in collaboration with his wife. They recently launched a comic on Instagram, and they’ve done some graphic novels together previously, none of which I can recommend.
I do think it’s interesting that these personal works are scripted by his wife, rather than him writing them himself, though; because back in the nineties, working for DC, he took a few stabs at writing. This was done within a framework that must’ve removed some of the risk involved: The four monthly Superman series that together constituted a weekly serial split between different creative teams had him drawing Karl Kesel’s scripts for a few years before he took over a separate title for his own. In my mind, much of the overall plotting would be hashed out at a conference, and then kept coordinated by an editor. Ideally this process would be oriented around what it was each individual creative team wanted to write and draw: Immonen’s artwork was a little softer than his compatriots, a little more likely to seem like he could’ve drawn romance comics in a different era, maybe younger than the others and more interested in youth culture and fashion, probably more likely to admire Jaime Hernandez. Maybe all this just manifests in the context as being the one who could draw women, but in a era where none of the Superman comics are showy about what they do and all aspired to being solid and well-crafted, his were the most enjoyable.
This softness I appreciate in this work isn’t really present in his subsequent work, which is sharper, shinier, where figures and their wardrobes seem consistently sculpted out of plastic. Part of it’s the coloring, but there also seem to be changes in how scripts call for layouts. He’s also maybe working with ink wash underneath the digital coloring and delineating more how he wants values of light to be approached, I don’t know. I don’t really want to diminish the work the man’s been doing in the years I haven’t been reading superhero comics. I can look at the years of intervening work and see how the choices he’s making are confident ones, the result of years of drawing action comics. I haven’t really read any of them, but that’s not to say I wouldn’t.
Still, if you’re anything like me, you probably generally think that comics created by one person are better than those made in a collaboration mediated via a written script, so if I’m going to read anything by the guy, it’s going to be work created under those circumstances. I’ve heard that DC sort of has structures in place against writer-artists: this is why those “Bizarro World” anthologies where they brought in alternative cartoonists forced them all to collaborate with each each other. Maybe this rule was a little looser with the Superman books: After John Byrne relaunched the line in the mid-eighties, both Dan Jurgens and Jerry Ordway would write and draw chunks of their subsequent runs. Otherwise it’s pretty rare: The only other thing I can think of would be that Rick Veitch Swamp Thing run, the circumstances of its ending probably be why they don’t let that happen too often. A little after Immonen and Kesel did the event The Final Night, Immonen wrote and drew a 4-issue miniseries spotlighting the Legion Of Super-Heroes character Inferno. It’s not good or anything, but it does seem to revolve around the strengths or interests I understand him having at this time: It’s a comic about a young woman, hanging out in the mall with a group of other young women, who might be understood as punks, as some are homeless. Before Immonen worked for DC, his initial small-press work, Playground, made in collaboration with his future wife, was described in “punk rock” terms. He states in the Inferno letter column his goal was to make something someone who didn’t read other DC Comics could read and enjoy. I don’t think it gets anywhere near being able to achieve that, it’s confusing on multiple levels. The covers are probably the most memorable part, but because you can track those down easy enough, I’ll include a bit of interior sequential art.
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Not long after that, he took over writing Action Comics. I haven’t read that many of those either! I had stopped reading the Superman comics regularly not long before this happened. It was during the time period when Superman had electric powers and a blue costume. I was in middle school. I found out he’d started writing when I found a couple issues in a bargain bin and picked them up, but I didn’t get back in the habit of reading Superman comics, as the story was pretty difficult to follow if you attempted to only read the series with the best art. He also didn’t really work as a writer for that long: After a little while, Mark Millar gets credited for providing scripts.
But a little while back, around the time I wrote that post about why I’m willing to read superhero comics with some degree of hope that they’ll be good, I ordered a three-issue arc that seemed kind of self-contained. Looking online, it seemed like after the whole “electric Superman” story wrapped up with a special called Superman Forever, each of the four monthly books told their own stories, set in different historical eras, for a few months. Immonen’s Action Comics issues had covers suggesting they were united in progressing from one to the other. I was pretty into them, though in some ways it was an unsatisfying experience. The first issue in the arc is drawn by a fill-in artist, the third part focuses on this separate narrative thread- It’s narrated by this new villain, with god-like powers, who I guess was behind the whole “multiple timelines” thing in the first place, so you there’s exactly one fairly self-contained normal Superman comic written and drawn by the dude, though that third issue kinda rules, as aside from the narration, you’re reading all the normal Superman storytelling stuff happen wordlessly, calling attention to the clarity of the storytelling. It might fail to live up to expectations for a third act based on the way serialization has it setting up the next big arc, but as an episode in itself, this would be a pretty fun surprise to come across in your pile of the week’s comics. Which, if you remember that post, was exactly what I claimed to be looking for.
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There’s also an original graphic novel that’s a little later still, “End Of The Century,” which seems like it’s partly tying up a long-running subplot in the Superman comics about Lex Luthor and his wife. It honestly has WAY too much plot, and too many narrative threads, and it’s all still fairly generic. While I picked it up hoping to see cool visual storytelling, the amount of story there is to tell gets in the way. The visual art is good, Immonen’s linework shifts to be a little finer. There’s also this weird thing where real images are photographed/scanned and inserted like they’re laying on the edges of the page, which is dumb, but the technology to achieve this effect was probably only recently made available. There’s also some sepia painted pages, and the most likely reason the “graphic novel” exists is because Immonen wanted to do the painted pages and have the time to work on them. That’s as good a reason as it is to try writing comics for a few years because you’ve drawn them for a few years and writing doesn’t seem hard and you would get paid more, and reasoning resulted in work I thought was better than what you usually get.
