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aboutanancientenquiry · 2 years

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Decolonizing Egyptology: an article of British Egyptologist Chris Naunton (with some thoughts inspired by it)

“Decolonising, Egyptology & the dirty little secret

ON JULY 23, 2020

BY CHRISNAUNTON

“The dirty little secret is that some disciplines don’t need to be decolonized, they just need to be shut down entirely”

“Here’s looking at you, Egyptology…”

I saw these lines posted to Twitter recently.

I describe myself as an ‘Egyptologist’ – see the banner of my website and the short description at the top of all my social media accounts etc. I make a living from the subject, and have been doing so for the best part of twenty years. So, I have a vested interest in the discipline not being shut down entirely. Still, I recognise that these tweets are a response to the ways in which Egyptology is, undeniably, problematic. Shutting it down entirely might seem dramatic, but this is perhaps exactly the kind of message that is needed if we are all to wake up to the ways in which it is problematic and to try to change things for the better.

It’s worth saying that in addition to what I do now – writing, lecturing, media work – from 2001 to 2016 I was employed by The Egypt Exploration Society,1 a British organisation founded in 1882, the year Britain bombarded Egypt in order to put down a revolt and protect its own economic and other interests, taking effective control of the country in the process. The organisation is responsible for the excavation of thousands of ancient artefacts, many of which were subsequently removed from Egypt and distributed to museums around the world in exchange for financial support for the continuation of its work.2 It is very much a part of the establishment of Egyptology internationally. So for this reason in particular, you might think that, as regards the debate about decolonising Egyptology, I would be something of a dinosaur, with views that are the very opposite of progressive. I hope this isn’t the case however – even if it’s what the hardliners think, and even if what’s below makes it seem as though I still don’t get it. Even though I do have a vested interest in Egyptology, it’s clear that there is a problem to be faced – in Egyptology as with cricket, something else I’m rather partial to, but can see is problematic for similar reasons, and in which I don’t have any vested interest (“You can’t understand the history of cricket without understanding the history of empire. You can’t appreciate the rivalries between these, and other, teams, without appreciating the relationship between our countries, what’s been given, and what’s been taken.” as I read here recently).

When I saw the tweets above I wondered if there was an accessible and concise explanation as to why (some might say) Egyptology should be shut down. And I started scribbling some notes on why this might be the case. I have subsequently seen it suggested that Dr William Carruthers (author of the second of the tweets and with whom, by the way, I’ve been on friendly terms for years now)’ introduction to the Histories of Egyptology volume which he also edited, provides such an explanation. And since I first drafted this piece Will has very helpfully posted further concise thoughts in this thread.

What follows are my own thoughts. I hope those closer to the cutting edge of the debate will forgive me; I’m posting this in the hope of bringing the debate to a wider audience, and of learning more myself, and absolutely welcome comments, criticisms, additions etc. in the comments below. Thanks!

“Not everything that is faced can be changed, but nothing can be changed until it is faced.” (James Baldwin)

How is the study of the ancient past in Egypt to continue in the future?

1. Should the name (‘Egyptology’) be changed? 2. Should Egyptology be practiced in different way(s)? 3. Should it be shut down entirely?

I imagine that for those writing the tweets at the top of this post, #1 would not be enough and in any case it would be quite difficult to think of another label that would provide an effective substitute, at least one that would supplant the existing term quickly enough. Much as #3 might be a nice idea for some it would be too much for many others – would anyone really wish for the study of a few millennia of years of history to be completely closed down? I hope that would seem unnecessarily counter-productive even to the hard-liners. Which leaves option #2.

I think #1 and #2 probably both merit a bit more explanation but before we get to that, it’s probably more important to try to explain…

Why is Egyptology problematic?

Here’s a starter for ten…

Egyptology is a product of colonialism, the process by which certain countries, mostly European / ‘western’, including Britain, exploited certain other countries for political, territorial and economic gain. These countries, including Egypt, are generally located in Africa and Asia, and many of them happen to have long and rich histories, and are often very rich in archaeological remains.

Colonialism created and compounded inequalities, to the benefit of the colonialists, and the detriment of the colonised. Colonial countries got richer from the resources of the colonised countries, and maintained control of these resources – material and intellectual – ensuring that that situation continued.

Even after the colonised countries gained political independence to some degree the advantages the colonisers had gained, allowed them to maintain their advantages.

The end result is the creation and exacerbation of political, social and economic inequalities and injustices across the world, which continue to exist to this day in various forms. The Black Lives Matter movement, for example, is a response to problems that have their roots in colonialism. As Egyptology does.

Knowledge. Egyptology, the acquisition of knowledge about Egypt’s ancient past (see below for more on the definition), was formalised by the colonialist nations. It has spread and promoted knowledge of ancient Egypt to western audiences but was developed in ways that ensured it would always be largely inaccessible to the people of Egypt and other countries outside the west.

Academic exclusivity. Egyptology is an academic pursuit which finds its principal expression in written form, mainly, to this day, in three European languages: English, French and German. The necessary literacy in these languages is more easily accessible outside Egypt. Egyptian scholars wishing to succeed in the study of their own country’s ancient past have to learn the Europeans’ language(s), not the other way around. Even for those students who are competent with the languages, access to the necessary literature is not easy: libraries in Egypt are not necessarily accessible to all and often not very well-stocked, and books are more expensive and harder to come by for Egyptians. Some scholarship is published in other languages including in Arabic, but realistically, any scholar wishing for their work to gain acceptance in international circles must publish in one of the three dominant languages, and ideally through an established journal or publishing house, almost all of which are also based in colonial countries.

Looted material remains. The excavation of the physical remains of Egypt’s past – the sites and monuments – particularly in the nineteenth century, was undertaken by colonialists eager to remove what they could for display in their own countries. Even though this process gradually slowed over time with the creation of a national antiquities service and institution of laws governing the removal of objects (it was halted completely in 1983), thousands of objects left the country and would never return. More importantly, perhaps, even those which remained in Egypt were kept in institutions controlled by colonialists, i.e. by the Antiquities Service, in the national museum collection. And even after the Service passed out of the hands of Europeans into the hands of Egyptians (1950s) it was still run according to the rules of a discipline – Egyptology – which continued to be practiced and led primarily outside Egypt.

Operating comfortably and securely in someone else’s country. Egyptology has, for more than a century, given many in colonialist nations a reason to be interested in, and to travel to, Egypt. Egyptologists, in sharing what they have learned about Egypt – through an ever-growing body of literature – have provided others in their countries with the skills to navigate the foreign country and culture of Egypt that has allowed thousands to contribute – however unwittingly – to the process of maintaining an undue influence there. In other words, the colonialist nations were able to take control of countries like Egypt initially perhaps by military force, but that control was subsequently strengthened in much subtler ways. By the late 19th century, British people, collectively, were generally richer than their Egyptian counterparts, more knowledgeable of other countries, languages and cultures, and able to enjoy the benefits of their countrymen having established institutions around the world that would provide them with the support and protection that would allow them to travel and experience others’ countries safely, comfortably and with confidence – providing further opportunities for their exploitation.

Egyptologists’ experiences and the accounts they shared – some of which might, if only in the incidental details, have prepared others to study or visit Egypt, while others were much more explicit in assisting potential visitors (see e.g. the guidebooks published by John Murray or Baedecker in the later nineteenth century, or those of John Gardner Wilkinson a few decades earlier) – did nothing to redress the injustices of colonialism, and everything to allow the injustices it created to be extended.

A familiarity with foreign countries and culture, acquired through an interest in archaeology etc, has often been used for advantage in other ways. For example, in the Second World War, many archaeologists and ancient historians were recruited by military intelligence because of their knowledge of the language, customs and geography of particular regions. On occasion, archaeological work has sometimes provided the cover for military reconnaissance work. And even today, archaeological expeditions remain a part of the ‘soft power’ efforts of former colonial countries wishing to retain influence even long after political control has long been formally relinquished. Was the British Academy’s sponsorship of foreign archaeological missions in the decades following the second world war a matter purely of interest in archaeology, or were their other purposes? These are important issues that we, as archaeologists and historians, should give more time to investigating critically.

So, back to my original question: How is the study of the ancient past in Egypt to continue in the future?

1. Should the name (Egyptology) be changed?

The word ‘Egyptology’ or at least ‘Egyptologist’ (‘Égyptologue’ in French) was coined in the nineteenth century to mean someone pursuing the study of Egypt, but specifically ancient Egypt. ‘Egyptologist’ is a somewhat nebulous term which can be applied to specialists with a variety of different skills; what they have in common is the application of their skills to the study of ancient Egypt, usually defined as the people and cultures of the territory of Egypt from the very earliest times to the Arab conquest, but usually no later. The discipline is therefore an ‘area specialism’ in keeping with other disciplines focussing on other ancient cultures from specific parts of the world, and is also limited by chronology. I’m struggling to think of any other discipline whose name implies no chronological boundaries when the reality is different. ‘Assyriology’ is the study of people and culture from a particular region, at a particular time in history, but the name derives from the ancient culture and bears no direct relation to any modern culture. Similarly, specialists in the ancient past of other places or cultures are referred to by descriptors which make it clear that it’s the ancient culture that’s under study. ‘Nubiology’ – the study of ancient Nubia – could perhaps be criticised on the same grounds as Egyptology (and perhaps therefore also falls into the category of disciplines that some argue need to be shut down entirely), but it is a much smaller and less-well known or celebrated field and its influence has been much less widespread. Egyptology, by contrast, as I wrote here recently, “has succeeded in spreading and promoting knowledge of this one aspect of Egypt’s past around the world, to the exclusion of the others. This has been highly successful, to the extent that there is now very widespread interest in pharaonic Egypt, to the detriment of the other parts of the country’s heritage.”

What alternative names might there be for the study specifically of Egypt’s ancient past? ‘Egyptian archaeology’ perhaps? It would perhaps be easier if we did not use the same names for the place and its people (Egypt / Egyptians) at all points in history, by contrast with other ancient cultures whose names are not those used in modern times (Assyria, Babylon, Inca). Perhaps this in itself is problematic. The word ‘Egypt’ come from the Greek ‘Aigyptos’ and was passed down to us through ancient Greek texts. It probably derives from the ancient Egyptian ‘hut-ka-Ptah’ – the name for the temple of Ptah, the major religious institution within the capital city of Memphis, a name which came to be used for the entire country. In any case it is not the name used by the people of the modern country. The name the modern Egyptian people use is ‘Misr’ which is the classical Arabic form of the older ‘Mizraim’, the name used in Hebrew, and Aramaic, a version of which was also used in earlier times in Neo-Babylonian, Assyrian and Ugaritic. There isn’t really an ancient name for the country and its people which could be used to distinguish those studying ancient Egypt from those studying any other aspect of the country.

But we’re digressing here, none of this is going to solve the problem here.

2. Should Egyptology be practiced in different way(s)?

I’m sure many Egyptologists would agree that study of the past in Egypt should be approached differently. But in what ways might any changes help address the challenge of decolonisation?

A different name? See above.

Do away with unhelpful chronological divisions (i.e. ‘pharaonic’, ‘Coptic’, ‘Islamic’)?

As I wrote in my earlier post on ‘Questions of National Identity’ “It is true that there has been an inappropriate / awkward / unhealthy divide between various different parts of Egyptian history, the divisions being chronological but also relating to a certain dynamic between indigenous Egyptian people and influence from outside: ‘pharaonic’ (pagan) = ‘Egyptian’; Ptolemaic (Graeco) -Roman, Coptic (Christian), Islamic = something different.”

