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soracities · 9 months

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Hi! So I tried not to say anything about some anti makeup posts I saw on your blog but I need to say this. I think you're very wise and I agree it's very important for us to love ourselves as we are. But some people like myself doesn't care about 'empowering' of makeup or whatever but we just have fun with it and we just love it. I say we because I know there is a lot of people like me. Yeah, we are feeding capitalism or whatever, but world is beautiful and it's also terrible so people trying make themselves feel good, have fun, ect. I see a lot of people who don't wear makeup and i'm happy for them! I didn't wear makeup until i turned 20 i think and felt good.

One thing I wanted to add is in response of post about feminine girls. I think everything needs balance and sometimes people tend to overreact in their opinion and divide everything in black and white. Personally I never cared how women around me looked and what they were wearing. But I would like to have same treatment, and not to feel silly for wearing pink or feminine clothes.

Sorry, I don't know English very well so maybe I can't translate my idea entirely. What I'm trying to say i think everyone should do what they like and leave each other in peace.

Sorry for this essay, just wanted to share my point of view.

Hi, anon! I'm sorry for the delay in getting to this, but I appreciate you writing this (and your English was fine, don't worry)

I think the main argument of those posts (and my own feelings about this) is not about makeup on its own, or even judgement about who does and doesn't choose to wear it--what they are criticizing is a particular part of the society we live in which puts a huge emphasis on women's beauty and appearance in order to fulfill an idea of what a woman "should" be, and the role that makeup plays in that as a result. Because whether we like it or not, whether we believe in them or not, whether we feel pressured by them or not, these expectations do exist. How we personally respond to them does not change that.

I personally don't have an issue with makeup or the concept of it (in almost every culture on earth, humans have been using makeup of some kind for literally thousands of years)--but what I do have a problem with is when we treat makeup, or other traditionally "feminine" forms of expression as neutral things when they are not. A comb or a hair tie is neutral--it's just a thing. Lipstick and eyeliner are also just things, but only when they exist by themselves--and in reality they don't exist by themselves: they exist in a world where we value women on their physical appearance before we value them for anything else--lipstick and eyeliner exist to emphasise parts of your appearance, to make you look a certain way--and in a society where we put so much importance on women looking a certain way, they aren't just ordinary things you toy around with for fun. You can have fun with them, but it doesn't change their role. They can't be treated as exceptions from the world they are used in.

I think sometimes people assume that being anti-makeup is the same as being anti-women-who-wear-makeup, which misses the point (and also suggests a very dangerous idea which I think, sometimes, is why people respond so angrily to these criticisms: because if we believe that being anti-makeup = being anti-women, then therefore makeup = womanhood, and this is simply not true). Whether you wear these things just for fun and to enjoy yourself isn't what is being talked about because these criticisms are not about you on a personal level: they are about looking at a society that is as image-obsessed as ours, and asking why makeup has the role that it has when 1) it is almost exclusively aimed at women--women who, as a group, have been historically marginalised, and whose value, historically, has almost always been measured in terms of their beauty before anything else and 2) the makeup that is emphasized, the trends and styles that come and go, are often not so much about self-expression (if they were, people would be freely wearing all sorts of wild colours and styles: when we talk about "makeup culture" it's not the same kind of makeup used in the goth, punk, or alt scenes for example where makeup plays a very different role) but almost always about achieving or aspiring towards a type of beauty that is valued or expected: to make you look younger, to make your eyes brighter or larger, to make your lips bigger or sexier, your cheekbones more prominent etc--again, on their own, these things may not be a big deal, but they exist in a world where having these looks means you are valued in a certain way as a woman. And when this exists in our kind of world, where the power dynamics we have automatically mean women's perceived power is through beauty, and where we insist so much on women being a particular kind of beautiful (and this starts in childhood) we have to ask and investigate WHY that is--why this type of beauty and not another? why (almost only) women? who benefits from this? who suffers as a result?

