#Deane C. Davis

[politicaldilfs]

Vermont Governor DILFs

Peter Shumlin, Jim Douglas, Phil Scott, Howard Dean, Deane C. Davis, George Aiken, F. Ray Keyser Jr., Franklin S. Billings, Charles Manley Smith, Richard A. Snelling, Harold J. Arthur, Horace F. Graham, John A. Mead, Joseph B. Johnson, Lee E. Emerson, Thomas P. Salmon, William Henry Wills, Mortimer R. Proctor, Ernest W. Gibson Jr., Robert Stafford, Philip H. Hoff, Allen M. Fletcher

#Peter Shumlin #Jim Douglas #Phil Scott #Howard Dean #Deane C. Davis #George Aiken #F. Ray Keyser Jr. #Franklin S. Billings #Charles Manley Smith #Richard A. Snelling #Harold J. Arthur #Horace F. Graham #John A. Mead #Joseph B. Johnson #Lee E. Emerson #Thomas P. Salmon #William Henry Wills #Mortimer R. Proctor #Ernest W. Gibson Jr. #Robert Stafford #Philip H. Hoff #Allen M. Fletcher #GovernorDILFs

[gardenschedule]

Quotes about the Lennon-Mccartney rivalry & John's insecurity

A long one!!

Pre-fame

“Paul was very good,” said Eric [Griffiths, of The Quarrymen]. “We could all see that. He was precocious in many ways. Not just in music but in relating to people.” […] His charm also worried John, according to Eric. “We were all walking down Halewood Drive to my house to do some practising. I was walking ahead with John. The others were behind. John suddenly said: ‘Let’s split the group, and you and me will start again.’ “We could hear Paul behind us, chatting to Pete [Shotton] as if he was Pete’s best friend. John knew we were all his pals, but now Paul was trying to get in on us. Not to split us up, just make friends with us all. I’m sure that was all it was, but to John it looked as if Paul was trying to take over, dominate the group. I suppose he was worried it could disrupt the balance, upset the group dynamics, as we might say today. “I said to him: ‘Paul’s so good. He’ll contribute a lot to the group. We need him with us.’ John said nothing. But after that the subject was never mentioned again.”

Eric Griffiths, c/o Hunter Davies, Sunday Times: A Beatle’s boyhood. (March 25th, 2001)

"It was uncanny. He could play and sing in a way that none of us could, including John," Eric Griffiths recalls. "He had such confidence, he gave a performance. It was natural. We couldn't get enough of it. It was a real eye-opener." After listening to Paul play, John recalled, "I had thought to myself, 'He's as good as me.' Now, I thought, if I take him on, what will happen? It went through my head that I'd have to keep him in line if I let him join [the band]. But he was good, so he was worth having. He also looked like Elvis. I dug him."

Bob Spitz, The Beatles: The Biography, 2005

Mimi remained resolutely unimpressed by anything her nephew composed with his ‘little friend’. ‘John would say, “We’ve got this song, Mimi, do you want to hear it?”’ she recalled. ‘And I would say, “Certainly not… front porch, John Lennon, front porch.”’ What she overheard that clearly wasn’t ‘caterwauling’ became another way of discomfiting John. ‘[He] got very upset with me when I mentioned one night that I thought Paul was the better guitar player. That set him off, banging away on his own guitar. There was quite a bit of rivalry going on there.’

Philip Norman, Paul McCartney: The Life. (2016)

Friends looked to Paul to control the damage, but it was beyond even his know-how. When John “went off like that,” Paul usually waited for the storm to pass or humored John to keep him from turning up the heat. And unbeknownst to Paul, some considered his presence in these situations more problem than solution. “It was obvious that John had big reservations about Paul, too,” says Hague, who absorbed his friend’s harangues during their drinking binges. “Even then, there was great jealousy there. He was all too aware of Paul’s talent and wanted to be as good and grand himself. After a while, you could see it, plain as day: the subtle body language or remarks that flew between them. He wasn’t about to let someone like Paul McCartney pull his strings.”

The Beatles – Bob Spitz

Yesterday

Barrow describes an incident from 1965 where McCartney ran through a dress rehearsal of “Yesterday” for a live evening performance on Blackpool Night Out. “Beatles Book editor Johnny Dean sat in the stalls close to comperes Mike and Bernie Winters and the other three Beatles, and watched Paul in solitary rehearsal on the stage, singing the song to his own guitar accompaniment. At the end, everybody heard John’s loud and decidedly sarcastic comment.” The nasty remark from John was said to upset Paul for several hours afterwards.

Beatles publicist Tony Barrow

At the end, everybody heard John’s loud and decidedly sarcastic comment. He made no secret of the fact that he thought ‘Yesterday’ was a slice of sentimental rubbish, and this led to several heated exchanges between John and Paul in the privacy of the group’s dressing room after the rehearsal.

Tony Barrow, c/o The Best of the Beatles Book (ed. Johnny Dean). (2005)

Following Paul's rendition of 'Yesterday', a comedy link was rehearsed for when the others reappeared on stage: John clutched a plastic bouquet of flowers which came away as Paul accepted them, leaving him holding only the bottom stems. As if to further puncture any pompous formality, John announced "Thank you Ringo, that was wonderful." "The Beatles were in a terrific mood..." Sean O'Mahony wrote in his editorial (Beatles Book #26), "laughing and gagging their way through rehearsals as though they were preparing for a private Beatle People Telly Show for the fan club rather than a national networked performance to millions of viewers." However, he now remembers a charged atmosphere at Blackpool that day after Lennon sarcastically roared "Thank you, Paul, that was bloody crap!" following McCartney's debut of the song during the afternoon rehearsal. If there was any tension it was swiftly diffused as Bryce's photographs reveal the two relaxed and joking in each other's company. Paul and John rode back to London together in comfort that night in Lennon's new black Phantom V Rolls-Royce.

Looking Through You: The Beatles Book Monthly Photo Archive

Throughout the Beatles’ 1965 summer concert tour of North America, Paul avoided doing the number on stage, partly in order to avoid further unpleasant conflict with John [and partly because nobody would be able to hear it in open air stadiums full of screaming fans]. it was the danger of giving added strength to the ‘Paul is leaving’ rumour that helped to prevent ‘Yesterday’ from being released there and then as a single in the UK. As Paul knows, it could have been a smash hit at home as well as all over the world but it would have annoyed the rest of the group, and their hostility in such circumstances would have caused him a lot of personal grief which he didn’t need.

Tony Barrow, c/o The Best of the Beatles Book (ed. Johnny Dean). (2005)

"John came to my loft and he was all excited," Smith recalls. "He said, 'I think I finally wrote a song with as good a melody as Yesterday.' Yesterday drove him crazy. People'd say, 'Thank you for writing Yesterday, a beautiful song...' He was always civil, but it drove him nuts."Sat at Smith's piano, Lennon revealed a title - Imagine - but only a smattering of lyrics. For the rest he sang "scrambled eggs" - just as McCartney had when inspired to write Yesterday. "He played it through and asked me what I thought. 'It's beautiful.' 'But is it as good as Yesterday?' 'They're impossible to compare.' So he played it again. And again. And he said, 'You'll see, it's just as good as Yesterday."

Howard Smith (DJ), interview w/ Danny Eccleston for Mojo: The Lennon tapes. (July, 2013)

After a particularly heavy session with the lawyers (he was also fighting deportation) Lennon would flop into his music room, pick up a guitar and tear into a primal-scream version of ‘Yesterday’. Sometimes he tried a little writing of his own. Usually he just sank further into the one Beatles song he never quite got over. Friends would find him sitting in the dark, lost in Paul’s ballad.

Christopher Sandford, McCartney. (2005)

PAUL: [laughs; mock-indignant] No. The worst thing for John was, that he didn’t write ‘Yesterday’, I wrote ‘Yesterday’, and he used to get really quite miffed, because he’d be in New York and he’d go into a restaurant, and the pianist would go du-du-du… [sings tune of ‘Yesterday’] And he’d go, “Oh… [grumbling] It’s Paul’s.”

September 19th, 2019: On BBC Newsnight

“Once we were in a Mexican restaurant, in a back room. We’d just been to see the musical Lenny, about Lenny Bruce. In the main room John spotted this strolling guitar player, which used to be standard in Mexican restaurants. He turned to me and said, “Howard, in five minutes that guitar player is gonna come in, stand next to me and play Yesterday. And sure enough, it wasn’t even three minutes. We had hardly settled down, and the guy came in and played Yesterday, a ridiculous over-the-top version. And I said, ‘John, that really does happen to you everywhere…’ And he said: ‘Everywhere.’ It drove him nuts.”

2013 Mojo article

Well, it’s difficult to choose the favourite. It’s one of my favourites. You look at your songs and kinda look to see which of the ones you think are maybe the best constructed and stuff… I think ‘Yesterday’, if it wasn’t so successful, might be my favourite. But, you know, you get that thing when something is just so successful… people often don’t want to do ‘the big one’ that everyone wants them to do. They kind of shy away from it. So… ‘Here, There and Everywhere’ with ‘Yesterday’ as a close second.

Paul McCartney, interviewed by Scott Muni (16 October 1984).

Here are Paul and John sparring in the dressing room following the remark that John made while they were rehearsing for their Blackpool Night Out TV show in August '65. The sparring between John and Paul continued while they were getting ready for the final recording. John and Paul continue their heated discussion with George as piggy-in-the-middle. The two-handed gesture clearly reveals the mood John was in, but Ringo and Brian still refused to join in the argument. Ringo poured himself a fizzy drink before the final show but John clearly decided he needed something a bit stronger before they went into the television studio.

228 of The Beatles Book Monthly Magazine - John and Paul’s argument after the Blackpool Night Out rehearsal

We never released Yesterday' as a single because we didn't think it fitted our image. In fact it was one of our most successful songs. "Michelle' we didn't want to release as a single. They might have been perceived as Paul McCartney singles and maybe John wasn't too keen on that.

The Beatles Recording Sessions The Official Abbey Road Studio Session Notes, 1962–1970

Productivity

But I was still under the false impression that – still felt, every now and then – Brian would come up and say, “It’s time to record,” or, “It’s time to do this.” And Paul started doing that. “Now we’re gonna make a movie. Now we’re gonna make a record.” And, uh, he assumed that if he didn’t call us, nobody would ever make a record. But it’s since shown that we’ve managed quite well to make records on time. [Now] I don’t have any schedule – I just think, “Now, I’ll make it,” you know. But those days, Paul would say, well, now he felt like it, and suddenly I’d have to whip out twenty songs. He would come in with about twenty good songs and say, “We’ll record next Friday.” And I suddenly had to write a stack of songs, like – [Sgt] Pepper was like that. And Magical Mystery Tour was another one of them.

September 5th, 1971 (St Regis Hotel, New York)

SHEFF: You say you haven’t really listened to Paul’s work and haven’t really talked to him since that night in your apartment— JOHN: Really talked to him, no, that’s the operative word. I haven’t really talked to him in ten years. Because I haven’t spent time with him. I’ve been doing other things and so has he. You know, he’s got twenty-five kids and about twenty million records out—how can he spend time talking? He’s always working.

John Lennon, interview w/ David Sheff for Playboy. (September, 1980)

You’d already have 5 or 6 songs so I’d think fuck it, I cant keep up with that. So I didn’t bother, you know, and I thought I don’t really care whether I was on it or not, I convinced myself it didn’t matter. And so for a period if you didn’t invite me to be on an album personally, if you three didn’t say ‘write some more songs because we like your work’, I wasn’t going to fight. There was no point in turning em out, I didn’t have the energy to turn them out and get them on an album as well.