Ambition is a wild thing, in that it can really just stir inside you feeling frustrated even as you have no idea what you want to do with it in particular. It can easily be applied to other people’s ends. Work might be personal not because of the importance of what “the artist” has to say but because it’s an outgrowth of a personal relationship. It’s worth noting, looking at his career, the importance of cultivated professional relationships: He had those comics scripted by Mark Millar, and decades later they did a comic together which has probably resulted in a development deal and a sizable paycheck. He did two creator-owned comics with Kurt Busiek, largely forgotten I’d say, and then worked with him on a Superman comic which is pretty well-regarded. He’s collaborated with both Warren Ellis and Brian Bendis multiple times. It is sensible to view all those professional relationships as having had their respective culminations, while working with one’s wife is more of an ongoing long-term project.
At the same time: Having someone write for you, and what they see as your skillset, is going to present different challenges than seeing what you can do and pushing yourself, even if the latter results in what can be easily described as failure. It’s fine either way. Career paths in the arts are always going to be weird and haphazard, because there are so many decisions to make in creating a piece of art that progress is never going to be linear. I don’t know if any of these collaborations embraced what I like about his work, but maybe what I like in his work isn’t what he sees as his strengths, but is just what was emblematic of his style at the point in time I was initially exposed to it. The questions of who we are in relationship to others vs. what our true potential is is always up for negotiation.
I think those Superman comics excel because I came to them with very particular set of expectations. Not only can I not expect anyone else to share those expectations, I don’t even really want to convince anyone to have them: There’s no small part of me that thinks of the fact that I tracked them down to write about them is in some ways squandering some bit of potential inside myself I can’t expect anyone else to care about. I don’t know what 2019 looks like, though I hope I won’t spend too much of it looking back twenty years at comics from 1999. I don’t like doing this thing where I try to make something “personal” to rationalize my talking about some some comic while actually just talking in vague generalities because I’m very reticent to talk about myself, but I’ll probably continue to do so. I’m probably not going to spend the next year looking at Stuart Immonen’s Instagram feed. But here at the end of this year, as I contemplate my own inertia and depressive laziness, I have to give an honest accounting and give it up to that dude for putting in the work.
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wallpaperpainting · 4 years
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10 Things You Didn’t Know About Do Art Galleries Make Money? | do art galleries make money?
Simphiwe Ndzube’s “Many Many Silences” (2019) and “In the Order of Elephants After the Rain (II-I)” (2019), included in
“Site: State Savings Bank.”
Back the Covid-19 communicable affected the nation’s galleries to abutting their doors, art dealers accolade to digitize their exhibitions and activate affairs artworks online. Seven weeks in, the catechism is: Are their efforts animadversion out?
Unlike in accomplished crises—9/11, the 2008 all-around bread-and-butter meltdown—the free agency now is not so abundant the admeasurement of the arcade but its agenda nimbleness. Those who were already starting to able the e-commerce cipher afore the communicable are able-bodied ahead. Others are arena a demanding bold of catch-up, or alike accomplishing the already unthinkable—partnering with Sotheby’s. Still, while sales accept collapsed badly about everywhere, gallerists assert they’re not ascent blaze sales of account or absorbing lowball offers, so collectors acquisitive to aces up a arrangement Richter needn’t decay their time.
David Zwirner, with spaces in New York, London, Paris and Hong Kong, launched an online exhibition affairs aback in 2017, giving it a arch alpha in accession out what plays and what doesn’t, according to its namesake founder. “Art wants concrete space, so it’s affectionate of afraid [to the Web] from the get-go,” Zwirner said. “You accept to actualize an acquaintance that works.”
Recognizing that galleries are not alone marketplaces but “free culture,” Zwirner started a podcast alternation in 2018. He bound abstruse to add contextual elements to his website, such as the abbreviate travel-and-art montage video now on the Marcel Dzama folio (featuring the artist’s mask-wearing son) and a time-lapse video of Dzama painting a watercolor. What’s key, in Zwirner’s view, is artists’ artistic involvement. “Artists accept to booty this amplitude and run with it,” he said.
Traffic to the armpit has been up 500 percent during the shutdown, and 43 percent of the sales through Zwirner Online accept been to first-time clients, according to the gallery. (No, there’s not a “click-to-buy button.” Buyers still accept to canyon muster.) And while arcade acquirement is down—he said his gut told him by half—transactions are absolutely up added than 10 percent. Zwirner has alike had success putting consignments online, in an invitation-only appointment alleged Exceptional Works, area a 1959 Josef Albers canvas awash for $1.8 million. “We launched it in the morning and awash it in the afternoon,”
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smallchou · 4 years
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60 Months as Dad
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E turned 60 months old today. We celebrated with her favorite dinner of Mac-and-cheese, peas, and carrots. Ivy and I made a terrible mess of some beef short ribs that we subjected my parents to as well; they’re in town for a few weeks. We had a couple of local NYC beers (still struggling to find a decent local IPA). We each had our choice of ice cream for dessert, which E stuck candles into to inspire us to the Nth rendition of Happy Birthday today. It was clear most of the day, temperature hovering within a crisp range of 35-45 degrees F all day long.
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Two nights ago I popped awake at 3:30am to the murmuring cries of E next door. Ivy and I did the usual parent silent negotiation of who could pretend to still be asleep for longer. But by the time I started stumbling towards the kids’ room, I was moving pretty quickly because I was actually worried about something.
Gabba and I have been pretty ill over the past week. I spent 36 hours in bed with a triple-digit fever earlier in the week, but he probably would have traded places with me. And what I was worried about was this: E’s birthday party was “two sleeps” away, and if she was really ill… and we had to cancel or postpone it… she would be devastated. DEVASTATED, really. At 37, I’ve only been as emotionally distraught two or three times as a cancellation-worthy illness would’ve made E. All of this ran through my head in the course of just a few steps.
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That’s the best explanation of what being a dad of 5- and 3-year olds is like to me.