The argument of "not all women" wear makeup for empowerment misses the point of these criticism, because it is focusing on a person's individual choices in a way that suggests our choices can define the world we live in, and they can't. We are deeply social animals. Therefore, how we appear to each other and to ourselves is a socially influenced phenomenon. This applies for race, for sexuality, and for gender. How women are perceived at large, in different social structures, is a social phenomenon influenced by the societies we exist in and the values of those societies. These criticisms are about the society we make those choices in and how that can affect us. For you, makeup may be something fun and enjoyable and that's fine. I'm not saying that's untrue or that people don't feel this way or that you are wrong for feeling this way. It's also not saying that you are brain-washed or oppressing yourself for it. But it doesn't change the world we live in. Someone feeling perfectly happy to go out with makeup or without makeup, and feeling no pressure to do either, is great--but it doesn't mean there aren't a lot of women who do feel pressured into wearing it, and that pressure is a social one. It doesn't change the inequality that exists between how women's physical appearances are judged compared to men's. It doesn't change the fact that almost every childhood story most kids hear (that aren't about animals) have a "beautiful princess" (and very little else is said about her except that she is beautiful) and a "brave" knight/prince/king/whichever: the princess (or maiden or whatever young woman) is defined by how she looks; the male in the story by how he acts.

It also doesn't change the fact that so many young girls grow up hearing the women around them criticize various parts of their bodies and that they carry this into their lives. It doesn't change the fact that we expect (in Western countries at least) for women to have criticisms about their appearance and they are "stuck-up" or "full of themselves" if they don't. It doesn't change the fact that magazines photos, red carpet photos, films, tv shows etc., feature actresses who are beautiful in a way that is absolutely above and beyond exceptional (and who either have had work done cosmetically, or are wealthy enough to be able to afford to look the way they do through top-class makeup artists, personal trainers etc) but who we think are within the "normal" range of beauty because faces like theirs are all that we see--how many famous actors / entertainers can you name who look like they could be someone's random uncle, or "just some guy" (writing this, I can think of 5). Now how many actresses, equally famous, can you think of that are the same? Very, very, very few.

The point of those posts, and why I feel so strongly about this, is that we have a deeply skewed view of beauty when it comes to women, because, as a society, we place so much on how they look in such a way that it is not, and was never meant to be, achievable: therefore anything that contributes to how women look, that markets itself in the way that the makeup industry does in this day and age, needs to be questioned and looked at in relation to that. No one is saying don't wear eyeliner or blush--what they are trying to say is that we need to be aware of the kind of world eyeliner and blush exists in, what their particular functions as eyeliner and blush do in the world that they exist in, that we exist in, and how this does impact the view we have on makeup as a result. Your personal enjoyment may be true to you and others, but this doesn't change the role of female beauty in the world because, again, our personal choices don't define the world in this way. Often, it's the other way around. And we cannot deny this fact because, while it may not affect you negatively, it does affect others.

I absolutely agree with you because I don't care how other women around me choose to dress or express themselves, either--that's their freedom to wear what they want and enjoy themselves and I want them to have that freedom. But my view is not the world's view, and it's certainly not the view of a lot of other people, either. I don't care if another woman loves pink and wearing skirts and dresses--but, like makeup, pink, skirts, and dresses, are not neutral things either. They're tied to a particular image of 'femininity' which means they are tied to a particular way of "being a woman" in this world. I'm not saying, at all, that it's wrong to wear these things. But I'm saying we can't treat them as though these are choices as simple as choosing what kind of socks to wear, because they aren't. They are choices that have baggage. If a woman is seen as being silly, childish, or treated unequally because she enjoys cute tops and ribbons and sundresses, that's not because we are demonizing her choices, or because being anti-makeup is being anti-woman (again, it is absolutely not): it's because we as a society demonize women for any choice. That isn't because of anti-makeup stances--that's because of sexism.

You mentioned that you want to be treated the same as anyone else for wearing feminine clothes--but the fear that you wouldn't be isn't because of the discussions critiquing makeup and other traditionally "feminine" things--it's because we live in a society where women are constantly defined by how they appear on the outside, and no amount of our personal choices will make this untrue. Whether you are a girly-girl or a tomboy, you'll always be judged. And, in reality, when women follow certain beauty standards they do get treated better--but this doesn't mean much in a society where the standards are so high you can never reach them, and where the basic regard for women is so low to begin with (not to mention the hypocrisy that exists within those standards). This is what all those criticisms towards makeup and "empowerment" are about: it's about interrogating a society that is built on this kind of logic and asking why we should insist on leaving it as it is when it does so much damage. It's saying that that if we want everyone to truly feel free in how they choose to present themselves we have to go deeper than just defining freedom by these choices on their own, and look at the environment those choices are made in. And that involves some deeply uncomfortable but necessary conversations.