John Lennon, MMT sessions

“John did not let Yoko’s foot-dragging slow him down. He kept working on the album, refining songs and coming up with new ones. He joked that he was becoming more and more like Paul McCartney, whose prodigious musical output had sometimes been a source of friction in their relationship. John wondered if Yoko might be feeling intimidated by his current period of fertility, just as he had once been intimidated by Paul’s greater musical productivity. Still, John kept up the pressure on Yoko over the phone, playing her his songs and encouraging her to play hers for him.”

The Last Days of John Lennon by Frederic Seaman (1991)

“He next expressed concern that Yoko was not giving the album her undivided attention because of the many ‘distractions’ she faced in New York, and even made a snide reference to her being surrounded by ‘useless sycophants.’ He again likened their situation to his old songwriting partnership with Paul McCartney, who had always been the more prolific writer and had frequently prodded John to come up with new material. ‘Paul never stopped working,’ John said with grudging admiration. ‘We’d finish one album and I’d go off and get stoned and forget about writing new stuff, but he’d start working on new material right away, and as soon as he had enough songs he’d want to begin recording again. I would have to scramble to come up with songs of my own. I wrote some of my best songs under that kind of pressure.’”

The Last Days of John Lennon by Frederic Seaman (1991)

We only spoke briefly about Paul and his comments at the time were, 'Yeah, well, you know, that's just Paul.' I think John was deeply hurt by their differences and the fact that their partnership wasn't a partnership. He felt the competition with Paul who would come in with 15 songs and want to record them all. John told me, 'I don't want to be in, you know, "Paul & the Beatles". I don't want to be a sideman for Paul. It's not what I want to do anymore.'

David Cassidy on John from Could it be forever? -My Story

Fear of abandonment

I was sort of answering him here, asking, ‘Does it need to be this hurtful?’ I think this is a good line: ‘Are you afraid, or is it true?’ – meaning, ‘Why is this argument going on? Is it because you’re afraid of something? Are you afraid of the split-up? Are you afraid of my doing something without you? Are you afraid of the consequences of your actions?’ And the little rhyme, ‘Or is it true?’ Are all these hurtful allegations true? This song came out in that kind of mood. It could have been called ‘What the Fuck, Man?’ but I’m not sure we could have gotten away with that then.

Paul McCartney, on “Dear Friend”. In The Lyrics (2021).

JOHN: [Paul] even recorded that all by himself in the other room, that’s how it was getting in those days. We came in and he’d – he’d made the whole record. Him drumming, him playing the piano, him singing. Just because – it was getting to be where he wanted to do it like that, but he couldn’t – couldn’t – maybe he couldn’t make the break from The Beatles, I don’t know what it was. But you know, I enjoyed the track. But we’re all, I’m sure – I can’t speak for George, but I was always hurt when he’d knock something off without… involving us, you know? But that’s just the way it was then.

August, 1980: interview with Playboy writer David Sheff

He is the least independent Beatle, leaning upon the group’s strength as a source for his own fundamental security.

Profile of John written by Tony Barrow (Beatles Press Officer) and published in March of 1968.

During the spring of 1968, John was as confused, lonely, and unhappy as I'd seen him in years. Though his relationship with the other Beatles was still free of serious strain, he was seeing increasingly less of Paul and George, both of whom were now pursuing independent lives and interests of their own.

In My Life, Pete Shotton

Insecurities

If you notice, in the early days the majority of singles—in the movies and everything—were mine. And then only when I became self-conscious and inhibited, and maybe the astrology wasn’t right, did Paul start dominating the group a little too much for my liking. But in the early period, obviously, I’m dominating the group. I did practically every single with my voice except for “Love Me Do.” Either my song, or my voice, or both.

David Sheff - All We Are Saying, The Last Major Interview with John Lennon and Yoko Ono

Do I want him back, Paul? … [D]o I want it back, whatever it is, enough? Then if it is, you know, I’ve had to smother my ego for you, and I’ve had to smother me jealousy for you to carry on, for whatever reasons there is.

Jan. 13: The Lunchroom Tape

I’ll tell you a story about John. He often used to wake up in the middle of the night and ask me, ‘Why do people cover Paul’s songs so much, but never mine?’ I used to tell him, ‘It’s because you are a talented songwriter. You don’t just rhyme June with spoon. And you are a very good singer – lots of people would be too afraid to cover one of your songs.’ Then I would make him a cup of tea, and he would be okay. I just miss that sort of moment that we had.

Yoko Ono, Q Magazine Awards. (October 10th, 2005)

“[John] was much misunderstood but mostly through his own fault. He put up his brick wall of sheer bravado to screen off a chronic fear of inadequacy.”

Beatles publicist Tony Barrow

“Most people in Britain think I’m somebody who won the pools, you know,” he says drily, drawing on a Gauloise. “Won the pools and married a Hawaiian dancer or actress somewhere. Whereas in the States, we’re treated like artists. Which we are! Or anywhere else for that matter,” he added. “But here, it’s like, the lad who knew Paul, got a lucky break, won the pools and married the actress.”

John Lennon, Melody Maker’s Oct 2nd 1971 issue. (no wonder he was so upset by Too Many People if he internalized the concept of 'a lucky break' this much...)

It was Paul who showed John how to play chords properly, instead of banjo chords, which were all John knew. I think John was quite defensive when he realised that through much of his "career" with the Quarrymen, he had been playing two-fingered banjo chords on a guitar. The thought was tempered by the fact that nobody had noticed. John once told me, "Only that fookin' McCartney sussed me out. I love him, but he's such a good musician I could kill him."

Tony Bramwell, Magical Mystery Tours: My Life With The Beatles, 2005

INT: In this song, in the “I Found Out”, “I seen through junkies, I been through it all, I seen religion from Jesus to Paul.” Now a lot of people are wondering which Paul you were talking about? JOHN: (Chuckle) Whichever one you want to mention. I think the Beatles were a kind of religion. And that uh, Paul manifest or, sort of, I can’t think of the word you know — epitomized, the Beatles and the kind of things that–the kind of hero image more than the rest of us in a way. Like he was more popular with the kids, girls and things like that. So it’s in that way it’s Paul. But it’s also the other Paul, who screwed up whatever Jesus said, that one… It’s a double entendre you know, for all the fanatics who like to play things backwards and hear words of wisdom which nobody ever thought of…

WABC-FM New York, Howard Smith interviews John and Yoko (December 12, 1970).

JOHN: I expected… just a little more, you know. I mean, because if Paul and I are sort of disagreeing, and I feel weak, I think he must feel strong, you know. That’s in an argument. Uh, not that we’ve had much physical argument, you know – more a mental, like when we’re talking— But you would expect the opposition. So called. So I was just surprised, you know. And, uh, I was glad too. [laughs; hesitating] I thought, yeah, I – you know. I suddenly re– got it all in perspective, you know.

Rolling Stone December 8th, 1970

SCHOENBERGER: How is it for an 11-year-old boy to have John Lennon as a father? JOHN: It must be hell. SCHOENBERGER: Does he talk about that to you? JOHN: No, because he is a Beatle fan. I mean, what do you expect? I think he likes Paul better than me… I have the funny feeling he wishes Paul was his Dad. But unfortunately he got me…

John Lennon, interview w/ Francis Schoenberger. (Spring, 1975)

SHERIDAN: I guess he realised somewhere along the way, “Well, I’ve got to do something other than just be a rock ‘n’ roll musician if I want to impress the whole world.” He never saw himself as a very good singer, for instance. INTERVIEWER: Really? SHERIDAN: No. He never saw himself as comparable to Paul McCartney, even. Which, you know, he was playing with a guy, writing songs with a guy whom he thought was better than he was in many ways. So he had this immense ego and this immense sort of – it was like a motor in him that had to go to new lengths and reach new heights in order to impress someody or the whole world or whatever. I think the peace movement – maybe he invented it, I don’t know.

2003: Tony Sheridan

We all went through a depression after Maharishi and Brian died; it wasn’t really to do with Maharishi, it was just that period. I was really going through the “What’s it all about?” type thing – this songwriting is nothing, it’s pointless, and I’m no good, I’m not talented, and I’m shitty, and I couldn’t do anything but be a Beatle. What am I going to do about it? It lasted nearly two years and I was still in it during Pepper. I know Paul wasn’t at the time; he was feeling full of confidence, and I was going through murder during those periods. I was just about coming out of it around Maharishi, even though Brian had died – that knocked us back again. Well, it knocked me back.

John Lennon, interview w/ Barry Miles, (partially) unpublished. (September 23rd, 1969)

We’d be cutting a record and he’d say, “Yeah, I remember trying to do this part in ‘Penny Lane’. I couldn’t play it and I got so pissed because Paul could always learn things so fast.”

Andy Newmark (drummer), interview w/ Rick Mattingly for Modern Drummer. (February, 1984)

When John’s first solo album Plastic Ono Band was released I went down to Tittenhurst Park several times. Sometimes, in reaction to the general dismay over the Beatles’ break up, he would ask rhetorical, and I thought slightly absurd, questions such as “Why should I work with Paul McCartney when I can work with Yoko or Frank Zappa?”, or became irritated when I happened to say “Paul has a good voice”. “He has a high voice,” John snapped back. At others, however, he would admit to an admiration for some of Paul’s songs.

Ray Connolly (journalist), Evening Standard: John... ‘performing flea’ or ‘crutch for the world’s social lepers’. (December 10th, 1970) c/o Ray Connolly, The Beatles Archive. (2011)

“His [John] moods were particularly vacillating when he talked about Paul McCartney. While he might be scornful of Paul’s romantic musical streak on one day, on another he would be insisting, ‘Paul and me were the Beatles. We wrote the songs’ – putting down, by inference, the contributions of Ringo and George. He knew how good Paul was, but he couldn’t hide a rivalry and jealous streak that nibbled away at him. ‘Paul has a good voice,’ I once commented as we were discussing singers. ‘He has a high voice,’ came his instant correction.

Ray Connolly, The Sunday Times Magazine: John Lennon, Yoko and Me. (December 9, 2018)

I was wondering whether the relationship had kind of snapped. I believe it was always there. He was very jealous and so was I and it was all stupidity on the surface.”

Paul (Record Mirror, April 1982).

Paul was the one Beatle who posed any challenge to John’s authority and preeminence within the group. Much as John might have found it easier to handle those who—like George and Ringo—seemed to take it for granted that he was the king of the castle, Paul was the only one he considered more or less his equal. John particularly admired and respected—yet at the same time slightly resented—Paul’s independence, his self-discipline, and his all-round musical facility: all qualities in which John felt relatively lacking.

Pete Shotton, John Lennon: In My Life. (1983)

He grew even more paranoid as the acid took effect, and Derek Taylor ended up sitting by him till well after daybreak. In an attempt to rebuild John's shattered ego, he persuaded him to recount his entire life story, from early childhood onwards. Derek even went through every Lennon-McCartney song, line by line, to demonstrate to John the extraordinary scope of his contribution to the Beatles* music. By the time John and I finally left, John's spirits had been lifted considerably.

In My Life, Pete Shotton

“Bit by bit over a two-year period, I had destroyed me ego. I didn’t believe I could do anything. I just was nothing. I was shit… and she (Yoko) made me realize that I was me and that it’s all right. That was it; I started fighting again, being a loudmouth again and saying, “I can do this. Fuck it. This is what I want,” you know. “I want it, and don’t put me down.”