First, you know so much more than these kids. That birthday parties come and go. That E barely remembers that her fourth birthday party was canceled due to California wildfire smoke. That every other parent attending the party is secretly (or not so secretly) happy to have one less obligation for the weekend. That it will all be FINE. No, really E, it’s OK. I’m sorry this happened, and yes it is the worst, but let’s reschedule and maybe get some ice cream and you’ll feel better. Oh hey, Frozen 2 AND the Nutcracker are this month? High five!
Second, at the same time, you just want these things to be perfect for them. I can’t remember the last time I had as elaborate of a birthday party as every one we’ve planned for E. When I was 10, my parents rented out the arcade venue Aladdin’s Castle. That may have been it. And that’s truly, completely fine by me. But when I think about how devastated E would be… it really hurts with a unique helplessness of parenthood. Because you don’t want to tell her not to care; what is a life, a young life, without that caring. So you can’t also tell her she shouldn’t have cared.
And then third… what the fuck am I doing up at 3:30am in the morning and how much longer does this happen?
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It has been a whole year since I’ve written one of these. I didn’t stop trying until several months into this past year. But I found it hard to distinguish the notable differences from month to month. They were 4 and 2 by then basically, and so each month brought fewer leaps forward.
We’ve changed so many things since a year ago. Basically same family, new lives. East coast. Real fall. Real winter. Own a coat, carry an umbrella. NYC. Walk to school. Walk to the office. New work. No car. High-rise living. No idea where we will be a year from now. And fully understand why McCaffrey and Luck never won the Heisman. One thing we were right about: this is the PERFECT age for two kids to have a family adventure.
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A few years from now, E’s memory will be so vivid and long, and her thoughts so fast-paced, that who knows how she would take a move. Those are the two personality characteristics that pop out most: vivid memory and linear thinking. She is so observational and pensive, remembering tiny little things and noodling on them silently for days. A few weeks ago, we were walking on a weekend and she suddenly asked why I didn’t wear the parents’ security badge for her school on a lanyard like the other parents. A tiny little thing she observed, bouncing around in her head for days, as she watched parent after parent carry a little plastic badge differently from me. There’s rarely anything that she hasn’t mentally processed to no end.
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She loves art, which is why her birthday party was at an art studio. You’ll know this when you see her, because she will tell you very directly, “I am an artist.” I remember being amazed when she was two or three and able to sit and color by herself for an hour on end. And now, sometimes she will just stop mid-play, tell us she is going to go make some art, pull out the supplies herself, and get to it for hours on end, signing each piece with impeccably written all-caps “E T O I V Y” or “T O J A C K”.
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This past week she turned to me and asked, “Daddy? This weekend, if it’s nice out, can we go have a picnic in Central Park?” A pretty innocuous and sweet ask by any child. But for E, it’s a really precise question because she both knows that her dad loves to cook, eat, and relax outdoors… and she asked it because she knew that just asking it would make me happy. She does this often now, choosing to do things to make Ivy or me feel better. It is as sweet as it sounds.
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Sometimes one piece of her daily prolific art even reads, “E T O G A B B A”, which he diligently appreciates for a few seconds before he races off. He adores her, he just doesn’t have the patience to be held still for quite that amount of time. In the grand scheme of sibling relationships, theirs is one of playfulness, fun, and contrast. He is so sweet and thoughtful, always remembering to get an extra of anything for her. And she knows him so deeply, skillfully convincing him to do dumb shit for her entertainment. And of course, he knows how to get on her nerves when he needs to.
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He’s at an age where his emotions will regularly overrun his own logic. “Gabba, can you please help clean up.” “No.” “OK, but no dessert then after dinner. Do you want dessert?” “No.” “But Gabba, don’t you -“ “ No.” The first row of his Responsibility Chart just reads ‘No Whining’, which he has yet to ever earn a star for.
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But when he isn’t in a mood… it’s hard to say there’s ever been a sweeter child who ever walked the earth. Snuggles, hugs, giant smiles, total enthusiasm, constant enjoyment of life, clockwork thoughtfulness, wholly inclusive of everyone, wants to try everything, no grudge kept, and oh so friendly. At the doctor’s office yesterday, he eagerly listened to every ask and took part just to try it out. Cotton swab jammed all the way to the back of my throat? Yes please! Three different temperature readings from three different places? Can we do a fourth? I wish that I had the good-natured, positive openness that both he and Ivy have. I’m sure E does as well.
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A few weeks ago, putting them to bed, E sat quietly on her bed while I helped Gabba, shifting around in an odd way. I looked at her funny, she froze up, and immediately we were both jumping to her pillow to see what she’d hidden under there. When I pulled it up, 5 Paw Patrol action figures sat there while E plaintively explained that she and Gabba have been plotting and playing Paw Patrol together after bedtime. It’s one of the rare times as a Dad when I’ve felt like I have no idea what’s the “right” thing to do. Honor bedtime or love their friendship?
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A running theme of these posts used to be a general regret (paranoia?) about feeling like each thing was happening too fast and then ending too fast. I think in the past year, my mindset has shifted to now just being present in enjoying the moment as it happens and not grasping at last occasions too plaintively. That’s to say that I’ve come to peace with how our lives will turn. All that matters is that I’m still ready if Gabba turns to me tomorrow and requests Sit on your shoulders? while we walk somewhere.
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When I burst into their room the other night, E’s birthday party flashing by in front of my eyes, she was luckily *just* cringing from a nightmare and a slight nosebleed. Whew, devastation averted! And right on cue, wide-awake sitting in his bed, was Gabba holding up his pillow, wide-eyed with a huge smile. “Look, daddy! No poo-poo on my pillow!” He was legitimately proud (really, don’t ask), but also hopeful that he would get some of my attention too.
Of course, when I got E all back ready for bed, Gabba asked me to “Daddy, sit in the middle” of their room, as I often do on a small circular rug, talking to them while they go to sleep. And who could refuse these angels. I sat, at 3:57am, listening to their breathing slow and quiet, knowing this could always be the last night they need me this much.