The difficulty here is that there is simply too much to learn so it makes sense for the study of Egypt’s past to be divided into specialisms, and, interestingly, if you ignored the current divisions and started again I suspect you might end up splitting the subject along the same lines, as the divisions are not only chronological; they also involve religious beliefs, language, script, iconography, art and architecture – the study of each of which requires specific expertise / skills.

Nonetheless, providing more modern context for the study of ancient Egypt would probably be very helpful. It’s always seemed to me that historical topics are best explained and understood against the backdrop of the relevant chronology and geography (and associated terminology); perhaps the study of Egypt’s past should always at least begin with an overview of Egyptian history from the Predynastic to the modern day. Of course the later history of Egypt would inevitably allow for the teaching of the colonialism of Britain and other countries, and for the history of the discipline, and why it is problematic in its current form.

Return ancient Egyptian objects currently in museums and other collections outside Egypt?

Monuments remain in museums, the vast majority having left during the colonial era or decades following it.

Is this OK or not? The apologist’s thoughts on such things might include the following:

• They were bought out of Egypt a long time ago and there is no point in trying to reverse what is now history • The biggest and best collections of Egyptian objects remain in Egypt, those outside act as ‘ambassadors’ advertising the glories of ancient Egypt • Museums outside Egypt are better equipped to look after ancient objects than those in Egypt.

The last of these is particularly offensive – it’s plain incorrect, aside from being a massive generalisation – I only include it here in order to dismiss it, as this is a view one still occasionally hears.

Those who think it’s problematic that there are so many Egyptian objects in museums outside Egypt might argue the following:

• The objects were removed at a time when Egypt and the Egyptian people had no agency in the process; they were taken for the benefit of those taking them and their countries, to the detriment of Egypt, whose people had no recourse to prevent it from happening.

• The objects symbolise the domination of the countries in which they are displayed over Egypt;3 that they continue to be displayed suggests the domination continues (especially when there are accompanied by no information explaining the circumstances of their departure from Egypt4).

• The return of such objects to Egypt, even if only of a representative sample, would be a powerful symbol of the colonialist nations’ acceptance of the ills of colonialism, and that the problems it has caused continue to be very relevant today, and that positive action is required if the problems are going to be solved.

Stop doing archaeology

Those who have worked in the field in Egypt (myself included) will know that it is a curiously nationalistic pursuit even to this day. There are many archaeological projects run entirely by Egyptian archaeologists, most under the auspices of the government Ministry of Tourism and Antiquities (MoTA), but some by universities. Other projects are referred to as ‘foreign missions’. Most are ‘international’ and involve the participation of, at the very least, the mandatory MoTA inspector, and very often Egyptian excavators, facilitators and others as well. In many cases though, teams are predominantly composed, at least in terms of the specialist, academically qualified members – archaeologists etc. – of participants from one particular country, leading to the team being described with reference to that particular country – ‘the British’, ‘the French’, ‘the German’, ‘the American’ and so on. Many such projects are sponsored by and/or operate under branches of the government of those countries, some of which have substantial permanent bases in Egypt, whose work in large part is to support such projects. The ‘foreign institutes’ include the French (IFAO), Germans (DAIK), Americans (ARCE), and so on. Some of these have their roots in the colonial era. Funding for these projects often comes directly from the governments concerned, and they are no doubt seen as symbols of national prestige and pride, and thus play an important part in the ‘soft power’ efforts of the foreign countries concerned, efforts designed to ensure the maintenance of the influence that, though diminished since the colonial era, remains in existence, and therefore, arguably, remains a part of the problematic legacy that needs to be addressed.

Return control of Egyptology to Egypt

The antiquities service – now the MoA – has been in the hands of Egyptian officials since the revolution of the 1950s finally ended British control of the country. As mentioned above, antiquities law has prevented any objects from leaving the country since 1983. The ministry has for many years now required foreign expeditions to include increasing numbers of Egyptian specialists as trainees and, increasingly, fully-fledged team members. Many expeditions and institutions have also provided training opportunities in Egypt, and opportunities to travel to Europe and elsewhere for study and research. I was grateful to have been able to a play a small part in this kind of thing while I was at the EES and subsequently, with The Robert Anderson Trust. The long term aim of all of this is to bring about a situation in which the greater part of the work in Egyptology is undertaken and led by Egyptian specialists.

—–

No doubt there are other aspects of Egyptology and practices employed by Egyptologists past or present, which could be considered problematic. This is not intended to be an exhaustive list, and I don’t pretend to have all the answers. This is a very complex debate, but it’s one we’ve got to have and I hope there are at least a few ideas here that might get people thinking. Do let me know via the comments below.

*Many thanks to Dr Will Carruthers (@w_carruthers) for inspiring this piece, and to Dr Kate Sheppard (@k8shep) for reading a draft and providing many useful comments and criticisms.

UPDATE 24 July:

I have now removed the word ‘Maya’ from the above list of “ancient cultures whose names are not those used in modern times” as the Maya language and other aspects of Maya culture continue to be practiced today.

I’d also like to add that a number of comments on the above have been posted to Twitter – to follow the discussion please see here.

UPDATE 6 September 2022:

Contrary to my assertion above it’s been pointed out to me (thanks Raed – see comment below) that there are people in modern times who identify as ‘Assyrian’ and claim descent from the people of the empire of Esarhaddon, Ashurbanipal and co.

NOTES:

1. The Society has recently taken very laudable steps to begin confronting its problematic past – see here.

2. This has recently been the subject of an important study, ‘Artefacts of Excavation’ led by Dr Alice Stevenson.

3. See Moser, S, Wondrous Curiosities. Ancient Egypt at the British Museum (London and Chicago, University of Chicago Press, 2006)

4. See Colla, E, Conflicted Antiquities: Egyptology, Egyptomania, Egyptian Modernity (Durham and London, Duke University Press, 2008), especially his chapter on ‘Artefaction’.”

Source: https://chrisnaunton.com/2020/07/23/decolonising-egyptology-the-dirty-little-secret/

Christopher Hugh Naunton is an Egyptologist, a writer and a broadcaster. He studied Egyptology at the universities of Birmingham and Swansea, and obtained his PhD.[1] He has been director of the Egypt Exploration Society.

Source: https://en.wikipedia.org/wiki/Chris_Naunton

I totally support the return to Egypt of the ancient Egyptian artefacts acquired in the one or the other way by foreigners during the Ottoman and the colonial eras.

For the rest, I am for the reform, not the... abolition of Egyptology, a reform which must obviously contain a serious reflection on the problematic aspects of the past of this discipline (its links with colonialism and imperialism and the racist influences on it- see above all for this influence of racism the case of the foremost British Egyptologist Flinders Petrie), without “cancelling” the important contributions and achievements of the Egyptologists of past generations.

I also approve efforts to understand ancient Egypt as part of the whole Egyptian history, without underestimating the turning points and ruptures in this history. Above all, we should not forget that our contemporary Egyptians are the legitimate heirs of the ancient Egyptian heritage, not just a decor and cheap manpower for the Western Egyptologists and their projects, as they were seen in the colonial and post-colonial imagery.

Moreover, I totally support the promotion of Egyptian Egyptologists and of Egyptology done by Egyptians.

However, I believe that Egyptology must remain an international discipline with high standards and I would not see with favor its subjugation to some kind of Egyptian nationalist agenda, which would try for instance to idealize ancient Egypt. I say this because I see some such tendencies in the person of Zahi Hawas, the influential Egyptian top archaeologist and administrator, who propagates the outlandish view that the Pyramids were built not mainly through corvée labor, but by...volunteers!

#egypt #egyptology #colonialism #chris naunton

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kingdaddydaichi · 3 years

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NSFW Alphabet || Katsuki Bakugou

I had so much fun with this! Vodka may or may not have been involved in the making of this little ditty. 🍸 I hope you shameless hussies enjoy reading it as much as I did writing it. 😩

*Exhibit A:

(Source)

A = Aftercare (what they’re like after sex)

I feel like he gets clingy asf, but plays it off like it's something he's doing for your sake. He'll probably never admit that he feels so vulnerable after sex, but he does. If it was a rough session - which it usually is with him - he'll ask if you're okay, if you're hurt anywhere, kiss any marks he left on you - he's such a protective hero boi.

B = Body part (their favorite body part of theirs and also their partner’s)

His: he's not gonna lie, he's fully aware of how well-endowed he is. He really is proud of his cock, the way it makes you sing when he works it - and he knows how to work it okay? Favorite non-sexual body part - his arms. He works hard to keep them cut (as in lifting, not cutting). 😬

Yours: listen, Katsuki is an ass man through and through. Go ahead and tell me I'm wrong, I'm 👏🏼 not 👏🏼 listening 👏🏼. He loves to watch the subtle ripples he sends through your ass cheeks when he's driving into you from behind. Also, our big scary boomboom man appreciates a nice, thicc pair of thighs. Bonus points if they're muscular/toned - he loves the way it feels when your thighs have such a strong grip around him.

C = Cum (anything to do with cum, basically)

Let's just say our boy's orgasms are explosive. He cums hard and loud, shooting long ropes of his hot seed. Consistency is about average, not too thick, not to thin, but there's a lot of it. He doesn't taste too bad - salty, but not too bitter. You're more likely to gag from the sheer volume and force of his cum hitting the back of your throat than the flavor.

His precum gets honorable mention here. It's fucking delicious. That is all.

D = Dirty secret (pretty self explanatory, a dirty secret of theirs)

It took him no less than 2 years into your relationship to tell you this, and if you ever tell anyone he might actually kill you, or at the very least make your ass bleed. He hasn't gotten to the point that he's ready to try it yet, but he's not entirely opposed to the idea of you pegging him. Someday. It kinda does make his balls tingle a little just thinking about it tbh. He hasn't yet, but he thinks he might be ready to try working up to it and is really close to asking you to stick a finger in his ass and stroke his prostate. He's heard how good it feels and he's super curious to find out for himself.

E = Experience (how experienced are they? do they know what they’re doing?)

Not very experienced, actually. He's only had 1 or 2 lovers before you, BUT he's determined to be #1 at everything. Couple that with how perceptive he is and you've got yourself a winner of a loverboy. He's going to make damn sure that, even if things don't work out between you two, he will always ALWAYS be the best you've ever had. No other man will outdo him, E-V-E-R.

F = Favorite position (this goes without saying)

Doggystyle all the way, baby. As stated before, he loves watching your booty jiggle every time he slams his hips against it. He gets off on spreading your ass cheeks to watch his slick-coated cock slide in and out of you. God he just loves hitting it from behind, makes his dick so fucking hard.

Bonus 2nd Favorite Position (couldn't help myself): you on your back with your ankles on his shoulders, your ass lifted off the bed, him on his knees and hugging those thick thighs of yours, keeping them closed as he reams into you. (Slight variation of this one: he leans over you, nearly folding you in half, putting you back on your shoulders with his hands pressing into the mattress beside you, angling you such that his prominent corona rubs over your g-spot as he drills down into you. 10/10 you're gonna scream his name when (not if) your liquid gushes all over him.)

Tell me the truth, am I a disgusting human being? Here are all the fucks I give:

G = Goofy (are they more serious in the moment? are they humorous? etc.)