Rolling Stone

"John's complaint to Paul was actually an attempt to get his songs on to albums without the usual democratic vetting by the others, as the conversation between John and Paul recorded by Anthony Fawcett in September 1969 reveals. John tells Paul: If you look back on the Beatles' albums, good or bad or whatever you think of "em, you'll find that most times if anybody has got extra time it's you! For no other reason than you worked it like that. Now when we get into a studio I don't want to go through games with you to get space on the album, you know. I don't want to go through a little manoeuvering or whatever level it's on. I gave up fighting for an Aside or fighting for time. I just thought, well, I'm content to put 'Walrus" on the "B" side when I think it's much better ... I didn't have the energy or the nervous type of thing to push it, you know. So I relaxed a bit nobody else relaxed, you didn't relax in that way. So gradually I was submerging. Paul protested that he had tried to allow space on albums for John's songs, only to find that John hadn't written any. John explained, "There was no point in turning 'em out. I couldn't, didn't have the energy to turn 'em out and get 'em on as well." He then told Paul how he wanted it to be in the future: "When we get in the studio I don't care how we do it but I don't want to think about equal time. I just want it known I'm allowed to put four songs on the album, whatever happens."

Many Years from Now

Everyone settled down in their seats. Paul McCartney tried to make peace with Chris. Chris said, “Paul sat by me and said, ‘Come on, Chris, let’s be friends….’ “I said, ‘Paul, just get away from me, I don’t want nothing to do with you guys. You know, you pissed me off!” As for Lennon, Chris recalled, “John? I guess he was a wise guy. But I got the sense that, I shouldn’t say this, that he was jealous of who I was or what I did. I don’t know what his problem was, but I didn’t like it too much.”

THE TRUTH BEHIND THE BRAWL BETWEEN JOHN LENNON AND CHRIS MONTEZ IN 1963! EXCLUSIVE!

Lifestyle

I introduced Yoko to John through my own interest in the avant-garde. John wasn’t avant-garde till later. Then John became wildly avant-garde because he was so fucking constricted living out in Weybridge. He’d come into London and say, ‘What’ve you been doing, man, what have you been doing?’ and I’d say, ‘What’ve you been doing?’ ‘Well, watching telly, smoking pot.’ ‘I went out last night and saw Luciano Berio at the Italian Embassy, that was quite cool. I’ve got this new Stockhausen record, check this out. We went down Robert [Fraser]’s, got this sculpture, it was great, dig this. Wow, Paolozzi, great …’ I think John actually said, ‘I’m fucking jealous of you, man’ – he just needed to get out of Weybridge. It wasn’t his wife’s fault, she just didn’t understand how free he needed to be.

Paul McCartney, c/o Jonathon Green, Days in the Life. (1988)

Living in the Asher house gave me the base and the freedom and the independence. That, alongside all the other things, because I wasn’t married to Jane. I was pretty free. I remember John very much envying me. He said, ‘Well, if you go out with another girl, what does Jane think?’ and I said, 'Well, I don’t care what she thinks, we’re not married. We’ve got a perfectly sensible relationship.’ He was well jealous of that, because at this time he couldn’t do that, he was married with Cynthia and with a lot of energy bursting to get out. He’d tried to give Cynthia the traditional thing, but you kind of knew he couldn’t. There were cracks appearing but he could only paste them over by staying at home and getting very wrecked.

Paul McCartney, Many Years from Now

In the beginning, art was what we talked about. [John] told me he thought he was like [surrealist painter René] Magritte. Why? Because, you know, you have the image of Magritte with the bowler hat and the suit, looking very square, but really his work was very surreal and far out. John was living in suburbia, and he was very embarrassed about that, because he felt as if he was not very hip. When he invited me to his house the first time, the first thing he said when I got there was, “I think of myself as Magritte.”

Yoko Ono, New York Times: An exhibition of drawings celebrates Lennon at 64. (October 7th, 2004)

“I was never in the London scene in the 60’s whereas George and Paul be going around to everybody’s sessions, playing with everybody. I never played anywhere without the Beatles. I never jammed around with people at all. Q: Loyalty, or just didn’t interest you? A: No, just shyness, insecurity, and ah, I couldn’t go in a session and play like George plays; you know I have limited vocabulary on the guitar and piano, so what could I do going in with Cream, or whatever they were doing in those days.”

John Lennon interview

The musician countered the perception of Lennon as the only artistic Beatle, asserting his own powerful avant-garde influence on Sgt. Pepper. “I’m not trying to say it was all me, but I do think John’s avant-garde period later was really to give himself a go at what he’d seen me having a go at.”

Paul Du Noyer, The Paul McCartney World Tour Booklet: 1989–1990 (New York: EMAP Metro, 1989)

Women

“Have you noticed that it’s always men with moustaches and beards who ask me for my autograph?” I said I hadn’t but that I’d watch out in future and, sure enough, it seemed he was right. Only men with moustaches and beards asked John for his autograph. “It was always the same,” he said. “Me and George got the guys with beards wanting to know the meaning of life, while Paul and Ringo got the women!” Inevitably, perhaps, a short while later a girl came to ask John for his autograph. Much to our amusement, though doubtless to her amazement, John grabbed her around the waist and sat her down on his knee. “Where are you now McCartney?” he shouted. “I’ve got a girl at last.””

Chris Charlesworth (journalist), Rock’s Backpages: Memories of John Lennon. (2001)

“I idolized John. He was the big guy in the chip shop. I was the little guy. As I matured and grew up, I started sharing in things with him. I got up to his level. I wrote songs as he did and sometimes they were as good as his. We grew to be equals. It made him insecure. He always was, really. He was insecure with women. You know, he told me when he first met Yoko not to make a play for her.

Paul and Hunter Davies, 1981

In the mirror I looked dreadfully pale and drawn. I still couldn’t believe it. John would never be there again. I kept getting flashbacks to when he was young and awkward. He liked women, but was always a bit uncomfortable, a bit nervous in their company – always a man’s man. Paul was beautiful – still is – and I know John thought, ‘God, with him around, I don’t stand a chance.’ It’s one of those things young lads have to put up with. They’re all dead worried about whether or not they’re going to get the girls, and John, as a teenager, saw Paul as his rival. That made him moody, but it was his moodiness that gave the songs they wrote together an edge. When he was four, John had been abandoned by his dad, deserted by his mum and brought up by his Auntie Mimi. He’d always felt rejected, but that gave his writing depth, a darkness. Paul was the counterbalance, the light. You could see this in Paul’s eyes and the girls just tumbled in and were washed away. What John never really appreciated was that he, too, had charisma, and that women did think he was sexy.

Cilla Black, What’s It All About. (2003)

SALEWICZ: Oh, he was presumably very paranoid. PAUL: I think so. I mean, he warned me off Yoko once. You know, “Look, this is my chick!” ’Cause he knew my reputation. I mean, we knew each other rather well. And um, I felt… I just said, “Yeah, no problem.” But I did sort of feel he ought to have known I wouldn’t, but. You know, he was going through “I’m just a jealous guy”. He was a paranoid guy. And he was into drugs. Heavy.

Paul, September, 1986 (MPL Communications, London)

That’s typical Paul [wanting me to stay inside the George V Hotel with the band instead of going out by myself to see Paris]. It’s just so silly of me to stay at the hotel. It’s just that he’s so insecure. For instance, he keeps saying he’s not interested in the future, but he must be because he says it so often. The trouble is, he wants the fans’ adulation and mine too. He’s so selfish, it’s his biggest fault. He can’t see that my feelings for him are real and that the fans’ are fantasy. Of course, it’s the trouble with all boys. When I first met [the Beatles], I liked them all. Then, when I found out that I liked Paul more, the others became angry with me.

Jane Asher, c/o Michael Braun, Love Me Do!: The Beatles’ Progress. (1964)

"Q: "Now that Paul is the only bachelor Beatle, do you find that the girls gravitate more to him than they do to the rest of you fellas? How do you feel about that?" JOHN: "They always did!" RINGO: "Yeah." PAUL: "Well, the thing that we found... We found after all this business, of all the buttons that say 'I love Ringo,' "I love John,' John's were outselling everyone's." JOHN: "A rather distinctive Beatle." PAUL: "A distinctive Beatle.""

Press conference, New York, August 22, 1966

JOHN: Well, uh… [distracted] There was a lot of – [inaudible] I suppose, but I was so full of myself then, I didn’t give a shit what he did. HILBURN: Full of what? JOHN: Full of meself. Centered, in other words. So I just— HILBURN: So in a sense, you weren’t comparing as much as you might have— JOHN: [matter-of-fact] There’s no comparison for me. ‘Cause we’re— HILBURN: You mean comparing artistically, or you mean comparing sales-wise and stuff? JOHN: Oh, sales-wise, forget it. He always had more fans than me, in the Cavern… So there’s no comparison on that level. And on the other level, I don’t think it counts. I think it’s like comparing… I don’t know, Magritte and, er – Picasso, if you want to put it on that level. Or whatever. How can you compare it?

October 10th, 1980 (Hit Factory, New York)

The same popularity, meaning Paul was always more popular than the rest of us, was going down in the dance halls in Liverpool so it didn’t cause any big surprise. I mean the kids saw him, the girls would go ooh, you know, right away.

John Lennon on The Tomorrow Show – 04/08/1975

Breakup/post breakup

"There was amazing competition between us and we both thrived on it. In terms of music, you cannot beat a bit of competition. Of course, there's times when it hurts, and it's inevitably going to reach a stage where it's hard to live with. Sooner or later, it's going to burn itself out. I think that's what happened at the end of The Beatles.

Paul - Uncut, July 2004

I felt sad, you know. I also felt that film was set up by Paul, for Paul. That’s one of the main reasons the Beatles ended, you know, cause... I can’t speak for George but I pretty damn well know. We got fed up with being sidemen for Paul, after Brian died that’s what began to happen and the camera work was set up to show Paul and not to show anybody else and that’s how I felt about it. And on top of that, the people who cut it, cut it as Paul is god and we’re just lying around.

John Lennon: The Rolling Stone Interview, Part One

Though thinking of Paul caused John pain, he could never get McCartney out of his head; Paul’s music was everywhere, and it always made him jealous, even the songs he enjoyed. In Bermuda, John was listening to all kinds of things on the radio, not just the Muzak and classical he listened to in New York. Coming Up, Paul’s hit single from McCartney II, was unavoidable. Every time he tuned in the BBC or one of the local stations, there it was. It began to drive John crackers; every word of the song was addressed directly to him. Ultimately, he came to admire it and draw inspiration from it.”

Robert Rosen, Nowhere Man: The Final Days of John Lennon, (2000)

At that moment, John was at his most unpredictable. Suddenly his fears that his money was going to be taken away from him, that he was going to be cheated, that he had to have as much money as possible, had all come into play. This was also John’s way of resisting the reality that the Beatles were officially about to come to end, and that Paul was about to prevail.

Loving John, MAY PANG (1983)

“The funny part is that I let him get away with it for so long. You know, I used to dread it when he was in town, but I never had the sense to go out to the island or just not answer the door. He’d come striding in with a guitar under one arm and Linda under the other, asking me what was new, knowing nothing was new. Then he’d always ask if I’d heard his latest, which I usually hadn’t. The guitar was so we could sing together, but that was never going to happen. I’d just tell him that I was really busy being a father. He must have seen through that because he’s a father many times over and that certainly doesn’t tie him down. It wasn’t till I told him that I was real busy that if he wanted to see me he’d have to call first that he got the message to leave off. I have your tarot advice to thank for that.”

