Tumgik
#Elaine Murray Stone
vecnasrevengerp · 1 year
Text
Tumblr media
welcome home MURRAY BAUMAN (jeff goldblum fc)
hope you brought your tissues with you! be sure to check in at home or to your hotel and don’t forget to always look over your shoulder. this is hawkins, after all.
basics
[JEFF GOLDBLUM, CISMALE, HE/HIM] When’s the last time anyone heard anything about [MURRAY BAUMAN]? Old friends remember them as [CHARISMATIC and CUNNING] but also [OBSESSIVE and PUSHY], no wonder they’re still known as [THE ECCENTRIC] around town. Today, in 2006, they are [60] and some people say they remind them of [the ratty old bunker in the woods, a flask full of authentic Russian vodka, loud clothes and even louder mouth, crossing police tape, a gold wedding band he still wears]. [nikki, 25, she/her, ctz].
biography
before 1986
tw: hospitalization, aids, implied suicide attempt, alcoholism, death
Murray John Bauman was born on January 22, 1946 to Elaine and Cyrus Bauman in Kohler, Wisconsin. After his dad ran off, Murray’s childhood was marked by the ghost in his mother’s house (his friend, he insisted), a budding curiosity and somewhat concerning propensity to ignore warning signs, and, above all, a stubbornness to continue his pursuits despite his peers’ opinion. Murray’s mind landed him a full scholarship to the U of Chicago, where his Interdisciplinary Studies degree path allowed him to study journalism, Russian history, and molecular biology– whatever class piqued his interest at the time. In the spring of 1967, Murray graduated with a B.A. in Interdiscplinary Studies, certificates in Journalism and Global Conflicts, and a hot date with his journalism T.A.
Lorraine and Murray had a shotgun wedding in September and their daughter Quintana was born come April. Murray took a job as a fact-checker at the Chicago-Sun Times, and within a year he was a full-fledged reporter. Murray’s unique approach to journalism– leaving no stone or tip unturned– resulted in his fast success, and sky-rocketed him to high profile stories. His only flaw, if you asked the Board of Directors at the Chicago-Sun Times, was that he gave equal attention to the implausible and the realistic. Whatever the paper refused to publish, Murray self-published. In his tenure at the CST, Murray made front page forty-three times– and he still keeps each of those “normie” articles buried in a box somewhere. 
Weird has a way of finding Murray. When stories of a robber with psyonic abilities began circulating the Chicago underground, Murray went on the hunt. It took a year and two dozen victim interviews citing unexplainable hallucinations before Murray had a name: Kali Prasad. Her personal history led him to London, where her mother alleged her daughter had been kidnapped at a young age. Of course, Murray kept a files on missing and kidnapped kids, and cross-referencing them led him to none other than Hawkins, Indiana and a mysterious government lab. Murray started asking questions, and the questions got back to his editor, who was slapped with a cease and desist. A death blow to any major publication. So Murray’s editor forced him to drop the story or drop his job. Murray has never once left well enough alone, though the stress of the case led to him drinking and a strained relationship with his wife and daughter. Murray’s pursuit, and Kali’s intervention, got him a year in the Cook County Hospital for the Mentally Unwell. While he was locked up, Lorraine had gotten sole custody of Quintana and pursued a divorce. 
With nothing to his name, Murray did the only thing he knew how to do: he washed up in Hawkins, hell-bent to solve the mystery of the Hawkins lab and its missing kids. Murray got a lot more than he thought was even possible, but falling into step with Jim and Joyce and her family made him wonder if all this had happened for a reason.
after 1986
Any belief in meaning or divine intervention was lost– slaughtered– in the spring of 1986. Murray knew a thing or two about love and loss, but El and Will at the same time rocked him. It rocked everyone, really. Though they tried to stay strong for the other kids, Jim and Joyce were never the same after that– and Murray felt guilty. He knew there was nothing he could have done, but how could he not replay the whole thing and look for flaws– for cracks in the plan or different moves and counter-moves? He spent months this way, papers spread across his kitchen table and pinned haphazardly to the wall. It was Joyce who got him to stop– it was always Joyce who made things alright again, despite her own pain. If not for her, Murray wouldn’t have ever tried to be happy again. 
His relationship with Jonathan was different. As much as he wanted to intervene like Joyce asked him to countless times– and tell Jonathan that Will was really gone this time– Murray couldn’t. He couldn’t shake the thought that there was a chance. That if a body hadn’t been recovered, he wouldn’t believe it. They’d all seen crazier things. Instead, out of respect for Joyce, Murray stayed quiet, chose his words carefully, and fully supported Joyce’s intervention when things got too out of hand. Watching Mike get carted off almost broke Murray– but he owed it to Joyce, to Jonathan, to Mike– hell, to Will and El– to see that everyone moved on as much as they could, lived some semblance of a life. So he stayed quiet, visited Mike every week, and investigated.  
As Hawkins recovered, and his found family rebuilt, Murray’s private investigation business took him around the world for work– the right circles had heard about his hand in shutting down the corrupt government lab in Indiana, and he was booked and busy. He took over The Watcher, publishing his findings there and sending them out to his supporters and former clients, and it grew. No mater what case he was on, though, Murray made it back for Joyce’s mandatory monthly family meeting– mostly because the one time he’d let her cook, she’d burned lasagna into the Pyrex, God bless her. 
On a stopover in Columbus, Murray met the Doctor. Murray remembers the first words Dr. Gabe spoke to him still: I like your radio. Murray was instantly enraptured– and who wouldn’t be? He was the epitome of tall, dark, and handsome– and that accent. At Gabe’s insistence (he suggested it once in passing), Murray changed his flight and stayed the night. And then three more nights, and Gabe was packing up to join Murray for Joyce’s family dinner. Things continued to move fast after that– Gabe was a fresh start, a claim at a new life, plus he liked Murray’s eccentricities. Six months later, they were planning a destination wedding in Tahiti, and Gabe had fully moved in, moved his counseling practice to Hawkins (where Murray assured him there was a never-ending stream of folks with C-PTSD to be seen). He’d even planted a garden outside of Murray’s bunker, which Luke Wheeler said made it feel almost homey.
The wedding was the highlight of Murray’s life. More clear than anything else, he remembers the feeling of locking hands with the man he loved, looking out into the crowd to see his family– as unorthodox as it was– Quintana, Elaine, Joyce, Jonathan, Jim, Nancy, two reserved chairs for Will and El. For one beautiful night in Tahiti, everything was right. Perfect. And for a few years after that, too.
Then the 90s rolled around, and Gabe got sick. Really sick. Murray knew before the doctors confirmed it, of course he’d heard the horror stories. AIDS. Through a lot of persistence and bullying and a grand total of $16,000, Murray got Gabe an AZT prescription– but it only put off the inevitable. For two years, four months, and seven days, Murray put everything on pause to care for his husband. Thankfully, Nancy was back in Hawkins and eager to take over The Watcher, and Jim was happy to help, too. Not that Murray cared what happened to that stupid fucking paper, or anything other than his husband. When Gabe began getting weaker, his doctors blamed it on the virus mutating, adapting to resist the drug. 
The last few months were devastating. Gabe, who had once been full of life and the only person Murray had ever met who could keep up with him, didn’t get out of bed for more than ten minutes a day. Murray waited on him hand and foot, and cried a lot. He feels guilty about it, but Murray was almost relieved when Gabe passed. At least he wasn’t so goddamn miserable anymore. Murray kept himself together enough to make funeral arrangements, but if he was a hermit before Gabe’s death, he was practically a ghost after. He didn’t go into town for anything, and subsisted off of whatever food Joyce brought by and his personal stockpile of liquor. He must’ve been drunk for six months straight, no interest in any of his old cases or hobbies or friends, even, until Joyce decided enough was enough. Murray’s not sure if it was a cosmic joke or divine timing, but she busted his door open just as he’d kicked the chair out from under himself.
With a few genuine threats to send Murray back to the institution, Joyce forcibly moved Murray into her house. He owed her his life, but he also very quickly got tired of being treated like a patient. To earn his passage home, Murray “bounced back,” at least as much as he could manage. He launched a full-scale investigation into AZT and the AIDS epidemic on The Watcher’s newly minted radio station (99.9!), which quickly got him blacklisted in town, which was more comforting than anything. He even started making his jokes again, though they were tinged with an unavoidable sadness. 
Before he could start traveling on cases again, Joyce got sick. When she told Murray, she made him swear that he would keep it together– for Jonathan. For her. So he swore to, and played nurse with Jonathan and Jim for the last months of Joyce. He’d started drinking again– just a little, enough to take the edge off and get through the day– but he was resilient. He could be strong for Joyce, she had been so strong for him! He owed her! Murray told himself a variety of clichés, but nothing could’ve prepared him for that day. When Joyce died, it felt like part of Hawkins did, too– part of what made the world good was gone, never to be recovered. He was angry this time, quietly and steadily seething. In the weeks since, Murray has been attending to his duties: watching Luke when needed, helping Jonathan make arrangements, and running his mouth every night on 99.9 The Watcher FM. 
time capsule
In 1986, Murray was determined to make sure the world– or, Hawkins High School Students of the twenty-first century– remembered Will and El. So, he slipped Jonathan a $20 in exchange for a favor: to slip a photo of the Byers’ family Christmas (1985) into the capsule. The tattered photo shows Will and El clutching their presents to their chests with big grins, a fancy sketchbook and a walkie of her own, respectively. Joyce and Jonathan watch on, looking pleased at their gifts, and Jim is shown just out of frame with a beer. All was right in the world. Murray inscribed the photo: Superheroes. 
stats
Please distribute up to fifty points among the following stats! Click here for more detailed instructions on stats.
Athletics (How Athletic are they?) - 1
Burglary (Can they swipe stuff?) - 0
Contacts (Do they know people with information?) - 3
Deceive (Are they a good liar?) - 2
Drive (like, actual driving ability) - 1
Empathy (On a scale of 1-10 how much of an empath are they?) - 1
Fight (Do they have hands?) - 1
Investigate (Can they sleuth?) - 3
Lore (Kinda like knowledge) - 3
Medicine (First Aid Essentially) - 0
Navigation (How good are they with a map/getting around?) - 1
Notice (Is your character observant?) - 3
Provoke (Are they a shit stirrer?) - 3
Rapport (Are they charming? Can they do it on command?) - -1
Resourcefulness (MacGyver scale) - 2
Stealth (Are they sneaky?) - -2
Will (Tenacity) - 3
extras
Playlist: https://open.spotify.com/playlist/162vxlr1BKsBZ1wUOdebTp?si=315fee7c683f438e&pt=eb2065e9a8210c9310a19b082553bcac
Pinterest: https://www.pinterest.com/godstruckkkk/999-the-watcher-fm/
1 note · View note
lboogie1906 · 1 year
Photo
Tumblr media
Doris Troy (born Doris Elaine Higginsen; January 6, 1937 – February 16, 2004) was an R&B singer and songwriter, known to her many fans as "Mama Soul". Her biggest hit was "Just One Look", a top-10 hit. She was one of the four female backup singers on The Dark Side of the Moon by Pink Floyd. Under the name Doris Payne, she began songwriting and earned $100 for the Dee Clark hit "How About That". Going into the recording industry, she worked as a backup vocalist for Atlantic Records alongside Dionne and Dee Dee Warwick. She was part of the original lineup of The Sweet Inspirations, with Cissy Houston and the two Warwicks. Taking her stage name from Helen of Troy, she sang backup vocals for Solomon Burke, the Drifters, Houston, and Dionne Warwick, before she co-wrote and recorded"Just One Look". This song hit No. 10 on the US Billboard Hot 100. "Just One Look" was the only charting US hit for her. The song was recorded in 10 minutes, as a demo for Atlantic Records. Atlantic Records heard the demo, and they decided not to re-record it, instead opting to release it as was. The musicians included Ernie Hayes on organ, Wally Richardson on guitar, Bob Bushnell on bass, and Bernard "Pretty" Purdie on drums. The song has been covered by The Hollies, Faith, Hope & Charity, Major Lance, Linda Ronstadt, Bryan Ferry, Anne Murray, Klaus Nomi, and Harry Nilsson in a duet with Lynda Laurence. Her only foray into the UK Singles Chart, "Whatcha Gonna Do About It", peaked at No. 37. As her solo career peaked, she continued to sing backup for multiple artists and bands. She contributed vocals to The Rolling Stones' 1969 song "You Can't Always Get What You Want", Pink Floyd's The Dark Side of the Moon, and Carly Simon's "You're So Vain". She also sang for Humble Pie, Kevin Ayers, Edgar Broughton, George Harrison, Johnny Hallyday, Vivian Stanshall, Dusty Springfield, Nick Drake, and Junior Campbell. #africanhistory #africanexcellence https://www.instagram.com/p/CnEuuU2LnOA/?igshid=NGJjMDIxMWI=
0 notes
Gilbert & Anne in Anne of green gables’ book
« That's Gilbert Blythe sitting right across the aisle from you, Anne. Just look at him and see if you don't think he's handsome."      Anne looked accordingly. She had a good chance to do so, for the said Gilbert Blythe was absorbed in stealthily pinning the long yellow braid of Ruby Gillis, who sat in front of him, to the back of her seat. He was a tall boy, with curly brown hair, roguish hazel eyes, and a mouth twisted into a teasing smile. Presently Ruby Gillis started up to take a sum to the master; she fell back into her seat with a little shriek, believing that her hair was pulled out by the roots. Everybody looked at her and Mr. Phillips glared so sternly that Ruby began to cry. Gilbert had whisked the pin out of sight and was studying his history with the soberest face in the world; but when the commotion subsided he looked at Anne and winked with inexpressible drollery.      "I think your Gilbert Blythe IS handsome," confided Anne to Diana, "but I think he's very bold. It isn't good manners to wink at a strange girl."      But it was not until the afternoon that« things really began to happen.      Mr. Phillips was back in the corner explaining a problem in algebra to Prissy Andrews and the rest of the scholars were doing pretty much as they pleased eating green apples, whispering, drawing pictures on their slates, and driving crickets harnessed to strings, up and down aisle. Gilbert Blythe was trying to make Anne Shirley look at him and failing utterly, because Anne was at that moment totally oblivious not only to the very existence of Gilbert Blythe, but of every other scholar in Avonlea school itself. With her chin propped on her hands and her eyes fixed on the blue glimpse of the Lake of Shining Waters that the west window afforded, she was far away in a gorgeous dreamland hearing and seeing nothing save her own wonderful visions. » « Gilbert Blythe wasn't used to putting himself out to make a girl look at him and meeting with failure. She SHOULD look at him, that red-haired Shirley girl with the little pointed chin and the big eyes that weren't like the eyes of any other girl in Avonlea school.      Gilbert reached across the aisle, picked up the end of Anne's long red braid, held it out at arm's length and said in a piercing whisper:      "Carrots! Carrots!"      Then Anne looked at him with a vengeance!      She did more than look. She sprang to her feet, her bright fancies fallen into cureless ruin. She flashed one indignant glance at Gilbert from eyes whose angry sparkle was swiftly quenched in equally angry tears.      "You mean, hateful boy!" she exclaimed passionately. "How dare you!"      And then--thwack! Anne had brought her slate down on Gilbert's head and cracked it--slate not head--clear across.      Avonlea school always enjoyed a scene. This was an especially enjoyable one. Everybody said "Oh" in horrified delight. Diana gasped. Ruby Gillis, who was inclined to be hysterical, began to cry. Tommy Sloane let his team of crickets escape him altogether while he stared open-mouthed at« tableau.      Mr. Phillips stalked down the aisle and laid his hand heavily on Anne's shoulder.      "Anne Shirley, what does this mean?" he said angrily. Anne returned no answer. It was asking too much of flesh and blood to expect her to tell before the whole school that she had been called "carrots." Gilbert it was who spoke up stoutly.      "It was my fault Mr. Phillips. I teased her."      Mr. Phillips paid no heed to Gilbert.      "I am sorry to see a pupil of mine displaying such a temper and such a vindictive spirit," he said in a solemn tone, as if the mere fact of being a pupil  » « When school was dismissed Anne marched out with her red head held high. Gilbert Blythe tried to intercept her at the porch door.      "I'm awfully sorry I made fun of your hair, Anne," he whispered contritely. "Honest I am. Don't be mad for keeps, now"      Anne swept by disdainfully, without look or sign of hearing. "Oh how could you, Anne?" breathed Diana as they went down the road half reproachfully, half admiringly. Diana felt that SHE could never have resisted Gilbert's plea.      "I shall never forgive Gilbert Blythe," said Anne firmly.  » « Mr. Phillips's brief reforming energy was over; he didn't want the bother of punishing a dozen pupils; but it was necessary to do something to save his word, so he looked about for a scapegoat and found it in Anne, who had dropped into her seat, gasping for breath, with a forgotten lily wreath hanging askew over one ear and giving her a particularly rakish and disheveled appearance.      "Anne Shirley, since you seem to be so fond of the boys' company we shall indulge your taste for it this afternoon," he said sarcastically. "Take those flowers out of your hair and sit with Gilbert Blythe."      The other boys snickered. Diana, turning pale with pity, plucked the wreath from Anne's hair and squeezed her hand. Anne stared at the master as if turned to stone.      "Did you hear what I said, Anne?" queried Mr. Phillips sternly.      "Yes, sir," said Anne slowly "but I didn't suppose you really meant it."      "I assure you I did"--still with the sarcastic inflection which all the children, and Anne especially, hated. It flicked on the raw. "Obey me at once."      For a moment Anne looked as if she meant to disobey. Then, realizing that « there was no help for it, she rose haughtily, stepped across the aisle, sat down beside Gilbert Blythe, and buried her face in her arms on the desk. Ruby Gillis, who got a glimpse of it as it went down, told the others going home from school that she'd "acksually never seen anything like it--it was so white, with awful little red spots in it."      To Anne, this was as the end of all things. It was bad enough to be singled out for punishment from among a dozen equally guilty ones; it was worse still to be sent to sit with a boy, but that that boy should be Gilbert Blythe was heaping insult on injury to a degree utterly unbearable. Anne felt that she could not bear it and it would be of no use to try. Her whole being seethed with shame and anger and humiliation.      At first the other scholars looked and whispered and giggled and nudged. But as Anne never lifted her head and as Gilbert worked fractions as if his whole soul was absorbed in them and them only, they soon returned to their own tasks and Anne was forgotten. When Mr. Phillips called the history class out Anne should have gone, but Anne did not move, and Mr. Phillips, who had been writing some « verses "To Priscilla" before he called the class, was thinking about an obstinate rhyme still and never missed her. Once, when nobody was looking, Gilbert took from his desk a little pink candy heart with a gold motto on it, "You are sweet," and slipped it under the curve of Anne's arm. Whereupon Anne arose, took the pink heart gingerly between the tips of her fingers, dropped it on the floor, ground it to powder beneath her heel, and resumed her position without deigning to bestow a glance on Gilbert. « but when she met Gilbert Blythe on the road or encountered him in Sunday school she passed him by with an icy contempt that was no whit thawed by his evident desire to appease her. Even Diana's efforts as a peacemaker were of no avail. Anne had evidently made up her mind to hate Gilbert Blythe to the end of life. « She flung herself into her studies heart and soul, determined not to be outdone in any class by Gilbert Blythe. The rivalry between them was soon apparent; it was entirely good natured on Gilbert's side; but it is much to be feared that the same thing cannot be said of Anne, who had certainly an unpraiseworthy tenacity for holding grudges. She was as intense in her hatreds as in her loves. She would not stoop to admit that she meant to rival Gilbert in schoolwork, because that would have been to acknowledge his existence which Anne persistently ignored; but the rivalry was there and honors fluctuated between them. Now Gilbert was head of the spelling class; now Anne, with a toss of her long red braids, spelled him down. One morning Gilbert had all his sums done correctly and had his name written on the blackboard on the roll of honor; the next morning Anne, having wrestled wildly with decimals the entire evening before, would be first. One awful day they were ties and their names were written up together. It was almost as bad as a take-notice and Anne's mortification was as evident as Gilbert's satisfaction. When[…] » « When Gilbert Blythe recited "Bingen on the Rhine" Anne picked up Rhoda Murray's library book and read it until he had finished, when she sat rigidly stiff and motionless while Diana clapped her hands until they tingled. » « Then, just as she thought she really could not endure the ache in her arms and wrists another moment, Gilbert Blythe came rowing under the bridge in Harmon Andrews's dory!      Gilbert glanced up and, much to his amazement, beheld a little white scornful face looking down upon him with big, frightened but also scornful gray eyes.      "Anne Shirley! How on earth did you get there?" he exclaimed.      Without waiting for an answer he pulled close to the pile and extended his hand. There was no help for it; Anne, clinging to Gilbert Blythe's hand, scrambled down into the dory, where she sat, drabbled and furious, in the stern with her arms full of dripping shawl and wet crepe. It was certainly extremely difficult to be dignified under the circumstances!      "What has happened, Anne?" asked Gilbert, taking up his oars. "We were playing Elaine" explained Anne frigidly, without even looking at her rescuer, "and I had to drift down to Camelot in the barge--I mean the flat. The flat began to leak and I climbed out on the pile. The girls went for help. Will you be kind enough to row me to the landing?"      Gilbert obligingly rowed to the landing and Anne, disdaining assistance, sprang nimbly on shore.      "I'm very much obliged to you," she said haughtily as she turned away. But Gilbert had also sprung from the boat and now laid a detaining hand on her arm.      "Anne," he said hurriedly, "look here. Can't we be good friends? I'm awfully sorry I made fun of your hair that time. I didn't mean to vex you and I only meant it for a joke. Besides, it's so long ago. I think your hair is awfully pretty now--honest I do.   « Let's be friends."      For a moment Anne hesitated. She had an odd, newly awakened consciousness under all her outraged dignity that the half-shy, half-eager expression in Gilbert's hazel eyes was something that was very good to see. Her heart gave a quick, queer little beat. But the bitterness of her old grievance promptly stiffened up her wavering determination. That scene of two years before flashed back into her recollection as vividly as if it had taken place yesterday. Gilbert had called her "carrots" and had brought about her disgrace before the whole school. Her resentment, which to other and older people might be as laughable as its cause, was in no whit allayed and softened by time seemingly. She hated Gilbert Blythe! She would never forgive him!      "No," she said coldly, "I shall never be friends with you, Gilbert Blythe; and I don't want to be!"      "All right!" Gilbert sprang into his skiff with an angry color in his cheeks. "I'll never ask you to be friends again, Anne Shirley. And I don't care either!"      He pulled away with swift defiant strokes, and Anne went up the steep, ferny little path under the maples. She held her head very high, but she was conscious of an odd feeling of regret. She almost wished she had answered Gilbert differently. Of course, he had insulted her terribly, but still--! Altogether, Anne rather thought it would be a relief to sit down and have a good cry. She was really quite unstrung, for the reaction from her fright and cramped clinging was making itself felt. » « Previously the rivalry had been rather onesided, but there was no longer any doubt that Gilbert was as determined to be first in class as Anne was. He was a foeman worthy of her steel. The other members of the class tacitly acknowledged their superiority, and never dreamed of trying to compete with them.      