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#Fullmetal alchemist the live action movie
humming-fly · 1 year
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shoutout to the live action films for making the executive decision to nuke greed’s backstory and instead just have him repeatedly show up unannounced with no explanation, making him the funniest character in the whole movie 
Bonus:
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fairyprince7 · 6 months
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little cute screenshot I collected to celebrate me finishing the worst movie trilogy I've ever seen (very affectionate, these are delightfully bad movies)
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roberrtphilip · 2 years
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My only clue is that Dad said he was going to Liore. I wonder if I’ll be able to find him.
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movielosophy · 2 years
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Fullmetal Alchemist: Revenge Scar (2022) ~ two chibis
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novelmonger · 2 years
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I watched FMA: The Revenge of Scar on FMA Day and am only now talking about it shush leave me alone I was busy okay.
Both before and after watching it, I've come across a fair share of posts sharing their excitement about it, talking about it as something they enjoyed. And there's only one thought that comes to mind when I see them:
....Why?
I'm not trying to rain on anybody's parade or anything; I'm just genuinely confused. If you like these movies, what do you like about them? If you watched the first one and were excited when the sequel was announced, why? I'm just really confused, because I've watched two of these movies now, and...sorry to be blunt, but I thought both were a pile of crap ^^'
Am I just somehow missing everyone who's complaining about the movies? Or am I completely misunderstanding people who are trying to make the best of things? Because right now, I feel like I'm either left out of a huge, fandom-wide joke, or I've gone utterly insane.
I mean, I have sooooo many complaints against these movies, such as:
very fake-looking wigs and costumes (admittedly, they were a bit better in the second one)
Ed and Al were the only ones who could act their way out of a paper bag (I've only seen the sub, so can't speak to dub performances)
the CG looked so fake and ugly
even I noticed the awful greenscreen and masking lines
the transmutations were way too slow; I had horrible flashbacks to The Last Airbender x.x
terrible pacing, so both dramatic and comedic moments fall flat (which makes me want to cry, because Arakawa-san has such impeccable timing for both T^T)
nonsensical switching around of the timeline, creating problems for themselves they then have to scramble to solve in the most haphazard ways (like Ed's motivation to go to the ruins of Xerxes, which makes no sense now because they didn't have Ross go into hiding, so he had no reason to go into the desert; he just kind of...heard the word "ruins" and teleported to the desert)
WHAT ON EARTH WENT WRONG WITH ARMSTRONG WHY DID THEY GIVE HIM A PROSTHETIC SCALP JUST FIND AN ACTOR WHO LOOKS GOOD WITH A SHAVED HEAD GOODNESS GRACIOUS D:
Mei is waaaaaaaaaaaaay too old
the soundtrack is utterly forgettable, which is a huge shame when you compare it to the masterpieces of Michiru Oshima and Akira Senju that came before it
Envy's true form is nowhere near big enough
maybe a minor gripe, but the clapping and snapping for alchemy just...doesn't sound cool like it does in both animes :/ More realistic, I guess, but um...this is fantasy, you can let such things have big dramatic sound effects just because they sound cool....
why on earth does Winry have dark hair????? Why does everybody else have to wear awful wigs but she keeps her natural hair color???? aldkfjsa;kfljsdlfkjslkj;lkjsf
I was bored all the way through both movies and kept checking the time to see how much was left. Let me repeat that: I was BORED. In Full Metal Alchemist!
On the positive side, um.....
Ryosuke Yamada was basically the perfect choice to play Ed. He really nailed the character, and had some great expressions and deliveries that brought out Ed's personality without making it too cartoony and over-the-top (and I'm pretty sure that the problems I have with timing are more a fault of the director, rather than the actor)
I actually really enjoyed the scene where Ed and Al have their little confrontation about Al's soul being fake; it was new material, but 100% in-character, and full of the brotherly love that is at the heart of FMA
Nina is adooooorable :'3
Selim is also possibly the cutest little boy I've ever seen in my life; super hard to imagine him as a Homunculus, but that's kind of the point
props to them for the attention to detail required to recreate some scenes with even the same framing and angles as the manga now if only they'd also managed to recreate the pacing and emotional depth
Uh...yeah, that's all I've got. It really doesn't weigh out the negative side.
Again, if you liked the movies...please, I'm begging you, tell me why! I really want to understand ;_;
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I was watching some FMA live action clips because I can't find the second movie yet (as one does) and Ling literally slid into a room.
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Like I shit you not, this is Something That Happened and somehow it's the most FMA-accurate thing to happen thus far.
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natdocx · 2 years
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WAIT. There's ANOTHER fullmetal alchemist live action movie???????
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livuvur · 2 years
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Every time I see someone real mad and complaining about the fma live action movies it kinda throws me off because it's all coming from the prospect that we are suppossed to take these movies seriously in the first place.