John Green, Dakota Days. (1983)

COSTAS: if somebody didn’t, mixed in with it all, genuinely love somebody, genuinely care about their feelings about them, they wouldn’t go to the lengths, in whatever strange way, that John did to lash back at you! They wouldn’t hold a pig on the cover to parody you holding a sheep in ‘RAM’! They wouldn’t, you know, call your stuff rubbish and write ‘How Do You Sleep’. They wouldn’t do it! PAUL: Oh, I think that’s right. I think that’s right. He was- he was very hurt, there were people turning him against me. It was his way of defending himself. He was- he was quite pissed off about the ‘McCartney bandwagon’ as he once called it, you know? [mimicking John] ‘Oh, bloody- he’s gettin’ on all the telly, he’s sellin’ records!’ Yeah, he was- he was a jealous guy! But I understood that! That was John! You love it or you leave it! And I stuck with it for many, many years!

Paul McCartney, Interviewed by Bob Costa, 1991.

It was a weird time. The people who were managing us were whispering in our ears and trying to turn us against each other and it became like a feuding family. In the end, I think John had some tough breaks. He used to say, ‘Everyone is on the McCartney bandwagon.’ He wrote ‘I’m Just A Jealous Guy’ and he said that the song was about me. So I think it was just some kind of jealousy. I had to try and forgive John because I sort of knew where he was coming from. I knew that he was trying to get rid of the Beatles in order to say to Yoko, ‘Look, I’ve even given that up for you. I’m ready to devote myself to you and to the avant-garde.’ I don’t know if it’s true. One thing I’m really glad about is that I didn’t answer him back. It’s very difficult to do that when someone is attacking you. But I would have felt sick as a dog now if I had.

Paul McCartney, interview w/ Diane de Dubovay for Playgirl. (February, 1985)

PAUL: He was into heroin, and – see, which I hadn’t realised [the extent of] till just now. It’s all [starting to click a bit] in my brain. I was just figuring, oh, there’s John, my buddy, and he’s turning on me, ’cause he perceives that I’m... “McCartney bandwagon,” he once said to me. “Oh, they’re all on the McCartney bandwagon.” And to me, I was just releasing a record, okay. So you can call it the McCartney bandwagon, but it’s no harm. It’s no more than anyone else does when they put out a record. And yet things like that were hurting him, and looking back on it now I just think that it’s a bit sad really.

September, 1986 (MPL Communications, London)

Lennon’s jealousy of McCartney continued throughout the rest of his life. Lennon’s staff at the Dakota, where he spent his final years, attest to frequent tirades about his former partner. In his personal journals, Lennon wrote about Paul “almost every day” according to author Robert Rosen, who read the diaries in 1981 after they were stolen by Dakota employee Fred Seaman. When asked, in 2010, about the most disturbing takeaway of the diaries, Rosen replied “That’s easy. His jealousy of Paul, his love of money and his obsession with the occult.”

Robert Rosen

RR: Obviously I knew about the rivalry with McCartney, and the jealousy, but I think the extent of it...how often he thought about McCartney, and how jealous he was...I found that pretty shocking. I found it shocking that he was so into money. And the emphasis that was put on the occult was pretty shocking. The extent that they got into it.

An Interview with Robert Rosen

On one McCartney photo, Lennon scribbled the words, “I’m always perfect” as coming from McCartney’s mouth. He drew a Hitler-style moustache on another photo of McCartney. In an entry noting McCartney’s marriage to Linda Eastman, Lennon crossed out “wedding” and wrote “funeral”, the Observer said. But in a final tender moment, the Observer said, Lennon wrote under a photo of himself with McCartney: “The minutes are crumbling away.”

Associated Press: Lennon’s resentment of McCartney reflected in book notes. (July 20th, 1986)

So we went through a lot of those problems. But the nice thing was afterwards each one of them in turn very, very quietly and very briefly said, ‘Oh, thanks for that.’ That was about all I ever heard about it. But again, John turned it round. He said, ‘But you’re always right, aren’t you?’ See, there was always this thing. I mean, it seemed crazy for me because I thought the idea was to try and get it right, you know. It was quite surprising to find that if you did get it right, people could then turn that one around and say: ‘But you’re always right aren’t you?’ It’s like moving the goal posts.

Paul McCartney: An Innocent Man? (October, 1986)

So, here we sit, watching the mighty Dylan and the mighty McCartney and the mighty Jagger slide down the mountain, blood and mud in their nails. Well, that’s the way the world is, ha ha ha, that’s the way the world is, oh yes. The difference between now and a couple of years back is that whenever there was a new thing out by any of the aforesaid, I used to feel a sense of panic and competition. And now, I just feel like even the last few months it’s changed. I would send out for their albums or something just to hear it. There doesn’t seem any point now. Let’s take a break. How do we break? Just put it off. Still, even now, talking about them or thinking about them is still really being involved in it, because the ultimate dissociation would be not even to know they had an album out! [laughs] But now at least I get pleasure in it instead of panic. The main pleasure being of course that it’s all a load of shit. So I suppose I’ll always feel competitive with them, because they were from that same generation, but when I hear something like “Pop Muzik” by Robin Scott or the Blondie single, I really enjoy it, you know. I don’t feel competitive about it.

Lennon audio diaries

“They [Lennon & McCartney] saw each other again in 1977. The Lennons and McCartneys ate dinner together at Le Cirque, Paul’s favourite French restaurant in New York. John regretted going; it was a loathsome night. Paul and Linda blathered on and on about how perfect their lives were, how they had everything they’d ever wanted, and how they were as happy as they’d ever been. Something very paranoid suddenly occurred to John. Maybe Lorraine Boyle was spying on him for the McCartneys! He woke up the next morning still feeling disturbed; he consulted the Oracle. Swan assured him that Paul and Linda were frustrated and unsatisfied. Their marriage was in trouble, he said, predicting it would break up within the year. Lately Swan’s visions had been astonishingly accurate. Relieved, John began composing a song—a little ditty, really, that would never be released—in praise of the Oracle’s powers. But he still couldn’t understand why Paul and Linda had been together for as long as they had. There appeared to be a psychic connection between John and Paul. Every time McCartney was in town, John would hear Paul’s music in his head.”

Robert Rosen, Nowhere Man: The Final Days of John Lennon, (2000)

We agreed that if the press got hold of this record we’d pull the plug on it. I’d tell the musicians that John wasn’t sure if he could do it. He was very, very insecure. He didn’t think he had it anymore, you know. He thought he was too old, he just couldn’t write, he couldn’t sing, he couldn’t play, nothing. It took a while.

Jack Douglas on working with John Lennon on Double Fantasy.

“Yoko was an extremist and was even more intense than John taking any idea or comment of his to the limit. If, for example, he complained about any of his fellow Beatles she would hint that that Beatle had always been an enemy implying that John should never deal with that person again. Her extreme positions fascinated John and help him take his mind off himself but when she became self-involved and paranoid herself -her paranoia usually dealt with her career, her fame and the fact that even though she had always been famous everyone conspired to keep her from getting even more famous- he had no place to turn. His insecurity about his solo career, his childhood, his relationships with the other Beatles, the way the public perceived Yoko overwhelmed him and he became more and more involved with drugs.”

May Pang, Loving John (1984)

Klein, on his first meeting with John: “I thought John was losing confidence in himself, and I really didn’t know who had written exactly what, so I couldn’t give John the encouragement he needed. If Paul was really the main factor in the making of records — I mean, if things were really going to fall apart without him — I needed to know that and be able to deal with it. It turned out, of course, that John had written most of the stuff. He’d forgotten a lot of what he’d contributed … John wrote … 60 or 70 percent of Eleanor Rigby. He just didn’t remember till I sat down and had him sort through it all … Everybody thought McCartney was the genius songwriter who did it all by himself and it wasn’t true.”

Allen Klein, Playboy: A candid conversation with the embattled manager of the Beatles. (November, 1971)

Few people disagreed, however, that McCartney always cared deeply about Lennon’s opinion of him. He was still insecure enough on this point to invite Andy Peebles, the Radio 1 DJ who interviewed John the weekend before his death, to join him early on the morning of 10 December. Peebles went to AIR, where he found Paul both ‘deeply shocked [and] obsessed about what John and Yoko had said about him.’ An irony not lost on Peebles, among others, was that Lennon himself had repeatedly tried to find out what Paul had thought of Double Fantasy. “For public consumption,” says another of his final interviewers, “John seemed not to care. The fact that he mentioned McCartney’s name on average ten times an hour suggests otherwise … The strong feeling was that Paul and Yoko were the only two people in the world whose approval he gave a toss for.” Time passed. Paul locked the door of his home studio and played (Just Like) Starting Over, the first single from Double Fantasy. Top volume. For days.

Christopher Sandford, McCartney. (2005)

He became so jealous in the end. You know he wouldn’t let me even touch his baby. He got really crazy with jealousy at times.

Paul McCartney, “off the record” conversation with Hunter Davies. (May 3rd, 1981)

“If you do two LPs there might be a little change!” John laughs. “But until then I don’t mind. When she wants the A side, that’s when we start fighting.

John Lennon, interview w/ Jonathan Cott for Rolling Stone: Yoko Ono and her sixteen-track voice. (March 18th, 1971)

Paul's competitiveness

“My role in [Tug of War] was to goad Paul a bit. I think when he and John Lennon split up, he missed John’s goading enormously. It’s almost like they collaborated by means of competition. John would often say cruel things to Paul and Paul would come back and say, ‘I’ll show him what I can do,’ and Paul could be equally cruel to John and then John would come up with something. Despite the love they had for each other, they would still egg each other on in a funny kind of way. I think Paul missed that spur.”

George Martin, interview w/ Paul Grein for Billboard: Martin/McCartney ‘Tug’ team scores. (February 2nd, 1983)

SMITH: Were you closer to any one of them than the others? GEORGE M.: Not really – certainly not in those days, no. Gradually, as things changed, then they went into their little spheres and they became much more – the rivalry between John and Paul became much more marked. So they were never great cooperators. They were never great – they were never Rodgers and Hart. They never collaborated in the sense of sitting down to write a song together. One would have the idea for a song, and take the other guy and say, “Look, I need your help here on this line, can you give it to me?” And that was the way they collaborated. And generally speaking their songs were pitched against each other, [in the sense of] “Well, you’ve written that, hey, listen to mine,” so it was a competitive collaboration. And it was valuable nonetheless, because – in fact Paul misses it terribly now. He misses that spark of John being rude to him and saying, “You can’t write that, Paul, that’s awful,” you know. He needs that. And only John could say that most effectively.

October 22nd, 1986: George Martin

"Paul McCartney was the most competitive person I've ever met. John [Lennon] wasn't competitive. He just thought everyone else was s-h-*-t."

Ray Davies

TV GUIDE: At the time of Wings, how competitive were you with your former Beatles band mates? PAUL: Really competitive. I don’t think any of us would have ever admitted it. I know we would listen to what each other was doing and [think], “Oh, my God, that’s good.” I know for a fact John did once with [my] song ‘Coming Up’. It was on a documentary, I think, about John, where his recording manager at the time said John listened to it and went, “Oh, I’ll have to go back to work.” I found that a very nice fact that I egged John into doing something.