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MOTIVATIONAL PUBLICATIONS (318 Textbooks)
Ask iLounge presents viewers the ability to get answers to their iPod -, iPhone-, iPad-, iTunes- -connected issues from a person in the editorial group that is iLounge. Daniel was composed many century after the period of Ezra, and since that time many textbooks of the Septuagint have now been within the original Hebrew, within the Dead-Sea Scrolls, the Cairo Geniza, and at Masada, including a Hebrew wording of Sirach (Qumran, Masada) and an Aramaic wording of Tobit (Qumran); the additions to Esther and Daniel can also be within their individual Semitic dialects. Distribution is a novel we're very happy and not humble to be submitting here at Heinemann,” said Arthur. Sometime in the potential that is faraway, perhaps Mark EggersI Kindle is likely to be sold by Rare Publications on Madison-Avenue, nonetheless it's unlikely that electronic publications can actually be particular artifacts just how that their counterparts that are real may be. It had beenn't till Annabel came (around page 370) that ultimately the new obtained a tougher pulse. Jess Walter and I haven't seen attention on another of his fiction to attention but we have absolutely kissed and made up after reading Gorgeous Damages. Truly, we might well be 'besties'. Mr. Canfield's different best selling textbooks - The Power of Concentration, The Aladdin Element, and Dare to Earn, - have generated millions of bookstore and Web sales, and also have presented contributory goods such as for example sound programs, movie programs, company coaching programs and syndicated columns to enthusiastic Corporate buyers. As this can merely produce your medieval fantasy book that-much superior, be ready to take opinions and helpful complaint. We published in prior changes my personal congratulations to those many hundred gamers who seated people no matter its extremely early stage of growth and obtained our game on Steam First Accessibility and our cheers. 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She lives in the world of text onpaper, and her own is written by her. Lastly, she boasts the Wellers requested the books to be fudged by her to costs that are obscure the. Customers commenting on Internet boards claimed digital editions of the Harry Potter books and the books of Ayn Rand's disappearance . superfit-blog.com are not the create-or- factor in a lovely game, nonetheless I” particularly on mobile phones. The variation between the ladies on Waters and my lineup: these ladies learn better-than to try and look like you're 20 when you're 50. Nevertheless it should at least notate ejaculation the increasing activity, and dropping action of the new new. Throughout, you will discover basic books for visitors of ages which were digitized for online reading, as well as directories of headings that are advised that may be acquired at try your library. Instead, it provides as more of a music somebody — a body of operate that the overall gameis created tunes took its hints. 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Sarakiniko Seashore will be the many photographed landscaping within the Aegean - the white boulders that are bright Mimic the moon's outer lining and decayed over time contrasted thus fantastically contrary to the turquoise of the waters that were encompassing. It's really a visible book and all you need to-do is sit back because it's the kinetic sort that does not need any interactions and study. I am hoping this list as well as the books onto it are useful to anyone if you're exceptional ache of a breakup.
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beingmad2017-blog · 7 years
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Evaluation: My 12 months With Microsoft Surface Pro
New Post has been published on https://beingmad.org/evaluation-my-12-months-with-microsoft-floor-pro/
Evaluation: My 12 months With Microsoft Surface Pro
Imperfect, Heavy, Light, Powerful, and High-quality.
Simply shy of one year ago, I transitioned from a Macbook Pro and iPad combination to a Microsoft Surface Pro 128GB. In Mild of this week’s announcement of Floor Seasoned three and my acquisition of a Surface Seasoned 2, I think it’s time to mirror on what that enjoy became like. Like maximum oldsters, I used to be a touch skeptical approximately the concept of mixing a PC and pill into a single unit. Would it be too heavy? Would the overall performance be too low? Would the battery life be awful? And what about the brand new Windows eight OS it truly is been the situation of so much teeth-gnashing? I will try to answer a lot of these questions and extra as succinctly as viable. Hit the star and let’s get into the question: what is it want to stay with Microsoft’s imaginative and prescient for computing within the destiny?
1. The Running System, starring Windows eight/8.1:
Home windows eight.1 Replace 1 had a good head start with Home windows 8, as I started the use of it in the course of the first publicly to be had betas about nine months earlier than release, twin booting on my Macbook Seasoned. That enjoy gave me masses of time to figure out how to navigate the OS properly before launch, so I didn’t have the battle that plenty of people did. Of direction, it likely facilitates that I Simply naturally enjoy exploring and coming across new matters. The early Home windows eight experience did have its struggles, though. I would end up conversant in the iPad and even to my Home windows Cellphone 7 tool, both of which had plenty of apps to be had in their shops. Home windows eight’s shop changed into notoriously barren through assessment, and that led to some early frustration whilst trying to use Floor Pro as only a tablet. Too many apps and functions had been lacking to make for a satisfying enjoy.
Although, the device’s ability to address legacy Windows desktop apps with aplomb stored me happy sufficient to continue, and the app saves catch 22 situations have become less essential by means of the day. If there are one component Home windows simply wishes to repair, though, is its way of offering the desktop. The computer continues to be wrapped in the trappings of an archaic System whose time has surpassed, and it is time for Microsoft to Replace it to a greater modern presentation that has fonts massive sufficient to examine on high DPI monitors and huge enough to function with a finger.
With eight.1 and the new eight.1 Spring Replace (truely? We couldn’t Just name it 8.2?), really all my lawsuits about Windows 8 evaporated. At the same time as a few dislike the new aesthetic, I’ve individually discovered myself loving the flat shades, active tiles and removal of extraneous outcomes. My honest hope is that as Windows evolves it gets even flatter and the metro aesthetic will become extra pervasive.
