so which characters do you personally headcanon to be winged avians?
this is a fun question! i'm still getting acquainted with all the life series/hermitcraft adjacent members so take what i say as subject to change + about them as characters + all mostly for fun :D
soo.. my grian design isn't actually an avian! or, maybe partially? i like drawing him with the little ear wings (it's a personal favorite design trope of mine) but i'd like to think he doesn't actually have functional/naturally grown wings; he has to manually equip them with a harness
this is mostly due to the fact that i'm watching through his s6 hermitcraft lets play right now. i find his initial aversion/reluctance to rely on an elytra really funny paired with how rapidly he eventually learns how to fly with it. "i don't want to be that guy who uses their elytra everywhere" LOL. i also like the added dimension of him having to really fight to learn how to fly + the general concept that faux/mechanical wings bring to the table
jimmy on the other hand is a canary angel thing to me!
he has wings, but they're much smaller & he can't fly with them (yet, maybe). i like to think that he didn't start out the life series with wings at first, but after the repeated deaths + establishment of the canary curse he gets little wings sprouting. just to Really rub the curse in his face LOL. but who knows, with the curse being broken + his angelfication maybe he can really learn how to fly after all.. time will tell...
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At a surface level, Gillion always putting himself between danger and his friends just makes sense, because he’s noble like that, isn’t he? Gillion Tidestrider, Champion of the Undersea, Hero of the Deep, Riptide Pirate - he can tank a hit, or two, or three, and swing back just as hard. He’s protective, and he’s sturdy, and he’s stubborn. Then just a little deeper, Gillion would without question sacrifice himself for the greater good. For a friend in need, for a good hearted citizen, for the net positive - he’s noble, with a heart of gold, who’s courage knows no bounds, right? And then just a little deeper, Gillion would actively harm himself just to make someone feel better. Just to take the edge off of someone else’s misery. He’d take their own pain, or even unnecessary pain, so they might have some sort of relief. Even if it isn’t guaranteed, he’s so ready, so eager, to jump at the chance.
Gillion Tidestrider is someone born to meet impossible standards, constantly told he’s not good enough, taught that his suffering is necessary and through this his people will survive. He’s all these things, kind and courageous and chivalrous, with a heart that beats to help others in need - but he’s also self sacrificial. Dangerously so. He takes personal risks without second thought, he pushes his limits for even the little things, he helps to the point of his own detriment. He will bleed himself dry on the off chance it might help a good soul who needs it. He will do worse for his loved ones. And it isn’t just from the all encompassing need to help at any cost, but also this feeling deep down inside that he deserves it. It’s his destiny to save people, no matter the personal cost.
It’s pushed to the extreme with Felipe after the Feywilds. Gillion, still off center, freshly traumatized from his time in that god forsaken orb, still awaiting the verdict on if he’s guilty in the eyes of the council while fully convinced he is, finds out it’s technically his fault his new friend is filled with insatiable bloodlust and wants to stab him to death. Of course he encourages the stabbing. Of course he’ll mind control to keep the peace. And when all is said and done, and it hurts and it doesn’t help, he still wonders about pushing it further - fully behind this idea of him dying and being brought back, even if it’s not sure to work. Even if it’s not sure to bring him back.
And I just keep thinking, that for all the healing Gillion does - all those sick people from Joaldo, Chip and Jay countless times in their battles, members of the crew, various people hurting and in need of aid - he’s never once used lay on hands on himself. It’s a pattern, made noticeable in Edison Kingdom, where he heals Alphonse for half of a joke instead of his own 1 hp - which subsequently downs him on the way down - and it’s continues to the end of the Feywilds, where Jay and even Felipe heal the stab wounds he bleeds out from. He’s a healer with the power just at his fingertips, so easily within reach, and he doesn’t heal himself.
So it does beg the question - when will the line between ‘selfless’ and ‘self sacrificing’ be drawn?
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Fuck it, I'm gonna start posting my own shouty thoughts on season 3 of Picard rather than just commenting on other people's stuff.
I'll keep taggin everything "#picard spoilers" (assume I'm talking about everything up to the most recent ep, I'll warn seperately for leaked/promo stuff about ep 10) and "#picard saltiness" so you know what to blacklist (or look for, I'm not telling you how to internet 😋).
I'm sorry/get ready.
Here's the thing. I would like to watch season 3 of Picard and think "Oh well, this wasn't made for me, the same way season 1 wasn't made for the type of TNG fan who is in heaven right now. And I'm sad my favourite characters and main reasons I liked the show in the first place got written off, but I'm glad these other fans are having the time of their lives. Good on them, I'll just mentally file this away as a season/new show that I don't connect with as much as I'd hoped." I really, really want to be able to think that and approach season 3 this way.
But the writers won't let me.
At every turn, and I mean every turn, the writers have gone out of their way to not just pretend the previous two seasons didn't happen, but to remind us they happened and they were stupid and you're stupid to ever have enjoyed them.