Paul McCartney, interview w/ Lisa Bernhard and Steven Reddicliffe for TV Guide: Listen to what the man says. (May 1st, 2001)

#the beatles #paul mccartney #john lennon #mclennon #to be clear paul has his own serious jealousies and insecurities #primarily about whether or not john loved him #but this is more about what lead to the breakup than how it affected him afterwards #paul thrived with someone to compete against but it hurt john a lot and seemed to wear him down #i personally believe it's the number 1 cause of the breakdown of their relationship and the breakup itself #because it lead to john stacking his deck with allies like yoko and klein and looking for his own niches to succeed in without paul there

[andromedavwrites]

Sorry if I’m yapping I’m just obsessed - sorry what ok continuing

Idk if you’re waiting reveal it or something but can you please say you’re fancasts (is it considered a fancast if you’re literally the creator? Or the half creator since it’s a reboot?) for your reboot?

I love eah fancasts / just fancasts in general and the way you’ve mentioned some of them in other posts makes me so curious

!!!!!

i never talk about my cast but here’s the list!!(i probably fucked up names on this, i have like five times)

these aren’t set in stone obv, and one of them is a joke bc i thought it would be funny if a certain someone played Rumplestiltskin-

Raven Queen played by Callie Haverda

Apple White played by Mckenna Grace

Madeline Hatter played by Momona Tamada

Briar Beauty played by Kyleigh Curran

Cedar Wood played by Maliah Baker

Ashlynn Ella played by Trinity Likins

C. A. Cupid played by Sarah Dorothy Little

Blondie Lockes played by Ava Kolker

Ginger Breadhouse played by Iman Vellani

Duchess Swan played by Rina Johnson

Darling Charming played by Clementine Lea Spieser

Farah Goodfairy played by Cheyenne Hinojosa

Cerise Hood played by Ashley Sarmentio

Daring Charming played by Tait Blum

Dexter Charming played by Jacob Tremblay

Sparrow Hood played by Dallas Young

Hunter Huntsman played by Mateo Gallegos

Humphrey Dumpty played by Issiah Russel-Bailey

Kitty Cheshire played by Miya Cech

Lizzie Hearts played by Sofia Chicorelli Serna

Alastair Wonderland played by Walker Bryant

Bunny Blanc played by Xochtil Gomez

Chase Redford played by Parker Bates

Courtly Jester played by Trixie Hyde

Meeshell Mermaid played by Sophie Grace

Jillian Beanstalk played by Brianni Walker

Hopper Croakington II played by Jentzen Ramirez

Melody Piper played by Oona O’Brian

Ramona Badwolf played by Symonne Harrison

She played by Izabella Rose

Poppy O’Hair played by Anais Lee

Holly O’Hair played by Mirabelle Lee

Brooke Page played by Pixie Davies

Gus Crumb played by Jace Chapman

Helga Crumb played by Camron Seely

Travis Thumb played by Amari O’Neil

Prudence Step played by Lilo Baier

Charlotte Step played by Ava Ro

Lily Bo-Peep played by Lotus Blossom

Zypherus Wynd played by Camren Conerly

Aquilona Wynd played by Trinitee Stokes

Charity Charming played by Kaylin Hayman

Clara Lear played by Scarlet Spencer

Mahlee Black played by Daria Johns

Coral Witch played by Michela Luci

Nathan Nutcracker played by Finn Little

Justine Dancer played by Priah Ferguson

Witchy Brew played by Pilot Saraceno

Nina Thumbell played by Ella Noel

Felix Princely played by Jackson Dollinger

Tucker Merry played by Miguel Cazarez Mora

Marsha King played by Alexa Nisenson

Jackie Frost played by Anya Taylor-Joy

Northwind Frost played by Logan Lerman

Milton Grimm played by Frank Whaley

Giles Grimm played by Kieran Mulroney

Baba Yaga played by Olga Kurylenko

Rumplestiltskin played by Danny DeVito

Pied Piper played by Collin Donell

Mad Hatter played by Paul Wesley or Alex Hefner

The White Queen played by Kate Winslet

Mr. Badwolf played by Con O’Neil

Momma Bear played by Nathalie Boltt

Papa Bear played by William Baldwin

Coach Gingerbread played by Hill Harper

Snowelle White played by Alison Brie

Elvira Queen played by Clemence Poesy

Good King played by Matt Lanter

Snow Queen played by Lisa Kudro

Snow King played by Jeffrey Dean Morgan

Lance Charming played by Dan Stevens

Bryce Frost played by Shailene Woodley

Pie played by ?

Butternut played by ?

Cheshire Cat played by Stephanie Hsu

Queen of Hearts played by Meghan Ory

White Rabbit played by Joe Arquette

Cook played by Olivia Hack

i have spent… so long thinking about my cast for this i would DIE if i got even half of these actors to play the characters in the reboot!!

#ever after high #eah #eah reboot #ever after high reboot #ever after webtoon

[abs0luteb4stard]

W A T C H I N G

So far It's made references to Elvis' real friends, acquaintances, and historical figures:

Real Friends/Acquaintances:

Scatter (his real chimp pet!)

Dean Martin

Redd Foxx

Sammy Davis Jr.

Priscilla Presley (plays herself)

Young Kurt Russell

George Clinton (plays himself)

Others:

Robert Goulet (Elvis shot out his TV while watching him perform - real life story, lol)

Stanley Kubrick

Mary Tyler-Moore

George Lucas

The Beatles (played by Simon Pegg)

Jack Lord

Hervé Villechaize

Historical figures:

Richard Nixon

Charles Manson

Howard Hughes

Walter Cronkite

Timothy Leary

#AGENT ELVIS (2023) #MATTHEW McCONAUGHEY #JOHNNY KNOXVILLE #PRISCILLA PRESLEY #DON CHEADLE #NIECY NASH #JASON MANTZOUKAS #Chris Elliott #Ed Helms #Gary Anthony Williams #Tara Strong #Fred Armisen #Gary Cole #Simon Pegg #ELVIS PRESLEY #AGENT ELVIS #ANIMATED #CARTOON #IRREVERENT COMEDY #HOWARD HUGHES #CHARLES MANSON #KAITLIN OLSON #RICHARD NIXON #1970s #WATCHING #TCB - Taking Care of Business #comedy

[nem0c]

Vietnam War - Galaxy Science Fiction Magazine, June 1968

Sourced from: http://natsmusic.net/articles_galaxy_magazine_viet_nam_war.htm

Transcript Below

We the undersigned believe the United States must remain in Vietnam to fulfill its responsibilities to the people of that country.

Karen K. Anderson, Poul Anderson, Harry Bates, Lloyd Biggle Jr., J. F. Bone, Leigh Brackett, Marion Zimmer Bradley, Mario Brand, R. Bretnor, Frederic Brown, Doris Pitkin Buck, William R. Burkett Jr., Elinor Busby, F. M. Busby, John W. Campbell, Louis Charbonneau, Hal Clement, Compton Crook, Hank Davis, L. Sprague de Camp, Charles V. de Vet, William B. Ellern, Richard H. Eney, T. R. Fehrenbach, R. C. FitzPatrick, Daniel F. Galouye, Raymond Z. Gallun, Robert M. Green Jr., Frances T. Hall, Edmond Hamilton, Robert A. Heinlein, Joe L. Hensley, Paul G. Herkart, Dean C. Ing, Jay Kay Klein, David A. Kyle, R. A. Lafferty, Robert J. Leman, C. C. MacApp, Robert Mason, D. M. Melton, Norman Metcalf, P. Schuyler Miller, Sam Moskowitz, John Myers Myers, Larry Niven, Alan Nourse, Stuart Palmer, Gerald W. Page, Rachel Cosgrove Payes, Lawrence A. Perkins, Jerry E. Pournelle, Joe Poyer, E. Hoffmann Price, George W. Price, Alva Rogers, Fred Saberhagen, George O. Smith, W. E. Sprague, G. Harry Stine (Lee Correy), Dwight V. Swain, Thomas Burnett Swann, Albert Teichner, Theodore L. Thomas, Rena M. Vale, Jack Vance, Harl Vincent, Don Walsh Jr., Robert Moore Williams, Jack Williamson, Rosco E. Wright, Karl Würf.

We oppose the participation of the United States in the war in Vietnam.

Forrest J. Ackerman, Isaac Asimov, Peter S. Beagle, Jerome Bixby, James Blish, Anthony Boucher, Lyle G. Boyd, Ray Bradbury, Jonathan Brand, Stuart J. Byrne, Terry Carr, Carroll J. Clem, Ed M. Clinton, Theodore R. Cogswell, Arthur Jean Cox, Allan Danzig, Jon DeCles, Miriam Allen deFord, Samuel R. Delany, Lester del Rey, Philip K. Dick, Thomas M. Disch, Sonya Dorman, Larry Eisenberg, Harlan Ellison, Carol Emshwiller, Philip José Farmer, David E. Fisher, Ron Goulart, Joseph Green, Jim Harmon, Harry Harrison, H. H. Hollis, J. Hunter Holly, James D. Houston, Edward Jesby, Leo P. Kelley, Daniel Keyes, Virginia Kidd, Damon Knight, Allen Lang, March Laumer, Ursula K. LeGuin, Fritz Leiber, Irwin Lewis, A. M. Lightner, Robert A. W. Lowndes, Katherine MacLean, Barry Malzberg, Robert E. Margroff, Anne Marple, Ardrey Marshall, Bruce McAllister, Judith Merril, Robert P. Mills, Howard L. Morris, Kris Neville, Alexei Panshin, Emil Petaja, J. R. Pierce, Arthur Porges, Mack Reynolds, Gene Roddenberry, Joanna Russ, James Sallis, William Sambrot, Hans Stefan Santesson, J. W. Schutz, Robin Scott, Larry T. Shaw, John Shepley, T. L. Sherred, Robert Silverberg, Henry Slesar, Jerry Sohl, Norman Spinrad, Margaret St. Clair, Jacob Transue, Thurlow Weed, Kate Wilhelm, Richard Wilson, Donald A. Wollheim.

#sf #vietnam war #galaxy science fiction

[slaterbxby]

💙𝐍𝐀𝐕𝐈𝐆𝐀𝐓𝐈𝐎𝐍💙

“𝙎𝙝𝙖𝙠𝙚𝙙𝙤𝙬𝙣, 1979 𝘾𝙤𝙤𝙡 𝙠𝙞𝙙𝙨 𝙣𝙚𝙫𝙚𝙧 𝙝𝙖𝙫𝙚 𝙩𝙝𝙚 𝙩𝙞𝙢𝙚, 𝙊𝙣 𝙖 𝙡𝙞𝙫𝙚 𝙬𝙞𝙧𝙚 𝙧𝙞𝙜𝙝𝙩 𝙪𝙥 𝙤𝙛𝙛 𝙩𝙝𝙚 𝙨𝙩𝙧𝙚𝙚𝙩. 𝙔𝙤𝙪 𝙖𝙣𝙙 𝙄 𝙨𝙝𝙤𝙪𝙡𝙙 𝙢𝙚𝙚𝙩.”

【☆】★【☆】

I write for—

Christian Slater

Jason Dean

Mark Hunter

Brian Kelly

Binx Davy

George Kuff

[request more C. Slater characters.]