Also, and I think this important to remember, views on makeup and the social place of makeup will also depend on culture and where you are, and the beauty expectations you grew up with. And when it comes to the internet, and given American dominance online, a lot of these posts criticizing makeup and the way makeup is being used to sell an idea that wearing it is "empowering" to the woman (which is basically saying: you are MORE of a woman when you wear it; you are stronger and more powerful because, in our society, beauty is portrayed as a form of power: it tells you, you can battle the inequality women face by embracing the role beauty plays in our lives but it doesn't tell you this emphasis on beauty is part of that inequality), are based on the way makeup is portrayed in mostly English-speaking Western countries. My views are shaped by what I grew up seeing, and while a full face of makeup (concealer, primer, foundation, mascara, highlighter, contour, blush, brow tint, brow gel etc) may not be daily practice or even embraced in a place like France or maybe other places in mainland Europe (but that doesn't mean they don't have their own expectations of feminine beauty), they are daily practice in places like the US and Britain, and this is what most of those posts and criticisms are responding to.

We can argue as much as we want about makeup, but when you grow up in a society where women feel the need to put on makeup before going to the gym there is something seriously wrong. Embracing makeup and enjoying makeup is one thing, but it cannot be a neutral thing when so much of it is about looking like you're not wearing makeup at all, or when we assume a woman is better qualified for a job or more professional when she wears it. It cannot be a neutral thing when a singer like Alicia Keys goes makeup-free for a red carpet event and it causes a stir online because people think she looks sick (what she looks like is normal--I would argue above normal--but wearing makeup to cover up "flaws" is so normal now that we genuinely don't know what normal skin is supposed to look like because the beauty of these celebrities is part of their appeal: they are something to aspire to). It is absolutely very normal for me, where I am, to see young girls with fake lashes and filled in brows: it's not every girl I pass, but it is enough. I'm not saying they are miserable, or brain-washed, or should be judged. I can believe that for them it's something enjoyable--but how am I supposed to see something like that and not be aware of the kind of celebrities and makeup tutorials that are everywhere on TikTok and YouTube, and that they are seeing everyday? How am I not supposed to have doubts when people tell me "it's their choice!" when the choices being offered are so limited and focused on one thing?

I never wore makeup as a teenager and I still don't, but a lot of that is because I grew up surrounded by people who just didn't. Makeup was never portrayed as anything bad or forbidden (and I don't see it like that either)--it was just this thing that, for me growing up, was never made to be a necessity not even for special occasions. I saw airbrushed photos and magazines all around me, for sure, and I definitely felt the beauty pressure and the body pressure (for example, I definitely felt my confidence would be better if I wore concealer to deal with my uneven skintone, and I felt this for years). But I also know that, growing up, I saw both sides. No makeup was the default I saw at home, while makeup was the default I saw outside. And that does play a part, not just in the choices you make, but in the choices that you feel you are allowed to make. No makeup was an option for me because it was what I saw everyday, even with my own insecurities; but if you do not see that as an option around you (and I know for most girls my age, where I grew up, it probably wasn't) then how can we fully argue that the decision you make is a real choice?

If I wanted to wear a cute skirt outside, for example, and decided to shave my legs--that isn't a real choice. And it cannot ever be a real choice, no matter how much I say "this is for me" or "I prefer it like this" because going out in public with hairy legs and going out in public with shaved legs will cause two completely different reactions. How can I separate what I think is "my choice" from a choice I make because I want to avoid the negative looks and comments? And how can I argue that choosing to shave is a freely made choice when the alternative has such negativity? If you feel pressured into choosing one thing over another, that's not a choice. Does this make sense?

This is how I feel about makeup most of the time, and what I want more than anything else is for us to be able to have a conversation about why we make the choices we do beyond saying "it makes me feel good" and ending the conversation there. Again, I'm not saying people need to stop wearing makeup or stop finding enjoyment in wearing it, but I think we tend to get so focused on our own feelings about this and forget that there is a bigger picture and this picture is a deeply unequal one. That is what this conversation is about. I hope this explains some things, anon, and if I misinterpreted anything please feel free to message me again. x