It's not just that Picard, in the middle of his disillusioned identity crisis, when he has been holed up on his vinyard for over a decade, talking to nobody, and feeling deeply disappointed by Starfleet, gives an impassioned speech to a bunch of young people about how Starfleet is the only family you'll ever need.
That's a type of discontinuity/soft retcon I don't particularly enjoy, but if it were just that, I wouldn't be writing this way too long screed.
It's not even just the implicit "we will do it right this time" on display e.g. when Picard "flies" the Titan out of the labouring nebula. In that scene, Picard walks up to the captain's chair to take the conn, the TNG theme swells, he sits down, the music becomes bombastic, and he gets to be the Heroic Captain We All Remember.
That scene is, in my opinion, something of a parallel to the season 1 scene where Picard tries to hijack La Sirena to take Soji to her people. In the season 1 scene, he sits in the captain's chair, the TNG-inspired music swells, he is about to be the Heroic Captain We All Remember -- except then the music fizzles out and the moment deflates because Picard has been retired for a decade and a half and has no idea what he's doing (and is certainly not the most qualified to do it on an unfamiliar ship).
That parallel in season 3 rubbed me the wrong way, because it felt too close to a refutation of season 1. Too close to "See? This is how that scene should have played out!" But that is a me problem. If the writers were remotely aware of the parallel (and I honestly doubt it, because I'm not sure they know season 1 well enough), it's just as likely they wrote it as a tongue-in-cheek reference, more than a rebuttal. Assuming the worst would have been on me and my unwillingness to give this season a fair shake. And if that sort of scene were the worst of it, I wouldn't be happy about it, but I wouldn't make it everybody else's problem.
Except the writers didn't stop there.
I would (eventually) be okay with it if the writers had just quietly abandoned, ignored, or even outright retconned some characters, history, themes, and plots from season 1 and 2 they disliked. But instead, they repeatedly acknowledge the existence of these elements only to then dismiss them in frankly viscious ways.
It's not enough to ignore the Jurati-Borg in all their Eggness glory and how they would be incredibly relevant to this story season 3 is trying to tell. It's not enough to pretend that storyline never happened and move on. Instead, the writers acknowledge the existence of the new collective, but the only sentence where it's mentioned is a character talking about "That weird shit on the Stargazer."
Yes, Shaw is a dick, yes it fits his character, yes Watsonian reasons. But it was still an active choice by the writers to only bring up one of the major plot developments of season 2 in the most derisive way possible.
Another example: The writers apparently felt that the Troi-Rikers didn't belong on Nepenthe. But it's not enough to have them move somewhere else between seasons, or even to let them have a discussion about how Nepenthe is steeped in loss and grief and they want to move somewhere else and start over.
Instead, the writers have to take time out of their already shoddily paced season to have these two characters extensively shit-talk one of the brightest momenst of season 1 (figuratively and literally). It's not just "they don't like it on Nepenthe anymore", it's "they never liked it, everything about it is terrible, everything season 1 showed you about their life there is a lie, and it has always been shitty and cringey and stupid, and you were stupid to like it!"
It's not just "we dumped our diverse characters, challenging themes, and relatively fresh view on the Trek universe from outside Starfleet for starship porn, great (white) men, and more Starfleet nostalgia than you can even comprehend". It's not just "we're going to ignore the existence of season 1 (and to a degree season 2), because it's not doing the things we want to do." It's not just "we're making this show, knowing (and not caring) that it will alienate a large chunk of the people who enjoyed season 1".
It's "we see what previous seasons were trying to do, and we need you to understand, really understand, how much contempt we have for these seasons and the people who enjoyed them."
I know some people felt this way about season 1 and the way it deconstructed Picard's image as the Great Heroic Captain and laid open his flaws and the flaws of the Federation. And I now empathize with them more than I ever thought I would. But I think there is a big qualitative difference in there.
In season 1, Picard gets put in his place. He has women people telling him when he's wrong, where he has failed, where he should have stepped up and needed to do better. But the show is still deeply sympathetic towards him. By the end of the season, Elnor has forgiven him, Raffi has forgiven him (without ever getting an apology), and he gets to save the day [whether the end to this particular arc is well done (it's not) is a rant for another day].
The failures Picard is being reproached for in season 1 pretty much exclusively happen between TNG and PIC. They tie in to patterns and tendencies the character has always had and attempt to deconstruct some of them. But there's no direct evisceration of specific things that happened on TNG.
At no point does Picard get out his Ressikan flute to make a glib comment about what a useless trinket it is, and how he should have thrown it out years ago. At no point does he turn to Riker and say: "Man, do you remember that Darmok and Jalad shit? What a waste of time! I wish we'd blown up that ship when we encountered it."
Season 1 is critical of Picard's character, yes, and it might feel crass or unfair at times (not least because we're still not used to seeing Great (White) Heroic Men Of Our Childhood get deconstructed that way). But any reproach the season 1 writers levelled at Picard pales in comparison to the petty contempt the season 3 writers regularly display towards the show they've ostensibly taken stewardship of.
Season 1 might have been a bit glib or inconsiderate of the legacy they inherited. Season 3 is viscious.
And I am so, so tired of it.
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