【☆】★【☆】

“𝘼𝙣𝙙 𝙄 𝙠𝙚𝙚𝙥 𝙛𝙖𝙡𝙡𝙞𝙣𝙜 𝙞𝙣 𝙩𝙝𝙞𝙨 𝙙𝙖𝙧𝙠𝙣𝙚𝙨𝙨, 𝙗𝙪𝙩 𝙩𝙝𝙚𝙧𝙚’𝙨 𝙣𝙤-𝙤𝙣𝙚 𝙩𝙤 𝙡𝙞𝙜𝙝𝙩 𝙞𝙩 𝙪𝙥; 𝙗𝙧𝙞𝙜𝙝𝙩 𝙞𝙩 𝙪𝙥.”

︶꒦꒷♡꒷꒦︶

Requesting info, & request/blog rules.

Requests: open.

#christian slater #christian slater x reader #jason dean #jason dean x reader #jason dean x y/n #jason dean x you #mark hunter #mark Hunter x reader #brian kelly #Brian Kelly x reader #binx davy #binx Davy x reader #George kuff #George kuff x reader

[maximiliano-aedo]

What could've been Animaze ..iNC during the 2010s

Talent pool (Note: any voice actor marked with * is union-only):

Steve Blum*

Mary Elizabeth McGlynn*

Crispin Freeman*

Kari Wahlgren*

Johnny Yong Bosch

Yuri Lowenthal*

Dave Wittenberg*

Roger Craig Smith*

Laura Bailey*

Travis Willingham*

Cherami Leigh

J.B. Blanc*

Sam Riegel*

Liam O'Brien*

Amy Kincaid*

Troy Baker*

Matthew Mercer

Joe Romersa*

Fleet Cooper*

Dyanne DiRosario*

Jennifer Love Hewitt*

Brian Hallisay*

Spike Spencer

Amanda Winn Lee*

Jaxon Lee*

Kyle Hebert

Ben Pronsky

Bob Buchholz

Richard Cansino

Murphy Dunne*

Carolyn Hennesy*

Jerry Gelb*

Adam Sholder

Ezra Weisz

Cristina Vee

Bryce Papenbrook

Michael Sorich

Richard Epcar

Ellyn Stern

Tony Oliver

Kirk Thornton

Lexi Ainsworth*

Aria Noelle Curzon

Grace Caroline Currey*

Michael Forest

Erik Davies

Adam Bobrow

Joshua Seth

Junie Hoang*

Kirk Baily*

Tom Fahn

Jonathan Fahn

Dorothy Elias-Fahn

Melissa Fahn

Stephen Apostolina*

René Rivera*

Deborah Sale Butler

Kevin Brief

Michael Gregory*

Riva Spier*

Cassandra Morris

Erica Mendez

Erika Harlacher

Erica Lindbeck

Marieve Herington

Kira Buckland

John Rubinstein*

Kim Matula*

Brittany Lauda

J. Grant Albrecht*

Michael McConnohie

Steve Bulen*

Dan Woren

Derek Stephen Prince

Wendee Lee

Edie Mirman

Jason C. Miller

Taliesin Jaffe*

John Snyder

Robbie Daymond

Ray Chase

Kaiji Tang

David Vincent

Christina Carlisi*

Christopher Corey Smith

Cindy Robinson

Rachel Robinson

Jessica Boone

Lauren Landa

Megan Hollingshead

Jalen K. Cassell

Doug Erholtz

Michelle Ruff

Gregory Cruz*

John Bishop*

Matt Kirkwood*

Lara Jill Miller*

Carol Stanzione

Steve Staley

Dave Mallow

Mona Marshall*

Darrel Guilbeau

Robert Martin Klein

Robert Axelrod

William Frederick Knight

Lex Lang

Sandy Fox

Joey Camen*

Randy McPherson*

Jad Mager

Richard Miro

Milton James

Anthony Pulcini

Douglas Rye

Patrick Seitz

Keith Silverstein

Jamieson Price

Skip Stellrecht*

Stoney Emshwiller*

G.K. Bowes

Alyss Henderson

Patricia Ja Lee

Peggy O'Neal

Carrie Savage

Melodee Spevack

Jennifer Alyx

Julie Ann Taylor

Sherry Lynn

Brad Venable

Christine Marie Cabanos

Greg Chun

LaGloria Scott

Steve Kramer

Melora Harte

Rebecca Forstadt*

Kyle McCarley

Mela Lee

Karen Strassman

Faye Mata

Laura Post

Kayla Carlyle*

Brina Palencia

Connor Gibbs

Brianne Siddall*

Barbara Goodson

Loy Edge

Jay Lerner

Jennie Kwan

Max Mittelman

Jessica Straus*

Alexis Tipton

Fryda Wolff

Michele Specht

J.D. Garfield

Debra Jean Rogers*

Julie Maddalena

Carrie Keranen

Tara Sands

Matthew Hustin

Cody MacKenzie

Bridget Hoffman*

Colleen O'Shaughnessey

Grant George

Jessica Gee

Jeff Nimoy*

Peter Lurie*

Brian Beacock

Paul St. Peter

Chris Jai Alex

Dan Lorge*

Ewan Chung*

Steve Cassling*

Philece Sampler

Stephanie Sheh

Sam Fontana

Ben Diskin

Juliana Donald*

Michael O'Keefe*

Christina Gallegos*

Tara Platt

Keith Anthony*

Beau Billingslea

David Lodge*

Kim Strauss

Eddie Jones*

William Bassett*

Kim Mai Guest*

Caitlin Glass

Hannah Alcorn

Ron Roggé*

Camille Chen*

Ethan Rains*

Yutaka Maseba*

Joe J. Thomas

Michael Sinterniklaas

Erin Fitzgerald

Joe Ochman

Marc Diraison

Xanthe Huynh

Brianna Knickerbocker

Dean Wein*

Michael McCarty*

#Animaze #ZRO Limit Productions #Steve Blum #Crispin Freeman #Kari Wahlgren #Laura Bailey #Travis Willingham #Sam Riegel #Liam O'Brien #Matthew Mercer #Jennifer Love Hewitt #Brian Hallisay #Spike Spencer #Troy Baker #Cristina Vee #Johnny Yong Bosch #Yuri Lowenthal #Mary Elizabeth McGlynn #Jessica Boone

[blackfemmecharacterdependency]

Black Femme Character Dependency Dark Skin Directory || Entertainers Pt. 1 (A-N)

For the purposes of this list and on this page, whenever I say “dark skinned,” I mean a traditional brown crayon or darker. I grew up around Black people, so the words “dark skinned” do not mean the same thing to me as it do to some nonblacks.

*I am attempting to redo this list that will not show up for some reason...

A.

Aaron Rose Philip | Abbey Mag | Adelayo Adedayo | Adele Oni | Adella Afadi | Adepero Oduye | Adina Porter | Aesha Ash | Afton Williamson | Aïssa Maïga | Aja Naomi King | Ajak Deng | Akiima | Akon Changkou | Alexandra Arboleda | Alfre Woodard | Aliet Sarah | Alisha White | Allison Dean | Alysia Rogers | Amanda Warren | Amandla Jahava | Amber Gray | Amber Riley | Amber Ruffin | Andrea Bordeaux | Anesha Bailey | Angel Haze | Angel Theory | Angelica Joy | Angelica Ross |  Angelique Noire | Angely Gaviria |  Aniela Gumbs | Ann Ogbomo | Ann Wolfe | Anne Amari |   Antoinette Robertson | Ashleigh Morghan |  Ashleigh Murray | Ashley Blaine Featherson | Ashley Romans | Asjha Cooper |   Assa Sylla | Aube Jolicoeur | Aunjanue Ellis | Awar Mou | Aweng Chuol | Ayisha Issa |  Ayo Edebiri

B.

Betty Adewole | Beverly Osu | Bianca Brewton | Biba Williams | Bintou Sillah |   Blesnya Minher | Bob the Drag Queen | Bonnie Mbuli | Brandy Norwood | Bre Scullark | Bria Henderson | Brittany Adebumola | Brittany Marie Batchelder |   Brooke Singleton

C.

Camille Winbush | Caroline Chikezie | Ceval Omar | Chanelletime | Charlayne Woodard | Charnele Brown |  Chinenye Ezeudu | Chiquita Fuller |  Christine Adams | Cicely Tyson | Coco Jones | Colette Dalal Tchantcho | Condola Rashad | Crystal Clarke

D.

Da’Vine Joy Randolph | Damaris Lewis | Damita Jane Howard | Dana Davis |  Danai Gurira | Danielle Deadwyler | Danielle Moné Truitt | Dawnn Lewis | Debbi Morgan | Deborah Ayorinde | Debra Wilson | Denee Benton | Dewanda Wise |   Diahann Carroll | Diany Samba-Bandza | Diarra Ndiaye | Dominique Jackson | Duckie Thot

E. 

Ebboney Wilson |   Ebonee Noel |  Ebony Obsidian |  Edun Bola | Ego Nwodim |  Elle M. Chaman | Ellen Bendu |   Ellen Thomas |  Elise Neal |  Emayatzy Corinealdi |  Enuka Okuma |  Erica Tazel |   Erika Alexander |  Ester Dean |  Esther Rolle

F.

Faith Alabi |  Faith Omole | Faithe Herman | Fardosa | Fatou Jobe | Felecia M. Bell |  Femi Taylor |   Florence Kasumba | Folake Olowofoyeku |  Franchesca Ramsey

G.

Gabrielle Graham |  Gabrielle Union Wade |  Gabourey Sidibe |  Garcelle Beauvais |  Geffri Maya | Genevieve Nnaji |  Gina Torres |  Gloria Hendry |  Grace Jones  

H.

Halimotu Shokunbi |  Hamamat |  Harriett D Foy |  Heather Headley |  Heir of Glee |  Helen Aluko

I.

Ifeoma Nwobu | Iman |  Imani Hakim |  Imani Lewis |  Ingrid Silva |  Ireanna |  Issa Rae  

J.

Jacqueline Moore |  Jada Harris | Jade Eshete | Jaimi Gray |  Janelle James |  Janelle Monae |  Janeshia Adams Ginyard |   Janet Hubert |  Janet Jumbo |  Javicia Leslie |  Javonna Charde’ | Jayden Rey |  Jayme Lawson | Jeante Godlock |   Jemima Osunde |  Jennifer Hudson | Jerrika Hinton |  Jessica Allain |  Jessieca Alford | Jill Marie Jones |  Jo Marie Payton |  Jobel Mokonzi |   Jodie Turner Smith |  Johnnie Hill |  Joi Harris |  Joie Lee |  Jonica “Jojo” T. Gibbs |  Josette Simon |  Jwaundace Candece  

K.

Kabrina Adams |  Karen Glave |  Karen Obilom | Karidja Touré |  Karimah Westbrook |  Keeya King |  Kellie Shanygne Williams |  Kellita Smith |  Kelly Rowland |  |Kenya Moore |  Keshia Knight Pulliam |  Kiara Pike |  Kiki Layne |  Kimberly Marable |  Kirby Howell Baptiste |  Kyla Ramsey 

L.

Laci Mosley |  Lanei Chapman |  Lashana Lynch |  Laura Kariuki |  Lauren Byfield |  Lidya Jewett |  Lisa Berry |  Lisette Malidor |  Lolly Adefope |  Lorraine Pascale | Lorraine Toussaint |  Loren Lott | Loretta Devine | LovelyOverdose |  Lyric Ross

M.