#i think in essence what i'm trying to say is that #some things are true in a microcosm but you cannot make a universal application for them bc the microcosm isn't representative of the whole #and it is dangerous to assume that it is or that it can be bc you're erasing the bigger picture when you do that #it would be like a poc saying they never felt the pressure of skin-lightening creams which is amazing but it doesnt change the fact that a #whole industry exists selling skin-lightening products BECAUSE there is a demand for them and that demand exists BECAUSE there is an #expectation that they SHOULD be used and this is because there is a belief that lighter skin = more beautiful. regardless of how messed up #and damaging that logic is that doesn't mean it doesn't exist in the world #and therefore those industries exist to maintain that belief because that belief is what drives their purpose and their profits #and we are doing no favours to the countless poc who DO feel pressured to subject their skins to these products or who come away with #a deeply damaged sense of self-worth (not to mention the internalised racism that's behind these beliefs) bc of constantly being told they #are less than for being darker than a paper bag which is RIDICULOUS #saying its all down to choice is not far off from saying you can CHOOSE to not be affected by the pressure but like....that's just not true #you can't choose to not be the recipient of colorism any more than you can choose to not be the recipient of sexism. and its putting a huge #amount of pressure and responsibility for an individual to just not be affected by deeply ingrained societal pressures and expectations whe #what we SHOULD be doing is actually tackling those expectations and pressures instead #they are leaving these systems intact to continue the damage that they do by making everything about what you as an individual think and #believe but while we all ARE individuals we dont live in separate bubbles. we are part of and IN this world together. and it acts on us as #much as we act on it. but like.....i think i've gone on enough already #ask #anonymous

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acorviart · 1 year

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shark (decorative) bandages are finally here 🦈 they're not licensed for medical use, so let me be clear that altho they were made by a certified manu and are latex-free/sterile, they're for decorative use only!!

put them on (unbroken) skin to feel cute, I went through the entire effort of emailing the FDA questions to make sure I could sell these as long as they're not advertised for medical use!! so don't stick them on bleeding wounds 👍 shop's reopening april 15, 2pm cst ✨

#bandage #shark #merch #store promo #anyway did you know that it costs more than $5000 annually to register with the FDA to sell medical use items #like. understandable. however I cannot do that #so I was like hello mr fda man can I sell my little shark bandages if I make it clear that people shouldn't use them for Medical Purposes #and mr fda man said yes

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batsarebetterthanpeople · 1 year

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wait hold on...

(also by @/luuuna-rambles tumblr's gif search is a nightmare)

Ed, the greatest pirate captain of all time:

And then of course we have Stede who wanted to be captain so bad he paid his way in

And Izzy who wanted to be captain so bad that the only way to placate him was to promise he could be captain and who had a tantrum when Ed didn't kill Stede in order to retire and leave Izzy the captaincy like he said he was going to, a tantrum which lasted 4 episodes and almost got stede killed twice and everyone involved killed once:

#ofmd #ofmd meta #it would have been faster to just make a fucking video instead of trying to find all these gifs #I hate you tumblr gif search I hate you google images trying to sell me shit and giving me nothing else #I hate you typing in the exact line and the exact episode and the exact character who says it and not getting the gif I'm looking for #I also wanted to add “why are we even being pirates” and “that's all over I haven't been blackbeard since I was young”#and “to be honest I'm thinking about packing it all in”#but I cannot find any of them anywhere on the internet I know they fucking exist I'm so mad about it

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deeplyridiculouslyinlove · 1 day

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My favorite Moiraine moments in The Eye of the World

EOTW only spoilers below the cut

1. “[The mist] follows the river as if drawn with a pen,” Moiraine was saying in satisfied tones. “There are not ten women in Tar Valon who could do that unaided. Not to mention from the back of a galloping horse.” (Chapter 12)

This is "Siuan Sanche waits for only one woman" energy right here.

2. “I suffered more injury to my pride than anything else,” the Aes Sedai said irritably, plucking at her cloak blanket. She looked as if she had been a long time ill or hard-used, but despite the dark circles under them, her eyes were sharp and full of power. “Aginor was surprised and angry that I held him as long as I did, but fortunately he had no time to spare for me. I am surprised myself that I held him so long. In the Age of Legends, Aginor was close behind the Kinslayer and Ishamael in power." (Chapter 51)

Not babygirl being surprised (and a bit self-satisfied) that she held off a powerful Forsaken for so long BUT ALSO her pride being wounded that she couldn’t do it for longer.