Idea: Use a Microsoft account, and use OneDrive! I can not stress these sufficient. In case you’re the use of Home windows eight–and on a Surface Seasoned, you’ll be–you shouldn’t create a local account. Doing so cuts you off from some of Home windows eight’s first-class functions. Amongst these is the ability to have almost your entire Computer configuration, proper all the way down to tile sizes, locations and apps established, sponsored up on your OneDrive account within the occasion you either need to restore your Laptop otherwise you sign into a different Windows 8.1 Laptop. satisfactory, even though, is that with OneDrive you get 7GB garage totally free, which, While no longer enough to the cowl, say, your music and snap shots collection, might be masses to make certain your essential documents are all effectively subsidized up inside moments of you making any exchange. It’s easy to learn how to keep in your OneDrive folder, and as soon as you’ve become conversant in having that safety net you will wonder the way you ever lived without it.
2. The Hardware: Build First-rate, Heft, and Capability.
Floor Seasoned Docking Station
I used to lug around a 2010 Macbook Seasoned thirteen.3″, which weighed four.5 pounds, and an iPad 1, which weighed 1.5 pounds for a complete of 6 kilos. So after I say that the 2.5 pound total of the Surface Pro and sort cover turned into a massive weight off my back, I am genuinely no longer kidding. The sacrifice was that I had a smaller screen, but the gain becomes miles more Powerful processor and a long way advanced display decision and pixel density. The Construct Nice is the first rate: there may be literally zero flex to this device, its magnesium shell is tough and robust enough to withstand likely greater abuse than you should sense comfortable making your Laptop undergo. As a pill, It’s half of a pound heavier than that unique iPad was, but as a laptop, it has a large gain over some thing Apple offers. but you possibly marvel what I use my Surface Seasoned for?
Workload
I have spent a maximum of the beyond 12 months as a movie school pupil at UCLA, this means that that quite a few my workload entails modifying and transcoding video, compositing after consequences compositions, transferring photos throughout special media and so forth. I take advantage of Adobe Top-quality for most of these responsibilities, and my Floor Pro has dealt with all of them with grace. I’ve had no issues modifying and rendering 1080p video in actual-time. And as you’d assume from a Windows device with a complete size USB port, working with external hard drives and optical drives is a breeze. Suffice to mention, I also do the basics including running in Microsoft Office, writing in Final Draft, checking e mail, surfing the internet, yadda yadda. Basic, I have had no court cases store one: early on, my first Surface Pro had a few severe troubles with the Marvell Avastar wifi chip and had to be exchanged, a hassle it’s no longer absolutely uncommon with this device. extra on that later.
Webcams
allow’s be sincere: the webcams in this device suck. They may be flat-out terrible, and there’s no getting around that reality. They are satisfactory for simple Skype video calls, however, this is pretty much it. If you really want to report video, use something else. whatever else.
Stylus
I regularly take notes in OneNote MX (it really is the metro model), specifically currently. Like most college students, I’ve tended during the last few years to type my notes, but current studies show that students who take notes through hand tend to do higher on assessments. nicely, I’m serious about evidence primarily based research, so I took this to coronary heart, but I am also lazy, because of this I don’t need to type things after I’ve written them down. Enter Surface Seasoned’s stylus and voila: I will hand write my notes and have them in a virtual layout all at the same time. Hell yes. I locate that the stylus, regardless of its reasonably-priced plastic sense, works well as a virtual inking device. some whinge about the shortage of a dock for the stylus, but in reality, I’ve no issues with that. I have been the use of it for 12 months and haven’t begun to lose the element.
Art Associated Work
Ultimate notice on usability: my fiancée, artist Kelley Frisby, got her Surface Pro on launch day exactly due to the included Wacom digitizer with 1,024 stages of stress sensitivity. From the outset, the utilization right here turned into contentious due to the fact Surface Pro shipped with out a pressure touchy driver that Photoshop could understand. But, as soon as that motive force materialized, she took to using the stylus all the time. And whilst we discovered approximately Manga Studio Seasoned from artist Jonathan Case’s internet site, things definitely went off the hook as she observed it to be some distance superior to photoshop for creating hand drawn illustrations. That she can have her Floor Pro on her lap with stress sensitivity Whilst she draws, and her keyboard reachable for the use of keyboard shortcuts is a massive benefit that different pills really don’t provide. Clearly, In case you’re an artist who attracts and paints digitally, Floor Seasoned is the tool for you. Nothing else combines such a lot of Hardware abilities and large software availability.
three. Battery lifestyles
Floor Seasoned Kickstand
This is the only extreme issue that has dogged the Surface Seasoned due to the fact that its authentic launch, notwithstanding the fact that it became in no way as awful as human beings claimed or the truth that Surface Pro 2 absolutely mitigated the problem (and by using all reviews, Floor Seasoned 3 does even better). Early claims had been that Surface Pro was given approximately 3.5 hours of battery life. And below sure instances, that’s proper: watching 1080p films with the brightness up Whilst downloading stuff inside the history will, like another device, consume battery lifestyles an awful lot greater than common usage will. however it really is handiest a part of the test, isn’t it? below normal usage, which I’ll define as the web, e-mail, and word processing, Surface Pro 1 gets five hours battery existence proper out of the container. With a few mild tweaks to the power profile, which I have specified in one in all our maximum famous posts, It is completely possible to get 6-7 hours of battery existence. My exceptional time turned into Simply over 8 hours general, but with a caveat: I used to be operating with the wifi became off, writing in a phrase, in a low Mild situation wherein I may want to effectively turn down the display screen brightness to minimum. The majority I recognize get in the variety of 5-6 hours.
Why I Switched
allow’s be as clean as possible right here: the Surface Seasoned isn’t a faultless tool, however then, nor is whatever else. My chief complaints are that the computing device in Home windows eight.X needs a present day UI revamp and that I desire the screen have been a touch bigger. I’m hoping to improve to a Surface Pro 3 sooner or later within the destiny for that very purpose, although my suspicion is that the artist network, including my own superb Kelley Frisby, will hesitate to improve as a result of the new device’s probably inferior N-Trig digitizer.