MaameYaa Boafo | Madisin Rian | Madison Curry | Mame Adjei | Marcia McBroom | Maria Borges | Mariah Iman Wilson |  Marlene Clark |  Marsai Martin |  Mary Alice |  Mary Oyaya | Mayowa Nicolas |  Medina Senghore | Melinda Berry (Melrose) | Melodie Wakivuamina |  Melody Lulu-Briggs | Merrin Dungey |  Michaela Coel |  Miji Awakyr |  Milauna Jackson |   Mimi Ndiweni | Miqueal-Symone Williams | Morgan Dawson |  Moses Ingram |  Moshidi Motshegwa |  Mouna Fadiga | Mouna Traoré |  Mumbi Maina | Musabey

N.

Naomi Campbell | Naomi Ekperigin | Naomi WWE | Naomie Harris | Natalie Desselle Reid |  N’Bushe Wright | Nia Jervier |  Nia Long |  Nichole Galicia |  Nicki Micheaux | Nicole Beharie | Nicole Byer | Normani Kordei | Nyakim Gatwech | Nyanderi Deng | Nyarach Abouch Ayuel | Nyaueth Riam | Nykhor Paul | Nyla Lueeth |  Nyma Tang

#BFCD Dark Skin December #BFCD Masterlist #BFCD DS Directory #Black Actresses and Female Entertainers Masterlist #Black Women in Entertainment #Flooding Your Dash with Black Lady Face #A-Z #Tags Masterlist #Masterlist #List will be updated as needed #BFCD Dark Skin December 2022

[tbthqs]

Em 2014, a personagem Arabella Dankworth (@helterskxlter) encontrou o seguinte item no meio de seus pertences: Uma página do Daily Bruins sobre a morte da professora Carmen Kfouri na mesinha do lado da cama. A matéria não há muitos detalhes, apenas que ela foi encontrada morta perto do carro dela, no estacionamento do prédio de direito. A polícia achava que ela havia sido envenenada, mas não havia rastro de nenhum veneno, e ela parecia ter tido uma morte natural por velhice.

Em 2014, a personagem Celeste Lockhart (@thebclly) encontrou o seguinte item no meio de seus pertences: Um caderno escrito "Anotações das Aulas do Professor Harris - Jan/2013" no seu armário. No que dava para entender, estava na última página: "O Professor Harris estava bastante errático hoje. Não consegui entender muito do que ele falou, mas repetia constantemente que o projeto chronos(?) havia sido um erro e que ele precisava consertar antes que eles o achassem. Ele ainda falou algo sobre um neto(?) O que é estranho, já que dizem que ele não tem muito contato com a família"

Em 2014, a personagem Jawie Peralta (@theambitiousj) encontrou o seguinte item no meio de seus pertences: Um controle de XBox 360, com a inscrição: “Salão de Jogos. Rieber Terrace, Terceiro Andar.”

Em 2014, a personagem Katherine Lewis (@thxnerd) encontrou o seguinte item no meio de seus pertences: Cartão de acesso do laboratório de física em nome de Emmett Davis Hall.

Em 2014, a personagem Riley Kalman (@thepartyanimalkalman) Uma caixa de uma versão para PS3 de Call of Duty: Ghosts, com a inscrição “Salão de Jogos do Olympic & Centenial Hall. 2o. Andar”

Em 2014, a personagem Sabine Rogers-Sinclair (@thcactivist) encontrou o seguinte item no meio de seus pertences: Camera Canon EOS5 R5 com a inscrição "Laboratório de Física 1"

Em 2014, a personagem Harper Wang (@chefhwang) encontrou o seguinte item no meio de seus pertences:um óculos VR da Samsung.

Em 2014, a personagem Jacob Harris (@jacobisalive) encontrou o seguinte item no meio de seus pertences: Cartão de acesso do laboratório de física de 2024"

Em 2014, a personagem Coraline Parton (@femmefctale) encontrou o seguinte item no meio de seus pertences: apontador laser com as iniciais "CK"

Em 2014, a personagem Gwen Vickers (@nascitadiveneres) encontrou o seguinte item no meio de seus pertences: IPhone 12 do Reitor Dean Robertson Smith

Em 2014, a personagem Vincent Kingsley (@thefallen) encontrou o seguinte item no meio de seus pertences:cadeado do armário 5834-C, de senha: 132124

Em 2014, a personagem Theodore Clarke (@imperfekt) encontrou o seguinte item no meio de seus pertences: MP3 Walkman com Wake Me Up do Aviici salvo.

Em 2014, a personagem Ollie Priestly (@wxllflowers) encontrou o seguinte item no meio de seus pertences: um bloco de anotações escrito na primeira pagina,"Este bloco pertence a Carol Rosenthal. Jun/1948"

Os Itens estavam acompanhados de um bilhete que dizia "Faça bom uso, mas tome cuidado para não perder." Os objetos são presentes porque o mod endoideceu.

#tbthqs.avisos #tbthqs.info #tbthqs.item

[princessamyrose87]

knuckles spin-off series cast

Vector the Crocodile - Bruce Campbell, Jeffrey Dean Morgan, Micheal B. Jordan, Seth rogen

Espio the Chameleon - Daisuke Tsuji, l.j. benet

Charmy Bee - Colleen o'Shaughnessey, Jacob Tremblay

Mighty The Armadillo - Micheal Mando, Micheal B. Jordan, Brady noon

Ray The flying squirrel - Tara Strong, Hudson Meek

Fang The Sniper - John Patrick Lowrie, Hugh Jackman, Karl Urban,

Bean The Dynamite - Aziz Ansari, Steven Ogg

Chief Pachacamac - Danny Trejo Sofía

Tikal the Echidna - Díana Bermudez, Ana de la Reguera, Selene Luna, Sofía Espinosa, Isabela Merced, Salma Hayek, Nisa Gunduz

E-102 Gamma - Corey Burton

Wendy Witchcart - Mia Goth, Shohreh Aghdashloo, Harriet Samson Harris

Battle Kukku XV - Nolan North

Speedy XVI - Maria Bakalova

Dr. Fukurokov - Mark Ivanar

Breezie The Hedgehog - Regina King, Janelle Monáe, Jena Malone, Pollyanna McIntosh

Vanilla The Rabbit - Maggie Robertson

Amy Rose - Kimiko Glenn, Anna kendrick

Big The Cat - Dave Fennoy, Patrick Warburton, Micheal B Jordan, Kevin Chamberlin

Cream the Rabbit - Melissa Hutchison, sabrina glow

Sticks the Badger - Margot Robbie, Paola Lázaro

Gerald Kintobor - Ron Perlman

Maria Kintobor - Mkeena Grace

Commander Abraham Tower - Frank Anthony Grillo

Subject Shadow The Hedgehog (Terios Kintobor) - (Paramount stated they want an A-list celebrity to voice Shadow) Keanu Reeves, Robert Pattinson, Pedro Pascal, Oscar Isaac, Micheal B Jordan

Rouge The Bat - Chloé Hollings, Marion Cotillard, Mélanie Laurent, Camille Cottin, Jordana Lajoie, Scarlett johansson

Tom Wachowski’s father - Bob Odinkirk, Dustin Hoffman, Bill Murray, Micheal Keaton, Kurt Russell, John Goodman

Metal Sonic - Ben Schwartz(robotic filter)

E-123 Omega - Micheal B Jordan, Terry Crews, Jon Bernthal

Hazard The Bio-Lizard (Marzanna Kintobor) - Ivana Miličević

Void TrapDark - Jude Law, Dane DeHaan, Gerald Way, Scott Williams, Freddie Highmore,

Lumina Flowlight - Tabitha St. Germain

Blaze’s Mother - Janina Gavankar, Sakina Jaffrey

Blaze The Cat (Indian/British accent) - Priyanka Chopra, Devika Bhise, Varada Sethu, Simone Ashley, Ulka Simone Mohanty, Natasha Chandel

Marine the Raccoon - Sia, Katie Bergin, Bella Heathcote, Isla Lang Fisher, Rylee Alazraqui, Kendal Rae

Blaze’s Rival: Frost The Axotol(example)- Michelle Yeoh, Fala Chen, Antony Starr

Jet’s Father - Matt Ryan, Iwan Rheon

Jet The Hawk - Tony Hawk, Aaron Paul, Christopher Mintz-Plasse, Dante Basco, Ken Jeong, Joseph Gordon-Levitt, Jimmy O. Yang

Wave The Swallow - Sarah Margaret Qualley

Storm the Albatross (pacific, Oceania) - Dave Batista, Taylor Wily

Emerl The Gizoid - Augus Imrie, Kendal Rae,

Clutch The Possum - Micheal Rooker, Benjamin Byron Davis, Robert Allen Wiethoff

Tangle The Lemur - Lauren Keke Palmer, Brenda Song

Whisper The Wolf - Stefanie Joosten, Ana de Armas

Mimic The Octopus - Richard Colin Brake

Doctor Starline - Troy Baker, Hugh Grant,

Starline’s Love interest and partner -

Rough and Tumble the Skunks - Will Ferrell and John C. Reily, Jordan Peele and Keegan-Michael Key

Surge The Tenrec - Rachel Bloom, AJ Michalka

Kitsunami The Fennec Fox - Michael Cera, Kyle McCarley

Zavok - Christopher Judge, John Cena, Jon Bernthal

Master Zik - Frank Oz, Randall Duk Kim, Dustin Hoffman

Zeena -Mindy Kaling

Zor - Jaeden Martell, Dane DeHaan, Gerald Way

Zazz - Danny Brown,

Zomom - T.J. Miller

Black Doom -

,Keith David https://youtu.be/9LmOwEfPHUo

, Jackie Earle Haley - https://youtu.be/sF8zxctevXc

, Jon Bernthal - https://youtu.be/sDp4AuNen0Y

, Sean Schemmel -

, Ray Porter - https://youtu.be/aR8p4DIpxxE

,Karl Urban - https://youtu.be/ccF3uvpJ96I

Eclipse The Darkling - Norman Reedus

Callisto The Darkling - Carrie-Anne Moss

Dark Oak - Jeremy Irons

Black Narcissus - Angelina Jolie

Pala Bayleaf - John Leguizamo

Yellow Zelkova - Terry Crews

Red Pine - Pat Casey or Josh Miller

Cosmo The Seedrian - Carol Anne Day, Liliana Mumy

Lyric The Ancient(Owl like Longclaw) - Jackie Earle Haley

Johnny Lightfoot - Taron Egerton

Tekno The Canary - Paula Burrows

Porker Lewis - John Boyega, Daniel Radcliffe

Shorty “Shortfuse” The Cybernik - Cillian Murphy, Barry Sloane

Ebony The Cat - Gratiela Brancusi

Sonia The Hedgehog - Kiernan Shipka, Evan Rachel Wood, Isabella Merced, Jena Malone

Manic The Hedgehog - Joe Keery

Sally Acorn - Zendaya Maree Stoermer Coleman

Antoine D’Coolette - Tomer Capone, Bradley Cooper(hes fluent in French)

Bunnie Rabbot - Alex McKenna

Rotor The “Boomer” Walrus - John Cena

Nicole The Holo-Lynx - Ashly Burch

Lupe The Wolf - Amber Midthunder

Dulcy The Dragon - America Ferrera

Chip - Tom Holland, Freddie Highmore

Professor Dillion Pickle - Ian McKellen

Imperator Ix - Gary Oldman

Shade The Echidna - Lady Gaga

Infinite The Jackal - Kit Harington, Jon Bernthal

Silver The Hedgehog - Steven Yeun

Gold The Tenrec - Simone Ashley

Professor Von Schlemmer - Matthias Schweighöfer

Dr. Negan Robotnik a.k.a Eggman Neo - J.K. Simmons, Jeffery Dean Morgan, Giancarlo Esposito, Bryan Cranston, Pedro Pascal