3. Even Aginor seemed stunned. Then his head lifted, cavernous eyes burning with hate. “Enough. It is past time to end this.” “Yes, Forsaken,” Moiraine said, her voice as cold as deep winter ice. “Past time.” The Aes Sedai’s hand rose and the ground fell away beneath Aginor’s feet. Flame roared from the chasm, whipped to a frenzy by wind howling in from every direction, sucking a maelstrom of leaves into the fire which seemed to solidify into a red-streaked yellow jelly of pure heat. In the middle of it, Aginor stood, his feet supported only by air. The Forsaken looked startled but then he smiled and took a step forward. It was a slow step, as if the fire tried to root him to the spot, but he took it. And then another. “Run!” Moiraine commanded. Her face was white with strain. “All of you, run!" (Chapter 50)

"I'm as strong as I have to be" 😭

4. In Algomar’s private garden, under a thick bower dotted with white blossoms, Moiraine shifted on her bed chair. The fragments of the seal lay on her lap and the small gem she sometimes wore in her hair spun and glittered on its gold chain from the ends of her fingers. The faint blue glow faded from the stone and a smile touched her lips. It had no power in itself, the stone, but the first use she had ever learned of the One Power as a girl in her royal palace of Cairhien was using the stone to listen to people when they thought they were too far off to be overheard. (Chapter 53)

Obsessed that her version of the all-knowing Merlin character is an affinity for eavesdropping--maybe it's mystical wisdom, maybe it's being a nosy bitch (affectionate)!

5. Her eyes fell on Mat as she stepped through the doorway and she hissed as if she had touched a hot stove. "Get away from him!" Nynaeve did not move, except for turning to stare at the Aes Sedai in surprise. In two quick steps Moiraine seized the Wisdom by the shoulders, hauling her across the floor like a sack of grain. Nynaeve struggled and protested, but Moiraine did not release her until she was well away from the bed. The Wisdom continued her protests as she got to her feet angrily straightening her clothes, but Moiraine ignored her completely. The Aes Sedai watched Mat to the exclusion of everything else, eyeing him the way she would a viper. (Chapter 41)

Sorry I didn’t hear you I was distracted thinking of canonically tiny Moiraine dragging Nynaeve across the room like one of those mothers who finds super strength and lifts the car off her kids.

6. Moiraine climbed down from Aldieb's back. Calmly she removed something from her pouch, unwrapped it. Rand glimpsed dark ivory. The angreal. With angreal in one hand and staff in the other, the Aes Sedai set her feet, facing the onrushing trollocs and the fade's black swords, raised her staff high, and stabbed it down into the earth. The ground rang like an iron kettle struck by a mallet. The hollow clang dwindled, faded away. For an instant then, it was silent. Everything was silent. The wind died. The trolloc cries stilled. Even their charge forward slowed and stopped. For a heartbeat, everything waited. Slowly the dull ringing returned, changing to a low rumble, growing until the earth moaned. The ground trembled beneath Cloud's hooves. This was Aes Sedai work like the stories told about.... Abruptly Moiraine wavered, and would have fallen had Lan not leaped from his horse to catch her. "Go on," he told the others. The harshness of his voice was at odds with the gentle way he lifted the Aes Sedai to her saddle. "That fire won't burn forever. Hurry! Every minute counts." The wall of flame roared as if it would indeed burn forever, but Rand did not argue. They galloped northward as fast as they could make their horses go. The horns in the distance shrilled out disappointment, as if they already knew what had happened, then fell silent. Lan and Moiraine soon caught up with the others, though Lan led Aldieb by the reins while the Aes Sedai swayed and held the pommel of her saddle with both hands. "I will be alright soon," she said to their worried looks. She sounded tired, yet confident, and her gaze was as compelling as ever. "I am not at my strongest when working with earth and fire. A small thing." (Chapter 18)

She's ridiculously proud of her fog along the river and then just a few chapters later channels EARTHQUAKES and WALLS OF FIRE like she's not one of the last Aes Sedai of a dying age and SHRUGS IT OFF.

7. "The The Wisdom won't help. She says she can't. But the stories--" She raised an eyebrow and he stopped and swallowed hard. Light, is there a story with an Aes Sedai where she isn't a villain? ...

She used the staff to pull herself to her feet. “Take me to your father, Rand. I will help him as much as I am able. Too many here have refused to let me help at all.” “They have heard the stories too,” she added dryly. (Chapter 7)

Rand is lucky he's the Dragon Reborn or he and the Two Rivers folks would have been met with some wasps.