Since the day by the pond when she had refused to listen to his plea for forgiveness, Gilbert, save for the aforesaid determined rivalry, had evinced no recognition whatever of the existence of Anne Shirley. He talked and jested with the other girls, exchanged books and puzzles with them, discussed lessons and plans, sometimes walked home with one or the other of them from prayer meeting or Debating Club. But Anne Shirley he simply ignored, and Anne found out that it is not pleasant to be ignored. It was in vain that she told herself with a toss of her head that she did not care. Deep down in her wayward, feminine little heart she knew that she did care, and that if she had that chance of the Lake of Shining Waters again she would answer very differently. All at once, as it seemed« and to her secret dismay, she found that the old resentment she had cherished against him was gone--gone just when she most needed its sustaining power. It was in vain that she recalled every incident and emotion of that memorable occasion and tried to feel the old satisfying anger. That day by the pond had witnessed its last spasmodic flicker. Anne realized that she had forgiven and forgotten without knowing it. But it was too late.      And at least neither Gilbert nor anybody else, not even Diana, should ever suspect how sorry she was and how much she wished she hadn't been so proud and horrid! She determined to "shroud her feelings in deepest oblivion," and it may be stated here and now that she did it, so successfully that Gilbert, who possibly was not quite so indifferent as he seemed, could not console himself with any« belief that Anne felt his retaliatory scorn. The only poor comfort he had was that she snubbed Charlie Sloane, unmercifully, continually, and undeservedly. » « They had met and passed each other on the street a dozen times without any sign of recognition and every time Anne had held her head a little higher and wished a little more earnestly that she had made friends with Gilbert when he asked her, and vowed a little more determinedly to surpass him in the examination. « not a word could she utter, and the next moment she would have fled from the platform despite the humiliation which, she felt, must ever after be her portion if she did so.      But suddenly, as her dilated, frightened eyes gazed out over the audience, she saw Gilbert Blythe away at the back of the room, bending forward with a smile on his face--a smile which seemed to Anne at once triumphant and taunting. In reality it was nothing of the kind. Gilbert was merely smiling with appreciation of the whole affair in general and of the effect produced by Anne's slender white form and spiritual face against a background of palms in particular. Josie Pye, whom he had driven over, sat beside him, and her face certainly was both triumphant and taunting. But Anne did not see Josie, and would not have cared if she had. She drew a long breath and flung her head up proudly, courage and determination tingling over her like an electric shock. She WOULD NOT fail before Gilbert Blythe--he should never be able to laugh at her, never, never! Her fright and nervousness vanished; and she began her recitation, her clear« sweet voice reaching to the farthest corner of the room without a tremor or a break. Self-possession was fully restored to her, and in the reaction from that horrible moment of powerlessness she recited as she had never done before. When she finished there were bursts of honest applause. Anne, stepping back to her seat, blushing with shyness and delight, found her hand vigorously clasped and shaken by the stout lady in pink silk. » « I wouldn't feel comfortable without it," she thought. "Gilbert looks awfully determined. I suppose he's making up his mind, here and now, to win« the medal. What a splendid chin he has! I never noticed it before. I do wish Jane and Ruby had gone in for First Class, too. » « Gilbert Blythe nearly always walked with Ruby Gillis and carried her satchel for her. Ruby was a very handsome young lady, now thinking herself quite as grown up as she really was; she wore her skirts as long as her mother would let her and did her hair up in town, though she had to take it down when she went home. She had large, bright-blue eyes, a brilliant complexion, and a plump showy figure. She laughed a great deal, was cheerful and good-tempered, and enjoyed the pleasant things of life frankly.      "But I shouldn't think she was the sort of girl Gilbert would like," whispered Jane to Anne. Anne did not think so either, but she would not have said so for the Avery scholarship. She could not help thinking, too, that it would be very pleasant to have such a friend as Gilbert to jest and chatter with and exchange ideas about books and studies and ambitions. Gilbert had ambitions, she knew, and Ruby Gillis did not seem the sort of person with whom such could be profitably discussed.      There was no silly sentiment in Anne's ideas concerning Gilbert. Boys were to her, when she« when she thought about them at all, merely possible good comrades. If she and Gilbert had been friends she would not have cared how many other friends he had nor with whom he walked. She had a genius for friendship; girl friends she had in plenty; but she had a vague consciousness that masculine friendship might also be a good thing to round out one's conceptions of companionship and furnish broader standpoints of judgment and comparison. Not that Anne could have put her feelings on the matter into just such clear definition. But she thought that if Gilbert had ever walked home with her from the train, over the crisp fields and along the ferny byways, they might have had many and merry and interesting conversations about the new world that was opening around them and their hopes and« ambitions therein. Gilbert was a clever young fellow, with his own thoughts about things and a determination to get the best out of life and put the best into it. Ruby Gillis told Jane Andrews that she didn't understand half the things Gilbert Blythe said; he talked just like Anne Shirley did when she had a thoughtful fit on and for her part she didn't think it any fun to be bothering about books and that sort of thing when you didn't have to. Frank Stockley had lots more dash and go, but then he wasn't half as good-looking as Gilbert and she really couldn't decide which she liked best! » « Anne worked hard and steadily. Her rivalry with Gilbert was as intense as it had ever been in Avonlea school, although it was not known in the class at large, but somehow the bitterness had gone out of it. Anne no longer wished to win for the sake of defeating Gilbert; rather, for the proud consciousness of a well-won victory over a worthy foeman. It would be worth while to win, but she no longer thought life would be insupportable if she did not. » « Jane promised solemnly; but, as it happened, there was no necessity for such a promise. When they went up the entrance steps of Queen's they found the hall full of boys who were carrying Gilbert Blythe around on their shoulders and yelling at the tops of their voices, "Hurrah for Blythe, Medalist!"      For a moment Anne felt one sickening pang of defeat and disappointment. So she had failed and Gilbert had won! Well, Matthew would be sorry--he had been so sure she would win.      And then!      Somebody called out:      "Three cheers for Miss Shirley, winner of the Avery! » « I don't know it. I guess you're going to teach right here in Avonlea. The trustees have decided to give you the school."      "Mrs. Lynde!" cried Anne, springing to her feet in her surprise. "Why, I thought they had promised it to Gilbert Blythe!"      "So they did. But as soon as Gilbert heard that you had applied for it he went to them--they had a business meeting at the school last night, you know--and told them that he withdrew his application, and suggested that they accept yours. He said he was going to teach at White Sands. Of course he knew how much you wanted to stay with Marilla, and I must say I think it was real kind and thoughtful in him, that's what. Real self-sacrificing, too, for he'll have his board to pay at White Sands, and everybody knows he's got to earn his own way through college. So the trustees decided to take you. I was tickled to death when Thomas came home and told me."      "I don't feel that I ought to take it," murmured Anne. "I mean--I don't think I ought to let Gilbert make such a sacrifice for--for me[…] » « I guess you can't prevent him now. He's signed papers with the White Sands trustees. So it wouldn't do him any good now if you were to refuse. Of course you'll take the school. » « The beauty of it all thrilled Anne's heart, and she gratefully opened the gates of her soul to it.      "Dear old world," she murmured, "you are very lovely, and I am glad to be alive in you."      Halfway down the hill a tall lad came whistling out of a gate before the Blythe homestead. It was Gilbert, and the whistle died on his lips as he recognized Anne. He lifted his cap courteously, but he would have passed on in silence, if Anne had not stopped and held out her hand.      "Gilbert," she said, with scarlet cheeks, "I want to thank you for giving up the school for me. It was very good of you--and I want you to know that I appreciate it."      Gilbert took the offered hand eagerly.      "It wasn't particularly good of me at all, Anne. I was pleased to be able to do you some small service. Are we going to be friends after this? Have you really forgiven me my old fault?"      Anne laughed and tried unsuccessfully to withdraw her hand.      "I forgave you that day by the pond landing, although I didn't know it. What a stubborn little goose I was. I’ve« been--I may as well make a complete confession--I've been sorry ever since."      "We are going to be the best of friends," said Gilbert, jubilantly. "We were born to be good friends, Anne. You've thwarted destiny enough. I know we can help each other in many ways. You are going to keep up your studies, aren't you? So am I. Come, I'm going to walk home with you."      Marilla looked curiously at Anne when the latter entered the kitchen.      "Who was that came up the lane with you, Anne?"      "Gilbert Blythe," answered Anne, vexed to find herself blushing. "I met him on Barry's hill."      "I didn't think you and Gilbert Blythe were such good friends that you'd stand for half an hour at the« gate talking to him," said Marilla with a dry smile.      "We haven't been--we've been good enemies. But we have decided that it will be much more sensible to be good friends in the future. Were we really there half an hour? It seemed just a few minutes. But, you see, we have five years' lost conversations to catch up with, Marilla. » « Something about the firm outlines of Anne’s lips told that Mrs. Rachel was not far astray in this estimate. Anne’s heart was bent on forming the Improvement Society. Gilbert Blythe, who was to teach in White Sands but would always be home from Friday night to Monday morning, was enthusiastic about it; and most of the other folks were willing to go in for anything that meant occasional meetings, and consequently some “fun.” As for what the “improvements” were to be, nobody had any very clear idea except Anne and Gilbert. They had talked them over and planned them out until an ideal Avonlea existed in their minds, if nowhere else. » « I could never whip a child,” said Anne with equal decision. “I don’t believe in it at all. Miss Stacy never whipped any of us and she had perfect order; and Mr. Phillips was always whipping and he had no order at all. No, if I can’t get along without whipping I shall not try to teach school. There are better ways of managing. I shall try to win my pupils’ affections and then they will want to do what I tell them.” “But suppose they don’t?” said practical Jane. “I wouldn’t whip them anyhow. I’m sure it wouldn’t do any good. Oh, don’t whip your pupils, Jane, dear, no matter what they do.” “What do you think about it, Gilbert?” demanded Jane. “Don’t you think there are some children who really need a whipping now and then?” “Don’t you think it’s a cruel, barbarous thing to whip a child…any child?” exclaimed Anne, her face flushing with earnestness. “Well,” said Gilbert slowly, torn between his real convictions and his wish to measure up to Anne’s ideal, “there’s something to be said on both sides. I don’t believe in whipping children much. I think, as you say, Anne, that there are better ways of managing as a rule, and that corporal punishment should be a last resort. But on the other hand, as Jane says, I believe there is an occasional child who can’t be influenced in any other way and who, in short, needs a whipping and would be improved by it. Corporal punishment as a last resort is to be my rule.” Gilbert, having tried to please both sides, succeeded, as is usual and eminently right, in pleasing neither. Jane tossed her head. » « Anne gave Gilbert a disappointed glance. “I shall never whip a child,” she repeated firmly. “I feel sure it isn’t either right or necessary.” “Suppose a boy sauced you back when you told him to do something?” said Jane. “I’d keep him in after school and talk kindly and firmly to him,” said Anne. “There is some good in every person if you can find it. It is a teacher’s duty to find and develop it. That is what our School Management professor at Queen’s told us, you know. Do you suppose you could find any good in a child by whipping him? It’s far more important to influence the children aright than it is even to teach them the three R’s, Professor Rennie says.” “But the Inspector examines them in the three R’s, mind you, and he won’t give you a good report if they don’t come up to his standard,” protested Jane. “I’d rather have my pupils love me and look back to me in after years as a real helper than be on the roll of honor,” asserted Anne decidedly. “Wouldn’t you punish children at all, when they misbehaved?” asked Gilbert. “Oh, yes, I suppose I« shall have to, although I know I’ll hate to do it. But you can keep them in at recess or stand them on the floor or give them lines to write.” “I suppose you won’t punish the girls by making them sit with the boys?” said Jane slyly. Gilbert and Anne looked at each other and smiled rather foolishly. Once upon a time, Anne had been made to sit with Gilbert for punishment, and sad and bitter had been the consequences thereof. “Well, time will tell which is the best way,” said Jane philosophically as they parted. » « What is the matter?” asked Gilbert, who had arrived at the open kitchen door just in time to hear the sigh. Anne colored, and thrust her writing out of sight under some school compositions. “Nothing very dreadful. I was just trying to write out some of my thoughts, as Professor Hamilton advised me, but I couldn’t get them to please me. They seem so stiff and foolish directly they’re written down on white paper with black ink. Fancies are like shadows…you can’t cage them, they’re such wayward dancing things. But perhaps I’ll learn the secret some day if I keep on trying. I haven’t a great many spare moments, you know. By the time I finish correcting school exercises and compositions, I don’t always feel like writing any of my own.” “You are getting on splendidly in school, Anne. All the children like you,” said Gilbert, sitting down on the stone step. » « Gilbert had finally made up his mind that he was going to be a doctor. “It’s a splendid profession,” he said enthusiastically. “A fellow has to fight something all through life…didn’t somebody once define man as a fighting animal?…and I want to fight disease and pain and ignorance…which are all members one of another. I want to do my share of honest, real work in the « world, Anne…add a little to the sum of human knowledge that all the good men have been accumulating since it began. The folks who lived before me have done so much for me that I want to show my gratitude by doing something for the folks who will live after me. It seems to me that is the only way a fellow can get square with his obligations to the race.” “I’d like to add some beauty to life,” said Anne dreamily. “I don’t exactly want to make people know more…though I know that is the noblest ambition…but I’d love to make them have a pleasanter time because of me…to have some little joy or happy thought that would never have existed if I hadn’t been born.” “I think you’re fulfilling that ambition every day,” said Gilbert admiringly. And he was right. Anne was one of the children of light by birthright. After she had passed through a life with a smile or a word thrown across it like a gleam of sunshine the owner of that life saw it, for the time being at least, as hopeful and lovely and of good report. Finally« Gilbert rose regretfully. “Well, I must run up to MacPhersons’. Moody Spurgeon came home from Queen’s today for Sunday and he was to bring me out a book Professor Boyd is lending me. » « In the twilight Anne sauntered down to the Dryad’s Bubble and saw Gilbert Blythe coming down through the dusky Haunted Wood. She had a sudden realization that Gilbert was a schoolboy no longer. And how manly he looked—the tall, frank- « faced fellow, with the clear, straightforward eyes and the broad shoulders. Anne thought Gilbert was a very handsome lad, even though he didn’t look at all like her ideal man. She and Diana had long ago decided what kind of a man they admired and their tastes seemed exactly similar. He must be very tall and distinguished-looking, with melancholy, inscrutable eyes, and a melting, sympathetic voice. There was nothing either melancholy or inscrutable in Gilbert’s physiognomy, but of course that didn’t matter in friendship! Gilbert stretched himself out on the ferns beside the Bubble and looked approvingly at Anne. If Gilbert had been asked to describe his ideal woman the description would have answered point for point to Anne, even to those seven tiny freckles whose obnoxious presence still continued to vex her soul. Gilbert was as yet little more than a boy; but a boy has his dreams as have others, and in Gilbert’s future there was always a girl with big, limpid gray eyes, and a face as fine and delicate as a flower. He had made up his mind, also, that his future must be worthy of its goddess. Even in quiet Avonlea there were« temptations to be met and faced. White Sands youth were a rather “fast” set, and Gilbert was popular wherever he went. But he meant to keep himself worthy of Anne’s friendship and perhaps some distant day her love; and he watched over word and thought and deed as jealously as if her clear eyes were to pass in judgment on it. She held over him the unconscious influence that every girl whose ideals are high and pure, wields over her friends; an influence which would endure as long as she was faithful to those ideals and which she would as certainly lose if she were ever false to them. In Gilbert’s eyes Anne’s greatest charm was the fact that she never stooped to the petty practices of so many of the Avonlea girls—the small jealousies, the little deceits and rivalries, the palpable bids for favor. Anne held herself apart « from all this, not consciously or of design, but simply because anything of the sort was utterly foreign to her transparent, impulsive nature, crystal clear in its motives and aspirations. But Gilbert did not attempt to put his thoughts into words, for he had already too good reason to know that Anne would mercilessly and frostily nip all attempts at sentiment in the bud—or laugh at him, which was ten times worse. “You look like a real dryad under that birch tree,” he said teasingly. » « Gilbert Blythe was probably the only person to whom the news of Anne’s resignation brought unmixed pleasure. » « But there’ll be so many clever girls at Redmond,” sighed Diana, “and I’m only a stupid little country girl who says ‘I seen’ sometimes…though I really know better when I stop to think. Well, of course these past two years have really been too pleasant to last. I know somebody who is glad you are going to Redmond, anyhow. Anne, I’m going to ask you a question…a serious question. Don’t be vexed and do answer seriously. Do you care anything for Gilbert?” “Ever so much as a friend and not a bit in the way you mean,” said Anne calmly and decidedly; she also thought she was speaking sincerely. » « Then she locked the door and sat down under the silver poplar to wait for Gilbert, feeling very tired but still unweariedly thinking “long, long thoughts.” “What are you thinking of, Anne?” asked Gilbert, coming down the walk. He had left his horse and buggy out at the road. “Of Miss Lavendar and Mr. Irving,” answered Anne dreamily. “Isn’t it beautiful to think how everything has turned out…how they have come together again after all the years of separation and misunderstanding?” “Yes, it’s beautiful,” said Gilbert, looking steadily down into Anne’s uplifted face, “but wouldn’t it have been more beautiful still, Anne, if there had been no separation or misunderstanding…if they had come hand in hand all the way through life, with no memories behind them but those which belonged to each other?” For a moment Anne’s heart fluttered queerly and for the first time her eyes faltered under Gilbert’s gaze and a rosy flush stained the paleness of her face. It was as if a veil that had hung before her inner consciousness had been lifted, giving to her view a revelation of unsuspected feelings and realities. « Perhaps, after all, romance did not come into one’s life with pomp and blare, like a gay knight riding down; perhaps it crept to one’s side like an old friend through quiet ways; perhaps it  « revealed itself in seeming prose, until some sudden shaft of illumination flung athwart its pages betrayed the rhythm and the music, perhaps…perhaps…love unfolded naturally out of a beautiful friendship, as a golden-hearted rose slipping from its green sheath. Then the veil dropped again; but the Anne who walked up the dark lane was not quite the same Anne who had driven gaily down it the evening before. The page of girlhood had been turned, as by an unseen finger, and the page of womanhood was before her with all its charm and mystery, its pain and gladness. Gilbert wisely said nothing more; but in his silence he read the history of the next four years in the light of Anne’s remembered blush. Four years of earnest, happy work…and then the guerdon of a useful knowledge gained and a sweet heart won. » « They were leaning on the bridge of the old pond, drinking deep of the enchantment of the dusk, just at the spot where Anne had climbed from her sinking Dory on the day Elaine floated down to Camelot. The fine, empurpling dye of sunset still stained the western skies, but the moon was rising and the water lay like a great, silver dream in her light. Remembrance wove a sweet and subtle spell over the two young creatures. "You are very quiet, Anne," said Gilbert at last. "I'm afraid to speak or move for fear all this wonderful beauty will vanish just like a broken silence," breathed Anne. » « Gilbert suddenly laid his hand over the slender white one lying on the rail of the bridge. His hazel eyes deepened into darkness, his still boyish lips opened to say something of the dream and hope that thrilled his soul. But Anne snatched her hand away and turned quickly. The spell of the dusk was broken for her. "I must go home," she exclaimed, with a rather overdone carelessness. "Marilla had a headache this afternoon, and I'm sure the twins will be in some dreadful mischief by this time. I really shouldn't have stayed away so long." She chattered ceaselessly and inconsequently until they reached the Green Gables lane. Poor Gilbert hardly had a chance to get a word in edgewise. Anne felt rather relieved when they parted. There had been a new, secret self-consciousness in her heart with regard to Gilbert, ever since that fleeting moment of revelation in the garden of Echo Lodge. Something alien had intruded into the old, perfect, school-day comradeship -- something that threatened to mar it. "I never felt glad to see Gilbert go before," she thought, half- resentfully, half-sorrowfully, as she walked alone up the lane. "Our friendship will be« spoiled if he goes on with this nonsense. It mustn't be spoiled -- I won't let it. Oh, WHY can't boys be just sensible!" Anne had an uneasy doubt that it was not strictly "sensible" that she should still feel on her hand the warm pressure of Gilbert's, as distinctly as she had felt it for the swift second his had rested there; and still less sensible that the sensation was far from being an unpleasant one -- very different from that which had attended a similar demonstration on Charlie Sloane's part, when she had been sitting out a dance with him at a White Sands party three nights before. Anne shivered over the disagreeable recollection. But all problems connected with infatuated swains vanished from her mind  » « Gilbert Blythe and Charlie Sloane, both trying to keep as near the elusive Anne as possible » « She enjoyed the evening tremendously, but the end of it rather spoiled all. Gilbert again made the mistake of saying something sentimental to her as they ate their supper on the moonlit verandah; and Anne, to punish him, was gracious to Charlie Sloane and allowed the latter to walk home with her. She found, however, that revenge hurts nobody quite so much as the one who tries to inflict it. Gilbert walked airily off with Ruby Gillis, and Anne could hear them laughing and talking gaily as they loitered along in the still, crisp autumn air. They were evidently having the best of good times, while she was horribly bored by Charlie Sloane, who talked unbrokenly on, and never, even by accident, said one thing that was worth listening to. Anne gave an occasional absent "yes" or "no," and thought how beautiful Ruby had looked that night, how very goggly Charlie's eyes were in the moonlight »« worse even than by daylight -- and that the world, somehow, wasn't quite such a nice place as she had believed it to be earlier in the evening. "I'm just tired out -- that is what is the matter