Bakugou is serious asf about his sex game. This is not the time to joke around or poke fun at him, understand me? If you do he will get pissed and either fuck the silly out of you, or if he's feeling particularly ruthless he'll just stop altogether and let you ache for him as punishment until you beg him for release.

H = Hair (how well groomed are they? does the carpet match the drapes? etc.)

He takes care of his body, paying a lot of attention to his hygiene, which includes manscaping to keep his pubic hair trimmed and kempt. The carpet's just a shade darker than the drapes, like a honey blond. If he lets it grow out, it sticks straight out just like his head hair. It's actually kind of funny and he hates it.

I = Intimacy (how are they during the moment? the romantic aspect)

*sigh* Let's be honest. Katsuki is not the super romantic type, at least not outwardly. However, if he realizes something he's doing is hurting you - physically or emotionally - he's going to stop dead in his tracks and hold you close, push his fingers through your hair, and tell you how much he loves you and how safe you are. He can be rough and he can be an asshole, but if he thinks he's genuinely hurt you at all, he's all over you, doing everything he can to make you understand that he will never let anyone hurt you, especially not himself. Got that?

J = Jack off (masturbation headcanon)

He doesn't jack off very often. You two share a very active sex life so he doesn't see the need to. If you have to be apart for more than a day or two, he'll rub one out. Or if the need hits him particularly hard and you're not available or in the mood, he's not above closing his eyes and reaching into his pants to wrap his thick fingers around his cock and start tugging.

K = Kink (one or more of their kinks)

Lord Baby Jesus, where do I even begin? Kinky, kinky Katsuki. This man should come with warning signs and disclaimers.

First of all, he dom asf okay? Even if he lets you play with his ass someday, he's gonna be bratty about it. He's going to top from the bottom, hashtag facts. And trust that he WILL own you afterwards to securely reestablish his dominance.

Giving and Receiving: Hair pulling. DIRTY TALK - you think he's got a potty mouth in the streets? His mouth is downright filthy between the sheets. Loves it when you dirty talk right back to him. "You love taking my fat cock, don't you princess?" "Mm yessss, fuck me, Katsuki! Your cock feels so fucking good babyyy!" He eats that shit up.

Giving Only: Degradation. Praise. Spanking. Cockwarming. Dom/sub/power play. Shibari/ropework (he tried it bc you wanted to and he fucking loved it). Creampies. Begging. Discipline. Ravishment.

L = Location (favorite places to do the do)

Literally anywhere inside your home/homes - bed, bathroom/kitchen countertops, kitchen/dining table, office desk/chair, any piece furniture is fair game really, up against a wall, washer/dryer, the fucking floor, ugh just all the places to fuck. Not one square foot is sacred tbh.

M = Motivation (what turns them on, gets them going)

Wear something that showcases the curve of your butt. Doesn't have to be revealing per se, matter of fact he'll get possessive as fuck if you're showing too much skin in public. At home/privately though? He can't help himself. Dat ass tho...he is going to smack it hard enough that it stings and that's final, understand?

Tease him. You can't be obvious about it though. If he senses that you're doing it on purpose, it'll just backfire. But if you just so happen to brush against his crotch when you squeeze past him, it'll drive him crazy. Go commando in short shorts/skirt and cross your legs just so, his dick will twitch. Even better if you do shit like this in public where you know he won't act on it. But when you get home you best believe he's going to dick you down so hard, won't even bother to take said shorts or skirt off.

His ears and neck are his most sensitive erogenous zones. Whisper in his ear or kiss his neck and he's going to grit his teeth in an effort to fight back the shudder that threatens to rattle his bones.

N = No (something they wouldn’t do, turn offs)

Let's get one thing straight. Katsuki Bakugou does not share. This is non-negotiable. He will not agree to anything involving additional people - cuckolding, threesomes, orgies, exhibitionism, voyeurism (unless it's him watching you pleasure yourself - that he will gladly do, and probably start palming himself in the process).

O = Oral (preference in giving or receiving, skill, etc.)

Loves giving and receiving. Giving puts him in full control of your pleasure, receiving makes him feel like you're worshipping his cock, which you probably are. Have you seen this man's cock? Of course you have. Gatdamn.

Y'all, Katsuki's so good at eating pussy. Like how does one get that good at eating pussy? I don't even know, but god the way he flicks his hot tongue over your precious, tiny bud before wearing it down like a fucking feed bag? It's unnatural. Like it could be his backup quirk if blowing shit up doesn't work out. You've seen the way he licks his lips when he gets excited, everyone has.* He doesn't even bother swallowing while he's feeding on you so you just be dripping in slick and saliva and he's just slurping away. It's lewd.

*See Exhibit A above.

P = Pace (are they fast and rough? slow and sensual? etc.)

You already know this, but I'll say it anyway. His go-to fucking style is fast and rough, dominant and relentless, hard and dirty. But every once in a while he'll want to take you slow and deep and passionate. He'll hold you so tight in his arms and chest, you'll have to tap his shoulder sometimes to let you breathe. And he'll just roll his hips so fucking thoroughly both of you will feel every last inch, his pubic bone rubbing your clit so hard. You've told him so many times how much you love it when he makes love to you like this, but he maybe makes it a rare treat on purpose. 😈 Little shit.

Q = Quickie (their opinions on quickies, how often, etc.)

Quickies are difficult for our boy. It's not that he's against them, it's just that he savors every drop of sensuality, he has a tendency to draw the pleasure out as long as possible. He can’t help it.

R = Risk (are they game to experiment? do they take risks? etc.)

The idea of having public sex turns him on, but he's only done it with you a couple of times when he was 10000% sure you wouldn't be caught. He can't risk doing anything that would tarnish his reputation and goal of becoming the #1 Hero. He might be freaky as hell, but he needs a sex scandal like an Alaskan needs a refrigerator.

S = Stamina (how many rounds can they go for? how long do they last?)

He loves you long time. He's a Taurus for fuck's sake (well, Aries/Taurus cuspie, but that just sweetens the deal). Great stamina. Grinds you down like a whetstone. Can last as long as he needs to to ensure you cum for him as many times as it takes for you to beg him to stop. If he feels himself getting too close while you're blowing him, he'll stop you and go down on you instead. If he's inside of you, he'll pull out and start kissing all over your body, sucking, nipping, licking until his urge to cum passes, then he pushes it right back in and keeps going.

If on the off-chance he does cum before you, he'll be ready to go again in about 20-30 mins. Just give him some motivation, he deserves it.

T = Toys (do they own toys? do they use them? on a partner or themselves?)

He didn't own any toys when you first got together, but you did. He hated the idea of you using them though, especially when he's right there with you. You've since assured him that you don't want to use them to replace him, but to enhance the pleasure. So now you do use them from time to time.

The first time you managed to coax him into using a toy together, it was a small wireless bullet with a remote. When you brought it out and showed it to him, there was a wild glint in his eye. He carefully inserted the vibrator into you, his cock slowly following suit. He loved the fact that he had complete control over this thing, but later complained because the sensation of it against the head of his cock made him cum too fast. He still wants to use it sometimes though. 😏

U = Unfair (how much they like to tease)

Oh he can be so unfair. He loves teasing you until you're begging him to put his cock inside you. He's not so much into orgasm denial per se; he just loves to hear you beg him for shit - to let you cum, to suck his dick, to stop fucking you when you're overstimmed, etc.

V = Volume (how loud they are, what sounds they make, etc.)

Lol he's fucking LOUD! And he's going to make you cum so hard that you're screaming his fucking name. There was a time when one or both of you lived in an apartment and the neighbors would bang on the wall behind your headboard.

Shit, what sounds does he NOT make? He growls, moans, grunts, groans, yells, swears, fucks you so hard you can hear the wet sound of slapping skin, hell even the bed protests. Another reason he doesn't fuck in public - he can't stay quiet enough to be discreet about it.

W = Wild card (a random headcanon for the character)

Okay, as much of a wild sex beast as he is behind closed doors, he gets embarrassed so easily when your sex life is so much as hinted at around others. It's legit funny how flustered he gets about it.

If he goes into work real tired and Kirishima says, "Hey Bakubro, you look like shit this morning. You and (y/n) stay up too late?" while doing the finger in the hole gesture, Katsuki will just "Shut the fuck up, Shitty Hair, or I'll blast your ass right through that fucking wall!"

Or if you two go out together with friends and the girls are talking about sex-related stuff, Katsuki will just roll his eyes and try to ignore it. But if one of them is all "So, (y/n), does Bakugou ever like accidentally let off explosions while you're doing it?" and you wink and say, "Only when he's especially *cough* frustrated *cough*". Katsuki will go red from his neck up to his hairline and start stuttering, sparks flying from his palms. "H-hey, d-don't tell them sh-shit like that! I-it's none of their god-goddamn b-business, (y/n), what th-the f-fuck?!" Meanwhile, you and the girls are in stitches while he stomps away, just mortified, bless his heart. When you catch your breath from laughing you'll follow it up with, "Looks like tonight's gonna be one of those nights", and you all lose it again.

X = X-ray (let’s see what’s going on under those clothes)

As has been mentioned, Bakugou's well-endowed. I figure he's packing about 7.5-8" in length x just under 2" wide. He takes some getting used to, that's for damn sure. Oh, and he's more of a shower than a grower. Like around 6" long x 1.5" wide when flaccid. Katsuki + sweatpants/basketball shorts = swinging dick print, alright sis? Take notes, this motherfucker visibly jumps when he does, class dismissed.

Y = Yearning (how high is their sex drive?)

Eh, he's surprisingly not ridiculously horny. Maybe a little above average sex drive? A lot of times hero work just takes it out of him and he comes home utterly exhausted and just needs a soft place to land, and you provide him with all the love and nurturing in your heart. ❤

Z = Zzz (how quickly they fall asleep afterwards)

Depends, really, on the time of day and what type of day it's been. If it's late (like past 9pm lol) and he fought more villains than usual that day, he's probs gonna pass out pretty soon after. If it's earlier in the day - especially first thing in the morning - it gets him pumped and almost comically genki.

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ego-driven-one-wing-angel · 4 years

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FF VII - Reno Headcanons | #5

ANON (1): Hey, I’ve your NSFW alphabet and I would loooooove a swf one with Zack and Biggs, and some NSFW with Reno, Rufus, I’m in dire need ot it! Send ya a lot of love!

ANON (2): I’d love an NSFW alphabet for Rufus or Reno too? Thanks!!

ANON (3): NSFW alphabet for Reno FF7 please

A/N: Another NSFW alphabet done, hope you enjoy!!

WARNING: NSFW

A = Aftercare (What they’re like after sex)

When the two of you finally regain your lost breath, Reno is all for taking the time to settle your heartbeats with a little cuddling. Soft kisses on your shoulders, the nuzzle of his nose in your hair, whispers of romance escaping his lips. He’s the one whispering I love you as the two of you drift off into sleep in the wee hours of the morning.

B = Body part (Their favourite body part of theirs and also their partner’s)

Reno’s personal favorite body part is his own tongue/mouth. He’s got a silver-tongue that loves to leave wet trails all over your body. Devilish kisses, whispering words in your skin, talking dirty to you as he removes your clothing. Favorite way to start the night off when you both have free time.

But his favorite body part on you has to be the dimples/small of your back. Can easily fit his hands around your waist, fitting his thumbs right in the crevice if he’s facing your back. Perfect size as if you were made just for him.

