TAG GAME: FAV SHOWS
"your top 15 favourite tv shows can say a lot about your personality!"
@wangmiao (who is very talented and very kind) tagged me in this lovely thing which gives me an opportunity to list my fav shows and drama of all times! taking inspiration from kun’s system, I’ll put different fonts/colors for different categories:
cdramas, kdramas, jdramas, european dramas, american dramas (with the added bonus of a bold font for queer under/overtones but more often only from yours truly’s pov, so don’t come at me: cut is for mlm & smol is for wlw)
let’s go!
winter begonia (2020)
word of honor (2021)
poirot (1989-2013)
hannibal (2013-2015)
evilive (2023)
couple of mirrors (2021)
killing eve (2018-2022)
beyond evil (2021)
the devil judge (2021)
meet yourself (2023)
little women (2022)
h/ouse of the dragon (2022-?)
good omens (2019-?)
cherry magic (2020)
she loves to cook and she loves to eat (2022-?)
honorable mentions (either because I just started watching them and I really enjoy them so far OR bc I re-watched them frequently as a comfort show to rely on):
three body problem (2023) (just started, but it’s very thrilling so far *-*)
tomorrow (2002) (includes one of the few hetships I will be ride or die for)
my b/rilliant friend (2018-?) (it’s an italian series, very touching. could be gayer)
crash course in romance (ok maybe hets can have 2 spots in my heart alright)
business proposal (2022) (look. it’s not that great. couldn’t finish it. but Kim Se-jeong is amazing here)
fleabag (2016-2019) (it’s fleabag. what else there is to know)
castle (2009-2016) (around season 7 is not great but season 4 smashed)
coffee prince (2007) (can’t rewatch without crying but a classic: it is gay and it isn’t at the same time tho)
under the skin (2021) (Tan Jianci is great in this. some art history is *vague* but the series bangs)
b/erlin station (2016-2019) (i re-watch season 1 from time to time, but it do be triggering sometimes)
gentleman jack (2019-2022) (I just ogle at the pretty dresses most of the time but. neat)
begin again (2020) (in my heart this is about a lesbian woman and a gay man getting fake married for mutual benefits. it is not. it was too long for me to watch. I want Zhou Yutong to kabedon me on the daily. and she’s younger than me. I am fine)
tagging: @goaheadandflysomeplane and @fismoll7secinv and @amethystina (if they want to do it or if they just want smth to read, no pressure whatsoever!)
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To elaborate on my ruekirtho throuple thoughts, sometimes I think about a world where their shared love for mytho brought rue and fakir together instead of driving them apart. They’re both incredibly lonely kids who have lost too much and, as much as they care for mytho, a heartless doll isn’t replacement for real human companionship. So they find each other.
Rue knows it will never last. No one beyond her Prince will ever love her. She sees the way Fakir throws rocks at the flock of crows that gathers around her. When he discovers her identity—and she knows he will discover her identity one day—they’ll go back to being enemies. He is the Knight and she is the daughter of the Raven, his killer. Still, it’s nice to have a friend even for a little while. So she lets herself forget. She forgets who, what, she is. She forgets that there was ever a before. She forgets that they won’t last.
Fakir knows there is something very, very wrong in Rue’s life. He sees the deep scratches that stand out against her almost unnaturally pale skin. She speaks in a hushed tone with a haunted look in her eyes when it’s time to go home. She won’t tell him anything, though. He doesn’t even know where she lives; it’s as if she disappears at the end of the day. He just hopes that one day, when it comes down to it, he’ll be able to protect her from whatever haunts her.
By the time the story goes into motion, the two, along with Mytho, are near inseparable. When Mytho begins regaining his heart, Rue and Fakir work together to put a stop to it. When Rue begins losing track of the days, feeling as if someone else is trying to claw their way out of her chest, she almost goes to Fakir for help. Almost.
It is, of course, Fakir who shatters the illusion that is Rue. Her one and only friend calls her an ugly crow, and in that moment she remembers what she is. What she’s always been. They’ve been enemies from birth. This “friendship” was nothing more than the a sad illusion created by a lonely girl—a girl who no longer exists. And she knows now, in her father’s absence, her “friend” will die at her hand. This is their fate and fate cannot be changed. Still, it was nice while it lasted.
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tag someone you want to know and/or some of your besties.
I was tagged by @fourth-quartet 😊 Thank you!!
favourite colour: Gray but I'm currently in a brown phase
last song: I've got recently reacquainted with Beginner by AKB48 😄
last series: The Kidnapping Day. It was a lot more wholesome than the name suggests.
last movie: Saw X (surprisingly also a lot more wholesome than you'd expect????)
sweet/savoury/spicy: Sweet :3
currently watching:
Koisenu Futari
Chains of Heart
The Golden Girls (season 1)
Love in the Air (2nd rewatch)
other stuff I watched this year: Not listing all of it here (I've never watched so much stuff as I did in 2023), but I'll mention the ones that I enjoyed watching the most from each month so far (*not including rewatches):
JAN: Wednesday
FEB: GAP
MAR: Not Me
APR: Tick, Tick... Boom!
MAY: Utsukushii Kare
JUN: Tale of the Nine-Tailed 1938
JUL: Takin' Over The Asylum
AUG: Marry My Dead Body
SEP: Utsukushii Kare: Eternal
OCT: The Sandman
shows I dropped this year/didn't finish: I barely remember the ones I watched till the very end 🤡 But ok, let me see...