with me," she said, when she thankfully found herself alone in her own room. And she honestly believed it was. But a certain little gush of joy, as from some secret, unknown spring, bubbled up in her heart the next evening, when she saw Gilbert striding down through the Haunted Wood and crossing the old log bridge with that firm, quick step of his. So Gilbert was not going to spend this last evening with Ruby Gillis after all! » « They started gaily off. Anne, remembering the unpleasantness of the preceding evening, was very nice to Gilbert; and Gilbert, who was learning wisdom, took care to be nothing save the schoolboy comrade again. Mrs. Lynde and Marilla watched them from the kitchen window. "That'll be a match some day," Mrs. Lynde said approvingly. Marilla winced slightly. In her heart she hoped it would, but it went against her grain to hear the matter spoken of in Mrs. Lynde's gossipy matter-of-fact way. "They're only children yet," she said shortly. Mrs. Lynde laughed good-naturedly. "Anne is eighteen; I was married when I was that age. We old folks, Marilla, are too much given to thinking children never grow up, that's what. Anne is a young woman and Gilbert's a man, and he worships the ground she walks on, as any one can see. He's a fine fellow, and Anne can't do better. I hope she won't get any romantic nonsense into her head at Redmond. I don't approve of them coeducational places and never did, that's what. I don't believe," concluded Mrs. Lynde solemnly, "that the students at such colleges ever do much else than flirt. » « Gilbert and Anne loitered a little behind the others, enjoying the calm, still beauty of the autumn afternoon under the pines of the park, on the road that climbed and twisted round the harbor shore. "The silence here is like a prayer, isn't it?" said Anne, her face upturned to the shining sky. "How I love the pines! They seem to strike their roots deep into the romance of all the ages. It is so comforting to creep away now and then for a good talk with them. I always feel so happy out here." "`And so in mountain solitudes o'ertaken As by some spell divine, Their cares drop from them like the needles shaken From out the gusty pine,'" quoted Gilbert. "They make our little ambitions seem rather petty, don't they, Anne?" "I think, if ever any great sorrow came to me, I would come to the pines for comfort," said Anne dreamily. "I hope no great sorrow ever will come to you, Anne," said Gilbert, who could not connect the idea of sorrow with the vivid, joyous creature beside him, unwitting that those who can soar to the highest heights can also plunge to the deepest depths, and that the natures which enjoy most keenly are those which also suffer most sharply. » « But there must -- sometime," mused Anne. "Life seems like a cup of glory held to my lips just now. But there must be some bitterness in it -- there is in every cup. I shall taste mine some day. Well, I hope I shall be strong and brave to meet it. And I hope it won't be through my own fault that it will come. Do you remember what Dr. Davis said last Sunday evening -- that the sorrows God sent us brought comfort and strength with them, while the sorrows we brought on ourselves, through folly or wickedness, were by far the hardest to bear? But we mustn't talk of sorrow on an afternoon like this. It's meant for the sheer joy of living, isn't it?" "If I had my way I'd shut everything out of your life but happiness and pleasure, Anne," said Gilbert in the tone that meant "danger ahead." "Then you would be very unwise," rejoined Anne hastily. "I'm sure no life can be properly developed and rounded out without some trial and sorrow -- though I suppose it is only when we are pretty comfortable that we admit it. Come -- the others have got to the pavilion[…] » « Gilbert did not love any of them, and he was exceedingly careful to give none of them the advantage over him by any untimely display of his real feelings Anne-ward. To her he had become again the boy-comrade of Avonlea days, and as such could hold his own against any smitten swain who had so far entered the lists against him. As a companion, Anne honestly acknowledged nobody could be so satisfactory as Gilbert; she was very glad, so she told herself, that he had evidently dropped all nonsensical ideas -- though she spent considerable time secretly wondering why. » « Gilbert, to be sure, was still faithful, and waded up to Green Gables every possible evening. But Gilbert's visits were not what they once were. Anne almost dreaded them. It was very disconcerting to look up in the midst of a sudden silence and find Gilbert's hazel eyes fixed upon her with a quite unmistakable expression in their grave depths; and it was still more disconcerting to find herself blushing hotly and uncomfortably under his gaze, just as if -- just as if -- well, it was very embarrassing. Anne wished herself back at Patty's Place, where there was always somebody else about to take the edge off a delicate situation. At Green Gables Marilla went promptly to Mrs. Lynde's domain when Gilbert came and insisted on taking the twins with her. The significance of this was unmistakable and Anne was in a helpless fury over it. » « You mustn't work too HARD," said Anne, without any very clear idea of what she was saying. She wished desperately that Phil would come out. "You've studied very constantly this winter. Isn't this a delightful evening? Do you know, I found a cluster of white violets under that old twisted tree over there today? I felt as if I had discovered a gold mine." "You are always discovering gold mines," said Gilbert -- also absently. "Let us go and see if we can find some more," suggested Anne eagerly. "I'll call Phil and -- " "Never mind Phil and the violets just now, Anne," said Gilbert quietly, taking her hand in a clasp from which she could not free it. "There is something I want to say to you." "Oh, don't say it," cried Anne, pleadingly. "Don't -- PLEASE, Gilbert." "I must. Things can't go on like this any longer. Anne, I love you. You know I do. I -- I can't tell you how much. Will you promise me that some day you'll be my wife?" "I -- I can't," said Anne miserably. "Oh, Gilbert -- you -- you've spoiled everything." "Don't you care for me at all?" Gilbert asked after a very dreadful pause, during« which Anne had not dared to look up. "Not -- not in that way. I do care a great deal for you as a friend. But I don't love you, Gilbert." "But can't you give me some hope that you will -- yet?" "No, I can't," exclaimed Anne desperately. "I never, never can love you -- in that way -- Gilbert. You must never speak of this to me again." There was another pause -- so long and so dreadful that Anne was driven at last to look up. Gilbert's face was white to the lips. And his eyes -- but Anne shuddered and looked away. There was « nothing romantic about this. Must proposals be either grotesque or -- horrible? Could she ever forget Gilbert's face? "Is there anybody else?" he asked at last in a low voice. "No -- no," said Anne eagerly. "I don't care for any one like THAT -- and I LIKE you better than anybody else in the world, Gilbert. And we must -- we must go on being friends, Gilbert." Gilbert gave a bitter little laugh. "Friends! Your friendship can't satisfy me, Anne. I want your love -- and you tell me I can never have that." "I'm sorry. Forgive me, Gilbert," was all Anne could say. Where, oh, where were all the gracious and graceful speeches wherewith, in imagination, she had been wont to dismiss rejected suitors? Gilbert released her hand gently. "There isn't anything to forgive. There have been times when I thought you did care. I've deceived myself, that's all. Goodbye, Anne. » « Phil," pleaded Anne, "please go away and leave me alone for a little while. My world has tumbled into pieces. I want to reconstruct it." "Without any Gilbert in it?" said Phil, going. A world without any Gilbert in it! Anne repeated the words drearily. Would it not be a very lonely, forlorn place? Well, it was all Gilbert's fault. He had spoiled their beautiful comradeship. She must just learn to live without it. » « Life was very pleasant in Avonlea that summer, although Anne, amid all her vacation joys, was haunted by a sense of "something gone which should be there." She would not admit, even in her inmost reflections, that this was caused by Gilbert's absence.  » « Gilbert would never have dreamed of writing a sonnet to her eyebrows. But then, Gilbert could see a joke. She had once told Roy a funny story -- and he had not seen the point of it. She recalled the chummy laugh she and Gilbert had had together over it, and wondered uneasily if life with a man who had no sense of humor might not be somewhat uninteresting in the long run. But who could expect a melancholy, inscrutable hero to see the humorous side of things? It would be flatly unreasonable. » « Fred and Diana drove away through the moonlight to their new home, and Gilbert walked with Anne to Green Gables. Something of their old comradeship had returned during the informal mirth of the evening. Oh, it was nice to be walking over that well-known road with Gilbert again! The night was so very still that one should have been able to hear the whisper of roses in blossom --  « the laughter of daisies -- the piping of grasses -- many sweet sounds, all tangled up together. The beauty of moonlight on familiar fields irradiated the world. "Can't we take a ramble up Lovers' Lane before you go in?" asked Gilbert as they crossed the bridge over the Lake of Shining Waters, in which the moon lay like a great, drowned blossom of gold. Anne assented readily. Lovers' Lane was a veritable path in a fairyland that night -- a shimmering, mysterious place, full of wizardry in the white-woven enchantment of moonlight. There had been a time when such a walk with Gilbert through Lovers' Lane would have been far too dangerous. But Roy and Christine had made it very safe now. Anne found herself thinking a good deal about Christine as she chatted lightly to Gilbert. She had met her several times before leaving Kingsport, and had been charmingly sweet to her. Christine had also been charmingly sweet. Indeed, they were a most cordial pair. But for all that, their acquaintance had not ripened into friendship. Evidently Christine was not a kindred spirit. "Are you going to be in Avonlea all summer?" asked Gilbert. » « It was filled with lilies-of-the-valley, as fresh and fragrant as those which bloomed in the Green Gables yard when June came to Avonlea. Gilbert Blythe's card lay beside it. Anne wondered why Gilbert should have sent her flowers for Convocation. She had seen very little of him during the past winter. » «  On the accompanying card was written, "With all good wishes from your old chum, Gilbert." Anne, laughing over the memory the enamel heart conjured up the fatal day when Gilbert had called her "Carrots" and vainly tried to make his peace with a pink candy heart, had written him a nice little note of thanks. But she had never worn the trinket. Tonight she fastened it about her white throat with a dreamy smile. » « Say, Anne, did you know that Gilbert Blythe is dying?" Anne stood quite silent and motionless, looking at Davy. Her face had gone so white that Marilla thought she was going to faint. "Davy, hold your tongue," said Mrs. Rachel angrily. "Anne, don't look like that -- DON'T LOOK LIKE THAT! We didn't mean to tell you so suddenly." "Is -- it -- true?" asked Anne in a voice that was not hers. "Gilbert is very ill," said Mrs. Lynde gravely. "He took down with typhoid fever just after you left for Echo Lodge. Did you never hear of it?" "No," said that unknown voice. "It was a very bad case from the start. The doctor said he'd been terribly run down. They've a trained nurse and everything's been done. DON'T look like that, Anne. While there's life there's hope." "Mr. Harrison was here this evening and he said they had no hope of him," reiterated Davy. » « Marilla, looking old and worn and tired, got up and marched Davy grimly out of the kitchen. "Oh, DON'T look so, dear," said Mrs. Rachel, putting her kind old arms about the pallid girl. "I haven't given up hope, indeed I haven't. He's got the Blythe constitution in his favor, that's what." Anne gently put Mrs. Lynde's arms away from her, walked blindly across the kitchen, through the hall, up the stairs to her old room. At its window she knelt down, staring out unseeingly. It was very dark. The rain was beating down over the shivering fields. The Haunted Woods was full of the groans of mighty trees wrung in the tempest, and the air throbbed with the thunderous crash of billows on the distant shore. And Gilbert was dying! There is a book of Revelation in every one's life, as there is in the Bible. Anne read hers that bitter night, as she kept her agonized vigil through the hours of storm and darkness. She loved Gilbert -- had always loved him! She knew that now. She knew that she could no more cast him out of her life without agony than she could have cut off her« her right hand and cast it from her. And the knowledge had come too late -- too late even for the bitter solace of being with him at the last. If she had not been so blind -- so foolish -- she would have had the right to go to him now. But he would never know that she loved him -- he would go away from this life thinking that she did not care. Oh, the black years of emptiness stretching before her! She could not live through them -- she could not! She cowered down by her window and wished, for the first time in her gay young life, that she could die, too. If Gilbert went away from her, without one word or sign or message, she could not live. Nothing was of any value without him. She belonged to him and he to her. In her hour of supreme agony she had no doubt of that. He did not love Christine Stuart -- never had loved Christine Stuart. Oh, what a fool she had been not to realize what the bond « was that had held her to Gilbert -- to think that the flattered fancy she had felt for Roy Gardner had been love. And now she must pay for her folly as for a crime. Mrs. Lynde and Marilla crept to her door before they went to bed, shook their heads doubtfully at each other over the silence, and went away. The storm raged all night, but when the dawn came it was spent. Anne saw a fairy fringe of light on the skirts of darkness. Soon the eastern hilltops had a fire-shot ruby rim. The clouds rolled themselves away into great, soft, white masses on the horizon; the sky gleamed blue and silvery. A hush fell over the world. Anne rose from her knees and crept downstairs. The freshness of the rain-wind blew against her white face as she went out into the yard, and cooled her dry, burning eyes. A merry rollicking whistle was lilting up the lane. A moment later Pacifique Buote came in sight. Anne's physical strength suddenly failed her. If she had not clutched at a low willow bough she would have fallen. Pacifique was George Fletcher's hired man, and George Fletcher lived« next door to the Blythes. Mrs. Fletcher was Gilbert's aunt. Pacifique would know if -- if -- Pacifique would know what there was to be known. Pacifique strode sturdily on along the red lane, whistling. He did not see Anne. She made three futile attempts to call him. He was almost past before she succeeded in making her quivering lips call, "Pacifique!" Pacifique turned with a grin and a cheerful good morning. "Pacifique," said Anne faintly, "did you come from George Fletcher's this morning?" "Sure," said Pacifique amiably. "I got de word las' night dat my fader, he was seeck. It was so stormy dat I couldn't go den, so I start vair early dis mornin'. I'm goin' troo de woods for short cut. » « Did you hear how Gilbert Blythe was this morning?" Anne's desperation drove her to the question. Even the worst would be more endurable than this hideous suspense. "He's better," said Pacifique. "He got de turn las' night. De doctor say he'll be all right now dis soon while. Had close shave, dough! Dat boy, he jus' keel himself at college. Well, I mus' hurry. De old man, he'll be in hurry to see me." Pacifique resumed his walk and his whistle. Anne gazed after him with eyes where joy was driving out the strained anguish of the night. He was a very lank, very ragged, very homely youth. But in her sight he was as beautiful as those who bring good tidings on the mountains. Never, as long as she lived, would Anne see Pacifique's brown, round, black-eyed face without a warm remembrance of the moment when he had given to her the oil of joy for mourning. Long after Pacifique's gay whistle had faded into the phantom of music and then into silence far up under the maples of Lover's Lane Anne stood under the willows, tasting the poignant sweetness of life when some great dread has« been removed from it. The morning was a cup filled with mist and glamor. In the corner near her was a rich surprise of new-blown, crystal-dewed roses. The trills and trickles of song from the birds in the big tree above her seemed in perfect accord with her mood. A sentence from a very old, very true, very wonderful Book came to her lips, "Weeping may endure for a night but joy cometh in the morning." XLI Love Takes Up the Glass of Time "I've come up to ask you to go for one of our old-time rambles through September woods and `over hills where spices grow,' this afternoon," said « Gilbert, coming suddenly around the porch corner. "Suppose we visit Hester Gray's garden." Anne, sitting on the stone step with her lap full of a pale, filmy, green stuff, looked up rather blankly. "Oh, I wish I could," she said slowly, "but I really can't, Gilbert. I'm going to Alice Penhallow's wedding this evening, you know. I've got to do something to this dress, and by the time it's finished I'll have to get ready. I'm so sorry. I'd love to go." "Well, can you go tomorrow afternoon, then?" asked Gilbert, apparently not much disappointed. "Yes, I think so. » « Is that the dress you're going to wear tonight?" asked Gilbert, looking down at the fluffs and frills. "Yes. Isn't it pretty? And I shall wear starflowers in my hair. The Haunted Wood is full of them this « summer." Gilbert had a sudden vision of Anne, arrayed in a frilly green gown, with the virginal curves of arms and throat slipping out of it, and white stars shining against the coils of her ruddy hair. The vision made him catch his breath. But he turned lightly away. "Well, I'll be up tomorrow. Hope you'll have a nice time tonight." Anne looked after him as he strode away, and sighed. Gilbert was friendly -- very friendly -- far too friendly. He had come quite often to Green Gables after his recovery, and something of their old comradeship had returned. But Anne no longer found it satisfying. The rose of love made the blossom of friendship pale and scentless by contrast. And Anne had again begun to doubt if Gilbert now felt anything for her but friendship. In the common light of common day her radiant certainty of that rapt morning had faded. She was haunted by a miserable fear that her mistake could never be rectified. It was quite likely that it was Christine whom Gilbert loved after all. Perhaps he was even engaged to her. Anne tried to put all unsettling hopes out of her heart, and reconcile herself« to a future where work and ambition must take the place of love. She could do good, if not noble, work as a teacher; and the success her little sketches were beginning to meet with in certain editorial sanctums augured well for her budding literary dreams. But -- but -- Anne picked up her green dress and sighed again. When Gilbert came the next afternoon he found Anne waiting for him, fresh as the dawn and fair as a star, after all the gaiety of the preceding night. She wore a green dress -- not the one she had worn to the wedding, but an old one which Gilbert had told her at a Redmond reception he liked especially. It was just the shade of green that brought out the rich tints of her hair, and the starry gray of her eyes and the iris-like delicacy of her skin. Gilbert, glanc« ing at her sideways as they walked along a shadowy woodpath, thought she had never looked so lovely. Anne, glancing sideways at Gilbert, now and then, thought how much older he looked since his illness. It was as if he had put boyhood behind him forever. The day was beautiful and the way was beautiful. Anne was almost sorry when they reached Hester Gray's garden, and sat down on the old bench. But it was beautiful there, too -- as beautiful as it had been on the faraway day of the Golden Picnic, when Diana and Jane and Priscilla and she had found it. Then it had been lovely with narcissus and violets; now golden rod had kindled its fairy torches in the corners and asters dotted it bluely. The call of the brook came up through the woods from the valley of birches with all its old allurement; the mellow air was full of the purr of the sea; beyond were fields rimmed by fences bleached silvery gray in the suns of many summers, and long hills scarfed with the shadows of autumnal clouds; with the blowing of the west wind old dreams returned. "I think," said Anne softly« that `the land where dreams come true' is in the blue haze yonder, over that little valley." "Have you any unfulfilled dreams, Anne?" asked Gilbert. Something in his tone -- something she had not heard since that miserable evening in the orchard at Patty's Place -- made Anne's heart beat wildly. But she made answer lightly. "Of course. Everybody has. It wouldn't do for us to have all our dreams fulfilled. We would be as good as dead if we had nothing left to dream about. What a delicious aroma that low-descending sun is extracting from the asters and ferns. I wish we could see perfumes as well as smell them. I'm sure they would be very beautiful." Gilbert was not to be thus sidetracked. « I have a dream," he said slowly. "I persist in dreaming it, although it has often seemed to me that it could never come true. I dream of a home with a hearth-fire in it, a cat and dog, the footsteps of friends -- and YOU!" Anne wanted to speak but she could find no words. Happiness was breaking over her like a wave. It almost frightened her. "I asked you a question over two years ago, Anne. If I ask it again today will you give me a different answer?" Still Anne could not speak. But she lifted her eyes, shining with all the love-rapture of countless generations, and looked into his for a moment. He wanted no other answer. They lingered in the old garden until twilight, sweet as dusk in Eden must have been, crept over it. There was so much to talk over and recall -- things said and done and heard and thought and felt and misunderstood. "I thought you loved Christine Stuart," Anne told him, as reproachfully as if she had not given him every reason to suppose that she loved Roy Gardner. Gilbert laughed boyishly. "Christine was engaged to somebody in her« home town. I knew it and she knew I knew it. When her brother graduated he told me his sister was coming to Kingsport the next winter to take music, and asked me if I would look after her a bit, as she knew no one and would be very lonely. So I did. And then I liked Christine for her own sake. She is one of the nicest girls I've ever known. I knew college gossip credited us with being in love with each other. I didn't care. Nothing mattered much to me for a time there, after you told me you could never love me, Anne. There was nobody else -- there never could be anybody else for me but you. I've loved you ever since that day you broke your slate over my head in school. » « I don't see how you could keep on loving me when I was such a little fool," said Anne. "Well, I tried to stop," said Gilbert frankly, "not because I thought you what you call yourself, but because I felt sure there was no chance for me after Gardner came on the scene. But I couldn't -- and I can't tell you, either, what it's meant to me these two years to believe you were going to marry him, and be told every week by some busybody that your engagement was on the point of being announced. I believed it until one blessed day when I was sitting up after the fever. I got a letter from Phil Gordon -- Phil Blake, rather -- in which she told me there was really nothing between you and Roy, and advised me to `try again.' Well, the doctor was amazed at my rapid recovery after that." Anne laughed -- then shivered. "I can never forget the night I thought you were dying, Gilbert. Oh, I knew -- I KNEW then -- and I thought it was too late." "But it wasn't, sweetheart. Oh, Anne, this makes up for everything, doesn't it? Let's resolve to keep this day« sacred to perfect beauty all our lives for the gift it has given us." "It's the birthday of our happiness," said Anne softly. "I've always loved this old garden of Hester Gray's, and now it will be dearer than ever." "But I'll have to ask you to wait a long time, Anne," said Gilbert sadly. "It will be three years before I'll finish my medical course. And even then there will be no diamond sunbursts and marble halls." Anne laughed. "I don't want sunbursts and marble halls. I just want YOU. You see I'm quite as shameless as Phil about it. Sunbursts and marble halls may be all very well, but there is more `scope for imagination' without them. And as for the waiting, that doesn't matter. We'll just be happy, waiting and working for « each other -- and dreaming. Oh, dreams will be very sweet now." Gilbert drew her close to him and kissed her. Then they walked home together in the dusk, crowned king and queen in the bridal realm of love, along winding paths fringed with the sweetest flowers that ever bloomed, and over haunted meadows where winds of hope and memory blew. » « Gilbert lifted Anne from the buggy and led her into the garden, through the little gate between the ruddy-tipped firs, up the trim, red path to the sandstone step. "Welcome home," he whispered, and hand in hand they stepped over the threshold of their house of dreams. » « Anne, this is Captain Boyd. Captain Boyd, my wife." It was the first time Gilbert had said "my wife" to anybody but Anne, and he narrowly escaped bursting with the pride of it. » Extrait de: L. M. Montgomery. « The Complete Anne of Green. » iBooks. 