C = Cum (Anything to do with cum basically… I’m a disgusting person)

Reno, much like the other Turks, are usually educated in the idea of safe sex. So condoms, pills, self-discipline (mostly) are engraved in their minds. So he’ll cum right in the condom without a second to think about it. But if he happens to not be wearing one, Reno may or may not become a future father. He has little self-control right before he climaxes, so he’ll fill you up with a thick, white pool of cum right inside if the two of you haven’t taken any precautions.

D = Dirty Secret (Pretty self explanatory, a dirty secret of theirs)

Reno relishes in the taste of you. As I previously said, his tongue is his weapon, so when he’s performing the act of torturous oral on your clit, the sweet taste you give off, he’s a big fan of it. He always knows when you eat something sweet earlier in the day.

E = Experience (How experienced are they? Do they know what they’re doing?)

Reno has had a few mind-blowing experiences. Most of it hold no feeling, just a way to relieve stress and have fun when he’s off of work. So when he’s in a relationship, sometimes you have to remind him to take things slow, make things more passionate for the two of you.

F = Favourite Position (This goes without saying. Will probably include a visual)

(No visual) His favorite position is having one of your legs propped above his shoulder (if you’re flexible enough to pull it off). Knowing your leg is right next to his head, where he can lick your calf as he inserts himself into you, maybe even give a little nip of his teeth right upon your skin.

G = Goofy (Are they more serious in the moment, or are they humorous, etc)

Reno is a goofy guy outside the bedroom. Always brightening up the mood, especially with stoic partner Rude. So his personality doesn’t change in more intimate moments. He’ll chuckle with you in the most awkward of moments. If something isn’t as smooth as he’d like, such as a pick up line or a kiss, he’ll apologize with a laugh, cheeks as red as his hair. He tries to be suave, but sometimes it doesn’t work in his favor.

H = Hair (How well groomed are they, does the carpet match the drapes, etc.)

The carpets do indeed match the drapes. He’s not much for upkeep either. It’s trimmed, but in no way groomed as some would think. It’s a waste of time in his personal opinion.

I = Intimacy (How are they during the moment, romantic aspect…)

Reno lets his emotions run the show when he’s pushed over the edge. He wants you to feel as good as him. Equally enjoying the pleasure as you ride him, or licks your inner thigh with that silver tongue of his. Yet, he tries to be romantic when the time comes. It’s not always one his mind, but he sometimes brings in the soft glow of candles or the petals of roses lining your bed. Cliche, but he tends to find those cheesy moments the best in the relationship.

J = Jack Off (Masturbation headcanon)

Like most men, Reno can’t resist the urge to let himself go once in a while. It’s not all the time, and only when he’s been single or alone for too long does he take the moment to release. If he’s in a relationship he’s getting the fix for his sexual desires from you.

K = Kink (One or more of their kinks)

Reno isn’t into kinks. Plain and simple. If you however decide to spice up the bedroom one way or another, he won’t mind. Whether it involves ropes, toys, denial of some form, if you want it, he’ll try to think something up. Perhaps he might even enjoy it if it makes you cum like no other.

L = Location (Favourite places to do the do)

He’s up for anywhere if you’re both wanting to dive into the act. Over tables, desks, closets, he’s fine withholding your legs up, pushing you against the walls as he screws you endlessly. Sure the bedroom has the comfort of sheets, but there’s always a little fun while he grinds you in a near-public place.

M = Motivation (What turns them on, gets them going)

He’s traditional. He sees you in lingerie, it’s a major turn-on. He likes to dirty talk more than the other men, but when he hears you whispering in his ear about what you want to do to him, he’s immediately interested. The smirk playing on his lips as you tell him how you want to touch him.

N = NO (Something they wouldn’t do, turn offs)

There isn’t much Reno wouldn’t do. If there’s a thrill, a shot of making the two of you go over the edge in a million different ways, he’s up for the idea. As long as everyone is on the same page and consent is understandable, he’s all ready for you.

O = Oral (Preference in giving or receiving, skill, etc)

Reno is the type that follows the rule give and you shall receive. He’s all up for giving you the best type of tongue flicks and fingering as long as you can pay it back. His dick deep in your throat, watching you take his load in one full swallow, if you can, it’s seriously the biggest turn on for him.

P = Pace (Are they fast and rough? Slow and sensual? etc.)

Reno tends to be more rough and quick. Using every trick in his book to make you feel good. He believes the fast-paced movements make for more of a pleasurable experience, but he’ll go slow if you ask. It’s not his usual style, but he’ll try to make the whole experience memorable and pleasurable for the two of you.

Q = Quickie (Their opinions on quickies rather than proper sex, how often, etc.)

He’s all up for quickies. Quick trips to the restroom? To an unoccupied office? Taking a “lunch” at home together? He’s all ready to take a twenty-minute break fucking you into next week’s timeline.

R = Risk (Are they game to experiment, do they take risks, etc.)

Reno lives right on the edge most of the time. If there’s a chance Rufus, Rude or Tseng could walk in on the two of you, while he’s fingering you on an empty desk, he’s willing to take the shot. He thinks having others hear you moan is also a big turn on.

S = Stamina (How many rounds can they go for, how long do they last…)

Reno’s quick-paced nature can usually end abruptly. But give a few minutes, the second round of dirty talking and kissing, he’ll be all ready to give you round two, perhaps three in a single night. You covered in his cum might be a fantasy of his, but he’ll never share that secret.

T = Toy (Do they own toys? Do they use them? On a partner or themselves?)

As I said, he’s interested in nearly everything if the two of you are on board. If you so wanted to try a vibrator on yourself, or perhaps, even use it on him, he’ll love to see what you can do with it. How much can you quiver, how much can he tremble? He might even go as far as making a game of it.

U = Unfair (how much they like to tease)

He’s not much for a tease, but he’ll go slow until the two of you are right on the edge. He read once edging makes a much fuller orgasm, and ever since, he’s been a huge fan.

V = Volume (How loud they are, what sounds they make)

Reno is loud. The type that would dirty talk before, during, and especially near the end. He’ll ask you to cum for him while he’s fingering you, whisper the most vulgar things in your ear as he’s on the brink. He’s usually a bit quiet right at the start, but when both your bodies are feeling all the nerves running wild, his voice would be ever so present.

W = Wild Card (Get a random headcanon for the character of your choice)

Reno is open to nearly all things in the bedroom. He’s a bit of a wild card himself, so if you bring up a bedroom game or a roleplay idea, he might be up for it. Want to bring in cute and sexy costumes, he’s ready for it. Toys? Hell yeah. Tying you up if you asked? He might get confused on the rope work, but he’ll do his best and try to make you cum like you’ve never cummed before.

X = X-Ray (Let’s see what’s going on in those pants, picture or words)

Reno is proudly sporting a six-inch penis, erected a good six and a half. It’s not enough to bruise your cervix, which is a plus, but nicely curved and thick enough to stretch your walls in just the right way.

Y = Yearning (How high is their sex drive?)

High. Reno is always up for sex if you ask. He’s not a sex addict, but his high-upbeat nature is always ready for the next move to release his pent up frustration or energy. Sex just happens to be one of the better ways to release it and no better way to spend a Saturday afternoon than spending a little quality time with you.

Z = ZZZ (… how quickly they fall asleep afterwards)

Reno slips into unconsciousness pretty quick. Once that energy has been wiped out, he finds himself slipping into sleep much faster than usual. But he’ll always find a way to touch you as you fall asleep. Thumb on your cheek, his fingers gently grasping your wrist, perhaps his whole arm wrapped around your waist, either way, a light smile will form on his face as the two of you drift away.

#Final Fantasy #final fantasy vii #Final Fantasy 7 #final fantasy reno #reno #turks #imagines #headcanon #headcannon

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jali-writes · 4 years

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thirty-one asks for writers.📜

what is a genre you love reading but will probably never write?

horror, cyberpunk

which writer has had the greatest stylistic influence on your writing?

fuck if i know

has a specific song or lyric ever inspired a work of art for you?

HAS IT

a writer whose personal lifestyle speaks to you?

i’m not interested in the lifestyles of other creators. it’s personal and furthermore, whatever works for them usually doesn’t work for me.

do you write both prose or poetry? which do you prefer?

prose. i hate poetry.

do you read both prose and poetry? preference?

see above

which languages do you write in? which do you want to write in someday?

uhhhhhhhh english??? unless you wanna count french, my n5 japanese, my fluency in html and css, and my pidgin python?

share a quote or verse that has been on your mind lately.

It is said that when his wife died, Cronus wept for one thousand days and nights, collecting his tears and fashioning them into a beautiful crystal devoid of color –for his world felt devoid of love or joy without his lover, and the only beauty he could see were the memories in his tears.

a writer/poet whose life you find very interesting?

again, i literally don’t care. probably the only writer i know anything about was hemmingway, and i think he was a complete chad, with anger issues and addition issues. plus all his work sucks, don’t @ me.

what do you feel about the idea about someone unearthing your unseen or discarded drafts someday, long after your death? what about your personal journal?

i write my diaries with the frame of mind that someday, someone might stumble upon them and have a peek into what life was like during the years of my life recorded. who knows, maybe it’ll help future historians. or maybe they’ll just find me very irritating and pedantic.

do you prefer to write in silence or listen to something? what do you listen to?

lately it’s been chillhop in general. i used to write to just about anything, provided it worked for the scene, but i was younger and more energetic, and uninhibited by the effects of depression.

has an image ever impacted your artistic lens/inspired your work?

yes and no. for my current project, i’ve had in mind different geographical elements, architecture, and fashions for each different location, so i sought out the best i could find based on real-world examples to serve as visual reminders.

what would you describe the experience of writing itself? as in putting the words to paper, not planning or moodboards etc. do you agree with the common idea that the satisfaction lies in reading your work after you are done with it, rather than the process of writing itself?

uhhhh.... writing is .... making words happen in an appealing and emotive way? the satisfaction for me lies in finding just the right words and arranging them just so, so that the exact idea in my head is transcribed for others. but i tend to work in a vacuum so it’s up to my editor(s) to make sure my transcription makes any sense lol

how often do you write?

when depression permits, when i have a story to tell.

how disciplined are you about your writing?

i don’t block time, i just neglect other things in favor of writing. this means going without food or shower or sleep, and i’m well aware it isn’t healthy, but it’s how i roll. my digital files are immaculately named and organized. my diaries and bullet journals are dated, and my written-on-paper drafts are in bound notebooks labelled by volume.

what was your last long-lasting spurt of motivation?

about 2 days ago. i was on a 3 day binge, writing.

have you ever been professionally published? are you trying to be?

some would argue publishing online is “professional enough”, but seeing as all i’ve got are fanfics, i’m gonna say no. i would be sued black and blue if i tried to make bank off those ips. i would very much love to become published in hardcopy one day, but it’s a struggle for me to make my original constructions play out.

do you read literary magazines?

no. in fact i’m not a fan of anything literary, i find it pretentious and the people associated therein imo look down on fiction like it’s a dirty old scab.

a lesser known writer you adore?

n/a

do you write short stories? do you read them?

write, yes, read, no. unless it’s something my friend sends me for feedback, of course.

do you prefer to involve yourself with literary history and movements or are you more focused on the writing itself? any favourite literary movements?

we don’t do literary anything in this house. it’s pure fiction or gtfo. i barely have the energy to write at all most days, nevermind change the world and the way it views [concept] at large.

are you working on anything right now?

yes.

how did you get started with writing?

at some point in my late infancy i developed the motor skills to hold a writing implement. i would staple sheets of paper into a booklet and scribble on them, and then read back my “book” to anyone who would listen. i’m told i’ve been making up fanciful stories since i could talk. ironically enough by the time i was expected to learn how to read, i was so steadfastly against it, my mother and teachers feared i’d have to repeat first grade or be illiterate for the rest of my life. somehow my mom got through to me and after that, i consumed more books through scholastic orders than food. by 2nd grade i was reading at a 5th grade level; by 3rd i was reading at a 9th grade level.

do you have any “writer friends”?

at least 2

what is your earliest work you can remember?

i was 11 years old, in 6th grade, and my english teacher told us to make up our own fairytale. so i wrote about my cat.

have you found your writer’s voice yet? does your work have a distinct tone?

i have a portfolio of voices.

do your works share themes/are commonly about certain topics? or are your subjects all over the place?

mythology, love in all its forms, acceptance, family, self-discovery, neato buildings, supernatural, magic

what does writing mean to you?

the act of creation; getting to see places and journey with people i’d never otherwise meet; thinking about the way people are

in an alternate universe, imagine you had not found writing. what do you think would be your fixation otherwise?

screwing on the caps of toothpaste tubes

do you feel defined by your work?

as far as i can tell, i have yet to be defined by anything. i think being defined by something means it has ownership over you, but i am the creator, the maker, the god here, and i own it all. it does not own me.

have you ever written/considered writing under a pen name? if you would be okay saying, why?

yeah but i’m not saying what that penname would be because that would ruin the anonymity of having such a name.