Eve (dropped after one episode; Rich People and their Rich People Problems™, I think was the reason)
A few straight GMMTV shows that I didn't really catch the name (I. Well. I just. I just couldn't make myself give a fuck, ok 😔)
+ Currently deliberating whether or not I should drop Chains of Heart. All the subtitles I've found are lacking in terms of coherence, and the story itself is already not the most straightforward, so I can only hope I'm understanding what's going on at all? 😀 And I'm also not feeling the main couple from either the present nor the past (? I suspect they are the same (but I may never know))... HOWEVER, I like the acting of the main, and the Thai scenario that is not Bangkok for once. That's always refreshing. And sometimes the cinematography is pretty too... Decisions, decisions...
currently listening to: Back for More by TXT & Anitta (I went after the link for it and distractedly searched for "banger" instead of the title 😆)
currently reading: Codename Villanelle (it's a small book but I'm. ..struggle)
current obsession: I'm not obsessing over anything at the moment 😟☹😫 Have been too busy with mundane adult life problems (therefore, as you can imagine, I'm just about going up the walls here :))
tagging: @eatprayworm @thisautistic @hyp-no-tic @visualtaehyun hi 👋
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I've been in my feelings about Jo and Aoki's last interactions for a bit...
Because that whole scene is textbook verbal abuse, right... Aoki is very clearly trying to tear Jo's self-esteem and bolster his own, establish control, all that, and Jo just has to stand there meekly and take it. All because Jo's disobeyed one too many times and Aoki needs someone he knows he can control to head the Tokyo Omi Alliance.
Like Jo says he's never disobeyed Aoki except in that one instance, but not handling things himself at Otohime Land was very much his way of giving Ichi an out indirectly, and I feel like Aoki was beginning to catch on based on his comments about Jo neglecting the situation and acting strangely. Directly refusing his orders just confirmed his suspicions.
It's kind of lost among all the bombshells dropped in Chapter 13, but Jo's hesitance to kill anyone who's important to Arakawa is a big deal to me. It's not like he had any personal ties to Hoshino or any investment in maintaining the balance of the Ijin Three whatsoever; he went to those lengths to set himself up to be stopped because Arakawa wouldn't want Hoshino to die and that was it.
To return to the scene, I think it's also a great demonstration of Aoki's "those who use and those who get used" mentality. This next thing is... pretty badly mistranslated, at least in the subs, so it was lost on me for a while. But before the Lost Puppy line, the specific way Aoki chooses to downplay Jo's merit is by telling him he only got to his position because everyone was so sensitive to his (Aoki's) feelings and could tell he favored Jo, following him around like a lost puppy being precisely why Aoki favored him.
I don't think that was all there was to it, of course. Dude was five and deliberately brings Jo wherever he goes to this day by choice. It's kind of like those guys who get rejected once and start going on tirades about how "she should've been grateful, she was ugly anyway." But that's what Aoki wants to portray--you only had it that good because of me, and I can take it away whenever I want. Whenever you're no longer of use. Anything to preserve his status as the user and Jo's as the used.
Jo's crossed the line at this point. He is no longer of use. He does kind of get into it so that takes the edge off my frustration with The English Language, but from this point onward, he believes Aoki sees him as a "bullet"--a hitman only sent on suicide missions. So despite everything he's done for him, despite being "the favorite," he knows full well Aoki's trying to kill him before Aoki even gives Ishioda the order. And... he accepts it.
So TO GO FROM THAT to having to reconcile in prison would've been so much powerful than what the ending was trying to do. Having to come to terms with the fact you killed one of the only people who saw you for who you were and truly cared about you, were going to kill the other two, and have abused all three from the moment you realized you had power over them. And for Jo, going through everything he went through because of Aoki and loving him without question anyway... Getting to express that in some small way... I need to lie down...
ALSO tattoo essay... later... maybe tomorrow... I mainly just feel like I sound extremely mean about rggtattoos' take😭😭😭but the show must go on
YEAH NO THAT'S IT ALL FAX NO PRINTER NO EXTRA NOTES NECESSARY
It'd be the fact that Aoki'd have no choice but to confront those decisions he made and those things he wanted to happen. he'd made a social circle for himself where people predominantly liked him for the power and influence he had and totally turned his back on the people who- awfully ironically as he wanted- loved him for him
He'd already smoothed things over with Ichi, so- by his own hand- all that was left was Jo, the person he'd taken for granted the most next to Arakawa and who he planned to have executed alongside him. Jo's got every right to not forgive Aoki and to push him away, let each other rot in prison ignoring each other. So it's the worst feeling when Jo doesn't do that- its impossible for me not to imagine Jo wondering about what happened for Aoki to get so banged up if he's brought into prison the same night, and making sure Aoki's okay despite it.
Whereas Ichi was more upfront about his love and even frustrated about it ('frustrated' in that 'how could Aoki be so blind not to see how much care there is for him from us'), the breaking part about Jo is that he's forced himself to be so careful about showing his affection. Ichi's love was borderline irritating for how apparent it was: Jo's could have easily been written off or ignored.
All of that said, prison is where Aoki would be forced to realize that Jo does love him like Ichi said he does; there's no reason to keep up appearance or kiss up anymore- Aoki doesn't have any use to Jo anymore (if Aoki chose to interpret Jo's loyalties as a stepping stone to promote himself), and there's certainly no where else to run. It's probably that dawning moment that's gotta be so. Oh God What The Fuck. Like it's a sobering moment for him to go 'What have I been doing this whole time/what have I done to everyone', as corny as it sounds
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