8. Thom Merrilin stepped forward grandly and held up one empty hand, turning it slowly. Suddenly, he gestured with a flourish and a dagger twirled between his fingers. The hilt slapped into his palm and, abruptly nonchalant, he began trimming his fingernails. A low, delighted laugh floated from Moiraine. (Chapter 12)

This peek at the girl who watched court bards at the Sun Palace in Cairhien is so cute it makes me almost willing to ship her and Thom in the books.

9. “The Dark One is after you three. One or all. And if I let you go running off wherever you want to go, he will take you. Whatever the Dark One wants, I oppose. So hear this and know it true. Before I let the Dark One have you I will destroy you myself.” It was her voice, so matter of fact, that convinced Rand. The Aes Sedai would do exactly what she said if she thought it was necessary. He had a hard time sleeping that night, and he was not the only one. Even the Gleeman did not begin snoring until after the last coals died. For once, Moiraine offered no help. (Chapter 13)

This is controversial but I personally adore this speech where she threatens to kill them all and then acts petty about healing them just because she hears Rand talking badly about Aes Sedai.

10. “Do they have sheep in Tar Valon? That's all I know. Herding sheep and growing tabac.” “I believe,” Moiraine said. “That I can find something for you to do in Tar Valon. For all of you. Not herding sheep, perhaps, but something you will find interesting.” (Chapter 48)

I giggled.

11. Rand made ready to put Cloud to a gallop right away, and everyone else settled their reins with the same urgency. Everyone except Lan and Moiraine. The Warder and the Aes Sedai exchanged a long look. “Keep them moving, Moiraine Sedai,” Lan said finally. “I will return as soon as I am able. You will know if I fail.” Putting a hand on Mandarb’s saddle, he vaulted to the back of the black stallion and galloped down the hill heading west. The horns sounded again. “The Light go with you, last Lord of the Seven Towers,” Moiraine said, almost too softly for Rand to hear. Drawing a deep breath, she turned Aldieb to the east. “We must go on,” she said, and started off at a slow, steady trot. (Chapter 18)

11. I can't help but think how much they've grown since New Spring when I read this and it makes me want to cry.

Bonus: Every scene of Moiraine greeting the cats at Basel Gill’s inn. (Chapters 41 & 43)

Bonus Bonus: The way Rosamund delivers Moiraine's "it will be as the wheel wills" in the audiobooks after Loial says he is worried the bridges in the Ways are breaking and they might be trapped in there and die. (Chapter 45)

#like #these could literally be moiraine scenes in the show #(some of them basically are)#they captured her so well #I also cannot stress how much rosamund's performance in the audiobooks sells these moments for me #she's a different moiraine but I love this moiraine just as much #amazon I need you to hire her for books four and five right now please!!#wheel of time #wot book spoilers #moiraine damodred #dril reads wot #(again)

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kakusu-shipping · 1 year

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Okay so we know Luigi makes Mario’s coffee for sure, but whats Luigi’s drink of choice? He strikes me more of a hot choccy guy, and if thats the case, when hes had a bad day does mario make some for him and kiss it out of his moustache? (cause you know the whip cream probably gets stuck in their staches)

Luigi is 100% a sweet drink kind guy. For comfort he loves a hot meal and a hot drink and stupid amounts of sugar. Strawberry milk and Hot Chocolate are for sure his defaults, drinks a lot of sweet tea as well.

Mario's not a Make something for someone when they're having a bad day kinda guy, he likes to tackle a problem as head on as possible and fix it. Not everything can be fixed though, and he understands that. Luigi's really good at comforting himself, and Mario tends to just be nearby for physical comfort when that kind of thing happens.

Mario absolutely takes full advantage when Luigi makes himself a cup of hot chocolate though, he's a kissing fiend. There will be no sads so long as he is in kissing distance

Luigi's convinced he's just trying to steal the whipped cream from his drink. And like. Maybe he is a little.