#writer #writer q&a

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solangeleon · 4 years

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Dirty Dancing

Sardines Shawl - Charcoal on paper, Movement studies in our disciplines nature, Drawing I made in April 2020.

‘It is possible to conjecture that the cave dweller may have pretended to be an animal, when he danced at the dawn of the world, the dances of the primitive man are generally mimetic. He has not learnt to express himself in any other way’.

Crick, Malcolm. Explorations in language and meaning: towards a semantic anthropology. London: Malaby Press.

...I chose to draw sardines and not, starlings as I had first foreseen.

Starlings live on the edge and move by sight, in formations which are still a mystery. The mathematical models are beautiful as well as intriguing; yet scientists do not know why starlings move in cloudy Murmurations.

Sardines! We love playing sardines- but schools of fish move in relationship to their neighbours, in order to maximize foraging, safety for predators and speed of movement. This image is how they move when predators attack them –minus the predators I didn’t draw them in- It required time, discipline, and observation to create the piece. We ll never be able to move like these orderly bastards. Ballet dancers we are not, we haven’t been taught. Then I realized researching further, that schools of fish do not learn to move this way, they evolved. Is there any chance for us? How long does evolution take?

‘Dirty Dancing’, 1987- I am showing my age, I know...

Are you familiar with Dirty Dancing? Showy Peacock spiders dance as part of their mating rituals, romantic scorpions waltz, with the overly excited occasional spiking of the female by the venom of his male counterpart. Praying Mantis, also dance to mate, but often end up devouring the males as a result of it…fun fact- 60 per cent of the male praying Mantis is dinner.

Stick and leaf insect also dance, but it is still a mystery as to what purpose.

Cuttlefish, birds of paradise, bung beetles, also dance for courting it appears. But some can adjust their rhythm and dance without reproduction being the objective.

Our honey-loving bees communicate with dance, with complex moves in lines and figures of ‘8’, where they give each other directions with the ‘Waggle dance’- an advanced form of touch communication.

Some argue that plants and algae dance too, albeit this is still debatable and depending on what it is that we define as dance-

‘We read that non-human animals ‘dance’; however, their ritualized movements are programmed action sequences. They do not voluntarily express or withhold emotions and ideas distances in time and space from immediate stimuli as do humans in dance.’

Megan N. Ramos, Body, Movement and Dance in Psychotherapy, Volume 13, 2018 - Issue 1.

Dance does have a well-established sexual connection to the elemental impulses of the perpetuation of a species. And the theory that humankind danced to transcend language barriers and heighten rituals to connect to nature, fellow human beings, and an idea of ‘a creator’ do primarily sound reasonable, especially on the basis of mimicking the natural world.

But what is harder to agree on is whether dance, as a language, can be scientifically dissected and stripped of human emotion, expression, or thought.

From ballet as a child, to jazz dance to tango to Berlin’s Berghain and Ibiza’s Heart- I for one, certainly dance like I am possessed...

Photograph by Jake Davies, Steel Yard Fox and Badge party, London, 2019.

But WHY did people dance, and do today?

1 They want to have fun and relax?- dance as a vehicle solely for leisure and entertainment?

2 They dance because of biological, organismic or instinctive needs of some kind –the dance as

precursor to spoken language perhaps?

3 They dance because they want to express themselves- that dance as a symbolic activity divorced from real life

4 they dance because they feel sexy or sad, or something- the dance as a prime repository of emotion?

5 They dance because a good, or evil, spirit has possessed them, the dance as a neurotic, hysterical or quasi religious manifestation,

6 They dance to show off or to relieve their over-burdened feelings- dancing as catharsis or the governor on a steam- value theory of human emotion

Crick, Malcolm. Explorations in language and meaning: towards a semantic anthropology. London: Malaby Press, 1976 – P5-6

In reality, it can be either of these or a combination, in no particular order, or to other meand- as we see when looking into Contemporary Choreographers such as Merce Cunnighmam, who used as means to experiment.

From popular dances in bars and streets among strangers or families and festivals, dance appeared in a more refined shape in courts, who then shaped and cut a much more structured and some would argue refined form of dance, with ballet.

Rudolf Nureyev dances with Rosella Hightower during a dress rehearsal at the B.B.C. television studios in London in 1962. (Photo credit should AFP/AFP/Getty Images)

The Kings of Europe funded classical music, fine art, and ballet into their present form, but one that remains even today exclusively for those who can afford them, both in practice and as an attending audience.

Ballet’ s rigor did not allow for individual input. It is the A-Z of dance and even in its the education, preaches implacable linear precision to perfection.

Dance stayed in isolated forms divided by social casts or groups or practices but defined into specific often-local folk dances, or heighten into ideals of lightness and romanticism in ballet form. Until the early nineteen hundreds- my radical rebel and feminist hero emerged from whom there is sadly, only one

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tumbler-tidbits · 5 years

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Today Is the last Friday of this month so the time has come to post February’s Fic Recs! Please Keep in mind that these have been culminated over a period of a few months (since I’m so far behind) so some links may no longer work thanks to dumblrs porn bots! I have no control of that so if a fic is no longer available PLEASE don’t blame me! These are mostly smut but there is a mix of some fluff and a smidge of angst. All warnings and summaries from the writer are provided!

1)Can’t Keep My Hands to Myself by @bamby0304

Link:HERE

Summary: Misha can’t help himself. It doesn’t matter that you could get caught at any moment, he just has to have you.

Pairing: Misha x Reader

Warnings: Explicit language. Smut. Dirty talk. Public sex. Fingering. Unprotected sex. Hair pulling

My Review: JFC y’all this one is a panty ruiner! I’ve just recently started reading Misha/Cas smut and boy did this one pull me in! Dom/sub, pinned against the wall, fear of getting caught.... hbdhgshsndmnfv

2)Magical by @supernatural-teamfreewillpage-d

Link:HERE

Summary: Dean’s Pov On A/His Girl Squirting

Pairing: Dean x Female

Warnings: 18+, Squirting, Language, Sexual Thoughts.

My Review: This Awesome smut is from Deans point of view and it makes for a magical scene!

3)The Bet by @maddiepants

Link:HERE

Summary: Y/N can totally go a week without sex. Can't she?

Pairing: Dean x Reader

Warnings: little bit a plot, lotta bit a porn, little bit of Dom Dean, that’s it i think

My Review: Good God my girl can write the smut! This is so fucking hot, I felt needy!! Jesus I need me some Dean!

4)The Mirror by @wheresthekillswitch

Link:HERE

Summary: The problem isn’t your reflection, it’s the mirror you’re using

Pairing: None

Warnings: self-doubt

My Review: This sweet little drabble speaks volumes for those of us who have insecurities (read: all of us!). Short, sweet, and to the point! Hold your head high.

5)Uncharted Territory by @fatestemptress

Link:HERE

Summary: Dean thought he had done it all. He was wrong.

Pairing: Dean x Reader

Warnings: Smutastic. Rimming. Anal play. Oral (Male Receiving) 18 PLUS ONLY!!

My Review: HOLY FUCKING SHIT. This is not something I ever considered erotic and Jesus christ on a cracker if this didn’t change my mind. THIS WAS FUCKING HOT AS FUCK! The smart ass Dean in the beginning, then the way you described his pleasure... fuck woman you paint a gorgeous fucking picture! Now I’m trying to put out the fire you just caused! Bitches READ IT!!

6)Tell Him How You Feel by @supernatural-jackles

Link:HERE

Summary: Another season of Supernatural has wrapped. You are headed to the wrap party with your two best friends. One being your ex, and the other being yours and your ex’s best friend; the guy you have fallen for over the course of a few months.

Pairing: Jensen x Reader, past Jared x Reader

Warnings: Angst, Feels, Fluff, Sweet Smut, Minor Talk of Insecurities.

My Review: This friends to lovers story was incredible! The backstory and how the reader was written in to the lives of Jared and Jensen was perfect! Romantic, sensual, and just so warm and fuzzy! Give it a read, it fulfills your fantasy 😉

7)Being Kept by TheShygirl on AO3

Link:HERE

Summary: Reader is at an out-of-town hotel for a work meeting when a big storm hits. A power outage from the storm leaves her trapped in an elevator with two extremely attractive men who decide to make the most out of a bad situation. From there, her life gets turned upside down as she tries to balance her newfound relationship with work and an intense interest from another man.

Pairing: Please see link

Warnings: Please see link

My Review: This series was recommended to me by several friends! And I’ll be honest, based in the tags and warnings, I would have never read it. But I asked my friends about my concerns and they reassured me. So I trusted them and dove into the story, and HOLY FUCK am I glad that I did! Two things you should know about me, 1) I don’t typically read RPF and 2) I have never read M/M, F/F. And before you jump to conclusions NO I’m not homophobic, I’m straight and read reader insert so M/F is what I gravitate to. WELL this fic changed both of those things with multiple partners/pairings! It was sexy, erotic, romantic, angsty, and fluffy! It left me happy, ecstatic, sad, furious, upset, betrayed, sickened...literally any emotion you can have was portrayed in this fic and I felt every single one! Folks this story is so good that it felt REAL, like BTS this scenario is actually happening in real life. It’s 73 chapters, but trust me it’s worth it and in the end you will be begging for more!!

8)Thunder Rolls by @amanda-teaches

Link:HERE

Summary: When your fear of thunderstorms is triggered, Dean decides to distract you the best way he can- with some good, old-fashioned, mind-blowing sex.

Pairing: Dean x Reader

Warnings: SMUT (unprotected penetrative sex), swearing; 18+ only

My Review: This was intensely passionate! The sex is hot but the love behind it really makes it great! The authors use of super descriptive descriptions of your pleasure will have you clenching your thighs!

9)Lingering Scents by @kittenofdoomage

Link:HERE

Summary: Dean’s always tried to resist the pull. How long until he can’t anymore?

Pairing: Alpha!Dean x Omega!Reader

Warnings: jealousy, angst, scenting, A/B/O, rough sex, implied breeding, marking, mentions of sort-of cheating.