14 notes · View notes
mittbokligaliv-blog · 7 years
Text
Månadsrapport Januari 2017
Antal lästa böcker: 7 Julian Fellows: Belgravia Deborah Harkness: The book of life Astrid Lindgren: Bröderna Lejonhjärta Sarah J. Maas: Empire of storms Jo Salmson: Jakten på Tam Charles Warren Stoddard: Saint Anthony – The wonder-worker of Padua Elaine Murray Stone: Maximilian Kolbe – Saint of Auschwitz Tegelsten (>500 s): 2 Recensionsexemplar: 1 Oavslutade: Jag kunde inte avsluta Alex Grecians…
View On WordPress
0 notes
Photo
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
West Side Story is set in the mid 1950's, when many Puerto Ricans moved to NYC. The Jets are from Manhattan. They have ruled their "turf" for years, after defeating the Emeralds. The Sharks are from Puerto Rico. They have just recently come to NY, and want a "turf" of their own.
Who wrote West Side Story:
West Side Story is based on a conception by Jerome Robbins. Book by Arthur Laurents Lyrics by Stephen Sondheim Music by Leonard Bernstein Entire Original Production Directed and Choreographed by Jerome Robbins Orchestrations by Leonard Bernstein with Sid Ramin and Irwin Kostal Film Version: Directed by: Robert Wise & Jerome Robbins Screenplay: Ernest Lehman Choreography: Jerome Robbins
When was West Side Story written:
Jerome Robbins' proposed the idea for writing a musical based on Romeo and Juliet to Leonard Bernstein in January of 1949 (working title: East Side Story, set in the slums at the coincidence of Easter-Passover celebrations). In August of 1955, a meeting with Arthur Laurents produced another idea -- two teen-age gangs as the warring factions, one of them newly-arrived Puerto Ricans, the other self-styled "Americans." In November, 1955 Stephen Sondheim joined the project as lyricist. A year and a half later, rehearsals began for the Broadway premiere of West Side Story.
DIRECTED BY
Jerome Robbins
Robert Wise
WRITING CREDITS  
Lehman ...(screenplay)
Arthur Laurents ...(book)
Jerome Robbins ...(play)
William Shakespeare ...(play) (uncredited)
CAST (IN CREDITS ORDER) 
Natalie Wood ... Maria
Richard Beymer ... Tony
Russ Tamblyn ... Riff
Rita Moreno ... Anita
George Chakiris ... Bernardo
Simon Oakland ... Schrank
Ned Glass ... Doc
William Bramley ... Krupke
Tucker Smith ... Ice
Tony Mordente ... Action
David Winters ... A-rab
Eliot Feld ... Baby John
Bert Michaels ... Snowboy
David Bean ... Tiger
Robert Banas ... Joyboy
Anthony 'Scooter' Teague ... Big Deal (as Scooter Teague)
Harvey Evans ... Mouthpiece (as Harvey Hohnecker)
Tommy Abbott ... Gee-Tar
Susan Oakes ... Anybodys
Gina Trikonis ... Graziella
Carole D'Andrea ... Velma
Jose De Vega ... Chino
Jay Norman ... Pepe
Gus Trikonis ... Indio
Eddie Verso ... Juano
Jaime Rogers ... Loco
Larry Roquemore ... Rocco
Robert E. Thompson ... Luis (as Robert Thompson)
Nick Navarro ... Toro (as Nick Covacevich)
Rudy Del Campo ... Del Campo
Andre Tayir ... Chile
Yvonne Wilder ... Consuelo (as Yvonne Othon)
Suzie Kaye ... Rosalia
Joanne Miya ... Francisca
REST OF CAST LISTED ALPHABETICALLY:
John Astin ... Glad Hand (uncredited)
Francesca Bellini ... Debby, Snowboy's Girlfriend (uncredited)
Elaine Joyce ... Hotsie, Tiger's Girlfriend (uncredited)
Priscilla Lopez ... Child Extra (uncredited)
Marni Nixon ... Playback vocalist for Natalie Wood (uncredited)
Olivia Perez ... Margarita, Rocco's Girlfriend (uncredited)
Lou Ruggiero ... Police Officer #3 (uncredited)
Penny Santon ... Madam Lucia (uncredited)
Luci Stone ... Estella, Loco's Girlfriend (uncredited)
Pat Tribble ... Minnie, Baby John's Girlfriend (uncredited)
Gary Troy ... Dancer (uncredited)
Produced by Saul Chaplin ...associate producer
Walter Mirisch ...executive producer (uncredited)
Robert Wise ...producer (uncredited)
MUSIC BY
Leonard Bernstein
Irwin Kostal ...(uncredited)
CINEMATOGRAPHY BY
Daniel L. Fapp ...director of photography
FILM EDITING BY
Thomas Stanford ...film editor
PRODUCTION DESIGN BY
Boris Leven ...(production designed by)
SET DECORATION BY
Victor A. Gangelin ...(as Victor Gangelin)
COSTUME DESIGN BY
Irene Sharaff ...(costume designed by)
MAKEUP DEPARTMENT
Emile LaVigne ...makeup (as Emile La Vigne)
Alice Monte ...hairdresser
PRODUCTION MANAGEMENT
Allen K. Wood ...production manager
Hubert Fröhlich ...production manager (uncredited)
SECOND UNIT DIRECTOR OR ASSISTANT DIRECTOR
Robert E. Relyea ...assistant director
Jerome M. Siegel ...second assistant director
Ridgeway Callow ...assistant director (uncredited)
ART DEPARTMENT
Sam Gordon ...property
Maurice Zuberano ...production artist (as M. Zuberano)
Leon Harris ...production illustrator (uncredited)
William Maldonado ...construction coordinator (uncredited)
SOUND DEPARTMENT
Fred Lau ...sound
Gilbert D. Marchant ...sound editor
Murray Spivack ...sound
Vinton Vernon ...sound
Richard Gramaglia ...sound mixer (uncredited)
Fred Hynes ...sound recording supervisor (uncredited)
Gordon Sawyer ...sound supervisor (uncredited)
VISUAL EFFECTS BY
Saul Bass ...visual consultant
Linwood G. Dunn ...photographic effects (as Linwood Dunn)
STUNTS
Eli Bo Jack Blackfeather ...stunts (uncredited)
CAMERA AND ELECTRICAL DEPARTMENT
Linwood G. Dunn ...title photographer (uncredited)
John Finger ...camera operator: title sequence (uncredited)
Ernst Haas ...still photographer (uncredited)
Jerome H. Klein ...electrician (uncredited)
Louis Kulsey ...dolly grip: title sequence (uncredited)
Tom May ...grip (uncredited)
Phil Stern ...still photographer (uncredited)
COSTUME AND WARDROBE DEPARTMENT
Bert Henrikson ...wardrobe
Editorial Department 
Marshall M. Borden ...assistant editor
MUSIC DEPARTMENT
Leonard Bernstein ...music by
Richard Carruth ...music editor
Saul Chaplin ...musical supervisor
Johnny Green ...music conductor / musical supervisor
Irwin Kostal ...musical supervisor / orchestrator
Sid Ramin ...musical supervisor / orchestrator
Stephen Sondheim ...lyrics by
Robert Tucker ... vocal coach (as Bobby Tucker)
Betty Walberg ...musical assistant
Pete Candoli ...musician (uncredited)
Jack Dumont ...musician: saxophone (uncredited)
Walter A. Gest ...production music playback operator (uncredited)
Shelly Manne ...musician (uncredited)
Red Mitchell ...musician (uncredited)
Uan Rasey ...musician: trumpet soloist (uncredited)
Albert T. Viola ...musician (uncredited)
OTHER CREW
Tommy Abbott ...dance assistant
Margaret Banks ...dance assistant
Saul Bass ...titles
Robert E. Griffith ...based upon the play produced on the stage by
Howard Jeffrey ...dance assistant
Tony Mordente ...dance assistant
Harold Prince ...based upon the play produced on the stage by (as Harold S. Prince)
Jerome Robbins ...choreography by / stage play: director / stage play: orchestrator
Stanley Scheuer ...script supervisor (as Stanley K. Scheuer)
Roger L. Stevens ...by arrangement with
Hal Bell ...assistant choreographer (uncredited)
Jimmy Bryant ...singing voice: Tony (uncredited)
Kit Culkin ...dancer (uncredited)
John Flynn ...script supervisor (uncredited)
Gerald Freedman ...assistant: Mr. Robbins (uncredited)
Peter Gennaro ...co-choreographer (uncredited)
Maria Henley ...Shark dancer Teresita (uncredited)
Eliot Hyman ...production executive (uncredited)
Howard Jeffrey ...assistant choreographer: Mr. Robbins (uncredited)
Elaine Joyce ...dancer (uncredited)
George Lake ...assistant stage manager: stage production (uncredited)
Harold Mirisch ...production executive (uncredited)
Marvin Mirisch ...production executive (uncredited)
Howard Newman ...press representative (uncredited)
Arthur Rubin ...assistant stage manager: stage production (uncredited)
Wallace Siebert ...assistant: Mr. Gennaro (uncredited)
Ray Stark ...production executive (uncredited)
Lee Theodore ...assistant choreographer (uncredited) / dancer (uncredited)
Roxanne Tunis ...dancer (uncredited)
Betty Wand ...singing voice: Anita - "A Boy Like That/I Have a Love" (uncredited)
The Academy Award for Best Picture of 1961 went to the movie version of WSS. It earned a total of ten Oscars. Although Bernstein did not suffer the indignity of the mayhem perpetrated on his score in the movie of On The Town, the movie of WSS did make some minor alterations. I Feel Pretty was transferred to an earlier scene, the bridal shop. The location of Gee, Officer Krupke was interchanged with Cool. Sondheim also wrote new lyrics for America, performed by all the Sharks and their girls (in the stage version it is presented by four girls only).
These changes were judged to be necessary to sustain an on-rushing sense of doom. After all, the movie was not interrupted by an intermission during which an audience could recover form the devastation wrought by the danced Rumble. On stage, the bubbly I Feel Pretty, at the beginning of Act II, was a kind of extension of intermission babble. Good theater, but not good movie.
Despite this film being an update of Shakespeare's "Romeo & Juliet", one of, if not the most famous element from that story is different here, in that both of the leads do not die at the end. Tony dies, but Maria survives.
Timeline: The process of the movie
6 JANUARY 1949
New York, NY
Jerome Robbins sets the West Side Story concept in motion.
Tumblr media
25 AUGUST 1955
Beverly Hills, CA
A meeting with Arthur Laurents produces another idea: two teen-age gangs as the warring factions, one of them newly-arrived Puerto Ricans, the other self-styled "Americans."
Tumblr media
14 NOVEMBER 1955 "A young lyricist named Stephen Sondheim came and sang us some of his songs today. What a talent! I think he's ideal for this project, as do we all. The collaboration grows."
-Leonard Bernstein
Tumblr media
8 JULY 1957
New York, NY
Rehearsals begin.
Tumblr media
20 AUGUST 1957
Washington D.C.
West Side Story opens in Washington D.C.
Tumblr media
26 SEPTEMBER 1957
New York, NY
West Side Story opens on Broadway at the Winter Garden Theatre, runs for 732 performances.
Tumblr media
1957
Original Broadway Cast Recording 
Tumblr media
13 APRIL 1958
Tony Awards
Best Choreographer (Jerome Robbins)
Best Scenic Designer (Oliver Smith)
Tumblr media
18 OCTOBER 1961
United Artists motion picture released:
Directed by Robert Wise and Jerome Robbins
Starring Natalie Wood, Richard Beymer, Russ Tamblyn, Rita Moreno, and George Chakiris
Tumblr media
1961
Film Soundtrack Recording
Tumblr media
Reviews and Articles of West Side Story
THE NEW YORK TIMES 
27 September 1957
Theatre: "West Side Story," The Jungles of the City
By BROOKS ATKINSON
Although the material is horrifying, the workmanship is admirable.
Gang warfare is the material of "West Side Story," which opened at the Winter Garden last evening, and very little of the hideousness has been left out. But the author, composer and ballet designer are creative artists. Pooling imagination and virtuosity, they have written a profoundly moving show that is as ugly as the city jungles and also pathetic, tender and forgiving.
Arthur Laurents has written the story of two hostile teen-age gangs fighting for supremacy amid the tenement houses, corner stores and bridges of the West Side. The story is a powerful one, partly, no doubt, because Mr. Laurents has deliberately given it the shape of "Romeo and Juliet." In the design of "West Side Story" he has powerful allies. Leonard Bernstein has composed another one of his nervous, flaring scores that capture the shrill beat of life in the streets. And Jerome Robbins, who has directed the production, is also its choreographer.
Since the characters are kids of the streets, their speech is curt and jeering. Mr. Laurents has provided the raw material of a tragedy that occurs because none of the young people involved understands what is happening to them. And his contribution is the essential one. But it is Mr. Bernstein and Mr. Robbins who orchestrate it. Using music and movement they have given Mr. Laurents' story passion and depth and some glimpses of unattainable glory. They have pitched into it with personal conviction as well as the skill of accomplished craftsmen.
In its early scenes of gang skirmishes, "West Side Story" is facile and a little forbidding -- the shrill music and the taut dancing movement being harsh and sinister. But once Tony of the Jets gang sees Maria of the Sharks gang, the magic of an immortal story takes hold. As Tony, Larry Kert is perfectly cast, plain in speech and manner; and as Maria, Carol Lawrence, maidenly soft and glowing, is perfectly cast also. Their balcony scene on the firescape of a dreary tenement is tender and affecting. From that moment on, "West Side Story" is an incandescent piece of work that finds odd bits of beauty amid the rubbish of the streets.
Everything in "West Side Story," is of a piece. Everything contributes to the total impression of wildness, ecstasy and anguish. The astringent score has moments of tranquility and rapture, and occasionally a touch of sardonic humor. And the ballets convey the things that Mr. Laurents is inhibited from saying because the characters are so inarticulate. The hostility and suspicion between the gangs, the glory of the nuptials, the terror of the rumble, the devastating climax -- Mr. Robbins has found the patterns of movement that express these parts of the story.
Most of the characters, in fact, are dancers with some images of personality lifted out of the whirlwind -- characters sketched on the wing. Like everything also in "West Side Story," they are admirable. Chita Rivera in a part equivalent to the nurse in the Shakespeare play; Ken Le Roy as leader of The Sharks; Mickey Calin as leader of The Jets; Lee Becker as a hobbledehoy girl in one gang -- give terse and vigorous performances.
Everything in "West Side Story" blends -- the scenery by Oliver Smith, the costumes by Irene Sharaff, the lighting by Jean Rosenthal. For this is one of those occasions when theatre people, engrossed in an original project, are all in top form. The subject is not beautiful. But what "West Side Story" draws out of it is beautiful. For it has a searching point of view.
Tumblr media
THE DAILY NEWS
27 September 1957
(Originally published by the Daily News on September 27, 1957. This story was written by John Chapman.)
‘West Side Story’ premieres on Broadway in 1957
BY JOHN CHAPMAN
The American theatre took a venturesome forward step when the firm of Griffith & Prince presented "West Side Story" at the Winter Garden last evening.
This is a bold new kind of musical theatre - a juke-box Manhattan opera. It is, to me, extraordinarily exciting. In it, the various fine skills of show business are put to new tests, and as a result a different kind of musical has emerged.
The story is, roughly, Shakespeare's recounting of the love and deaths of Romeo and Juliet. But the setting is today's Manhattan, and the manner of telling the story is a provocative and artful blend of music, dance and plot - and the music and the dancing are superb.
Superb Score
In this present-day version of the theatre's greatest romance, the Montagus and Capulets become young New York gangs, one white, the other Puerto Rican. The Romeo is a white boy, the Juliet a Puerto Rican girl. In the big fight switch-blade knives are used instead of swords. The apothecary who gave Romeo his fateful potion now is a mild druggist who mans his soda fountain and wonders what the younger generation is coming to. And the younger generation, even if it does indulge in one rumble which results in murder, is not nearly as blackhearted as current news stories might make us believe.
The music of "West Side Story" is by Leonard Bernstein, and it is superb - and splendidly played by an orchestra directed by Max Goberman. In it there is the drive, the bounce, the restlessness and the sweetness of our town. It takes up the American musical idiom where it was left when George Gershwin died. It is fascinatingly tricky and melodically beguiling, and it marks the progression of admirable composer.
The story, about the fundamentally innocent hoodlums of our town, is by Arthur Laurents, and it is a lovely and moving one. But Laurents is not alone in telling this story, for his collaborator is Jerome Robbins, the choreographer. Robbins and his superb young dancers carry the plot as much as the spoken words and lyrics do.
The lyrics, by Stephen Sondheim, have simple grace, and there is a lovely tribute by the sidewalk Romeo to his dusky girl, Maria. There is a really beautiful scene in which the boy and the girl go through a make believe wedding in a shop for bridal clothing. And there is an uproariously funny one in which a so-called juvenile delinquent gets a going-over by all the authorities whose problem he is - the cop, the judge, the social worker and the psychiatrist. This young hoodlum manages to make his elders look pretty silly.
Wonderful Cast
The cast of "West Side Story" is, next to the music, the best part of the production. It is composed of young people of whom few have been heard. Carol Lawrence and Larry Kert carry the love story with effortless simplicity, and they sing beautifully. There are other engaging performances by Chita Rivera, Mickey Calin, Ken Le Roy and Art Smith (the druggist). But the company itself is the star of the show. These boys and girls sing, dance and act with such skill and sincerity that they bring the audience out of its seats and up on the stage with them - and the stage is not a stage but this fascinating and fearful town of Manhattan.
And the settings by Oliver Smith and the costumes by Irene Sharaff are a perfect part of a perfect production.
Tumblr media
NEW YORK HERALD TRIBUNE
27 September 1957
New York Herald Tribune, 9/27/57
Theater critic Walter Kerr wrote the following review of West Side Story for the New York Herald Tribune on September 27, 1957: The radioactive fallout from "West Side Story" must still be descending on Broadway this morning. Director, choreographer, and idea-man Jerome Robbins has put together, and then blasted apart, the most savage, restless, electrifying dance patterns we've been exposed to in a dozen seasons. The curtain rises on a silence, and a pause. It is the last silence and the last pause. Against an empty-eyed background of warehouse windows five or six blue-jacketed young delinquents, with the tribal-mark "Jets" scrawled across their taut shoulders, are lounging, waiting for the first faint whisper of violence. Their impatience comes to life in their fingers. A snapping rhythm begins to tap out a warning of mayhem to come. Knees begin to itch, and move, under the lazy, overcast mid-summer sky in Puerto-Rican New York. The Sharks--equally young, equally sick with very old hatreds--appear from the alleyways in twos and threes. There is a sneer, a hiss, a tempting and tantalizing thrust of an arm, and then--with a powerhouse downbeat from the orchestra pit--the sorry and meaningless frenzy is on. From this moment the show rides with a catastrophic roar over the spider-web fire-escapes, the shadowed trestles, and the plain dirt battlegrounds of a big city feud. Mr. Robbins never runs out of his original explosive life-force. Though the essential images are always the same--two spitting groups of people advancing with bared teeth and clawed fists upon one another--there is fresh excitement in the next debacle, and the next. When a gang leader advises his cohorts to play it "Cool," the intolerable tension between and effort at control and the instinctive drives of these potential killers is stingingly graphic. When the knives come out, and bodies begin to fly wildly through space under buttermilk clouds, the sheer visual excitement is breathtaking. .[Robbins] has almost sacrificially assisted in this macabre and murderous onslaught of movement by composer Leonard Bernstein. Mr. Bernstein has permitted himself a few moments of graceful, lingering melody: in a yearning "Maria," in the hushed falling line of "Tonight," in the wistful declaration of "I Have a Love." But for the most part he has served the needs of the onstage threshing machine, setting the fierce beat that fuses a gymnasium dance, putting a mocking insistence behind taunts at a policeman, dramatizing the footwork rather than lifting emotions into song. When hero Larry Kert is stomping out the visionary insistence of "Something's Coming" both music and tumultuous story are given their due. Otherwise it's the danced narrative that takes urgent precedence.
Tumblr media
A Clip of a full description of the film and the actors thought on the film:
youtube
14 notes · View notes
1962dude420-blog · 3 years
Photo
Tumblr media
Today we remember the passing of Gilda Radner who Died: May 20, 1989 in Los Angeles, California
Gilda Susan Radner (June 28, 1946 – May 20, 1989) was an American actress and comedian, who was one of the seven original cast members for the NBC sketch comedy show Saturday Night Live (SNL). In her routines, Radner specialized in parodies of television stereotypes, such as advice specialists and news anchors. In 1978, she won an Emmy Award for her performances on the show. She also portrayed those characters in her highly successful one-woman show on Broadway in 1979. Radner's SNL work established her as an iconic figure in the history of American comedy.
She died from ovarian cancer in 1989. Her autobiography dealt frankly with her life, work, and personal struggles, including those with the illness. Her widower, Gene Wilder, carried out her personal wish that information about her illness would help other cancer victims, founding and inspiring organizations that emphasize early diagnosis, hereditary factors and support for cancer victims. She was posthumously awarded a Grammy Award in 1990. Radner was inducted into the Michigan Women's Hall of Fame in 1992; and she posthumously received a star on the Hollywood Walk of Fame in 2003.
Radner was born in Detroit, Michigan, to Jewish parents, Henrietta (née Dworkin), a legal secretary, and Herman Radner, a businessman. Through her mother, Radner was a second cousin of business executive Steve Ballmer. She grew up in Detroit with a nanny, Elizabeth Clementine Gillies, whom she called "Dibby" (and on whom she based her famous character Emily Litella), and an older brother named Michael. She attended the exclusive University Liggett School in Detroit. Toward the end of her life, Radner wrote in her autobiography, It's Always Something, that during her childhood and young adulthood, she battled numerous eating disorders: "I coped with stress by having every possible eating disorder from the time I was nine years old. I have weighed as much as 160 pounds and as little as 93. When I was a kid, I overate constantly. My weight distressed my mother and she took me to a doctor who put me on Dexedrine diet pills when I was ten years old."