So that leaves the huge query: why did I switch? it really is a complex query. First, I was by no means sold on Mac OSX, but whilst Apple’s Bootcamp 5 Update removed my ability to install Home windows 8 as a twin-boot OS preference, claiming it wasn’t well suited with the laptop I might be using for 2.5 years (and at that, going for walks Windows 8 on for 9 months), the Final straw broke. This becomes the 0.33 time Apple’s created issues for my devices, following the iOS 5 Update that slowed my iPad to a crawl and the iOS 4 Replace that made my iPhone 3G all but unusable.
The prospect of having a pill and computer all in an unmarried tool turned into also very appealing to me. sure, there are compromises: It is a touch heavier than a tablet and a little smaller than an average computer, but the Common effect is the internet wonderful, and I am happy to mention that my 12 months with Surface Pro has me convinced: Microsoft’s vision of the world in which pills are Simply slender, Mild, contact-pleasant Computer’s is the proper one. That we now see even desktop all-in-ones turning into large tablets (significantly, have you visible the Dell Venue Pro 18″ tablets? Loopy!), and touch slowly however truely spreading even to budget level laptops, is a great signal the convergence Microsoft anticipated whilst it announced the original Surface Pro is actually going on.
problems I had & Answers Microsoft presented
Surface via Microsoft
I cited the problem my unique Surface Pro had with its wifi chip awhile in the past, however, there is greater to that story. In fact, Simply multiple weeks in the past my Floor Pro another time started out having problems with the wifi chip, and no Replace, driving force substitute, or even a Machine reset helped. Ultimately the device commenced blue screening again and again, so I took it in to peer what Microsoft ought to do for me. To my entire marvel, they exceeded me a cutting-edge Floor Seasoned 2 and even permit me to pay the distinction to improve it to the 256GB/8GB version, which I eagerly did. the new device is largely all of the exquisite stuff approximately Floor Seasoned 1, distilled into a purer shape. equal weight, size and shape, barely better display (though I really can’t tell the difference, for what It is really worth), and the type cowl 2 is an incredible little keyboard that does its activity with aplomb. I am very happy certainly, and more than satisfied I bought the extended assurance.
Value Proposition
I’ve seen a whole lot of folks argue that the Floor Pro collection is too luxurious, and I’m able to apprehend why. $999 before you even upload the keyboard looks as if a quite tough tablet to swallow, specifically for a pill while you stay in an international of $499 iPads and $199 Kindle Fires. however, I think It is worth remembering what you get while you buy into the Surface Pro Device:
1. You get an ultrabook that may run pretty much any legacy Windows app you may throw at it. It has Brilliant RAM alternatives (4-8GB) and garage options (sixty four-512GB), a full-sized USB port and each stressed and wireless external monitor support (the latter thru Miracast). In Apple land, this costs you $900 minimal.
2. You get a pill which could do anything an iPad or Android pill can do, plus extra, with the best disadvantage being sheer numbers of apps. Even that is converting as the Home windows save processes two hundred,000 and could quickly merge with the Windows Smartphone shop to boot. And as it’s Home windows, you furthermore may get the perk of person bills right out of the field. In Apple land, This is every other $four hundred+
three. A virtual drawing/inking answer. Whether you Just take notes otherwise you do fine Artwork, the Floor Pro has you blanketed. You don’t get this in Apple land at all. You rather purchase a USB pill that does not have a display screen for $one hundred+, or you buy a Cintiq to connect with your Macbook for $1,000.
Lengthy tale quick: at first glance, yes, it seems like Surface Pro/2 is steeply-priced, however, you get a first-rate quantity of Fee for your money.
Remaining Phrases
Would I suggest the Surface Seasoned or Pro 2? Sincerely, specially If you’re an artist or someone who is Just sick and tired of lugging round more than one gadgets. We live in a global where our computing Hardware isn’t Just Powerful, however, can do its job with noticeably little strength or heat. there’s Just no reason to hold devices on your bag further to the smartphone to your pocket. If I may want to have a wish granted, it would be for Microsoft to feature an extra USB three.zero port, thunderbolt, and circulate from an mSATA to a PCIe SSD. Mind you, it doesn’t precisely want those items, however, the Hardware nerd in me Could be simply glad to have them.
As for Floor Seasoned 3, nicely, I might love to check it, and greater importantly I would love to place it in the palms of our classically trained illustrator so she will put it thru its paces and render a verdict on its usefulness as an artist’s digital tablet, but to date haven’t had any luck getting time with the new device. but howdy, if Microsoft would really like to let us borrow one, we should probable Work some thing out!
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workreveal-blog · 7 years
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Using computer games to teach your class : Tips
New Post has been published on https://workreveal.biz/using-computer-games-to-teach-your-class-tips/
Using computer games to teach your class : Tips
We communicate to Ollie Bray, the Countrywide Adviser for Emerging Technologies in Getting to know at Education Scotland, about how gaming may be utilised in Training. With a fruitful and varied profession as a trainer, head of branch and college leader, uses computer fun games,to teach her class. Ollie believes that one of the many advantages gaming brings to Education is giving instructors a danger to innovate and do matters in another way. Here, he tells us what he hopes the future holds for video games primarily based Mastering, a way to convince a reluctant head teacher of its potential and recommends a few sources for Learning more. You could observe Ollie on Twitter @olliebray.
How did you get into games primarily based Studying?
Years ago, I used to be teaching public improvement and, frankly, locating it quite dry once I realised we had this thrilling Recreation, Sims Town. The belief Here is that everybody starts at the same point with the equal give up a goal, which is to construct a Metropolis. Anybody takes a unique path to getting there, and that turned into the part of the technique that captures and engages the imagination. This Game has day snapshots, actual stimulation and encourages aggressive Learning.
We would send domestic Learning responsibilities and each week for the duration of an evaluation session the kids might tell me what they’d learnt. This ranged from stepped forward understandings on pollutants and drainage to higher insights into nearby authorities re-elections. The proof of their Mastering wasn’t just in productive dialogue, the class would additionally share screenshots of what they’d constructed, and We would have a top Town of the week.