My Review: whew! If your in to A/B/O fics this one is hot! Dean learns that he can’t fight fate and your more than willing to go along!

10)Cupid Can Shove his arrow right up his... by @bamby0304

Link:HERE

Summary: Valentine’s day sucks when you’ve got no one to send you flowers or serenade you with sweet song. You’re in a mood, stomping around the overcrowded bunker, not caring if you kill the buzz of the couples around you. Luckily for them, however, Sam is quick to distract you.

Pairing: Sam x Reader

Warnings: Explicit language. Little bit of Valentine’s day hate. Smut. Dirty talk. Thigh riding. Fingering. Praise kink. Hair pulling. Panty kink. Biting. Unprotected sex.

My Review: Holy Fucking shit I LOVED THIS! The attitude, the sass, the fucking innuendos... THE FUCKING! Jesus Christ on a crumbled cracker, This one killed. Go beg Amber for MORE of this! And make sure you say PLEASE! We need to see ALL those scenarios played out... Read this one in privacy ladies and have a helper handy 😏😉

11)Only One Woman I Trust by @georgialouisea

Link:HERE

Summary: None

Pairing: Dean x Reader, Sophie, Marg.

Warnings: Fluff, Swearing

My Review:This is just absolutely precious! You think you know what’s going on but there’s a surprise! This one will rot your teeth ❤️

12)Edge of Glory by @sculptorofbeginnings

Link:HERE

Summary: A supply run with Dean and Castiel takes an interesting turn.

Pairing: Dean x Reader, Castiel

Warnings: This is just Smut. Gratuitous, Endverse, smut. Implied established relationship and previously agreed upon situations.

My Review: Well damn. Shaila gets you revved up right off the bat with an amazing gif! Then sweet fucking sin it gets hotter from there! Ladies save this one for some alone time.... it’s definitely a panty ruiner.

13)Inked Up by @evansrogerskitten

Link:HERE

Summary: Dean most definitely, not at all, really doesn’t, have a crush.

Pairing: Dean x tattooed!Reader

Warnings: Fluff. Cursing a lot cuz it’s Dean. 18+ because you must be an adult to be on my blog

My Review: Ever want to know what goes on inside Dean’s head when he sees a hot girl? This fic is super hilarious and totally fluffy! I love Dean’s internal struggle to keep himself in check 😂 this one is fun!

14)Match Made on Crushbook by @carryonmywaywardwriters-deactiv

Link:HERE

Summary: The douchebags of online dating...

Pairing: Dean x Reader

Warnings: Online Dating struggles (made from actual chats I’ve gotten...cringe with me). Mutual masturbation. Some dirty talk. A bit of praise!kink. I believe that is all during this part.

My Review: As a girl with a serious praise!kink this one got me all hot a bothered! And as a single female trying to find a relationship... this fic is totally relatable!

15)Good Morning Beautiful by @ladywinchester1967

Link:HERE

Summary: Good Morning Indeed.

Pairing: Dean x Reader

Warnings: Oral sex (female receiving), fluff, smut, Dean being a sweetheart. All porn, zero plot.

My Review: Holy fuck this is so.... yes, all the yes! I want this, I NEED this!! God it’s just so fluffy and passionate. LOVE IT

16)Reunited by @saxxxology

Link:HERE

Summary: Sam’s locked in a government prison during the birth of his first child. Reuniting him with his family is the best thing that could have ever happened to him

Pairing: Alpha!Sam x Omega!Reader

Warnings: angst, mentions of killing, Alpha/Omega parenting instincts, non-graphic labor, fluff, lots of happy tears

My Review: OMG this is somewhat heart shattering, but Oh so fluffy! You start off wanting to cry but don’t worry, those will turn to happy tears :)

17)Dangerous Dance by @bamby0304

Link:HERE

Summary: When you first saw him, you knew he wasn’t like any other man that walked through the doors. There was a gleam in his eyes that screamed mischief. A gleam you would come to crave just as much as he craved you, if not more. When you first saw him, you had no idea what you were in for.

Pairing: Soulless!Sam x exotic-dancer!Reader

Warnings: Explicit language. Angst. Fluff. Pole dancing. Sexy dancing. Smut. Dom!soulless!Sam. Fingering. Masturbation. Voyeurism. Dry humping. Dirty talk. Unprotected sex. Bondage. Breath play. Squirting. Other smut related warnings that I just can’t think of right now.

My Review: Folks grab a fire extinguisher because this series is HOT! 14 chapters of deliciously smutty soulless Sam! What more could you ask for? Amber hits a lot of kinks in this series so you are likely to find something you like or discover a kink you didn’t know you had!!

18)Discipline by @squirrel-moose-winchester

Link:HERE

Summary: After flirting with a suspect to gain information against Sam’s orders, she must suffer the consequences.

Pairing: Dom!Sam x Reader

Warnings: Smut (but not really), Spanking (of a slightly different kind), Implied sex, Rough!Sam

My Review: To steal a line from one of our favorite memes “Mark me down as scared and horny!” Whew! This was unexpectedly hot and a total surprise! Note to self, do not make Sam angry.... or ya know DO!

19)Worthless by @maddiepants

Link:HERE

Summary: It's hard to fight the demons, when they're inside your head.

Characters: Reader, Dean, and Sam

Warnings: thoughts of suicide, talk of possible self harm, self hatred, Dean being a helpful, loving bean, Angst.

My Review: This one is angsty but wow it’s also very poetic! I know many of us struggle with this very scenario and Erica has written it beautifully.

20)Wrecked by @thoughtslikeaminefield

Link:HERE

Summary: After the show, alone in a dark corridor, he shows you exactly what that song means.

Pairing: Jensen x Reader

Warnings: Kissing, Vaginal Fingering, Clothed Sex, Wall Sex, Slight Chain Metal Kink, lip biting, Jensen Ackles in that fucking CBGB t-shirt and hat and the wallet chain WTF dude, Let’s pretend he’s single, Like a Wrecking Ball, you know why, Smut, Shameless Smut, Consent is Sexy, NSFW

My Review: JFC if this isn’t every Jensen girls fantasy! This one just ruined me! Wall sex, hand over your mouth, soft nips and kisses *shudders* give it a read!

Taglist: @idreamofplaid @dean-winchesters-bacon @maddiepants @pisces-cutie @covered-byroses @currentlyfangirling99 @spnmightkillme @spnfamily-alwayskeepfighting @team-free-will-you-idjits-67 @xxhalfbloodprincessxx @supernaturalsammy01 @sammyimpala-67 @lunarboycas @ladywinchester1967 @sweetiepie-dean @fangirl-forevers-world @thoughtslikeaminefield @supernatural-teamfreewillpage @ruthiesconnells @bobasheebaby @evansrogerskitten @missjenniferb @sculptorofbeginnings @kbl1313 @spnskinnyballs @treat-winchesterswith-kindness @justcallmeasmodeus @ain-t-bovvered @purpleskiesandcherrypies @curly-haired-disaster @getnaildbyme @thoughtslikeaminefield @gripmetight-raisemefromperdition

#Fic rec Friday #Final Friday Fic Recs #supernatural #tumbler-tidbits

44 notes · View notes

virtual-bailey · 6 years

Video

Giga Pets AR: T-Rex

Age 1-2

Next are my thoughts on the actual gameplay. You’re given a bit of customization by way of name, traditional to the Giga Pets. (Mine’s Rexy) You can even go back and change the name later if you’d like.

Usually I compile photos into gifs, but that is very difficult to do here! Rexy just moves so much, there are so many animations! This isn’t even all of them, there’s a mouse that Rexy looks at and stumbles over trying to get to, and the mouse is just like “ok w/e”

It’s such a cute relationship

The animations may change based on his current needs.

Now first, a disclaimer: despite my Giga collection, I was more of a Nano (and Tamagotchi) kid. Gigas were frustrating and hard to keep alive. I’m pretty familiar with Giga-isms, but there might be a few that I totally miss.

I’m also going to get the AR out of the way: it’s a gimmick. There’s an app you can download totally separate from this toy. You can unlock AR stuff in the toy by doing certain tasks. You do NOT need the app at all. The toy adds to the APP experience, but the app doesn’t add anything to the toy. I like it this way.

I unlocked all the AR stuff in like 10 minutes. All you have to do is every regular action (feed, sleep, play, discipline, train, etc) and each individual thing unlocks an AR action. Done, out of the way, don’t care about the app.

As I said before, the buttons are great. But the way the buttons work for only some things is a little odd and takes a minute to get used to. Left and Right work as they should, but if you go into the status menu, you can only go forward, not back. When you hit the Mode button it takes you to the clock screen, where you can also see your pet’s name and the volume. When you get to the volume screen you can’t go back to the previous screen. The way out is by hitting “Mode” again. There will be an icon highlighted at all times. I keep forgetting I can’t make it go away and hit Mode and go into the clock screen.

You have two food: Meat and Egg

I’m still checking my numbers, but I believe Meat gives you 20 hunger and 5 Happy. Feeding three or four times causes poop.

Egg acts kinda odd as a snack item, as it may or may not decrease your health and happy, or it may increase your happy. I think it depends on what you’re using it for/how often you’re using it. Pretty much just don’t.

Sleep lets him go into his cave go to sleep. He’s up at 730am and wants to sleep by 930pm. He’ll ask for naps throughout the day.

Game lets you pick between three (!) games: Chase the mouse (taken straight from Nano), Tail-whack the boulder (?), and Dodge the Volcanic Debris. Games increase happy by 10 and decreases hunger by 5.

Chase the Mouse is just you mashing a direction to pursue the mouse before time runs out. I play this one the most

Tail-Whack the Boulder(?) is a round object that appears on one side of the screen and you tap the direction a few times to successfully break it; round of five

Dodge the Volcanic Debris is a dodging game, you move Rexy back and forth to dodge rocks falling from above. This one is really super smooth and interesting.

Vet increases health by 50, but don’t use it unless he asks for it. The animation is adorable -- he straight-up eats the vet.

AR functions gets it’s own menu, so you can scroll through the things and see what you haven’t unlocked yet. There aren’t animations or anything, just static things for your phone to scan.

Bath is for when Rexy is dirty or just pooped on the floor. Animations are fast and adorable. Rexy bathes in what looks like a lake! I think cleaning increases health by 10.

Scale is the stats screen, you get the Overall Score, Age/Weight, Hunger/Happy, Health/Discipline. Everything is a score from 0-100 (except age/weight).

Training is next, I haven’t figured out what it does other than unlock AR things. Rexy can Stomp, Jump, and Roar. I thought it was something that would need to be re-taught every day, but it doesn’t seem that way. Does not increase discipline.

Discipline is last. Disciplining increases discipline by 20. If you do it after reaching 100, I think happy starts to drop.

If you do anything that he doesn’t want to do, disciplining will NOT help. His stats will all fall if you keep trying to do something he doesn’t want to do. Discipline is just a stat, like a Nano.

That brings me to an issue I keep running in to: Rexy asking for something (alert goes off and icon that is needed flashes) and then not wanting to do it when I select the icon. Specifically this happens most often for baths. And I can NOT figure out how to fix or prevent this. I’ll have a perfect 100 score, and then Rexy will call for a bath, and then refuse to take one. I’ve started ignoring the calls (reminds you once a minute) and coming back in like 10 or so minutes to try again.