#Emile's Arts #Mariocest #Mario kissu kissu physical affection tight hugs and playful kisses you understand??#Luigi acts of service a warm drink and a hot meal and a listening ear do you???? understand???#I love them #Luigi can more of less comfort himself over anything Mario can't physically tackle for him #And if he can't Mario's got hugs and kisses to spare #I cannot over sell how in love Mario is with Luigi I like. I couldn't. I can't express it enough I feel like #I can draw all the little hearts I want it's simply not enough #They kissu kissu my entire brain #Zayne I love you so much mwah mwah thankyou for the brainrotting fluffy sweet content #As they deserve #Whipped cream in him stache I never thought about it but you're simply so correct #Whipped cream kisses... Hhhhh #I love them soooo much #Also just a little bit of weegi with a ponytail I'm figuring it out #This is not the way I've decided but I'll figure it out

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galaxia-art · 8 months

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[image description: 3 images, the first a display of a book with multiple copies, two on stands, and a few splayed across the table in front. the second image is the front cover titled "where we are & where we should be: shaping a future for trans young people" the cover image is of 5 people holding banners with the title on. the 3rd image is the back cover, which reads "A guide for trans, non-binary and gender queer people to help navigate through life and the systems around them as well as educating others on the experiences and truths of trans people. Whether you are questioning your gender identity or wondering what being trans even means, this book is for you! From accessing trans health care, being an ally exploring your identity and getting answers about who you are, this incredible guidebook will hold your hand through it all and show you the safest most accessible ways to being your true self (and supporting people in your life to do the same). In a world full of systems that can be a maze to navigate, especially as a marginalised person, we have got your back and are clearing the way for simple support. Take a look inside and feel your tense shoulders relax because the answers you've been looking for have found you" end id]

So here's a cool project that some very cool and incredible people and I have been working on!!

I've been working with our publication team with the non profit organisation Comics Youth since 2020 (one of the few good things that happened that year lol) as one of the illustrators- the other being rowanfrewin on instagram whose awesome work can be seen on the cover here! If you want to see what I've done though, guess you'll have to buy it >:3c

It's so incredible to see this finally printed and I cant wait to hold it in my hands omg. If you (or someone you know) are trans, nonbinary, questioning, or an ally then I highly reccomend checking this book out!!

#trans #transgender #nonbinary #booklr #lgbtq #i am so fucking excited #and cannot wait to have a copy in my hands. soon #i'm also going to be selling some copies of this book in person at markets in september #at pride comic art festival in bristol and also lakes international comic art festival in the lake district #unless i run out at pridecaf #so will not (yet?) be selling them online so if you want one #go get one there!#but yeah i helped make a book!!!#fucking wild one day youre making shitty homestuck fanart and 10 years later you're a published illustrator

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chibipandaao3 · 1 month

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Upcoming Pit Babe fics

KP PB crossover: Price Paid chapter 3 will be up once I’m off work and can edit.

Charlie’s dealt with some unsavory clients while a freelancer — he’s never said anything or complained, because he’s always needed the money to support Jeff and himself. That’s about to change. — this fic is in progress, hopefully it will be up Tuesday.

The sequel to What You Don’t Know has been started — I like to get big projects prepared in advance, so it’s probably at least a good week before I’ll post anything. It will be brother heavy, slightly more angsty, and a bit longer probably than the first part.

There’s a Way as big villain fic that’s been on the back burner for a months — basically, is Way can make someone sleep with a suggestion then what else can he do? Obviously, as I’m sure y’all have figured out, Charlie would likely be the one suffering ‘cause I’m nothing if not constant.

I’ve got another that focuses of Charlie’s guilt post canon — and ties into his survival mode/trauma.

#pit babe the series #Pit Babe #pit babe fanfiction #pit babe fanfic #thai bl fanfic #I’ve decided to bind my own series lol it’s already over a hundred pages #for the record I enjoy fixing old books after the spine is broken and dable in binding for personal use #it’s fun to make books and have them on my bookshelf #but remember you CANNOT SELL fics - if you want to print and bind them for yourself that’s fine but no money can be exchanged #that’s my official PSA

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somecunttookmyurl · 3 months

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Now I'm honestly kind of curious what that "totes real gem stones" jewelry of 300 bucks looks like, lmao

I once saw someone selling mountain crystals, small pieces, for 100 bucks. So many scammers with stones. Wonder if that person is a scammer themselves, just bullshitting, or has the worst supplier ever.

it would have to be the worst supplier ever because in less than 5 min i tracked down a wholesale supplier who will give me twenty five 3mm lab-grown sapphires for £38

that's about £1.50 each. so £3 for a pair of earrings assuming you only used one in each

thing is i could make stirling-silver-and-sapphires earrings and sell them for the price of claire's costume jewellery and still be making a huge profit on it. it's just that nobody would believe it's real at that price.