How can game from the experience of Mastering more widely?
I’ve coined the word ‘contextual hubs’ for Studying. You are taking a Recreation, possibly a commercially available Recreation, and it is up to the instructor to create educational ability around it. The Studying and learningfrom the game itself, however, will become the context for Mastering. If you think about Guitar Hero, it has no educational value in any respect, however in the hands of the proper instructors, it all of sudden becomes an assignment approximately tune, designing CD cases, advertising the band, there are all kinds of links to it. They play zombies games,shooting games , cars games etc.
studying
We did a major challenge in 2010 when the Mario & Sonic at the Winter Olympics play  Game become released, and we had a video assignment with a college in Canada. The Canadian teacher we spoke with stored her kids in college all night time for a kind of sleepover, and when they related to us at 6 am their time, it changed into three.30 pm, and we had kept our children back after near. The interesting issue approximately this was that our kid’s concept it evolved into a venture about the Olympics, however sincerely it turned into about connecting rural groups internationally, with all sort of classes approximately citizenship. The academics then implemented the enjoy to training on time zones, which is something kids only struggle with. All of this got here from the contextual hub of the laptop Recreation. The Studying had little to do with the Wintry weather Olympics Sport however it furnished a stimulus to get youngsters enthusiastic about Studying and define grasp.
In case you’re a trainer who can see the capability in gaming however you are not confident with the era, what natural recommendations should you provide to assist introduce it into their lecture room?
If a trainer can receive they want the youngsters to set up the console for them, the rest will contend with itself. Games are tremendous due to the fact they produce information; one instance might be Mario and Sonic at the 2012 Olympics for the Wii. After the break, You can get the kids to turn the console on and play the hurdles, which takes mins. You’ve got kids writing down rankings and instances, and that they supply this records to the trainer. What they have got done is create wealthy, accurate statistics inside the context of a numeracy lesson. The instructor at no factor has come into contact with the technology and simply does what they’re excellent at, that educates the learner.
You may feel relaxed within the domain of being a teacher, and the children can sense at ease within the area of computer video games; while these overlap it is while it turns into an undoubtedly thrilling space for Studying. You do not should take a leap out of your comfort region; it is approximately taking a little little bit of a threat and trusting children with the era.
What do you keep in mind the maximum positive result or achievement story to return from games primarily based Getting to know?
It is given hundreds of humans throughout the United Kingdom permission to try to do things a piece differently. If you’re trying to introduce a new subject matter in class, you are searching for aid from another team of workers in a faculty. However, this is a vertical relief, and often it does not produce new ideas. With the use of video games consoles in the closing three years, quite regularly there’ll handiest be one teacher in a college looking to push the limits. They must look horizontally for his or her help and expert development, and attain out to peers throughout us of a and around the sector. They haven’t been offering each other with the solutions due to the fact it is almost impossible, but they have got been sharing ideas, and taking some of these, using them, adapting them or ditching them. It is all approximately effect within the school room, and I think it’s been the maximum fantastic stuff that’s pop out of all of this, is that human beings have permission, to innovate and do matters in a different way.
If you’re raising towards a head who would not assume video games based totally Mastering is appropriate, how may want to you attempt to make them see in any other case?
First of all, we can display them the studies which prove it has a high-quality impact. Secondly, we will place them in contact with different head instructors who’ve it off their schools. In instances of financial drought, why are we continuously investing money into ICT gadget while definitely, we recognise kids have were given matters at domestic they might convey in, and parents are inclined to allow them to.
The 1/3 aspect is to remind head teachers that, apparently, what we’re talking about is not PC video games, it is played. While you get a room full of teachers to play with consoles, they may feel silly at the start, but they get into it! I’d never say, anyone, however with most people; you see this lightbulb moment. In case you’ve forgotten what it is want to play and be a baby, it is hard to speak, and therefore it ‘s hard to improve their Studying. Lots of these teachers are mother and father themselves, but they have not the idea that what they have at domestic might be beneficial in colleges. It’s pretty much drawing up the dots.
teaching
Are there any e-books or assets You could suggest for teachers and heads interested by Gaining knowledge of extra?
• Jesse Schell spent seven years as the innovative director of the Disney digital reality studio and has written an interesting e-book called The Art of Recreation Layout.
• Professor James Paul Gee has a substantial involvement in literacy studies and is a member of the Countrywide Academy of Schooling. His e-book ‘What Video games need to train Us approximately Gaining knowledge of and Literacy’ is worth a read.
• Mark Prensky, has lately released an e-book, ‘Teaching Virtual Natives: Partnering for Real Learning’ which explores how we can engage kids in Gaining knowledge of using the social internet and the net.
• I’ve just finished studying, ‘truth is Damaged’ by way of US social technology researcher, Jane McGonigal who talks approximately how encouraging people to play extra video games, and the right games could remedy some the world’s problems.
game
• Subsequently, I have created and which may be determined on the Dad or mum Trainer Network. This explains more about the contextual hubs I have cited and how to triumph over those first demanding situations involved in getting started.
What do you wish the destiny holds for video games primarily based Studying?
I’ve just been doing this task, and I’ve called it ‘impressive Mastering’ due to the fact I do not assume games based Studying is the be all and give up all. Top teachers use tools correctly, and occasionally that’s a Game, sometimes it’s taking the youngsters outside, and from time to time it’s a test on a piece of paper. What I want to look from this, is that this concept of permission, and that I need to see governments and local government and especially head teachers – because I think it really is wherein a number of the block is – giving instructors permission to do what they assume is best for those kids they’ve got in front of them.
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movietvtechgeeks · 7 years
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Latest story from https://movietvtechgeeks.com/netflix-amazon-looming-oscar-season/
Netflix and Amazon looming over Oscar season
Once Netflix started raking in awards for it’s original television series, it was obvious that they would start moving into films, and this Oscar season will begin to feel its presence.