Another issue: there seems to be a screen saver. It looks and acts exactly like the sleeping screen, however it is not. For regular sleep/naps, Rexy asks to be put to bed, and when he’s done, wakes up by himself. But if you leave the pet alone for 15 minutes, it cuts straight to the black ZZZ screen, and will not come out of it until you press a button. The problem with this is that during the black ZZZ screen, all alerts are silenced and hidden. You have to remember to periodically check on him, since you will experience that screen a lot.

Also, the stats drop overnight. Not terribly pleased about that.. I woke up to him this morning (7:35am) with all zeros. 100 to 0 overnight is pretty rough. I’ll check again tomorrow.

This pet is really easy to get the score up, but it drops back down pretty quick. Not “KFC Giga-Nano Hybrid”-quick, but I check on it like once an hour. It’s designed to last 14 days with proper care, and if it’s like the old Gigas, it will stay alive longer as long as you keep the score above like, 95, which would be quite the task.

We’ll see how long this lasts, I guess. I thought he got fatter today, but looking at today’s vs yesterday’s animations, he’s still the same fat.

#giga pets #giga pets ar #tamatag #virtual pet

9 notes · View notes

213hiphopworldnews · 6 years

Text

All The New Albums Coming Out In September 2018

iStock

Keeping track of all the new albums coming out in a given month is a big job, but we’re up for it: Below is a comprehensive list of the major releases you can look forward to in September. If you’re not trying to potentially miss out on anything, it might be a good idea to keep reading.

Friday, September 7

Adult. — This Behavior (Dais Records)

The Alex Skolnick (Alex Skolnick of Testament) — Conundrum (Palmetto+)

Alvaro Soler — Mar De Colores (Sony Music Entertainment Inc.)

Amnesia Scanner — Another Life (PAN)

Ava Luna — Moon 2 (Western Vinyl)

Ben Danaher — Still Feel Lucky (Soundly Music, LLC)

Ben Fisher — Does The Land Remember Me? (Treleven Music)

The Blaze — Dancehall (Columbia Records)

Boston Manor — Welcome To The Neighbourhood (Pure Noise Records)

C418 — Excursions (self-released)

Cauldron — New Gods (The End Records)

The Chairman Dances — Child Of My Sorrow (Black Rd)

Chilly Gonzales — Solo Piano III (Gentle Threat Ltd.)

Chris Liebing — Burn Slow (Mute Records)

Church Girls — Home EP (self-released)

Dan Koshute — All The Way Always (Magna Persona)

Donna Missal — This Time (Harvest Records)

DOWNPOUR (members of Shadows Fall and Unearth) — DOWNPOUR (self-released)

Elijah Wolf — On The Mtn Laurel Rd (Old Flame Records)

Eric Bachmann (of Archers Of Loaf) — No Recover (Merge Records)

Escape-ism (Ian Svenonius) — The Lost Record (Merge Records)

Ferry Corsten and Saad Ayub — Synchronicity (Flashover Recordings)

Future Thieves — Future Thieves (self-released)

Gamblers — Corinthian Order (Gamblers)

Ghostland Observatory — See You Later (Trashy Moped)

Ginla — Codex (Terrible Records)

Gold Star — Uppers & Downers (Autumn Tone Records)

ITAL TEK — Bodied (Planet Mu)

JEFF The Brotherhood — Magick Songs (Dine Alone Records)

Jesse And The Dandelions — Give Up The Gold (self-released)

Jesse Harris — Aquarelle (Secret Sun Recordings)

Joep Beving — Conatus (Deutsche Grammophon)

Joey Purp — Quarterthing (self-released)

Joey Sweeney & The Neon Grease — Catholic School (Burnt Toast Vinyl)

Judy Blank — Morning Sun (Munich Records)

Kandace Springs — Indigo (Capitol Records)

Kathy Mattea — Pretty Bird (Captain Potato)

Kevin Harrison & True North — Howl (self-released)

Kilo Kish — MOTHE EP (self-released)

KINGCROW — The Persistence (The Laser’s Edge)

Kito — HAANI EP (Bimyou)

LA CHNGA — Beyond The Sky (Small Stone Records)

La Force (Ariel Engle of Broken Social Scene) — La Force (Arts & Crafts)

Lenny Kravitz — Raise Vibration (BMG Rights Management (UK) Limited)

LIINKS — Ridge Road (Westwood Records)

Macy Gray — Ruby (Artistry Music)

MAJOR. — Even More (EMPIRE)

Maribou State — Kingdoms In Colour (Counter Records)

Mike Farris — Silver And Stone (Compass Records Group)

Milo Greene — Adult Contemporary (Nettwerk Records)

Mirah — Understanding (Absolute Magnitude Recordings)

mmph — Serenade EP (Tri Angle)

MNEK — Language (Virgin EMI Records)

The Molochs — Flowers In The Spring (Innovative Leisure)

The Mommyheads — Soundtrack To The World’s End (Dead Frog Recrods)

Morne — To The Night Unknown (Armageddon Label)

Mothers — Render Another Ugly Method (ANTI‐)

Nashville Pussy — Pleased To Eat You (earMUSIC)

New Reveille — The Keep (Loud & Proud Records)

The Night Game — The Night Game (Interscope)

Nile Rodgers And Chic — It’s About Time (Virgin EMI Records)

The O’Mys — Tomorrow (self-released)

Papadosio — Content Coma (self-released)

Paul Carrack — These Days (Carrack UK)

Paul McCartney — Egypt Station (Capitol Records)

Paul Simon — In The Blue Light (Legacy Recordings)

Pig Destroyer — Head Cage (Relapse Records)

Pile — Odds And Ends (Exploding In Sound Records)

Pohgoh — Secret Club (New Granada Records)

The Primals — All Love Is True Love ((RED) Southern Lord)

Rae Spoon — Bodiesofwater (Coax Records)

Rebecca & Fiona — Art Of Being A Girl (Stereo Stereo)

Renée Fleming — Broadway (Decca Classics)

Rudimental — Toast To Our Differences (Atlantic Records UK)

Russ — Zoo (self-released)

Ruston Kelly — Dying Star (New Rounder)

Say Hi — Caterpillar Centipede (Euphobia Records)

Seasaw — Big Dogs (self-released)

Sauna Youth — Deaths (Upset The Rhythm)

Shannen Moser — I’ll Sing (Lame-O Records)

Spiral Deluxe (featuring Jeff Mills) — Voodoo Magic (Axis Records)

Spiritualized — And Nothing Hurt (Fat Possum Records)

St. Paul & The Broken Bones — Young Sick Camellia (RECORDS, LLC)

Steven A. Clark — Where Neon Goes To Die (Secretly Canadian)

Stoned Jesus — Pilgrims (Napalm Records)

The Stray Birds — Let It Pass (Yep Roc Records)

Stoned Jesus — Pilgrims (Napalm Records)

The Stryker Brothers — Burn Band (Scriptorium Rex)

Sudakistan — Swedish Cobra (PNKSLM Recordings)

Suicidal Tendencies — Still Cyco Punk After All These Years (Suicidal Records)

Suicideboys — I Want To Die In New Orleans (G59 Records)

Super City — Sanctuary (self-released)

Swamp Dogg — Love, Loss And Auto-Tune (Joyful Noise Recordings)

Teksti-TV 666 — Aidattu Tulevaisuus (Svart Records)

Teleman — Family Of Aliens (Moshi Moshi Records)

Tom Freund — East Of Lincoln (Surf Road)

Tuomo & Markus — Dead Circles (Grand Pop)

Waxahatchee — Great Thunder (Merge Records)

Yotto — Hyperfall (Anjunadeep)

Friday, September 14

Ace Clark — Black Privilege (self-released)

Active Bird — Amends (Barsuk Records)

Alejandro Escovedo — The Crossing (Yep Roc Records)

Alex Clare — Three Days At Greenmount (ETC Recordings)

Ann Wilson (of Heart) — Immortal (BMG)

Aphex Twin — Collapse (Warp)

Art Thieves — Russian Rats (State Line Records)

Asleep At The Wheel — New Routes (Bismeaux Records)

The Band Of Heathens — A Message From The People Revisited (BOH Records)

Ben Poole — Anytime You Need Me (Manhaton Records)

Beta Radio — Ancient Transition (Nettwerk Records)

Billy Moon — Punk Songs (Missed Connection Records)

Black Belt Eagle Scout — Mother Of My Children (Saddle Creek)

Blanca — Shattered (Word Records)

Bob Moses — Battle Lines (Domino Recording Company)

Bosse-de-Nage — Further Still (The Flenser)

Brandon Coleman — Resistance (Brainfeeder)

Brant Bjork (of Kyuss) — Mankind Woman (Heavy Phych Sound Records)

Calvin Valentine — Keep Summer Safe (Mello Music Group)

Capital Punishment (Ben Stiller’s high school band) — Roadkill (Reissue) (Captured Tracks)

Carrie Underwood — Cry Pretty (Capitol Records Nashville)

Cedric Burnside — Benton County Relic (Single Lock Records)

The Chills — Snow Bound (Fire Records)

Coming Soon — Sentimental Jukebox (Kidderminster)

Conan — Existential Void Guardian (Napalm Records)

Dad Brains — Dad Brains EP (self-released)

David Guetta — 7 (What a Music LTD)

David Nail And The Well Ravens — Only This And Nothing More (One Five Sound)

Dilly Dally — Heaven (Dine Alone Records)

The Dirty Nil — Master Volume (Dine Alone Records)

Dream Child — Until Death Do We Meet Again (Frontiers Music)

Dunbarrow — Dunbarrow II (RidingEasy Records)

Emma Louise — Lilac Everything (Liberation Records)

Emma Ruth Rundle — On Dark Horses (Sargent House)

Erik Deutsch — Falling Flowers (LoHi Records)

Exploded View — Obey (Sacred Bones Records)

Fatherson — Sum Of All Your Parts (Easy Life Records)

Film School — Bright To Death (Cobraside Records)

Fit For A King — Dark Skies (Solid State Records)

Fred Thomas — Aftering (Polyvinyl Record Co.)