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nerdiertides · 2 years
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The final live-action Fullmetal Alchemist Movie gets action-packed trailer ahead of its release
The final live-action Fullmetal Alchemist Movie gets action-packed trailer ahead of its release
(Featured Image Source: © 2022 Hiromu Arakawa / SQUARE ENIX © 2022 Movie “Fullmetal Alchemist 2 & 3” Production Committee) The conclusion to the live-action Fullmetal Alchemist movie series is set for later this month with the release of Fullmetal Alchemist: Final Chapter – The Last Transmutation. Fullmetal Alchemist: Final Chapter – The Last Transmutation will close out the live-action film…
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roberrtphilip · 2 years
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How can you call your own father a bastard?
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movielosophy · 2 years
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Fullmetal Alchemist: Revenge Scar (2022) ~ I’d be happy to see Col. Mustang, Ed.
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I love how the solution to almost all sucky adaptations of things I love not being sucky is “this should have been directed by Guillermo Del Toro”
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girlcraft2003 · 1 year
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fma the revenge of shit
I just finished watching the second fma live-action movie on Netflix and OH MY GOD IT IS JUST AS BAD AS THE FIRST IF NOT MORE SO
They do so much but so little. Even better it just RANDOMLY slows down in the middle for no reason and JUST LIKE THE FIRST put random plots together and just said "yea this will work :)"
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redsnerdden · 2 years
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Fullmetal Alchemist Creator, Hiromu Arakawa recreates the Teaser Poster for the upcoming Fullmetal Alchemist Film
Fullmetal Alchemist Creator, Hiromu Arakawa recreates the Teaser Poster for the upcoming Fullmetal Alchemist Film #ハガレン完結編 #FullmetalAlchemist #anime #manga
We’re 19 days away from the premiere of the first chapter of the Fullmetal Alchemist Complete Film Duology titled Fullmetal Alchemist: Final Chapter – The Avenger Scar (Hagane no Renkinjutsushi: Kanketsu-hen – Fukushūsha Scar) and the creator of the Fullmetal Alchemist Manga Series has a treat for moviegoers when the film premieres in Japanese Theaters on May 20th. Mangaka Hiromu Arakawa has…
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suzannahnatters · 9 months
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A while back I realised that there's one specific fictional thing that is catnip to me, and that is vulnerability. People accuse me of liking dire things in stories, but it's not so much that I love it when fictional people are suffering. It's that I kind of crave vulnerability in my protagonists.
I would define vulnerability as the opposite of agency. At its core, it involves a denial or a willing sacrifice of agency, and while writers talk about agency a lot, I don't think we spend anywhere near enough time discussing vulnerability.
Vulnerability is incredibly powerful in building empathy with a character, but it also forces the character into dire choices that reveal their true nature, and it makes the antagonistic forces seem a lot more powerful and scary. Vulnerability is why whump is appealing. It's one of the reasons we all care so much about out good fried Jonathan Harker, utterly at Dracula's mercy. It's why the myth of the voluntarily dying god is so powerful, even if you aren't a Christian.
More recently, I've been thinking a whole lot about how important vulnerability is in constructing a believable romance. In a believable romance, the characters will be emotionally vulnerable to, and on behalf of, one another. The "if you dare touch her" trope where the love interest comes unhinged at the sight of a loved one's suffering is vulnerability. Enemies to lovers is delicious because it asks what might happen if the person to whom you're most vulnerable was also the one with the greatest interest in exploiting that vulnerability. As I've written before, romance is about trust; and the corollary is that no romance can live without that heartstopping moment when one character takes the risk of putting themselves helplessly into the power of the other.
But I think that a lot of storytellers these days are prioritising agency at the cost of vulnerability. Disney's attempts at feminism are a great example of this. While the animated MULAN is outed as a woman in a moment of vulnerability that was the most powerful thing in the movie for me, in the live action Mulan's unmasking becomes a expression of agency that in my opinion guts the story of feeling. On the other hand, in the cdrama I'm currently watching (GOODBYE, MY PRINCESS) the male lead is SO averse to letting himself be vulnerable in any way at all that I simply can't find any romance in his interactions with the heroine. I love to see stories that foreground marginalised people, but too often those stories focus on giving the protagonist agency at the cost of letting the antagonist land any hits at all. The result, imo, is a perfectly soulless story.
Of course, agency is a sine qua non of a good protagonist. But so is vulnerability, and there are so many amazing stories you can write about a vulnerable protagonist. W R Gingell's CITY BETWEEN series, for instance, is the story of a desperately vulnerable protagonist fighting to claim some agency in her own life and it's GLORIOUS. And beyond that, I would say that moments of vulnerability are indispensable even to very strong protagonists. One of the reasons FULLMETAL ALCHEMIST worked so gorgeously as a story for me, for instance, was the gutpunch moments of vulnerability that happened both at the very start and then with increasing tempo toward the end.
Vulnerability can be something a protagonist constantly struggles with, or something that unexpectedly blindsides someone who seemed to be invincible, or something a character does willingly for the sake of the people they love. It can be romantic, or not at all. But either way it's the interplay of agency and vulnerability that really MAKES a story for me. You HAVE to have both.
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