Radner was close to her father, who operated Detroit's Seville Hotel, where many nightclub performers and actors stayed while performing in the city. He took her on trips to New York to see Broadway shows. As Radner wrote in It's Always Something, when she was 12, her father developed a brain tumor, and the symptoms began so suddenly that he told people his glasses were too tight. Within days, he was bedridden and unable to communicate, and remained in that condition until his death two years later.
Radner graduated from Liggett and enrolled at the University of Michigan at Ann Arbor in 1964. She planned to get an education degree.
In Ann Arbor, Radner dropped out in her senior year to follow her boyfriend, Canadian sculptor Jeffrey Rubinoff, to Toronto, where she made her professional acting debut in the 1972 production of Godspell with future stars Eugene Levy, Andrea Martin, Victor Garber, Martin Short, and Paul Shaffer. Afterward, Radner joined The Second City comedy troupe in Toronto.
Radner was a featured player on the National Lampoon Radio Hour, a comedy program syndicated to some 600 U.S. radio stations from 1974 to 1975. Fellow cast members included John Belushi, Chevy Chase, Richard Belzer, Bill Murray, Brian Doyle-Murray, and Rhonda Coullet.
Radner gained name recognition as one of the original "Not Ready for Prime Time Players", the freshman group on the first (1975) season of Saturday Night Live. She was the first performer cast for the show, co-wrote much of the material that she performed, and collaborated with Alan Zweibel (of the show's writing staff) on sketches that highlighted her recurring characters. Between 1975 and 1980, she created characters such as obnoxious personal advice expert Roseanne Roseannadanna after NY local female reporter Rose Ann Scamardella and "Baba Wawa", a parody of Barbara Walters. After Radner's death, Walters stated in an interview that Radner was the "first person to make fun of news anchors, now it's done all the time."
She also played the character Emily Litella, an elderly, hearing-impaired woman who gave angry and misinformed editorial replies on Weekend Update. Additionally, Radner parodied celebrities such as Lucille Ball, Patti Smith, and Olga Korbut in SNL sketches. She won an Emmy Award in 1978 for her work on SNL. In Rolling Stone's February 2015 appraisal of all 141 SNL cast members to date, Radner was ranked ninth in importance. "She was the most beloved of the original cast," they wrote. "In the years between Mary Tyler Moore and Seinfeld's Elaine, Radner was the prototype for the brainy city girl with a bundle of neuroses."
In 1979, incoming NBC President Fred Silverman offered Radner her own primetime variety show, which she turned down. That year, she was a host of the Music for UNICEF Concert at the United Nations General Assembly.
Alan Zweibel, who co-created the Roseanne Roseannadanna character and co-wrote Roseanne's dialogue, recalled that Radner, one of three original SNL cast members who stayed away from cocaine, chastised him for abusing it.
While in character as Roseanne Roseannadanna, Radner gave the commencement address to the graduating class at the Columbia School of Journalism in 1979.
Radner had mixed emotions about the fans and strangers who recognized her in public. She sometimes became "angry when she was approached by strangers in public, and upset when she wasn't".
After breaking up with Jeffrey Rubinoff, Radner had an on-again-off-again relationship with Martin Short while both were appearing in Godspell. Radner had romantic involvements with several male Saturday Night Live castmates, including Bill Murray (after a previous relationship with his brother Brian Doyle-Murray) and Dan Aykroyd. Radner's friend Judy Levy recounted Radner saying she found Ghostbusters hard to watch since the cast comprised so many of her ex-boyfriends - Aykroyd, Murray, and Harold Ramis. Radner was first married to musician G. E. Smith after they met while working on Gilda Radner – Live from New York; they divorced in 1982.
Radner met actor Gene Wilder on the set of the Sidney Poitier film Hanky Panky (released in 1982), when the two worked together making the film. She described their first meeting as "love at first sight". After meeting Wilder, her marriage to Smith deteriorated. Radner made a second film with Wilder, The Woman in Red (released in 1984), and their relationship deepened. The two were married on September 18, 1984, in Saint-Tropez. They made a third film together, Haunted Honeymoon, in 1986 and remained married until her death in 1989.
Details of Radner's eating disorder were reported in a book about Saturday Night Live by Doug Hill and Jeff Weingrad, which was published and received much media coverage during a period when Radner was consulting various doctors in Los Angeles about symptoms of an illness she was suffering that turned out to be cancer.
In 1985, Radner was experiencing severe fatigue and suffered from pain in her upper legs on the set of Haunted Honeymoon in the United Kingdom. She sought medical treatment, and for a period of 10 months, various doctors, most of them in Los Angeles, gave her several diagnoses that all turned out to be wrong because she continued to experience pain.
Finally, on October 21, 1986, Radner was diagnosed with stage IV ovarian cancer. She immediately underwent surgery and had a hysterectomy. On October 26, surgeons removed a grapefruit-size tumor from her abdomen. Radner then began chemotherapy and radiation therapy treatment, as she wrote in It's Always Something, and the treatment caused extreme physical and emotional pain.
In September 1988, after tests showed no signs of cancer, Radner went on a maintenance chemotherapy treatment to prolong her remission, but three months later, in December, she learned the cancer had returned. She was admitted to Cedars-Sinai Medical Center in Los Angeles on May 17, 1989, to undergo a CT scan. She was given a sedative and went into a coma during the scan. She did not regain consciousness and died three days later, from ovarian cancer on May 20, 1989; Wilder was at her side.
1 note · View note
roarformeprettylion · 7 years
Text
List of Banned Books
How Many Have You Read?
Children’s Books:
Allan, Nicholas. Where Willy Went
Allard, Harry. Bumps in the Night
Allard, Harry. The Stupids series
Allington, Richard. Once Upon a Hippo
Ancona, George. Cuban Kids
Avi. The Fighting Ground
Babbitt, Natalie. The Devil’s Storybook
Bailey, Jacqui, and Jan McCafferty. Sex, Puberty, and All That Stuff: A Guide to Growing Up
Bannerman, Helen. Little Black Sambo
Birdseye, Tom. Attack of the Mutant Underwear
Blume, Judy. Are You There, God? It’s Me, Margaret
Blume, Judy. Blubber
Brannen, Sarah S. Uncle Bobby’s Wedding
Brittain, Bill. The Wish Giver
Brown, Laurie Krasny, and Marc Brown. What’s the Big Secret? Talking about Sex with Girls and Boys
Brown, Marc Tolon. Buster’s Sugartime
Butler, Dori Hillestad. My Mom’s Having a Baby! A Kid’s Month-by-Month Guide to Pregnancy
Carle, Eric. Draw Me a Star
Christensen, James, C., Renwick St. James and Alan Dean Foster. Voyage of the Basset
Clutton-Brock, Juliet. Horse (DK)
Cohen, Daniel. Ghostly Warnings
Cohen, Daniel. Phantom Animals
Cole, Babette. Mommy Laid An Egg
Cole, Joanna. Asking About Sex and Growing Up
Collier, James Lincoln, and Christopher Collier. Jump Ship to Freedom
Collier, James Lincoln, and Christopher Collier. My Brother Sam is Dead
Collier, James Lincoln, and Christopher Collier. With Every Drop of Blood
Cormier, Robert. The Chocolate War
Coupe, Peter. The Beginner’s Guide to Drawing Cartoons
Curtis, Christopher Paul. The Watsons Go to Birmingham—1963
Dahl, Roald. James and the Giant Peach
Dahl, Roald. The Witches
de Haan, Linda. King & King
DeClements, Barthe. Sixth Grade Can Really Kill You
Elliot, David. An Alphabet for Rotten Kids
Fierstein, Harvey. The Sissy Duckling
Fogelin, Adrian. My Brother’s Hero
Fox, Mem. Guess What?
Fox, Paula. The Slave Dancer
Garden, Nancy. Holly’s Secret
Geisel, Theodor Seuss. Hop on Pop: The Simplest Seuss for Youngest Use
Geisel, Theodor Seuss. If I Ran the Zoo
George, Jean Craighead. Julie of the Wolves
Gordon, Sharon. Cuba
Grove, Vicki. The Starplace
Hahn, Mary Downing. The Dead Man in Indian Creek
Hanford, Martin. Where’s Waldo?
Harper, Charise Mericle. Flashcards of My Life
Harper, Kathryn. Snow White and the Seven Dwarfs
Harris, Robie. It’s Perfectly Normal: Changing Bodies, Growing Up, Sex, and Sexual Health
Harris, Robie. It’s So Amazing!: A Book about Eggs, Sperm, Birth, Babies, and Families
Harris, Robie. Who’s In My Family?: All About Families (Let’s Talk About You and Me)
Henkes, Kevin. Olive’s Ocean
Henson, Jim. For Every Child a Better World
Hergé [Georges Remi]. Tintin in America
Hergé [Georges Remi]. Tintin in the Congo
Herthel, Jessica, and Jazz Jennings. I Am Jazz
Hill, Douglas Arthur. Witches and Magic-Makers
Homes, A.M. Jack
Ignatow, Amy. The Popularity Papers
Jukes, Mavis. It’s a Girl Thing: How to Stay Healthy, Safe and in Charge
Kehret, Peg. Stolen Children
Kellogg, Steven. Pinkerton, Behave!
Kilodavis, Cheryl. My Princess Boy: A Mom’s Story About a Young Boy Who Loves to Dress Up
Kotzwinkle, William, and Glenn Murray. Walter the Farting Dog
L’Engle, Madeleine. A Wrinkle in Time
Lewis, Richard, comp. There Are Two Lives: Poems by Children of Japan
Lindgren, Astrid. The Runaway Sleigh Ride
Lowry, Lois. Anastasia Krupnik series
Lowry, Lois. The Giver.
Madaras, Linda. What’s Happening to My Body? Book for Boys: A Growing-Up Guide for Parents & Sons
Madaras, Linda. What’s Happening to My Body? Book for Girls: A Growing-Up Guide for Parents & Daughters
Martin, Michael. Kurt Cobain
Mayle, Peter. Where Did I Come From?
Mercado, Nancy E., ed. Tripping Over the Lunch Lady and Other Short Stories
Merriam, Eve. Halloween ABC
Merriam, Eve. The Inner City Mother Goose
Mochizuki, Ken. Baseball Saved Us
Nelson, O.T. The Girl Who Owned a City
Newman, Leslea. Heather Has Two Mommies
Okimoto, Jean Davies, and Elaine M. Aoki. The White Swan Express: A Story About Adoption
Opie, Iona. I Saw Esau
Orgel, Doris. The Devil in Vienna
Pardi, Francesca, and Tullio F. Altan. Little Egg (Piccolo uovo)
Park, Barbara. Junie B. Jones (
Parr, Todd. The Family Book
Paterson, Katherine. Bridge to Terabithia
Paterson, Katherine. The Great Gilly Hopkins
Perritano, John. Amityville
Peters, Lisa Westberg. Our Family Tree: An Evolution Story
Pilkey, Dav. The Adventures of Super Diaper Baby: The First Graphic Novel
Pilkey, Dav. Captain Underpants series
Pittman, Gayle E. This Day in June
Polacco, Patricia. In Our Mothers’ House
Pullman, Philip. His Dark Materials series
Quinlan, Patricia. Tiger Flowers
Reavin, Sam. The Hunters Are Coming
Richardson, Justin, and Peter Parnell. And Tango Makes Three
Rodgers, Mary. Freaky Friday
Rosen, Lucy. I Am Bane
Rowling, J.K. Harry Potter series
Ruby, Laura. Lily’s Ghosts
Sachar, Louis. The Boy Who Lost His Face
Sachar, Louis. Marvin Redpost: Is He a Girl?
Schniedewind, Nancy. Open Minds to Equality: A Sourcebook of Learning Activities to Affirm Diversity and Promote Equity
Schreier, Alta. Vamos a Cuba ( A Vist to Cuba)
Schwartz, Alvin. And the Green Grass Grew All Around
Schwartz, Alvin. Cross Your Fingers, Spit in Your Hat
Schwartz, Alvin. Ghosts! Ghost Stories in Folklore
Schwartz, Alvin. Scary Stories series
Sendak, Maurice. In the Night Kitchen
Sherman, Josepha, and T.K.F. Weisskopf. Greasy Grimy Gopher Guts
Silverstein, Shel. A Light in the Attic
Smith, Jeff. Bone series
Snyder, Zilpha Keatley. The Egypt Game
Speare, Elizabeth George. The Sign of the Beaver
Steer, Dugald. Wizardology: The Book of the Secrets of Merlin
Stine, R.L. Goosebumps series
Stroud, Jonathan. The Amulet of Samarkand
Stroud, Jonathan. The Golem’s Eye
Stroud, Jonathan. Ptolemy’s Gate
Tamaki, Mariko, and Jillian Tamaki. This One Summer
Taylor, Mildred D. The Land
Taylor, Mildred D. Roll of Thunder, Hear My Cry
Telgemeier, Raina. Drama
Texier, Ophélie. Jean Has Two Moms (Jean a deux mamans)
Toriyama, Akira. Dragon Ball: The Monkey King
Willhoite, Michael. Daddy’s Roommate
Winter, Jeanette. The Librarian of Basra: A True Story from Iraq
Winter, Jeanette. Nasreen’s Secret School: A True Story from Afghanistan
Yep, Laurence. Dragonwings
Young Adult Books:
Adler, C.S. The Shell Lady’s Daughter
Alexie, Sherman. The Absolutely True Diary of a Part-Time Indian
Alva0rez, Julia. In the Time of the Butterflies
Anaya, Rudolfo A. Bless Me, Ultima
Anderson, Laurie Halse. Speak
Anderson, Laurie Halse. Twisted
Anderson, M.T. Feed
Angelou, Maya. I Know Why the Caged Bird Sings
Anonymous. Go Ask Alice
Asher, Jay. Thirteen Reasons Why
Atkins, Catherine. Alt Ed
Atkins, Catherine. When Jeff Comes Home
Atwood, Margaret. The Handmaid’s Tale
Barnes, Derrick. The Making of Dr. Truelove
Barron, T.A. The Great Tree of Avalon: Child of the Dark Prophecy
Baskin, Julia, Lindsey Newman, Sophie Pollitt-Cohen, and Courtney Toombs. The Notebook Girls: Four Friends, One Diary, Real Life
Bauer, Marion Dane. On My Honor
Bauer, Marion Dane, ed. Am I Blue? Coming Out from the Silence
Benioff, David. City of Thieves
Block, Francesca Lia. Baby Be-Bop
Block, Francesca Lia. Girl Goddess
Block, Francesca Lia. I Was a Teenage Fairy
Block, Francesca Lia. The Rose and the Beast: Fairy Tales Retold
Block, Francesca Lia. Witch Baby
Blume, Judy. Deenie
Blume, Judy. Forever
Blume, Judy. Here’s to You, Rachel Robinson
Blume, Judy. Tiger Eyes
Bode, Janet, and Stan Mack. Heartbreak and Roses: Real Life Stories of Troubled Love
Bower, Bert, and Jim Lobdell. History Alive! The Medieval World and Beyond
Boyle, T. Coraghessan. The Tortilla Curtain
Bradbury, Ray. Fahrenheit 451
Brashares, Ann. Forever in Blue, the Fourth Summer of the Sisterhood
Burgess, Melvin. Doing It
Card, Orson Scott. Ender’s Game
Cart, Michael. My Father’s Scar
Cast, P.C., and Kristin Cast. House of Night series
Chambers, Aidan. Dance on My Grave: A Life and Death in Four Parts
Chbosky, Stephen. The Perks of Being a Wallflower
Choldenko, Gennifer. Al Capone Does My Shirts
Clerc, Charles, and Louis Leiter, comp. Seven Contemporary Short Novels
Cohen, Susan, and Daniel Cohen. When Someone You Know is Gay
Clinton, Cathryn. A Stone in My Hand
Colasanti, Susane. When It Happens
Cole, Brock. The Facts Speak for Themselves
Cole, Brock. The Goats
Colfer, Eoin. The Supernaturalist
Collins, Suzanne. The Hunger Games Trilogy
Conly, Jane. Crazy Lady
Cooney, Caroline. The Face on the Milk Carton
Cooney, Caroline. The Terrorist
Cormier, Robert. After the First Death
Cormier, Robert. Beyond the Chocolate War
Cormier, Robert. Fade
Cormier, Robert. Heroes
Cormier, Robert. I Am the Cheese
Cormier, Robert. Tenderness
Cormier, Robert. We All Fall Down
Coville, Bruce. Am I Blue?
Cox, Elizabeth. Night Talk
Crawford, Brent. Carter Finally Gets It
Cruse, Howard. Stuck Rubber Baby
Crutcher, Chris. Athletic Shorts
Crutcher, Chris. Chinese Handcuffs
Crutcher, Chris. Deadline
Crutcher, Chris. In the Time I Get
Crutcher, Chris. Staying Fat for Sarah Byrnes
Crutcher, Chris. Whale Talk
Daldry, Jeremy. The Teenage Guy’s Survival Guide
Dandicat, Edwidge. Krik! Krak!
Danforth, Emily M. The Miseducation of Cameron Post
Davis, Deborah. My Brother Has AIDS
Davis, Jenny. Sex Education
Dawe, Ted. Into the River
Dawson, James. This Book is Gay
Dessen, Sarah. Just Listen
Deuker, Carl. On the Devil’s Court
Doctorow, Cory. Little Brother
Dorfman, Ariel. Death and the Maiden
Dorris, Michael. A Yellow Raft in Blue Water
Draper, Sharon M., and Adam Lowenbein. Romiette and Julio
Drill, Esther. Deal With It! A Whole New Approach to Your Body, Brain, and Life as a gURL
Duncan, Lois. Daughters of Eve
Duncan, Lois. Killing Mr. Griffin
Eleveld, Mark, ed. The Spoken Word Revolution: Slam, Hip Hop & the Poetry of a New Generation
Elish, Dan. Born Too Short: The Confessions of an Eighth-Grade Basket Case
Ellis, Elisabeth Gaynor, and Anthony Esler. World History
Ellison, Ralph. Invisible Man
Erlbach, Arlene. The Middle School Survival Guide
Ferris, Jean. Eight Seconds
Fitzgerald, F. Scott. The Great Gatsby
Forman, Gayle. Just One Day
Franco, Betsy. You Hear Me? Poems and Writings by Teenage Boys
Frank, Anne. Anne Frank: The Diary of a Young Girl
Frank, E.R. America: A Novel
Frank, E.R. Life is Funny
Freedom Writers. The Freedom Writers Diary: How a Teacher and 150 Teens Used Writing to Change Themselves and the World Around Them
Freymann-Weyr, Garret. My Heartbeat
Friend, Natasha. Lush
Gaiman, Neil. Neverwhere
Gaines, Ernest. The Autobiography of Miss Jane Pittman
Garden, Nancy. Annie on My Mind
Garden, Nancy. Good Moon Rising
Gardner, John. Grendel
Giles, Gail. Shattering Glass
Glenn, Mel. Who Killed Mr. Chippendale?
Going, K.L. Fat Kid Rules the World
Golding, William. Lord of the Flies
Gould, Steven. Jumper
Gray, Heather M., and Samantha Phillips. Real Girl/Real World: Tools for Finding Your True Self
Green, John. An Abundance of Katherines
Green, John. The Fault in Our Stars
Green, John. Looking for Alaska
Green, John. Paper Towns
Greene, Bette. The Drowning of Stephan Jones
Greene, Bette. Summer of My German Solidier
Haddix, Margaret Peterson. Don’t You Dare Read This, Mrs. Dunphrey
Halpern, Julie. Get Well Soon
Hartinger, Brent. Geography Club
Hautzig, Deborah. Hey Dollface
Heller, Joseph. Catch-22
Hernandez, Gilbert. Palomar: The Heartbreak Soup Stories
Heron, Ann. Two Teenagers in Twenty
Hinton, S.E. The Outsiders
Hinton, S.E. Taming the Star Runner
Hinton, S.E. Tex
Hinton, S.E. That Was Then, This is Now
Holliday, Laurel. Children in the Holocaust and World War II: Their Secret Diaries
Holmes, Melisa, and Trish Hutchison. Hang-ups, Hook-ups, and Holding Out: Stuff You Need to Know about Your Body, Sex, and Dating
Hopkins, Ellen. Crank
Hopkins, Ellen. Identical
Horowitz, Anthony. Snakehead
Hosseini, Khaled. The Kite Runner
Howe, James. Totally Joe
Huegel, Kelly. GLBTQ: The Survival Guide for Queer and Questioning Teens
Hurston, Zora Neale. Their Eyes Were Watching God
Hurwin, Davida. Time for Dancing
Huxley, Aldous. Brave New World
Hwa, Kim Dong. The Color of Earth series
Jahn-Clough, Lisa. Me, Penelope
Johnson, Maureen. The Bermudez Triangle
Jukes, Mavis. The Guy Book: An Owner’s Manual
Kehret, Peg. Abduction!