Future Generations — Landscape (Frenchkiss Records)

Gareth Sager & The Hungry Ghosts — Juicy Rivers (Creeping Bent)

Good Charlotte — Generation Rx (BMG Rights Management (US) LLC)

The Goon Sax — We’re Not Talking (Wichita Recordings)

Grave Digger — The Living Dead (Napalm Records)

Guerrilla Toss — Twisted Crystal (DFA Records)

Hawkwind — Road To Utopia (Cherry Red Records)

He Arrived By Helicopter — The Shiny Hostel (Very Special Recordings)

The Holydrug Couple — Hyper Super Mega (Sacred Bones Records)

Howard — Together Alone (Fashion People)

Infernal Coil — Within A World Forgotten (Profound Lore Records)

Jack Drag — 2018 (Burger Records)

Jean-Michel Jarre — Planet Jarre (Columbia Records)

Jóhann Jóhannsson — Mandy OST (Lakeshore Records)

Jonathan Scales Fourchestra — PILLAR (Ropeadope)

Juiceboxxx — Never Surrender Forever EP (Dangerbird Records)

Jump, Little Children — Sparrow (self-released)

Jungle — For Ever (XL Recordings)

Knife Knights (Ishmael Butler and Erik Blood) — 1 Time Mirage (Sub Pop)

Lawrence — Living Room (self-released)

Leland And The Silver Wells — Leland And The Silver Wells (self-released)

Living With Lions — Island (No Sleep Records)

Lonely Parade — The Pits (Buzz Records)

Low — Double Negative (Sub Pop)

Loudon Wainwright III — Years In The Making (StorySound Records)

Lyrics Born — Quite A Life (Mobile Home Recordings)

Malcolm Holcombe — Come Hell Or High Water (Gypsy Eyes Music)

Medeski Martin & Wood with Alarm Will Sound — Omnisphere (Indirecto)

Monster Truck — True Rockers (Dine Alone Records)

Night Shop — In The Break (Woodsist)

North Americans — Going Steady (Driftless Recordings)

Old Faith — Old Faith (Refresh Records)

Ominous Eclipse — Sinister (NONE)

Orbital — Monsters Exist (ACP Recordings Ltd)

Pale Waves — My Mind Makes Noises (Dirty Hit)

Paul Weller — True Meanings (Parlophone)

PYREXIA — Unholy Requiem (Unique Leader Records)

Richard Thompson — 13 Rivers (New West Records)

Saint Slumber — Youth//2 EP (Kingless Co. Records)

Sandro Perri — In Another Life (Constellation Records)

Sextile — 3 EP (Felte)

Shortly — Richmond EP (Triple Crown)

Sleaford Mods — Sleaford Mods EP (Rough Trade Records)

Slothrust — The Pact (Dangerbird Records)

Snakes In Paradise — Step Into The Light (FRONTIERS RECORDS)

Sons Of Raphael — A Nation Of Bloodsuckers EP (Because Music)

Spirit Of The Beehive — Hypnic Jerks (Tiny Engines)

Steven Page (of Barenaked Ladies) — Discipline: Heal Thyself, Pt. II (Warner Music Canada)

Thrice — Palms (Epitaph Records)

Tony Bennett and Diana Krall — Love Is Here To Stay (Verve Label Group)

The Trews — Civilianiares (MapleCore Ltd.)

Uriah Heep — Living The Dream (FRONTIERS RECORDS)

We Were Promised Jetpacks — The More I Sleep The Less I Dream (Big Scary Monsters Recording Company)

Willie Nelson — My Way (Legacy Recordings)

Friday, September 21

A Boogie Wit Da Hoodie — The International Artist (Atlantic Records)

Adam’s House Cat (Drive-By Truckers) — Town Burned Down (ATO Records)

Advance Base — Animal Companionship (Run for Cover Records)

Amy Helm — This Too Shall Light (Yep Roc Records)

Anthony Roth Costanzo — ARC (Universal Music Classics)

Bad Moves — Tell No One (Don Giovanni Records)

Beak> — >>> (Invada Records)

Billy Gibbons (of ZZ Top) — The Big Bad Blues (Concord Records, Inc.)

Bitchin Bajas — Rebajas (Drag City)

The Blinders — Columbia (Modern Sky Entertainment)

Brooks Thomas — Poison (Hornblow Recordings)

Carl Broemel (of My Morning Jacket) — Wished Out (Stocks In Asia)

Christine And The Queens — Chris (Because Music)

Dragonlord (Eric Peterson of Testament) — Dominion (Universal Music Oy)

Drew McDowall — The Third Helix (Resident Advisor)

Elysian Fields — Pink Air (Microcultures)

The Field — Infinite Moment (Kompakt)

Greg Laswell — Next Time (Vanguard)

Human People — Butterflies Drink Turtle Tears (Exploding In Sound Records)

Hypoluxo — Running On A Fence (Broken Circles)

Joe Bonamassa — Redemption (J&R Adventures)

Jonathan Goldberger, JP Schlegelmilch, And Jim Black — Visitors (Skirl Records)

Josh Groban — Bridges (Reprise Records)

Joyce Manor — Million Dollars To Kill Me (Epitaph Records)

The Last Bison — SÜDA (AntiFragile Music)

Lonnie Holly — MITH (Jagjaguwar)

Macy Gray — Ruby (Artistry Music)

Mandy Barnett — Strange Conversation (Dame Productions)

Mount Eerie — (after) (P.W. Elverum & Sun)

Mountain Man — Magic Ship (Nonesuch Records Inc.)

Mutual Benefit — Thunder Follows The Light Out (Transgressive)

The Paper Kites — On The Corner Where You Live (Wonderlick Entertainment)

Piles — Una Volta (Aagoo Records)

Plainride — Life Of Ares (Ripple Music)

Prince — Piano & A Microphone 1983 (Warner Bros. Records)

Richard Reed Parry (of Arcade Fire) — Quiet River Of Dust Vol. 1 (ANTI‐)

Ryan Hemsworth — Elsewhere (Last Gang/Secret Songs)

Same Girls — Young Minded (Text Me Records)

Say Lou Lou — Immortelle (á Deux/Cosmos Music)

Sha La Das — Love In The Wind (Dunham Records)

Sigala — Brighter Days (Ministry of Sound Recordings)

Slash featuring Myles Kennedy & The Conspirators — Living The Dream (Snakepit Records)

Sobrenadar — y (Absent Fever)

St. Lucia — Hyperion (Columbia Records)

Subways On The Sun — Capsize (Spartan Records)

Suede — The Blue Hour (Rhino Entertainment)

SUMAC — Love In Shadow (Thrill Jockey Records)

Summer Salt — Happy Camper (Epitaph Records)

Supersuckers — Suck It (Steamhammer)

Tahiti 80 — The Sunsh!ne Beat Vol.1 (Human Sounds)

Tiny Deaths — Magic (Handwritten Records)

Tor Miller — Surviving The Suburbs (Glassnote Records)

Transviolet — Valley EP (BMG)

Vessel Of Light — Woodshed (Argonauta Records)

Villagers — The Art Of Pretending To Swim (Domino Recording Company)

VOIVOD — The Wake (Century Media)

William Fitzsimmons — Mission Bell (Grönland Records)

Zula — New Years (Inflated Records)

Friday, September 28

79.5 — Predictions (Big Crown Records)

Against The Current — Past Lives (Fueled By Ramen)

Aizuri Quartet — Blueprinting (New Amsterdam Records)

Alexander Orange Drink (Alex Zarou Levine of So So Glos) — Babel On (Shea Stadium Records)

All Them Witches — ATW (New West Records)

alt-J — Reduxer (Infectious Music)

Amber Arcades — European Heartbreak (Heavenly)

Amy Ray — Holler (Compass Records)

Anti-Flag — American Reckoning (Spinefarm Records UK)

ATRAMENT — Scum Sect (Blood Harvest)

Bayside — Acoustic Volume 2 (Hopeless Records)

Beartooth — Disease (Red Bull Records)

The Black Lillies — Stranger To Me (Attack Monkey Productions)

The Black Queen — Infinite Games (The Black Queen)

BLOODTRUTH — Martyrium (Unique Leader Records)

Brother Reverend — The Tables Turn Too Often (self-released)

Cécile McLorin Salvant — The Window (Mack Avenue)

Cher — Dancing Queen (Warner Bros. Records)

The Crystal Method — The Trip Home (Tiny E Records)

Cypress Hill — Elephants On Acid (BMG)

Cumulus — Comfort World (Trans- Records)

Danielson — Snap Outtavit EP (Joyful Noise Recordings)

Deep Gold — Deep Gold (self-released)

Den-Mate — Loceke (Babe City Records)

Dillon Francis — Wut Wut (IDGAFOS)

DOE — Grow Into It (Big Scary Monsters)

Evilon — Leviathan (WormHoleDeath)

Exploded View — Obey (Sacred Bones Records)

Fat Tony — 10,000 Hours (Don Giovanni Records)

Four Seconds Ago (members of Periphery) — The Vacancy (Century Media Records)

Foxhole — Well Kept Thing (Burnt Toast Vinyl)

From The Bogs Of Aughiska — Mineral Bearing Veins (Apocalyptic Witchcraft Recordings)

Getter — Visceral (self-released)

GØGGS (featuring Ty Segall) — Pre Strike Sweep (In the Red)

Gouge Away — Burnt Sugar (Deathwish Inc.)

Hangman’s Chair — Banlieue Triste (Spinefarm Records UK)

Hater — Siesta (Fire Records)

Hippo Campus — Bambi (Transgressive)

Jay Som and Justus Proffit — Nothing’s Changed EP (Polyvinyl)

Jlin — Autobiography (Planet Mu)

John Butler Trio — Home (Nettwerk Records)

Jon Batiste — Hollywood Africans (Verve Records)

The Joy Formidable — AAARTH (Seradom)

Kojo Funds — Golden Boy (Atlantic Records)

Lala Lala — The Lamb (Sub Pop)

The Living End — Wunderbar (BMG)

Lucy Wainwright Roche — Little Beast (self-released)

Lydmor — I Told You I’d Tell Them Our Story (HFN Music)

Marissa Nadler — For My Crimes (Sacred Bones Records)

Mary-Elaine Jenkins — Hold Still (Good Child Music)

Mini Mansions — Works Every Time EP (Fiction Records)

Miss World — Keeping Up With Miss World (PNKSLM Recordings)

Mudhoney — Digital Garbage (Sub Pop)

NAVVI — Ultra (Hush Hush Records)

Onkel Tom — Bier Ernst (Steamhammer)

Ouri — We Share Our Blood EP (Ghostly International)

Palaye Royale — Boom Boom Room Side B (Sumerian Records)

Parquet Courts — Wide Awake! Remixes EP (Rough Trade)

People Museum — I Dreamt You In Technicolor (Girlie Action)

RALPH — A Good Girl (604 Records)

Restorations — LP5000 (Tiny Engines)

Rick And Morty Original Soundtrack (Sub Pop)

Rod Stewart — Blood Red Roses (Republic Records)

Roosevelt — Young Romance (City Slang)

Salopecia — Meanderthal (Hydra Head Records)

SCHAMMASCH — Contradiction (Prosthetic Records)

Seasick Steve — Can U Cook? (BMG)

Shigeto — Weighted EP (Ghostly)

Spain — Mandala Brush (Glitterhouse Records)

Spesh — Famous World (Killroom Records)

St. Lenox — Ten Fables Of Young Ambition And Passionate Love (Anyway)

Starset — Vessels 2.0 (Fearless Records)

Summer Salt — Happy Camper (Epitaph Records)

SUNFLO’ER — No Hell (Noise Salvation)

TAUK — Shapeshifter II: Outbreak (self-released)

Tilian Pearson (of Dance Gavin Dance) — The Skeptic (Rise Records)

Tim Cohen — The Modern World (Sinderlyn)

Tim Hecker — Konoyo (Kranky)

Tina Disco — Fastland (BMG)

Tom Petty — An American Treasure (Reprise Records)

Tommy And The Commies — Here Come… (Slovenly Recordings)

Tony Joe White — Bad Mouthin’ (Yep Roc Records)

Viagra Boys — Street Worms (YEAR0001)

VULCAIN — Vinyle (Season Of Mist)

VREID — Lifehunger (Season Of Mist)

Walking Dead On Broadway — Dead Era (Long Branch Records)

Wolfheart — Constellation Of The Black Light (Napalm Records)

Yumi Zouma — EP III (Cascine)

source https://uproxx.com/music/new-albums-coming-out-this-month-september-2018/

#hiphop #hip hop legend #hip hop history #hip hop #music #trending #hip hop news #ballin #hip hop scen

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topprezzi · 4 years

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<ins>Acquista</ins> <u>Hardcore Lesbian</u> in linea a un prezzo insuperabile

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