When Oscar nominations are announced next week, Amazon is virtually assured of notching the first – but probably not the last – best-picture nomination for a streaming service.
Kenneth Lonergan’s “Manchester by the Sea,” which Amazon plunked down $10 million for at the Sundance Film Festival last year, is widely expected to be among the leading contenders at the Academy Awards. It will be a triumphant moment for the nascent Amazon Studios, which acquired its first original film (Spike Lee’s “Chirac”) in 2015 but has, following in Netflix’s footsteps, quickly altered the landscape of Hollywood.
Netflix and Amazon are increasingly influencing the movie awards season, playing the role of both hero and villain in an industry where their entry into the movie business is welcomed and feared in equal measures.
Though viewed as disrupters, both have sought that powerful, old-fashioned Hollywood status – Oscar winner – to bolster their prestige. “We want to win an Oscar,” Amazon chief executive Jeff Bezos earlier pronounced. Netflix, a three-time documentary nominee, is still seeking its first win. Propelled by “Manchester,” Amazon is poised to beat its streaming rival to the top Oscar categories.
Starkly different approaches have led them here.
Though Netflix gave its 2015 Oscar horse, Cary Fukunaga’s “Beasts of No Nation,” a wide theatrical release, it has largely focused on acquiring films to debut on its streaming platform. It prefers a simultaneous streaming and theatrical release, something theaters largely reject. Many filmmakers, too, want their films on the big screen.
Amazon has held off on putting their movies onto its Amazon Prime subscription service until at least a partial traditional theatrical release has been mounted. It partnered with Roadside Attractions for the theatrical rollout for “Manchester by the Sea,” which has proven lucrative. It’s made $37.2 million domestically in nine weeks, making it one 2016’s biggest indie hits.
Lonergan, the veteran New York playwright whose last film, “Margaret,” became embroiled in lawsuits and acrimony before Fox Searchlight gave it a minuscule release, called his experience with Amazon “the most fancy treatment I’ve ever had.”
“If they want to get into the movie business, great, because the people who are already in the movie business could use some improvement,” said Lonergan.
The bar for eligibility to the Academy Awards isn’t high. Feature films generally need a Los Angeles theatrical run of at least seven consecutive days and cannot be broadcast in a non-theatrical format before showing in theaters, though day-and-date releases have been deemed OK.
But that regulation means some Netflix films weren’t eligible this year because they premiered only on Netflix. Jonathan Demme’s concert film “Justin Timberlake and the Tennessee Kids” went straight to streaming after being picked up around its Toronto Film Festival debut.
Though Netflix, like Amazon, doesn’t make viewing statistics available, its films have likely been seen by far more people, around the world, than they would have been in a limited theatrical release – and their makers pocketed bigger checks. But straight-to-streaming films (like Vikram Gandhi’s young Obama drama “Barry”) can receive muted fanfare upon release and quickly fade into a digital ocean.
For a filmmaker like Demme (“The Silence of the Lambs,” ”Philadelphia”), the loss of a theatrical release is painful.
“It seems to me that the streaming movies are skewing people from the movie theaters because the movie theaters are reluctant to show a film if a film is going to be streamed within three months,” said Demme. “I worry sometimes that the streamers would be perfectly happy to see movie theaters close up.”
In a statement to media outlets, Ted Sarandos, chief content officer for Netflix, defended his service as “pro-film, pro-filmmaker and pro-film lover.” He said he would book Netflix films into theaters if major exhibitor chains didn’t boycott movies simultaneously released via streaming and theatrically, “putting the status quo ahead of consumer desire and innovation.”
“We don’t see how it is in the best interest of anyone to hold back a film for 93 million fans around the world to make sure a few hundred or even a few thousand people in New York and LA can see the film in a dark room with strangers,” said Sarandos. “Theatrical attendance has been in decline for decades. Most people watch most films at home, and we want to bring films to where the audience is.”
The competition has been heating up. Amazon, with Amazon Prime’s 30.5 million subscribers, last year spent $337 million on original content. It plans to produce 16 movies a year. Now in more than 200 countries, Amazon led a global rollout in December. Netflix, with nearly 94 million subscribers worldwide, dwarfed that spending, laying out $1.2 billion.
Those deep pockets have been a boon to an indie film marketplace that’s been squeezed by declining DVD revenue and diminishing box office. Netflix and Amazon now regularly outbid other distributors at film festivals.
“As they buy in and scoop up product, it’s making the ecosystem for these more independent distributors and specialized divisions very difficult,” said James Schamus, the former head of Focus Features and director of last year’s Philip Roth adaptation “Indignation.”
Some have recoiled from the streamers’ increasing sway. Director Craig Atkinson, whose police militarization documentary “Do Not Resist,” spoke out about what he described as Netflix’s strong-armed negotiation tactics.
Under motion picture production head Ted Hope, Amazon Studios has gone after well-respected filmmakers and largely art house releases, including films by Jim Jarmusch (“Paterson,” ”Gimme Danger”), Woody Allen (“Cafe Society”), Whit Stillman (“Love & Friendship”) and Park Chan-wook (“The Handmaiden”). The films, Hope has said, are “essentially advertising” for Amazon’s many other sales items.
Hints of a brewing battle have occasionally flared. Sarandos recently knocked Amazon for “not gaining much traction against all that spending.”
They may square off in one Oscar category in which Netflix has rapidly become a respected industry leader. Of the 15 documentaries shortlisted, four are from Netflix (“The 13th,” ”Amanda Knox,” ”The Ivory Game” and “Into the Inferno”) and one is from Amazon, (“Gleason”).
This year may be only a preview of what’s to come. Netflix has its starriest prestige films yet on tap for 2017, including Brad Pitt’s “War Machine” and Will Smith’s “Bright.” And on Wednesday, Amazon began lining its coffers, picking up an anticipated Grateful Dead documentary ahead of its Sundance premiere.
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