Kenan, Randall. James Baldwin
Keyes, Daniel. Flowers for Algernon
King, Stephen. Carrie
King, Stephen. Christine
Klause, Annette Curtis. Blood and Chocolate
Klein, Norma. Beginners’ Love
Klein, Norma. Family Secrets
Klein, Norma. Just Friends
Kleinbaum, N.H. Dead Poet’s Society
Knowles, Jo (Johanna Beth). Lessons from a Dead Girl
Koertge, Ron. Arizona Kid
Koertge, Ron. The Brimstone Journals
Koerge, Ron. Where the Kissing Never Stopped
Korman, Gordon. Jake Reinvented
Kuklin, Susan. Beyond Magenta: Transgender Teens Speak Out
LaCour, Nina. Hold Still
Larson, Rodger. What I Know Now
Lebert, Benjamin. Crazy: A Novel
Lee, Harper. To Kill a Mockingbird
Lester, Julius. When Dad Killed Mom
Levenkron, Steven. The Best Little Girl in the World
Levithan, David. Two Boys Kissing
Lipsyte, Robert. One Fat Summer
Locker, Sari. Sari Says: The Real Dirt on Everything from Sex to School
Lockhart, E. The Boy Book: A Study of Habits and Behaviors, Plus Techniques for Taming Them
London, Jack. The Call of the Wild
Lopez, Tiffany Ana. Growing Up Chicana/o
Loux, Matthew. SideScrollers
Lyga, Barry. I Hunt Killers
Lynch, Chris. Extreme Elvin
Lynch, Chris. The Iceman
Mackler, Carolyn. The Earth, My Butt, and Other Big, Round Things
Mackler, Carolyn. Love and Other Four Letter Words
Mackler, Carolyn. Tangled
Mackler, Carolyn. Vegan Virgin Valentine
Martin, W.K. Marlene Dietrich
Martinac, Paula. k.d. lang
Mazer, Harry. The Last Mission
McBain, Ed. Alice in Jeopardy
McCormick, Patricia. Cut
McCullers, Carson. The Member of the Wedding
McKissack, Fredrick, Jr. Shooting Star
McNally, John, ed. When I Was a Loser: True Stories of (Barely) Surviving High School by Today’s Top Writers
Mead, Richelle. Vampire Academy series
Meyer, Michael, ed. Bedford Introduction to Literature
Meyer, Stephenie. Twilight series
Morrison, Toni. Beloved
Morrison, Toni. The Bluest Eye
Morrison, Toni. Song of Solomon
Mungo, Raymond. Liberace
Myers, Walter Dean. Fallen Angels
Myers, Walter Dean. Hoops
Myracle, Lauren. ttyl; ttfn; l8r g8r series
Naylor, Phyllis Reynolds. Alice series
Nix, Garth. Shade’s Children
Nixon, Joan Lowery. Whispers from the Dead
Nunokawa, Jeff. Oscar Wilde
O’Brien, Sharon. Willa Cather
O’Brien, Tim. The Things They Carried
Oates, Joyce Carol. Sexy
Ockler, Sarah. Twenty Boy Summer
Oh, Minya. Bling: Hip Hop’s Crown Jewels
Orwell, George. 1984
Parish, James Robert. Whoopi Goldberg: Her Journey from Poverty to Mega-Stardom
Park, Barbara. Mick Harte Was Here
Parks, Gordon. The Learning Tree
Paulsen, Gary. Harris and Me
Peck, Robert Newton. A Day No Pigs Would Die
Pelzer, Dave. A Child Called It
Picoult, Jodi. Nineteen Minutes
Pike, Christopher. Bury Me Deep
Pike, Christopher. Chain Letter 2
Pike, Christopher. Die Softly
Pike, Christopher. Last Act
Pike, Christopher. The Listeners
Pike, Christopher. The Lost Mind
Pike, Christopher. The Midnight Club
Pike, Christopher. Remember Me 3
Pike, Christopher. The Star Group
Pike, Christopher. Witch
Plum-Ucci, Carol. The Body of Christopher Creed
Pomeroy, Wardell. Boys and Sex
Pomeroy, Wardell. Girls and Sex
Rapp, Adam. The Buffalo Tree
Reiss, Johanna. The Upstairs Room
Rennison, Louise. Angus, Thongs, and Full Frontal Snogging
Rennison, Louise. Knocked Out By My Nunga-Nungas
Rennison, Louise. On the Bright Side, I’m Now the Girlfriend of a Sex God: Further Confessions of Georgia Nicolson
Reynolds, Marilyn. Detour for Emmy
Riley, Andy. The Book of Bunny Suicides: Little Fluffy Rabbits Who Just Don’t Want to Live Anymore
Rivera, Tomas. And the Earth Did Not Devour Him
Rowell, Rainbow. Eleanor & Park
Salinger, J.D. The Catcher in the Rye
Sanchez, Alex. Rainbow Boys
Santiago, Esmeralda. When I Was Puerto Rican
Sapphire [Ramona Lofton]. Push
Satrapi, Marjane. Persepolis: The Story of a Childhood
Schouweiler, Thomas. The Devil: Opposing Viewpoints
Scott, Elizabeth. Living Dead Girl
Selzer, Adam. How to Get Suspended and Influence People
Shakespeare, William. Romeo and Juliet (No Fear Shakespeare)
Shusterman, Neal. Unwind
Sidhwa, Bapsi. Cracking India
Sittenfeld, Curtis. Prep: A Novel
Skloot, Rebecca. The Immortal Life of Henrietta Lacks
Smith, Lee. Fair and Tender Ladies
Smith, Patrick. A Land Remembered
Snyder, Jane McIntosh. Sappho
Sones, Sonya. One of Those Hideous Books Where the Moher Dies
Sones, Sonya. What My Mother Doesn’t Know
Sonnie, Amy, ed. Revolutionary Voices: A Multicultural Queer Youth Anthology
Speare, Elizabeth George. The Witch of Blackbird Pond
Spies, Karen Bornemann. Everything You Need to Know About Incest
St. Stephen’s Community House. The Little Black Book for Girlz: A Book on Healthy Sexuality
Steinbeck, John. The Grapes of Wrath
Steinbeck, John. Of Mice and Men
Stine, R.L. Double Date
Stokstad, Marilyn. Art History: Eighteenth to Twenty-First Century Art, Third Edition
Stone, Tanya Lee. A Bad Boy Can Be Good for a Girl
Srasser, Todd. Give a Boy a Gun
Summers, Courtney. Some Girls Are
Tarbox, Katherine. A Girl’s Life Online
Taylor, Mildred D. Mississippi Bridge
Touchette, Charleen. It Stops With Me: Memoir of a Canuck Girl
Trueman, Terry. Stuck in Neutral
Twain, Mark [Samuel L. Clemens]. The Adventures of Huckleberry Finn
Twain, Mark [Samuel L. Clemens]. The Adventures of Tom Sawyer
von Ziegesar, Cecily. Gossip Girl series
Walker, Alice. The Color Purple
Walker, Kate. Peter
Watkins, Yoko. So Far From the Bamboo Grove
Wersba, Barbara. Whistle Me Home
Williams-Garcia, Rita. Like Sisters on the Homefront
Wittlinger, Ellen. Sandpiper
Wolfe, Daniel. T.E. Lawrence
Wolff, Tobias. This Boy’s Life: A Memoir
Wood, Maryrose. Sex Kittens and Horn Dawgs Fall in Love
Wright, Richard. Native Son
WritersCorps. Paint Me Like I Am: Teen Poems
Zindel, Paul. The Pigman
Zwerman, Gilda. Martina Navratilova
Classics:
The Great Gatsby, by F. Scott Fitzgerald
The Catcher in the Rye, by J.D. Salinger
The Grapes of Wrath, by John Steinbeck
To Kill a Mockingbird, by Harper Lee
The Color Purple, by Alice Walker
Ulysses, by James Joyce
Beloved, by Toni Morrison
The Lord of the Flies, by William Golding
1984, by George Orwell
Lolita, by Vladmir Nabokov
Of Mice and Men, by John Steinbeck
Catch-22, by Joseph Heller
Brave New World, by Aldous Huxley
Animal Farm, by George Orwell
The Sun Also Rises, by Ernest Hemingway
As I Lay Dying, by William Faulkner
A Farewell to Arms, by Ernest Hemingway
Their Eyes Were Watching God, by Zora Neale Hurston
Invisible Man, by Ralph Ellison
Song of Solomon, by Toni Morrison
Gone with the Wind, by Margaret Mitchell
Native Son, by Richard Wright
One Flew Over the Cuckoo's Nest, by Ken Kesey
Slaughterhouse-Five, by Kurt Vonnegut
For Whom the Bell Tolls, by Ernest Hemingway
The Call of the Wild, by Jack London
Go Tell it on the Mountain, by James Baldwin
All the King's Men, by Robert Penn Warren
The Lord of the Rings, by J.R.R. Tolkien
The Jungle, by Upton Sinclair
Lady Chatterley's Lover, by D.H. Lawrence
A Clockwork Orange, by Anthony Burgess
The Awakening, by Kate Chopin
In Cold Blood, by Truman Capote
The Satanic Verses, by Salman Rushdie
Sophie's Choice, by William Styron
 Sons and Lovers, by D.H. Lawrence
Cat's Cradle, by Kurt Vonnegut
A Separate Peace, by John Knowles
Naked Lunch, by William S. Burroughs
Brideshead Revisited, by Evelyn Waugh
Women in Love, by D.H. Lawrence
The Naked and the Dead, by Norman Mailer
Tropic of Cancer, by Henry Miller
An American Tragedy, by Theodore Dreiser
Rabbit, Run, by John Updike
Source: http://www.ala.org/advocacy/bbooks/frequentlychallengedbooks
6 notes · View notes
tasksweekly · 7 years
Photo
Tumblr media
[TASK 053: THE IROQUOIS CONFEDERACY]
Shout out to @olivaraofrph​ for inspiring and helping compile this task! There’s a masterlist below compiled of over 100+ Iroquois faceclaims categorised by gender with their occupation and ethnicity denoted if there was a reliable source. The Iroquois are a historically powerful Northeast Confederacy, existing in precolonial Native America to present. The Iroquois are not one tribe but compose of what are referred to as the 'Six Nations', who share a similar culture and language: the Mohawk, Onondaga, Oneida, Cayuga, Seneca, and Tuscarora. If you want an extra challenge use random.org to pick a random number! Of course everything listed below are just suggestions and you can pick whichever character or whichever project you desire.
Any questions can be sent here and all tutorials have been linked below the cut for ease of access! REMEMBER to tag your resources with #TASKSWEEKLY and we will reblog them onto the main! This task can be tagged with whatever you want but if you want us to see it please be sure that our tag is the first five tags!
THE TASK - scroll down for FC’s!
STEP 1: Decide on a FC you wish to create resources for! You can always do more than one but who are you starting with? There are links to masterlists you can use in order to find them and if you want help, just send us a message and we can pick one for you at random!
STEP 2: Pick what you want to create! You can obviously do more than one thing, but what do you want to start off with? Screencaps, RP icons, GIF packs, masterlists, PNG’s, fancasts, alternative FC’s - LITERALLY anything you desire!
STEP 3: Look back on tasks that we have created previously for tutorials on the thing you are creating unless you have whatever it is you are doing mastered - then of course feel free to just get on and do it. :)
STEP 4: Upload and tag with #TASKSWEEKLY! If you didn’t use your own screencaps/images make sure to credit where you got them from as we will not reblog packs which do not credit caps or original gifs from the original maker.
THINGS YOU CAN MAKE FOR THIS TASK -  examples are linked!
Stumped for ideas? Maybe make a masterlist or graphic of your favourite Iroquois faceclaims. A masterlist of names. Plot ideas or screencaps from a music video preformed by a Iroquois artist. Masterlist of quotes and lyrics that can be used for starters, thread titles or tags. Guides on Iroquois culture and customs.
Screencaps
RP icons [of all sizes]
Gif Pack [maybe gif icons if you wish]
PNG packs
Manips
Dash Icons
Character Aesthetics
PSD’s
XCF’s
Graphic Templates - can be chara header, promo, border or background PSD’s!
FC Masterlists - underused, with resources, without resources!
FC Help - could be related, family templates, alternatives.
Written Guides.
and whatever else you can think of / make!
MASTERLIST!
Note: If you’re using this masterlist for casting purposes please do further research before casting any of the following because some pages only listed their nationalities!
Ladies:
Joanne Shenandoah (born in 1958) Oneida - singer.
Waneek Horn-Miller (born in 1975) Mohawk - olympian.
Kaniehtiio Horn (30) Mohawk / Scottish, German - actress.
Karen M. Hudson (55) Mohawk - actress.
Cheri Maracle (47) Mohawk and Irish - actress and musician.
Tracey Deer (39) Mohawk - film director and newspaper publisher.
Jana Mashonee (37) Tuscarora and Lumbee - singer-songwriter and actress.
Kawennahere Devery Jacobs (23) Mohawk - actress.
Taysha Fuller (22) Mohawk and Cayuga - actress.
Emmy Bite (22) Oneida and Broadly European (Including Irish) - YouTuber (NativeBeauty).
Daunnette Reyome (15) Omaha, Ho-Chunk, Mohawk, and Portuguese - model.
Kakwité:ne Jacobs (15) Mohawk - actress.
Tara Gill (born 1990) Algonquin and Mohawk - model.
Kinnie Starr (born 1970) Mohawk and Unspecified Other - singer-songwriter
Alex Rice (born in 1972) Mohawk - actress.
Thirza Defoe (born 1982) Oneida and Ojibwe - actress and performing artist.
Teioshontathe McGregor (?) Mohawk - actress.
Santee Smith (?) Mohawk - actress and screenwriter.
Carla-Rae (?) Mohawk, Seneca, and French - actress.
Brianna Womick (?) Mohawk, Cherokee, English, German, and French - actress.
Dio Ganhdih (?) Mohawk and Cherokee - rapper.
Zoe Leigh Hopkins (?) Mohawk and Heiltsuk - filmmaker and actress.
Erika Stone (?) don’t know their exact tribe but she’s from the Six Nations Reserve so they’re one of the 6 of the Iroquois - actress.
Jennifer Kreisberg (?) Tuscarora - singer-songwriter.
Pura Fe (?) Tuscarora and Puerto Rican (Taino and Corsican) - singer-songwriter.
Lacey Hill (?) Oneida - singer-songwriter.
Adriana Garisto (?) Mohawk - actress.
Sadie Buck (?) Seneca - singer.
Jessica Hernandez (?) Mohawk and Puerto Rican - actress.
Dawn Avery (?) Mohawk - musician.
Lakota Jonez (?) Mohawk, Cherokee, and Lakota Sioux - singer-songwriter.
Brittany Leborgne (?) Mohawk - actress.
Kakaionstha Betty Deer (?) Mohawk - actress.
Kait Angus (?) Mohawk and Cree - singer.
Bear Fox (?) Mohawk - singer-songwriter.
Elaine Bomberry (?) Cayuga and Ojibwe - singer and film/tv producer.
Heather White (?) Mohawk / Nakoda Sioux - actress.
Jaiden Mitchell (?) Mohawk - actress.
Makayah Crowfoot (?) Blackfoot, Navajo, Oneida, Irish, Armenian, English, and French - actress.
Daygot Leeyos (?) Oneida - songwriter.
Dawn Jamieson (?) Cayuga - actress.
JD The First Lady (?) Cayuga and Nuxalk - musician.
Carla Rae Holland (?) Mohawk - actress.
Male:
Oren Lyons (born 1930) Onondaga and Seneca - actor, producer, and activist.
Robbie Robertson (74) Ashkenazi Jewish / Mohawk - musician.
Graham Greene (65) Oneida - actor.
Gary Farmer (64) Cayuga - actor.
Gary Sundown (born 1969) Seneca - actor.
Andy Mason (48) Mohawk and Cayuga - musician.
Tyler Christopher (44) Seneca and Choctaw - actor.
Derek Miller (42/43) Mohawk - singer-songwriter.
Clay Hill (41) Don’t know their exact tribe but he’s from the Six Nations Reserve so they’re one of the 6 of the Iroquois - NLL player.
Brandon Oakes (born 1976) Mohawk - actor.
Delby Powless (37) Mohawk - NLL player.
Michael Hudson (22) Mohawk - actor.
Cody Jamieson (30) Mohawk - NLL player.
Tyler Hill (28) Mohawk - actor.
Chief Rock (born 1997) Cayuga - musician.
Craig Point (?) Don’t know their exact tribe but he’s from the Six Nations Reserve so they’re one of the 6 of the Iroquois - NLL player.
Eddy Lawrence (?) Mohawk - musician.
Jesse Running Bear (?) Tuscarora - musician.
Raven Kanatakta (?) Mohawk - musician.
Jackson 2Bears (?) Mohawk - musician.
Oren Doxtator (?) Oneida - musician.
Jay Karontase Montour (?) Mohawk - actor.
Karonhyawake Jeff Doreen (?) Mohawk - singer-songwriter.
James Blood (?) Don’t know their exact tribe but he’s from the Six Nations Reserve so they’re one of the 6 of the Iroquois - musician.
Gon Gotti (?) Mohawk - rapper.
James Malloch (?) Mohawk - actor.
Aaron Printup (?) Tuscarora - actor.
Tyler Hill (?) Mohawk - actor.
Marcus Denny (?) Menominee, Potawatomi, and Oneida - musician.
Don Powless (?) Mohawk - musician.
Josh Arden Miller (?) Mohawk - musician.
Murray Porter (?) Mohawk - musician.
DJ DoezIt (?) Onondaga and Hopi - rapper.
Jonathan Maracle (?) Mohawk - musician.
Thomas B. Maracle (?) Mohawk - musician.
Faron Johns (?) Mohawk - musician.
Bear Witness (?) Cayuga - I’d google “Bear Witness A Tribe Called Red” to get him since it’s a pretty common phrase - musician.
DJ Shub (?) Mohawk - musician.
Tim “2oolman” Hill (?) Mohawk - musician.
Orris Edwards (?) Onondaga - actor.
Chllly (?) Mohawk and Jamaican - rapper.
Brendt Thomas Diabo (?) Mohawk - musician.😜😜😜
Stone Mathers (?) Oneida and Ojibwe - musician.
Dylan Carusona (?) Oneida - actor.
DJ Budda Blaze (?) Mohawk - musician.
Mark LaForme (?) Mississauga and Don’t know their exact tribe but he’s from the Six Nations Reserve so they’re one of the 6 of the Iroquois - musician.
Logan Staats (?) don’t know their exact tribe but he’s from the Six Nations Reserve so they’re one of the 6 of the Iroquois - musician.
Jace Martin (?) Mohawk - musician.  
Maxton Scott (?) Mohawk - actor.
Andrew Martin (?) Mohawk - actor.
Malaki Sam (?) Ktunaxa, Nlaka’pamux, Okanagan, Shuswap, Don’t know their exact tribe but he’s one of the 6 of the Iroquois, and Italian - actor.
Colton Clause (? teenager) don’t know their exact tribe but he’s one of the 6 of the Iroquois - actor.
Pete DePoe (?) Northern Cheyenne, Arapaho, Ojibwe, Siletz, Tututni, Don’t don’t know their tribe but one of the 6 of the Iroquois, French, and German - musician.
Rohahes Iain Phillips (?) Mohawk - musician.
Darryl Tonemah (?) Kiowa, Comanche, and Tuscarora - singer-songwriter and actor.
NB:
Kiley May (?) Trans Female, Genderqueer, and Two Spirit - Mohawk and Cayuga - actor and model.
Shawnee Sheking (?) Two Spirit - Mohawk - singer.
Gloria May Eshkibok (?) Two Spirit - Mohawk, Ottawa, French, and Irish - actor.
25 notes · View notes
Text
I’ve decided, at the last minute, to take part in #NonFictionNovember! I have a lot of non-fiction on my TBR so it seems like a good time to read more of it. I struggled to make an exact TBR as generally once I make a list of books to read my brain decides it wants to read anything but what’s on the list! This time I’ve picked a selection of books that I really like the sound of – I’ve deliberately picked more books than I’m able to read in a month in the hope that having more choice will keep me on track. I do have some fiction to read and review so I may not read exclusively non-fiction but I aim to mostly read it in November.
I’ve predominantly picked books that I owned before 2017 so that I can use these books towards my Goodreads Mount TBR Challenge as I haven’t managed to complete that as yet, hence why there aren’t any new books (other than review books) on this list. I’ve tried to make my list a mix of easier non-fiction to balance some of the more challenging books in the hope it keeps me on the non-fiction track for the most part!
#NonFictionNovember2017 was started by abookolive and Non Fic Books on YouTube.
Their prompts for this reading challenge are:
Home
Substance
Love
Scholarship
and you can interpret these prompts however you like.
  Here’s my #NonFictionNovember TBR
Hystories by Elaine Showalter
This is one of my picks for the scholarship prompt. I first heard about Elaine Showalter when she was giving a talk at the university that I was about to start. I loved her talk and went on to read two of her books soon after. For some reason I never got around to reading this one so it seemed a good choice to aim for during this reading challenge.
Nothing is True and Everything is Possible by Peter Pomerantsev
This is another book that could possibly fit into scholarship as Russian politics is something I feel I should learn more about and this book looks like it could be an accessible way to start. It’s also a book that’s been on my TBR for a while so it’s time I picked it up.
Essays in Love by Alain de Botton
This is my pick for Love seeing as it has love in the title! I’ve had this on my TBR for a while too and it seemed a good pick for something to dip in and out of during this challenge to break up some of the heavier books on my TBR.
It’s Not Yet Dark by Simon Fitzmaurice
This book doesn’t really fit any of the challenges but it’s a book I’ve own for a long time and really want to read. It’s a book about the author being diagnosed with MND and how he has come to terms with how that has changed his life. I didn’t read it for a while because there was a time when this felt like it might be too close to home but that time has passed now and I feel ready to read this.
The Year of Living Danishly by Helen Russell
This book could fit into home as it’s a book about a couple making a new home for themselves in Denmark. I’ve wanted to read this for ages and so I’ve added it to this TBR for some light relief if I find myself needing it.
The Emperor of all Maladies by Siddhartha Mukherjee
This is my pick for substance as it’s a biography of cancer and looks at the way cells can go rogue within the human body. I’ve wanted to read this for so long but it’s a subject that I find really hard to read about. I’m using this challenge to push myself to read it at last because I feel sure it will be fascinating.
#gallery-0-39 { margin: auto; } #gallery-0-39 .gallery-item { float: left; margin-top: 10px; text-align: center; width: 33%; } #gallery-0-39 img { border: 2px solid #cfcfcf; } #gallery-0-39 .gallery-caption { margin-left: 0; } /* see gallery_shortcode() in wp-includes/media.php */
The Lonely City by Olivia Laing
This book is on my TBR simply because I really want to read it and I think it might have a different vibe to other books that I’ve picked and so might be good to change things up a bit.
Coco Chanel: The Legend and the Life by Justine Picardie
I’ve had the lovely hardback of this book on my TBR for about seven years now and I have no idea why I haven’t read it yet as it’s a book I really wanted. I also love the author’s writing so I’m hoping that I’ll be able to fit this book in this month.
Amusing Ourselves to Death by Neil Postman
This is a recent buy but I’m so looking forward to reading that I’ve added it. I may well end up not reading this as I want to focus on books from before this year but I’ve put this on the list in case I get stuck at any point and then I know I can pick this up. It’s the book that inspired Roger Waters to write Amused to Death and as I love that album I am very keen to read this book!