#i prommy real gold and real silver in the small amounts used for jewellery? pennies also #it would cost MAYBE #MAYBE #REALLY STRETCHING IT. MAYBE.#£5 in materials to make stirling silver earrings with an actual sapphire in them #and it would still only take me about 57.2 seconds to assemble them #selling them for £7 is - for 1 minute worth of labour - still a chuckle-worthy profit #but nobody would believe it's real at £7 probably so you'd have to charge £20 to look legit #which is hilarious and also sad #so truly. if you cannot make a profit on this that is. i mean skill issue doesnt cover it does it #making a loss on it is a skill

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trashpandacraft · 7 months

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so you may recall that we have a number of spinning wheels, because of who we are as people and also because i love them. and we decided after buying those that we were done, unless the perfect castle-style wheel appealed.

you may also recall that my most beloved wheel is the pipy, made by philip poore in 1972:

the pipy was far and away the most common wheel that poore made, but there was...another wheel. a castle wheel. called the wendy.

when i was gift-shopping for upcoming birthdays the other day, i was on ebay, and one of my previous searches popped up. and i opened it, obviously, just to see, and because i like looking at spinning wheels and seeing what people are selling.

well, there were nine items on ebay that matched that search, one of which was a wendy wheel, made in 1975, not terribly expensive, and less than 50k from my house.

so you can probably guess what happened next.

...ok, actually what happened is that i waffled about it and made sad noises for a bit, and my wife spent an hour or so whispering do it, do it, and then the obvious happened.

so now for real we have our (probably) last wheel (for now)! and buddies, lemme tell you, she's absolutely majestic. she's so small that if you take her apart, i'm pretty sure she'd fit into a carry-on-sized suitcase. she's so small that if i, a normal-to-tall-sized human person stand next to her, the top of the drive wheel is under my knee.

she also has a delightfully unusual tension system! frame flyers were apparently (relatively) briefly popular in new zealand, and honestly, i kinda dig it?

the rod is actually in two pieces, and they're connected by the threaded ball. turn the ball in one direction, and the upper part of the rod moves slightly further out of the ball; turn it in the other direction, and the rod moves deeper into the ball. this changes the tilt of the flyer, moving it slightly closer to or further from the drive wheel, and thus adjusting the tension.

the flyer's slightly cracked, so right now i'm using the single flyer across both wheels, but i'm talking to more experienced people to figure out how best to repair/replace it. other than that, though, she's in amazing condition—it's clear she was treasured, but equally clear that she wasn't used. (there was a giant clump of spiderweb in the orifice, and don't think that wasn't an unpleasant surprise.) but i think we're more than happy to use her enough to make up for the years of disuse.

oh, and in the picture looking down, see that little hole in the frame, just at the bottom of the image? it's so you can screw a block of wood onto the frame and convert her to scotch tension, if you'd like.

she came with her original paperwork, featuring information about how to prepare wool, spin, and knit it, which is also rather charming.

this concludes the most recent (and probably final) episode of 'slightly odd spinning wheels that are older than i am that i have bought for a song'. i know i've said it before, but if you have the chance to play with vintage wheels, please do give it a go. sometimes they're just so-so, but sometimes you find absolute treasures that were made by masters of the craft, and then—hypothetically—you own four of them that collectively have still cost you less than the price of buying one (1) ashford traditional.

#spinning #hand spinning #handspinning #spinning wheels #fiber arts #fibre arts #fibrecraft #i really cannot overstate how much i love the poore wheels #they're just so incredibly thoughtfully made #and well made #and absolutely beautiful #anyhow heart eyes emoji you know?#also i want to be clear that there's no shade at ashford here!#i've used them and they're nice wheels!#i don't love them but i don't love a lot of things #i don't love louëts either and i've owned one #it's just that ashfords are widely available and i know what they cost #because literally everywhere sells them #and i'm lazy and don't want to go look up what a kromski or whatever costs #smartest raccoon i know #also special shoutout to my wife for 100% enabling this purchase #like they'll also benefit since now we have more wheels #but i don't know that i would've done it without the urging #even though it's exactly what i've been dreaming of #so that was nice of them

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