Brain on Fire by Susannah Cahalan
This is another book that I’ve wanted to read for a long time and I don’t know why I haven’t done so as yet. I feel like this might be a one sitting read and so perfect for this reading challenge.
Mercury and Me by Jim Hutton
I do like memoirs and biographies so have added this one as it will break up the other books I have on my TBR. I’m a huge Freddie Mercury fan and can never resist books about him.
The Psychopath Test by Jon Ronson
I love Jon Ronson’s books and this one is on a subject that fascinates me so I’m keen to see how he approaches it.
Small Acts of Disappearance by Fiona Wright
This is an essay collection that I’ve been looking forward to and it seemed like a good idea to have another book that can be read on and off throughout the month.
The Undertaker’s Daughter by Kate Mayfield
This is a memoir of Kate Mayfield and how it was to grow up living above a funeral parlour. It sounds like such an interesting read and when I flicked though it seems like a really accessible writing style so seems a good book to have on the list for a reading challenge.
Dear Cathy… Love, Mary by Catherine Conlon & May Phelan
This is a book of letters written between the two authors in the 1980s and it just sounds so wonderful and nostalgic. I can’t wait to read this one!
#gallery-0-42 { margin: auto; } #gallery-0-42 .gallery-item { float: left; margin-top: 10px; text-align: center; width: 33%; } #gallery-0-42 img { border: 2px solid #cfcfcf; } #gallery-0-42 .gallery-caption { margin-left: 0; } /* see gallery_shortcode() in wp-includes/media.php */
Selfish, Shallow and Self-Absorbed by Meghan Daum
This is a book that I bought ages ago now and really wanted to read but then the time never felt right. I’m really interested to read about women who’ve chosen not to have children though so a collection of essays seems like a good book to add to this challenge.
A Pound of Paper by John Baxter
This book has been on my TBR since before I had a Goodreads account (more than nine years). I’m mortified because it’s a book about a book addict and I feel sure I will love it. What’s more is that it’s in a lovely hardback edition and when I picked it off my shelf to make this TBR I just wanted to curl up with it right away. Therefore this book also fits the challenge of home for me because books are home to me.
Culture and Imperialism by Edward Said
This has also been on my TBR for a long time (more than ten years!). In fairness I have read some of it for my degree but I never sat down and read the whole book. I’ve kept it all this time so there must be something in me that still wants to read it so I’m including it in this TBR. I will just say that my edition has small text and my eyes aren’t great at the moment so this book may not get read this month but I’m including it on the list to keep it fresh in my mind so that it doesn’t languish on my TBR for another ten years!
  I also have some Non-Fiction ARCs to read so I’ve included them in my reading plans too
Riot Days by  Maria Alyokhina
This is a book about the Russian band Pussy Riot and how they were imprisoned. It sounds like such a fascinating read and I’m keen to get to it soon. If I don’t manage to read it during this reading challenge, I will aim to have it read and reviewed before the end of this year.
The Day that went Missing by Richard Beard
This is a memoir of how the author looked back at what happened on the day his brother drowned and the aftermath. It sounds like a really moving book but it’s one I want to read soon.
Rest in Power by Sybrina Fulton & Tracy Martin
Trayvon Martin was shot dead whilst innocently walking home minding his own business; he was seventeen years old – it was such a shocking story on the news when it happened. This book is his story as told by his mum. I’m sure this will be a heartbreaking read but it’s important that books like this are read and spoken about.
The Book of Untruths by Miranda Doyle
This is Miranda Doyle’s memoir told through lies – this was all I needed to know about this book before I requested it on NetGalley! I’m so keen to read this book and hope to get to it this month.
Gone by Min Kym
  Of Women: In the 21s Century by Shami Chakarabati
I just got and ARC of this book this week so I’m adding it to this list of books that I may get to this month. It does sound like it could be a very prescient book given what is happening at the moment with the #metoo so I’d like to read this soon if I can.
Chase the Rainbow by Poorna Bell
I was unexpectedly sent a copy of this book for review a little while ago and it sounded interesting so I added it to my TBR. The subject matter sounds tough as it’s about the author’s husband’s suicide but it’s so important to be more aware of mental health so I want to read this one soon.
Currently reading
This House of Grief by Helen Garner
I’ve been reading this book for the past few weeks but I had a spell where I just wanted to read fiction so it got put to one side. I picked it up again this week though and am back to being engrossed in it.
Good Night and Good Riddance: How Thirty-Five Years of John Peel Helped to Shape Modern Britain by David Cavanagh
This is a book that I’m dipping in and out of and it’s just wonderful. I highly recommend this if you love music and John Peel.
A History of Britain in 21 Women by Jenni Murray
This is an audiobook that I spotted when I was looking for non-fiction in my Audible cloud. I’d forgotten that I had this on my TBR but as soon as I saw it I knew I wanted to listen to it asap. I started listening to it today and am really enjoying it.
The Everything Store by Brad Stone
I can’t remember buying this book but it’s been on my TBR for ages. I started reading it last night and I think it could be a really interesting read.
    Are you joining in with #NonfictionNovember2017? If you are I’d love to know what you plan on reading for this challenge.
My (rather ambitious!) TBR for #NonFictionNovember2017 I've decided, at the last minute, to take part in #NonFictionNovember! I have a lot of non-fiction on my TBR so it seems like a good time to read more of it.
0 notes
tradcathsermons · 4 years
Text
Tweeted
Now therefore you are no more strangers and foreigners; but you are fellow citizens with the saints, and the domestics of God. Built upon the foundation of the apostles and prophets, Jesus Christ himself being the chief corner stone. Ephesians 2: 19, 20.
— Elaine Murray (@murray_33) March 29, 2020
0 notes
lboogie1906 · 2 years
Photo
Tumblr media
Doris Troy (born Doris Elaine Higginsen; January 6, 1937 – February 16, 2004) was a R&B singer and songwriter, known to her many fans as "Mama Soul". Her biggest hit was "Just One Look", a top 10 hit. She was one of the four female backup singers on The Dark Side of the Moon by Pink Floyd. Under the name Doris Payne, she began songwriting and earned $100 for the Dee Clark hit "How About That". Going into the recording industry, she worked as a backup vocalist for Atlantic Records alongside Dionne and Dee Dee Warwick. She was part of the original lineup of The Sweet Inspirations, with Cissy Houston and the two Warwicks. Taking her stage name from Helen of Troy, she sang backup vocals for Solomon Burke, the Drifters, Houston, and Dionne Warwick, before she co-wrote and recorded"Just One Look". This song hit No. 10 on the US Billboard Hot 100. "Just One Look" was the only charting US hit for her. The song was recorded in 10 minutes, as a demo for Atlantic Records. Atlantic Records heard the demo, they decided not to re-record it, instead opting to release it as was. The musicians included Ernie Hayes on organ, Wally Richardson on guitar, Bob Bushnell on bass, and Bernard "Pretty" Purdie on drums. The song has been covered by The Hollies, Faith, Hope & Charity, Major Lance, Linda Ronstadt, Bryan Ferry, Anne Murray, Klaus Nomi, and Harry Nilsson in a duet with Lynda Laurence. Her only foray into the UK Singles Chart, "Whatcha Gonna Do About It", peaked at No. 37. As her solo career peaked, she continued to sing back-up for multiple artists and bands. She contributed vocals to The Rolling Stones' 1969 song "You Can't Always Get What You Want", Pink Floyd's The Dark Side of the Moon, and Carly Simon's "You're So Vain". She also sang for Humble Pie, Kevin Ayers, Edgar Broughton, George Harrison, Johnny Hallyday, Vivian Stanshall, Dusty Springfield, Nick Drake, and Junior Campbell. #africanhistory #africanexcellence https://www.instagram.com/p/CYY2IqfL7wIoivNGHtTtCQvnaoG55btPFJ2aXc0/?utm_medium=tumblr
0 notes
weeklyhumorist · 4 years
Text
#CelebAnAnimal
Did you see that Justin Beaver AND Weird Owl Yankovic are coming to town! It’s #CelebAnAnimal on this week’s joke game! Here are some of the best on @HashtagRoundUp powered by @TheHashtagGame. Play our comedy hashtag twitter games every Wednesday at 11 am EST.
Let’s play #CelebAnAnimal with co-host @delaneyWHmag @HashtagRoundup powered by @TheHashtagGame #WittyWednesday pic.twitter.com/07tVTvWKY8
— Weekly Humorist (@WeeklyHumorist) March 4, 2020
Alanis Marmoset #CelebAnAnimal pic.twitter.com/7nE8P7hR4s
— Mick L. Angelo (@1urbanecowboy) March 4, 2020
Bumble Bea Arthur #CelebAnAnimal pic.twitter.com/Bl4jTMXkS9
— Mister Race Bannon (@MrRaceBannon) March 4, 2020
Cat Le Blanc#CelebAnAnimal . . . pic.twitter.com/p4KJUhrH1U
— 𝐂𝐡𝐚𝐫𝐝𝐨𝐧𝐧𝐚𝐲 𝐁𝐮𝐜𝐤𝐞𝐭🏴󠁧󠁢󠁷󠁬󠁳󠁿 (@Tomic_buckeT) March 4, 2020
Weird Owl#CelebAnAnimal pic.twitter.com/g8Zj575GqA
— Corey Miller (@StopEatingBees) March 4, 2020
Will Feral #CelebAnAnimal
— David E (@DaSkrambledEgg) March 4, 2020
Justin Beaver #CelebAnAnimal
— Shea Browning (@SheaBrowning) March 4, 2020
Michael J. Fox?
Am I doing this right? #CelebAnAnimal pic.twitter.com/o4CJ4ARuk9
— Cameron Grant (@ImCoolCam101) March 4, 2020
Meryl Sheep#CelebAnAnimal pic.twitter.com/ZUTHzolhEt
— Edward J Thomas (@UnknownWr1ter) March 4, 2020
#CelebAnAnimal
Piggy Smalls pic.twitter.com/hQlhmM1gxo
— Not Your Average Tweetheart (@KeepnItRealish) March 4, 2020
#CelebAnAnimal Courtney Cocks pic.twitter.com/d4TgllmdaU
— Justme (@Ladyfish666) March 4, 2020
John Geese #CelebAnAnimal pic.twitter.com/pPTipudAp8
— New Year, New Hashing Hoser (@SamAUAG) March 4, 2020
Tom Crustacean #CelebAnAnimal
— Michael (@Sckswithsandals) March 4, 2020
Woodchuck Harrelson #CelebAnAnimal pic.twitter.com/zA7KaUmzu9
— Cap’n F-hole (@CapGraybeard) March 4, 2020
Bull Murray #CelebAnAnimal@WeeklyHumorist pic.twitter.com/lLG3gNhKpN
— Cap’n F-hole (@CapGraybeard) March 4, 2020
Betty Great White Shark #CelebAnAnimal
— Jesse Barfield (@JesseBarfieldPi) March 4, 2020
Timothy Elephant #CelebAnAnimal
— 🧝🏻‍♀️Lady Quinn 🌈 (@harleyquinnical) March 4, 2020
#CelebAnAnimal Ringo Starfish
— DM (@patchdennizen) March 4, 2020
Chick Norris 🐣 #CelebAnAnimal
— CK (@charley_ck14) March 4, 2020
#CelebAnAnimal Biggie Foot pic.twitter.com/h2SjsH9mAf
— Rick Wright (@RickWrightNow) March 4, 2020
Geese Witherspoon #CelebAnAnimal
— Dan Levey (@iamdanlevey) March 4, 2020
Robin Red Breast Williams #CelebAnAnimal
— KuRtAy ToRoS (@kurtaytoros83) March 4, 2020
#CelebAnAnimal Eddie Lizard
— Todd Otto (@toddotto) March 4, 2020
#CelebAnAnimal Ryan Seahorse
— Elaine (@Makeitstop99) March 4, 2020
Martha Stewart Little #CelebAnAnimal pic.twitter.com/dVWIHvVy0w
— @RoyalCityRaucous (@RoyalCityRauco1) March 4, 2020
#CelebAnAnimal Cindy Crawfish 🦞 pic.twitter.com/yaOagAMYg2
— 😎Kevin G. (@KMGFromChicago) March 4, 2020
#CelebAnAnimal Vin Weasel 🙂
— Dean (@arsenalkings) March 4, 2020
#CelebAnAnimal
Clint Eastwoodchuck pic.twitter.com/uZ9EoKzMTI
— elyod (@ElyodRj) March 4, 2020
#CelebAnAnimal: Chris MathEwe
— Frank Sullivan (@FreudLuv) March 4, 2020
Taylor Sloth. #CelebAnAnimal pic.twitter.com/2USEkSDglI
— Rachel, Patron Saint of Ratchet (@Rachels_Ratchet) March 4, 2020
Zebra Messing #CelebAnAnimal
— Oliver Langmo (@Olivergoesoff) March 4, 2020
Warren Batty #CelebAnAnimal
— Air Bear (@AirBearEnt) March 4, 2020
Hen Affleck #CelebAnAnimal
— Eli Kane (@facedances3) March 4, 2020
Rob Crow #CelebAnAnimal pic.twitter.com/Sr1VPM5pZH
— Enchantical 2.0 (@AwkwrdSkribbles) March 4, 2020
Sting Ray Liotta #CelebAnAnimal
— Air Bear (@AirBearEnt) March 4, 2020
#CelebAnAnimal Mark Camel @HamillHimself
— I’m Just Dan (@DanielAshley13) March 4, 2020
Ronan Sparrow#CelebAnAnimal
— Reshma Nayyar (@ReshmaNayyar) March 4, 2020
Simon Owl #CelebAnAnimal pic.twitter.com/McDp8fWvLs
— O’Susanna (@SaucySusieQ) March 4, 2020
#CelebAnAnimal Sigourney Beaver pic.twitter.com/9n9TxbR5bT
— Greeshma Megha (@GreeshmaMegha) March 4, 2020
#CelebAnAnimal Camel L Jackson
— Dyane (@Dyane357) March 4, 2020
Lion-el Ritchie #CelebAnAnimal pic.twitter.com/dgYP864wYk
— Taco Eater (@tacoeater) March 4, 2020
Chris Porcu-Pine #CelebAnAnimal @joshfeinblatt
— Weekly Humorist (@WeeklyHumorist) March 4, 2020
#CelebAnAnimal Goldie Fawn pic.twitter.com/PvARBhNTtJ
— Sammy is here 520 (@520Sammy) March 4, 2020
Kangaroo McClanahan#CelebAnAnimal pic.twitter.com/DEyRdmw2U9
— Shea Browning (@SheaBrowning) March 4, 2020
Ferret Faucet #CelebAnAnimal pic.twitter.com/2crqKqao7H
— CK (@charley_ck14) March 4, 2020
Elephant Fitzgerald #CelebAnAnimal @WeeklyHumorist
— David Elliott (@DavidEllioops) March 4, 2020
Nick Otterman #CelebAnAnimal
— J.B. Smith (@jbsmth65) March 4, 2020
Puffin Daddy #CelebAnAnimal
— KuRtAy ToRoS (@kurtaytoros83) March 4, 2020
Amy Polar Bear #CelebAnAnimal
— J.B. Smith (@jbsmth65) March 4, 2020
Shrew Barrymore. #CelebAnAnimal
— John Lane (@JohnFPLane) March 4, 2020
Catherine Zebra-Jones (: #CelebAnAnimal pic.twitter.com/4fHTKp904w
— Joseph King (: (@Jose63983700) March 4, 2020
Clark Sable #CelebAnAnimal @bleicher_newton
— Weekly Humorist (@WeeklyHumorist) March 4, 2020
Emma Stone-Crab #CelebAnAnimal @KitLively
— Weekly Humorist (@WeeklyHumorist) March 4, 2020
Jimmy Falcon #CelebAnAnimal pic.twitter.com/cMk1jkFhRC
— O’Susanna (@SaucySusieQ) March 4, 2020
Sam Rockfish #CelebAnAnimal
— Eli Kane (@facedances3) March 4, 2020
Jack Black Rhino #CelebAnAnimal @paul_lander
— Weekly Humorist (@WeeklyHumorist) March 4, 2020
#CelebAnAnimal was originally published on Weekly Humorist
0 notes
mittbokligaliv-blog · 7 years
Text
Maximilian Kolbe
This gentle priest had the capacity to move the hardest hearts and change the charachter of the most fallen.  Boken och ett bönekort Maximilian Kolbe levde mellan 1894 och 1941 och var en polsk franciskanmunk som grundade Militia Immaculatae (Knights of the Immaculata). I Elaine Murray Stones korta biografi Maximilian Kolbe: Saint of Auschwitz får man följa hans liv från den fattiga barndomen…
View On WordPress
0 notes
newagesispage · 5 years
Text
                                                              JULY                               2019
PAGE RIB
If you care what people think, you’re their prisoner. – Heidi Fleiss
*****
The Stones are back and opened in Chicago on June21. The reviews were great, they mostly stuck to the hits and Mick was in top notch form. Monkey Man and Sweet Virginia are back!!! Woo Hoo!!
*****
Satellite images show the complete deployment of 4 Russian made S-300 missile defense systems.
*****
Comedians in cars getting coffee will start season 11 on July 19. This season will bring us Eddie Murphy, Barry Marder, Bridget Everett, Melissa Villsenor, Sebastian Maniscalco, Seth Rogan, Ricky Gervais, Matthew Broderick, Jamie Foxx, Mario Joyner and Martin Short.
*****
Law and Order: Hate Crimes is coming.
*****
NRATV is no more. Hooray!! The NRA’s second in command Chris Cox has resigned after he was implicated in a plot to oust Wayne La Pierre. Cox calls the charges, “offensive and patently false.” There are also multiple lawsuits from ad firm Ackerman McQueen that claim the NRA is in violation of contracts.
*****
Republican representative Duncan Hunter is headed to court in September for charges that he and his wife illegally spent more than $250,000 in political donations. Prosecutors want to list details of his many affairs.
*****
NBC is bringing back Who Do You Think You Are?
*****
Police in Hong Kong are beating protesters.
*****
Sexual harassment news of the month: George Nader, part of Trump’s transition team, was arrested in New York on child porn charges.**Cuba Gooding Jr. was charged in NY with forcible touching. His lawyer says that the incident is on tape and will prove he is innocent.** Trump has been accused by the 22nd woman, this time of rape, but most of the media seemed to be playing it down. The victim, writer E. Jean Carroll says she will cooperate 100%.
*****
The Supreme Court ruled that the government can’t stop us from running a business with a scandalous name.
*****
Stop the cash bail system. It is costing us money every day.
*****
Chris Pratt and Katherine Schwarzenegger have wed.
*****
Joe Sestak is running for President.
*****
I always think of Meghan McCain as the Rosie O’Donnell of the right. She seems to have a big heart and her childhood and parents seem to have made a huge influence. Somehow she always brings everything back to her and she freaks on certain talking points.
*****
Let’s keep an eye on U.S. transportation secretary Elaine Chao. The shipping dynasty of her family is benefitting from industrial policies in China.
*****
2 deputies were fired for inaction pertaining to the Parkland shooting.
*****
People were horrified at the image of Scary Clown with graves in the background on foreign soil as he talked of “Nervous Nancy” and called Mueller a fool. We were outraged when he told us that he would want to listen to dirt on others and wouldn’t see why he should tell the FBI before he walked it back. He does not fucking care. When will we all understand that?
*****
The President is being urged to cancel his speech at the Lincoln memorial.  Many of his own people think it might appear to be a campaign stop paid for by the American people. He did that already when he made ads for himself while at his golf course in Scotland.** I suppose he will pretend to be all about America again when he gets back from smiling with North Korean and Russian dictators.
*****
New York has banned declawing. Meow!!
*****
It is looking like Sam Little, in prison in California, may turn out to be the most prolific serial killer in U.S. history.
*****
The Tony’s came and went. Big winners were Bryan Cranston, Elaine May and Bob Mackie. Ali Stoker was the first wheelchair bound winner and Hadestown won the most awards.
*****
Some schools are trying out yoga instead of detention.  Teaching children how to control their feelings and help it to dissipate seems to be work.
*****
The Catholic Church has stomped on the rights of our Trans brothers and sisters. They decree that people should stay the way they are born.
*****
The movie,’ The Dead Don’t Die’ sounds great with Bill Murray, Tilda Swinton, Adam Driver, Danny Glover, Tom Waits and Steve Buscemi.
*****
Trump and Pence seem pretty pleased with themselves for not allowing the rainbow flag to fly during pride month. They really hate progress, don’t they?  Luckily, some brave souls are finding ways around it.
*****
Scary Clown has signed an executive order to increase transparency of hospital costs and info of medical professionals.
*****
On July 17 Bob Mueller will testify. **A comic book publisher is turning the report into a graphic novel.
*****
JB Pritzker has signed legal weed into Illinois and they will look at releasing low level drug offenders and putting money back into hard hit communities that were affected by the drug war.
*****
Maple Vale is suing because they say big chicken companies have colluded to hike prices.
*****
Absolut has been a proud supporter of the gay community since the 70’s.  
*****
Jim Gaffigan is in the new film, ‘Being Frank.’
*****
Sarah Huckabee Sanders is out. Many reporters tell us that she and other WH staff can be very different behind the scenes. They have been known to be very helpful and personable at times. The bluster and the lies are mostly for show for the boss.** Acting US customs and border protection commissioner John Sanders is out.
*****  
Scary Clown really put his foot in it with his Stephanopoulus interview. From little wise guy to taking help from foreign powers to the look on his face after ‘the cough’ it was quite the show.** Chuck Todd really soft balled his interview with our Pres. Shame on you.
*****
So, of course Manafort is going to a Federal location instead of Riker’s Island after AG Barr sent a letter to state prosecutors.
*****
One day it is announced that ICE is throwing millions out of the country. Another day they will round up 2,000 illegals that haven’t shown up for court etc. then that is on hold. Iran is going to be hit then it isn’t. It seems like real panic time in the WH. Justice Department attorney Sarah Fabian has explained in her double talk that kids without toothbrushes, soap and proper sleep is fine. Concrete floors in cages seem like a good idea to Trumps WH. Sarah Fabians phone number of 202-532-4824 was released to the public and she got an earful but I am sure she has changed that # by now.** ICE won’t even allow anyone to donate items to the kids in cages except for one in Deming, NM.
*****
Roy Moore is running for senate in 2020. These pompous, narcissistic pigs will not just fade away.
*****
I really hate this way the media lumps all the ‘rest’ of the Dem candidates as interchangeable. At least give everybody a chance to tell us who they are until the debates. All should have an equal chance because there are some good candidates there. Each one is unique and has at least one good idea. Would they all make a good President? Probably not but let’s hear them out!! People wonder why we never have enough choices and then they try to thin the field right away.  Andrew Yang wasn’t even included in some of the advertising for the debates and he is polling 8th. ** Seth Macfarlane and Bill Maher suggest that we do away with the audience. Great idea!!
*****
The first night of debate went well. I went in loving Inslee and went out the same way. He didn’t get much chance to talk what with the moderators asking Elizabeth Warren questions about 4 to the others 1. When Jay did get to speak about climate change and calling out CEO’s,  I thought he was dynamic. He really puts his money where his mouth is. I wish more people would research him. He had the best answer of what this country’s greatest threat is when he answered ,”Donald Trump.” Colbert made fun of Inslee for interrupting Warren about the rights of women. I must say that as a woman, that never even occurred to me because I was looking at her as a candidate. He has also been raked over for trying to interject with that finger in the air. Hmm.. so polite. DeBlasio got in a great line about not blaming immigrants for their problems but blaming the corporations, otherwise he seemed like a bully. Warren and Booker were competent. Klobachar, Gabbard and Ryan should call it quits. I like O’Rourke but he just seems too sweet. I loved his close because he referenced current events like the kids in cages and student protests which didn’t seem like running for student council Pres. I was impressed with John Delaney who I hadn’t known much about.  But Julian Castro won the night. He still wouldn’t be my first choice but he did everything right. He was truly Presidential and seemed to resonate with everybody. He was forceful, down to earth and seemed to know what he was talking about.
*****
Night 2 of the debates was a bit more lively. Hickenlooper will probably impress a few conservatives with his insistence that the Dems shouldn’t identify so much with socialism. Gillibrand seemed like tonight’s bully and it is time for her to go along with Bennet, Swalwell  and Williamson. Now, Marianne got a lot of shit but I agree with her on some basics. Preventative medicine and love being the answer is not stupid. These are things we don’t put enough stock in so why laugh it off? She is right about the chemicals and climate and why we are so sick in this world. She is right about state sponsored crimes and child abuse at the border. I thought Gillibrand repeated herself too much but she is right about putting too much money into private prisons. Buttigieg had a great point about the ‘free college for all’ thing by looking at the reality of those who don’t want college, a decent minimum wage and the rich paying for their own schooling.  He is also quite perceptive about republicans using religion while separating families which gives them no right to use God’s name. He was a bit sweaty but poised and measured all the way through. I am a big Andrew Yang fan and his money to all every month is something I have thought a solid idea for years but he is not Presidential at this point. He should be in the cabinet because he is an idea person but he sort of nervously choked on his first question about his signature piece. I loved that he didn’t wear a tie and his closing statement was awesome. Bernie gave us no surprises but the red, white and blue reflected in his glasses was fascinating. I did love his line about a hemisphere problem that we have and called out the Yemen crisis.  Like the night before, Biden seemed to get more time than the lesser knowns. He started out smooth and easy and ended serious and defensive because of the jabs he received. Kamala Harris stole the night with some of those. She jumped on Williamson’s mention of reparations to explain to Biden why his recent rhetoric of segregationists was so painful. This is why I love debates, it can change everything. I can’t really imagine anyone else taking on Trump at this point. She had some great lines like calming the boys down about no food fights but putting food on the table. Her close was a bit halting but she fired up the crowd as if she was already President.
*****
The after shows zeroed in on the flaws which will unfortunately define some of them.  The way we loop ‘Bookers look’ or ‘Williamson’s love not fear for political purposes’ can belittle the progress we can make. I am right in there watching it but it gets old. Trevor Noah said that many try but it was the Right time for Harris to play the race card. Race is already playing a part as some birtherism is erupting eluding to her Indian mother and Jamaican father.  Don Jr. got the wheels in motion by retweeting some garbage about Harris not being an “American black.”She raised about 2 mil after the debates.
*****
I will never understand why people always bring up this ‘elite’ business when talking about the Dems. Most of the people I have personally known who had a lot of money and looked down their nose at others have been republicans. Perhaps it is all about where one is from.
*****
Teens are evolving bone spurs on the back of their heads from looking down at their phones so much.
*****
Succession will be back on August 11.
*****
A little political hocus pocus seems to be ok with the Supreme Court. In a 5-4 ruling they have barred challenges to partisan gerrymandering.
*****
G20 countries make about 80% of global CO2 emissions. They had agreed to phase out subsidies for fossil fuels. Reports show that in the years since , they have nearly tripled subsidies to coal plants.
*****
Trump is schmoozing with Kim Jong UN saying, ”I would invite him tight now to the WH.”** There was a brawl with new unofficial  WH press secretary Stephanie Grisham and Kim’s people.
*****
The Travers film fest will honor Lily Tomlin with a lifetime achievement award.
*****
The ex- governor of Michigan Rick Snyder, who is responsible for the Flint water crisis, will now have a fellowship at Harvard.
*****
“Trump didn’t actually win the election in 2016. He lost the election and he was put into office because the Russians interfered.”- Jimmy Carter, former President and international expert on election fraud.
Toy Story 4 is big box office.
*****
Mythic Quest is the new series produced and written in part by Charlie Day and Rob Mcelhenney.  The show will be about a video game development company and will star F. Murray Abraham and Danny Pudi.
*****
Melissa McCarthy may play Ursula in the live action  The Little Mermaid.
A hacker stole the latest music from Radiohead and threatened to release it if they didn’t pony up $150,000 in ransom. The band released a statement declaring. ”We’ve been hacked” , released it themselves for 18 days and the money went to charity. Rock on!!
*****
In Cape Coral, Fla., a parent forced a kid to walk around with a sign of  their wrong deeds. Oh bit.. this stuff is back again.
*****
ICS in Springfield, Illinois’ fired Joe Crane from his broadcast for his honesty. Corporate was insisting on using a ‘CODE RED’ alert for weather even when the weather wasn’t so bad to keep the paranoid watching. After numerous complaints and Crane apparently not able to talk corporate out of it, he went to the public and let them know how much he disagreed with the policy but his hands were tied.  Of course, corporate let him go.
*****
The FCC is giving the phone company more power to fight robo calls.
*****
Archeologists found some weed in China inside some ceremonial cannabis bowls from 2500 years ago.
*****
Rapper Scarface is running for city council in Houston.
*****
20,000 Christians have petitioned Netflix to cancel Good Omens. I am sure the Amazon show is loving the publicity, they were probably looking for something just like this to happen. Oddly, just before I heard this story I saw the first couple of episodes and thought it was pretty good.
*****
Don’t judge someone because they sin differently than you.
*****
The fight to end robo calls has been named ‘Operation Call it Quits.’
*****
OJ Simpson opened a twitter account on the 25th anniversary of the murders of Nicole Brown Simpson and Ron Goldman.
*****
The 71st Emmy’s will be held on Sept. 22 and may not have a host. This no host thing seems to be catching on since it saves money and controversy. The noms will be announced July 16.
*****
If you get the chance, read the Vanity Fair article about Col. Jennifer Pritzker. The cousin of Illinois Governor, JB Pritzker is the world’s only known trans billionaire.
*****
Refineries, Chemical plants and plastics are giving our fire fighters cancer and cities are often not compensating them.
*****
Jordan Klepper used his mug shot as the pic to headline his show. He was arrested with pastors for their rally n support of immigrant students.
*****
Do you wonder if the Trump kids and Melania have so much power and money that they don’t mind that Trump is a laughingstock?
*****
I saw that Seth Meyers used the term bummer camp to explain a kid who gets sent to camp because their parents need to work on their divorce. My friends and I always used that term when our summer camp music festival gets ruined by endless rain.
*****
R.I.P. Roky Erickson, Leon Redbone, Dr. John, Franco Zeffirelli, Leah Chase, Zarious Fair, Elliot Roberts, Alan Brinkley , Troy Chisum, Oscar and Valeria Ramirez, Edward Gallardo and Gloria Vanderbilt.
0 notes
licencedtoretire · 6 years
Text
After leaving the quagmire that was the camp in Motueka it was time to head towards the Marlborough Sounds to explore an area we had heard so much about but had never seen. After consulting the trusty Travel Directory it was obvious that you can stay at a number of DOC camps throughout the sounds with Elaine Bay and French Pass the closest and if we got sick of driving then we could stay at the POP in Okiwi Bay.
Turning off the main highway at Rai Valley the road initially runs through some really nice farms, at this time of the year it was just a sea of green grass on both sides of the road. Then however the road narrows heading uphill in what seems like a never ending corner as it works it’s way through native bush towards the top of the hill. It was just as well it’s a fairly quiet time of the year as we took the cautious approach.
Reaching the top of the hill suddenly you are rewarded with the stunning vista above and our first glimpse of the Sounds. The road follows the ridge for a period of time before working it’s way down to Okiwi Bay.
The Park Over Property at Okiwi Bay is this large flat section right across the road from the water and would be a very popular place during the summer season but as you can see it was rather empty on the day we arrived.
Sarah noticed another couple in a motorhome that had just stopped across the road having come from the direction of French Pass so we went to talk to them to see if they had stayed anywhere in the area. They told us that they had stayed at French Pass and it was well worth the visit even if it was a bit of a drive into the camp. So we decided to head there, then work our way back down.
The road from there winds it’s way back up the hill following the ridge all the way to Elaine Bay. Whilst it’s not a bad road there are a number of areas where there has been subsidence or slips so that the road becomes either narrow or uneven meaning that it’s a slower trip than you might imagine for the distance involved.
The views of  the Sounds continue all the way until you reach the Elaine Bay turn off where you can turn right to head down to that bay or continue as we did straight ahead towards French Pass.
The first 4 kms of the 22 km road are sealed although after the two kms the centre line vanishes with the road narrowing to about 1.5 car widths so a little caution is required. From there the gravel road winds it’s way through bush and whilst there were a few pot holes and ruts in the road it wasn’t in bad condition.
About the 8 km mark the road opens up onto farm land and seriously narrows but as it does so the visibility increases allowing you to see well ahead. I would not like to have driven this road in summer given that there weren’t to many places to pull over to let someone past the other way but as we only met one vehicle coming out we had plenty of time to find an area to pull over to let them past.
There are two large hills on the road that have both been sealed which was probably just as well for us on the outward journey, being front wheel drive I think traction would have been an issue on a wet day.
Coming round the corner at the top of the hill overlooking French Pass I was really surprised to see houses there, for some reason I had assumed that French Pass was a DOC camp and nothing else. Well you know what they say about people who assume things. French Pass is around 70kms from the main road and took us over an hour and a half to drive sometimes getting down to 20 or 30 kph during the rougher stretches of the road in.
The campground is much smaller than I expected stuck at the left hand end of the beach. We pulled up to be greeted by “no hurry Murray” his words not mine. That was also a surprise as at most DOC camps at this time of the year the camp host has well and truly gone home, usually at Easter. Murray told us he was filling in for another 4 weeks whilst the full time caretaker was on an extended yacht cruise.
We had our choice of spots in the deserted campground and chose a really nice spot right on the water or so it seemed as we drove right up to the edge of the bank. Not long after we arrived the real camp manager arrived to check us out. It’s good to know that DOC also has a non discrimination policy regarding physical disability with this manager having some obvious issues with it’s ability to walk due to what appears to be a crippled or damaged foot.
With the motorhome settled it was time to stretch our legs after the long drive to explore the wharf and beach. It’s really interesting at this time of the year with the sun low in the sky that it looks like evening in some of these shots but it’s actually only about 3.30pm. Not to great for our solar panels but thankfully the long drive put some decent charge into the batteries.
The walk along the waterfront brings you to this memorial stone celebrating 150 years since the establishment of the farms and the village. According to Murray the two remaining brothers who are descendants of one of the original families still owned one of the farms up until a couple of years ago but still retain a house in the bay.
Another sign of how small town New Zealand is changing is the closure of the local store as well as the school. With the drift away from the country and farms increasing in size and decreasing in the number of people required to work them it becomes much harder to continue to maintain them. Sad for the area I guess but also a reality of life.
We met some people at the local wharf who lived on D’Urville Island (A short water taxi ride away) they had driven all the way into Nelson for supplies over 100 kms away to do one months worth of shopping maybe in the past they might have been able to collect stuff from the store but with that option now gone it’s a long way to drive. You wouldn’t want to forget something.
The following morning it was time to stretch the legs getting out exploring the area. We decided that we would walk up the hill to the lookout for the lighthouse. Just above the campground is the memorial to Pelorus Jack a Risso Dolphin that played on the bow wave of ships in the area from 1888 to 1912 becoming nationally and internationally famous.
It’s also from this point that  you can view the currents that swirl through the gap between the mainland and D’Urville Island if you don’t want to make the walk to the lookout further up the hill. The water flow is just incredible.
We reached the entrance to the lookout track which is about 1 km up the hill from the camp and of course the usual rule applies what goes up must come down. In other words the track to the lookout was all downhill with a very pleasant walk if a little rough in places through the bush.
As you can see from the above video the water flow through this point is just huge but what gives it the rough look is actually rocks just below the surface that cause the tidal flow to become as broken as it is.
The sign in the photo above talks about the construction of the beacon, when in 1906  after a number of temporary beacons they put this structure in place by dragging out a rowboat full of buckets of concrete at low tide then at just the right moment the rowboat was let go then when it drifted into the right spot the people in the boat held on of dear life, they then had around 30 minutes to pour the concrete which they then covered with canvas sacks during the next tide. It took weeks to build up enough of a base to build the current beacon.
The sign also talks about the Webber Family who have swum across this pass three times with five of the family completing the swim in 1991 and one member completing a double crossing in 1992.
From the lookout you can also see the lighthouse that has been built at the bottom of the cliff, however you cannot access this area as it’s private property being the home of the people who normally look after the DOC camp. I have downloaded these two photos from Google as we could not access the place to look.
Looking at those stairs it would be a brave person that climbed down these during a storm, they look so steep that I think you would descend backwards as well.
I am so glad that we have been walking quite a bit over the last few months otherwise I don’t think I would have coped to well with all of this up and down as we climbed back up the hill from the lookout, But then of course it was downhill back to the camp.
I always find it interesting all the plant life in different places and how each one finds it’s own special place to grow even if it’s right on the side of a cliff.
I have decided to break this post into two as there is still so much to cover so watch out for part two in the next couple of days.
    French Pass After leaving the quagmire that was the camp in Motueka it was time to head towards the Marlborough Sounds to explore an area we had heard so much about but had never seen.
0 notes
vdbstore-blog · 7 years
Text
New Post has been published on Vintage Designer Handbags Online | Vintage Preowned Chanel Luxury Designer Brands Bags & Accessories
New Post has been published on http://vintagedesignerhandbagsonline.com/it%e2%80%8b%e2%80%8b-is-whats-outside-that-counts-how-northern-style-became-the-quintessence-of-the-british-identity-makeup-fashion/
'It​​ is what’s outside that counts': how northern style became the quintessence of the British identity makeup | Fashion
In 1986, 31 years before the Tory conference set up camp to bury Theresa May alive in its industrial shell, the G-Mex centre in Manchester hosted the Festival of the Tenth Summer. Commemorating the Sex Pistols’ 1976 date at the Lesser Free Trade Hall, the unofficial starter-gun of punk parochialisation, top billing was shared between a royal flush of local heroes: the Smiths, New Order, A Certain Ratio and The Fall. The audience wore a detailed array of micro-tribal uniforms in their honour – tattered Levi’s, national health specs, secondhand car coats, Adidas Gazelles, flicks, quiffs, short back and sides – through which you could identify their record collections, drinking habits, library cards, football clubs and sex drives. All the important stuff.
I was a tatty 15-year-old south Manchester schoolboy at the time, looking among the glorious rabble for an identity that might fit. A couple of mates and I hung around outside in Nike cagoules, breathing in the solemnly euphoric, superior air of northern style, flecked back then with the scent of Breaker lager, Benson & Hedges, Paco Rabanne and deadheaded flower arrangements plucked from the beds of Whitworth Park to slip into back pockets, just like Morrissey. We identified songs by reverberating bass lines and cheer alone. Piling out late into the night, every man looked amazing, in his own tastefully wonky way.
Model and musician Karen Elson in a 2005 image from North: Fashioning Identity. Photograph: Elaine Constantine
In the narky breeze before Madchester’s acid reign, a particular hotbed of northern style subcultures found their forum. It was the first time I had consciously clocked the parochial wardrobe rhythms of the fiercely proud men of my hometown. Everyone who cares about the way northern men dress has their own Damascene equivalent of that afternoon spent sloped on the G-Mex forecourt. If I had been 16 a decade later, no doubt Oasis at Maine Road or DJ Harvey’s first set at the Electric Chair would have provided a similar contrapuntal menswear touchstone of Clark’s Wallabees, 6876 macs and Carhartt workpants. Ten years earlier, it would have been a skinny old-school tie, bleach and pin badges, the Buzzcocks or Magazine at the Russell Club, or a pair of voluminous pleated slacks to accommodate a fleet-footed whizz around the final hours of the Twisted Wheel. Twenty and it might have been something a little snugger and more sartorial at a Salford matinee of A Taste of Honey.
North has opened up an old north/south divide conversation
“When you say northern style to people, they know what you mean straight away,’ says Lou Stoppard, co-curator of the exhibition North: Fashioning Identity, which opens at Somerset House in London this week. “When you say it, they see it, like Paris or Rio.” The exhibition was a word-of-mouth sensation when it opened at Liverpool’s Open Eye gallery last year, attracting over 30,000 visitors. Its shift to the capital is a pleasing reflection of the way British menswear has so often travelled, historically, from a defining moment in the north to the mass market of the south, then out into the world.
Harry in Newcastle, from North: Fashioning Identity. Photograph: Kuba Ryniewicz
North has opened up an old north/south divide conversation – and not just in northern men around the snugs of local boozers. Stoppard and her co-curator, Adam Murray, who once ran the brilliantly titled free publishing initiative Preston Is My Paris, have been tireless in their research in order to deploy and display all that is beautiful and special about the north’s instinctive, often contrary, feel for fashion and its consequential influence on a global fashion stage. They have consciously avoided the potholes of cliche. It is a clever dissection of the influence and repercussions northern style has had on the wider world, taking its pick of original and found work from photographers, stylists and designers whose talent is interwoven with their regional identity. The exhibition feels intelligent, celebratory and in love with its subject matter.
This being the north, little sportswear touches were everywhere, mostly worn on the least sporting
As well it might. Northern style has always rested in its specificity, no matter what individual shapes it might be taking in any given season. The devil is always in the detail. Those details travel. The beauty of northern style is that it all happens a long way away from London, where the industry of fashion can force a persuasive, strict, business-like hand over the divisions of elegance, where those with money are assumed to have more taste than those without. The weather helps counterbalance matters a little. You need clothes up there.
The northern sartorial spectrum on that bracing, sunny afternoon of the Festival of the Tenth Summer ran a particularly pleasing gamut. Northern style often comes twinned with northern poetry, two branches of the same blossoming strain of self-expression. The locally renowned men of words you looked up to seemed to accept their responsibility to look good off page, too. On one hand, the toweringly handsome Membranes singer and part time music writer John Robb’s psychobilly get-up, which looked like a sharper sartorial cousin of everything Malcolm McClaren had achieved with his punk darlings down south. On the other, Paul Morley’s delightfully pretentious fondness for an intellectual Japanese roll neck and horn-rimmed specs, which couldn’t have looked further from it.
Pink lipstick, 1983, from North: Fashioning Identity. Photograph: Tom Wood
Back on that euphoric night in ’86, ecstasy was still a couple of years from changing the night-time shape of the city. New Order were yet to record Technique. Happy Mondays hadn’t celebrated the city’s predisposition for a Loose Fit. The druggiest looks on stage were Mark E Smith’s cantankerous, amphetamine-fuelled Bullseye dad and the hooded lids of Andy Rourke’s conspicuous smack habit, both recognisable northern archetypes of that moment. There were chaps in camel coloured Marks & Sparks cardigans with flat-tops from Dave the Demon Barber on Tib Street. Men feeling their way out of their outre gothic signifiers into something more tastefully arch, perhaps a paisley shirt and a couple of ladies’ bangles. Or Chameleons fans, as we liked to call them.
“Scally” was still a high-water mark conflagration of aggro, humour and pure style, a largely scouse convention. But plenty of those men traipsing in and out of the G-Mex knew their way around the bedrock tropes of the high-end terrace bloke, heritage British brands such as Barbour or Aquascutum and elite Europeans such as CP Company and Stone Island. This being the north, little sportswear touches were everywhere, mostly worn on the least sporting.
Now has never been a better moment to consider the kernel of northern pride and its most obvious physical manifestation
The lifespan of the exhibition has weathered either side of the Brexit vote, arriving in London opportunely when the north/south divide has rarely been at such an optimum brokerage. Because of the shadow Westminster casts over the city, the capital never looks uncooler than under a Tory government. The most famous exponent of the most iconoclastic living London designer, Vivienne Westwood, is Theresa May. North is a reminder of the spirit that informed punk’s queen couturier when Viv was growing up in Tintwistle and had nothing to lean on but her imagination, curiosity and taste. That’s all style really takes.
Every northerner knows that glorious moment when you realise we look and act differently from everybody else and that’s OK. Northern style is the quintessence of the British identity makeup. It is what’s outside that counts. I left North with the same odd, distinct feeling of personal optimism I left the G-Mex steps three decades earlier, to get a 109 bus home along Princess Parkway, amid the mass swell of misfits and ne’er-do-wells that owned northern style then. Now has never been a better moment to consider the kernel of northern pride and its most obvious physical manifestation: what we wear, how we look; that centre of Englishness that blows its own horn loudest because, if we don’t, no one else will.
Source link
0 notes