Dr. Grimer Wormtongue - Ian McShane, Jackie Earle Haley

Chris thorndyke - Graham Verchere

Frost the hobidon - Dakota lotus

Juliet suter - Sydney Scotia

Antia/tania - Cassie glow

Perci - Stephanie lemelin

Preteen bokkun - Brett Gray

Park ranger - Patrick Warburton

Ashe - peyton r. perrine iii

Burst wisp - cherami Leigh

Uncle Charles - David Lengel

Bernadette - Melanie Zanetti

#knuckles the series

[elisedonut]

you mentioned wanting to write a bunch of Percy ships in one of your tags

What ships were you thinking about? im curious

c:

C:

(:

Well hello there i feel like that was awhile ago since i last said that but i am not complaining i love to talk about my percy pairs so

Some obvious ones first anything I've already written I want to write more of so Marcus, Draco, Stan, Colin, Oliver, Fleur (in a trans lesbian way again)

Anything I've ever off-handedly mentioned wanting to write Remus, Harry (everytime I try he turns into someone else first to Draco and a recent wip keeps wanting to be Colin instead ajcsksk), Viktor, Cedric, Ernie MacMillan, Dudley, Luna(maybe I'm starting to think my view of them is more platonic after all because my brain is weird)

Some I don't think ive mentioned but have put thought into Seamus, Dean, Blaise, Crouch(both Jr. and sr.), Roger Davis, Justin, Diary!Tom Riddle (specifically because im attached to the diary Tom is all of Riddles like "weakness" feelings so love affection concept that ive seen around in mostly tomarry works so it's still fucked but more fun to me personally) also Scorpius and Teddy

#Percy weasley #I love talking about this nonsense thank you for asking!! #Asks #Will I ever write all of these... doubt but it's a nice thought

[tomoleary]

Voice For Children Signed "Cartoon Jam" Print (Stabur Graphics, 1986)

“This panoramic print features perhaps the largest number of cartoon licenses granted for one project, as well as what might be the most cartoonists participating in one cartoon jam for a commercial print. The scene also features the first licensed appearances of Walt Disney and Walter Lantz characters co-starring in the same piece. It's a veritable ‘orchestra and choir’ of characters singing for the welfare of children as the ‘Voice For Children.’

“Signed by: Stan Lee, Charles Schulz, Walter Lantz, Jim Davis, Johnny Romita, Milton Caniff, Mort Drucker, Jack Kirby, Bill Keane, Mike Royer, Moebius, Sergio Aragones, Hank Ketcham, Kelly Freas, Bob Thaves, Jim Unger, Jack Hannah, Don Dougherty, Jerry Van Amerongen, Leonard Starr, Arnold Roth, Tom Batiuk, Mike Peters, Harvey Kurtzman, Al Jaffee, Morrie Turner, Mel Lazarus, B. K. Taylor, Marty Murphy, Dean Young and Stan Drake, Russell Myers, Jim Meddick, Dick Locher, Mort Walker, MacNelly, Johnny Hart, Fred Lasswell, Paul Coker Jr, Irwin Hasen, Ray Salmon, Dick Browne, Will Elder, Bud Sagendorf, Dick Moores, Joe Martin, Jack Davis, Bob Foster, Judd Hurd, Frank Ridgeway, Al Williamson, Bernard Kliban, Bill Mauldin, and more.

“And featuring these characters: The Amazing Spider-Man, Captain America, Ms Peach, Mama, Wizard of Id, B. C., Nancy and Sluggo, Robotman, U. S. Acres, Gasoline Alley, Dondi, Conrad, Broom-Hilda, Mama, Wee Pals, Luann, Animal Crackers, Terry and the Pirates, Wright Angles, Dick Tracy, Family Circus, Benchley, the Neighborhood, Charlie Brown, Peanuts and Snoopy, Beetle Bailey, Hi and Lois, Hagar the Horrible, Groo the Wanderer, Cathy, Mickey Mouse and Donald Duck, Popeye, Blondie, Woody Woodpecker, Little Annie Fannie, Mr. Abernathy, Little Orphan Annie, Dennis the Menace, Herman, President Ronald Reagan, First Lady Nancy Reagan, Buddy Hackett, Snuffy Smith, Garfield, and Alfred E Neuman.”

Source

#Voice For Children #Cartoon Jam

[valjeans]

ROUND ONE IS OVER. THE RESULTS ARE IN.

A few very close calls and some big shocks!!

Posting them in detail under the cut:

Mandy Patinkin VS Philip Quast

Patinkin = 30 (23.6%) Quast = 97 (76.4%)

Philip Quast WINS

2. Stewart Clarke VS Ken Watanabe

Clarke = 25 (30.1%) Watanabe = 58 (69.9%)

Ken Watanabe WINS

3. Brian D'Arcy James VS Danny Mac

D'Arcy James = 61 (70.1%) Mac = 26 (29.9%)

Brian D'Arcy James WINS

4. Arthur Darvill VS Terrence Mann

Darvill = 39 (43.3%) Mann = 51 (56.7%)

Terrence Mann WINS

5. Hugh Panaro VS Michael Ball

Panaro = 60 (32.6%) Ball = 29 (67.4%)

Hugh Panaro WINS

6. Gerard Carey VS Raul Esparza

Carey = 45 (38.8%) Esparza = 71 (61.2%)

Raul Esparza WINS

7. Bryce Pinkham VS Killian Donnelly

Pinkham = 41 (45.1%) Donnelly = 50 (54.9%)

Killian Donnelly WINS

8. Hadley Fraser VS Tim Morgan

Fraser = 130 (89%) Morgan = 16 (11%)

Hadley Fraser WINS

9. Giles Terera VS Tam Mutu

Terera = 15 (13.9%) Mutu = 93 (86.1%)

Tam Mutu WINS

10. David Shannon VS Norm Lewis

Shannon = 13 (13.8%) Lewis = 81 (86.2%)

Norm Lewis WINS

11. Bradley Dean VS Harry Hadden-Paton

Dean = 39 (44.8%) Hadden-Paton = 48 (55.2%)

Harry Hadden Patton WINS

12. Gavin Lee VS Matt Harrop

Lee = 31 (30.7%) Harrop = 70 (69.3%)

Matt Harrop WINS

13. Joel Grey VS Lee Mead

Grey = 18 (18.8%) Mead = 78 (81.3%)

Lee Mead WINS

14. Anthony Crivello VS Scott Davies

Crivello = 58 (71.6%) Davies = 23 (28.4%)

15. Drew Sarich VS Jeremy Secomb

Sarich = 82 (58.6%) Secomb = 58 (41.4%)

Drew Sarich WINS

16. Alexander Hanson VS Declan Bennett

Hanson = 40 (29.2%) Bennett = 97 (29.2%)

Declan Bennett WINS

17. Sasha De Capri VS Leslie Odom Jr.

De Capri = 29 (35.4%) Odom Jr. = 53 (64.6%)

Leslie Odom Jr. WINS

18. David Thaxton VS Julian Ovenden

Thaxton = 73 (56.6%) Ovenden = 56 (43.4%)

David Thaxton WINS

19. Steven Pasquale VS Christian Borle

Pasquale = 39 (47.6%) Borle = 43 (52.4%)

Christian Borle WINS

20. Michael C. Hall VS Oliver Tompsett

Hall = 24 (27.9%) Tompsett = 62 (72.1%)

Oliver Tompsett WINS

21. Patrick Page VS Roger Allam

Page = 65 (63.1%) Allam = 38 (36.9%)

Patrick Page WINS

22. Jon Robyns VS Simon Bailey

Robyns = 143 (78.3%) Bailey = 40 (21.7%)

Jon Robyns WINS

23. Brian Stokes Mitchell VS Howard McGillin

Stokes Mitchell = 46 (63%) McGillin = 27 (37%)

Brian Stokes Mitchell WINS

24. Ramin Karimloo VS Stephen Sondheim

Karimloo = 70 (57.4%) Sondheim = 52 (42.6%)

Ramin Karimloo WINS

25. Gavin Creel VS Daniel Boys

Creel = 53 (62.4%) Boys = 32 (37.6%)

Gavin Creel WINS

26. Bertie Cavel VS Earl Carpenter

Cavel = 44 (34.4%) Carpenter = 84 (65.6%)

Earl Carpenter WINS

27. Cameron Blakely VS Les Dennis

Blakely = 77 (93.9%) Dennis = 5 (6.1%)

Cameron Blakely WINS

28. Robert Lindsay VS Dean Chisnall

Lindsay = 73 (57.9%) Chisnall = 53 (42.1%)

Robert Lindsay WINS

29. Dean Read VS Douglas Sills

Read = 62 (67.4%) Sills = 30 (32.6%)

Dean Read WINS

30. Cedric Neal VS Ken Page

Neal = 76 (85.4%) Page = 13 (14.6%)

Cedric Neal WINS

31. Peter Lockyer VS Josh Groban

Lockyer = 128 (79%) Groban = 34 (21%)

Peter Lockyer WINS

32. Manoel Felciano VS Jeremy Jordan

Felciano = 40 (50%) Jordan = 40 (50%)

TIED. Both progress to next round.

33. Nadim Naaman VS John Owen-Jones

Naaman = 102 (76.7%) Owen-Jones = 31 (23.3%)

Nadim Naaman WINS

[saturdaynightmatinee]

CALIFICACIÓN PERSONAL: 5 / 10

Título Original: Universal Soldier

Año: 1992

Duración: 96 min.

País: Estados Unidos  

Dirección: Roland Emmerich

Guion: Dean Devlin. Historia: Richard Rothstein, Christopher Leitch

Música: Christopher Franke

Fotografía: Karl Walter Lindenlaub

Reparto: Jean-Claude Van Damme, Dolph Lundgren, Ally Walker, Ed O'Ross, Jerry Orbach, Leon Rippy, Ralf Moeller, Tico Wells, Robert Trebor, Gene Davis, Drew Snyder, Tommy 'Tiny' Lister, Simon Rhee, Eric Norris, Michael Winther, Joseph Malone, Rance Howard, Lilyan Chauvin, Joanne Baron, Lupe Ontiveros, Jack Moore, John Storey, Bradford Bancroft, Thomas Rosales Jr., Tai Thai, Rachel Wagner, Ned Bellamy, Daniel Demorest, Eddie Braun, Walter Robles, Jophery C. Brown, Dona Hardy, Leon Delaney, George Fisher, David Efron, Rhino Michaels, Duane Davis, Shane Dixon, Joel Kramer, Michael Jai White, Mirron E. Willis, Allan Graf, Kamel Krifa, John DeMita, Jill Jaress

Productora: Carolco Pictures, Studiocanal, IndieProd, Centropolis Film Productions. Productor: Mario Kassar

Género: Action; Sci-Fi

https://www.imdb.com/title/tt0105698/

TRAILER:

[stlhandyman]

Supreme Court, U.S FILED In The OCT 2 2022 Supreme Court ofthe United States  RALAND J BRUNSON, Petitioner,

Named persons in their capacities as United States House Representatives: ALMA S. ADAMS; PETE AGUILAR; COLIN Z. ALLRED; MARK E. AMODEI; KELLY ARMSTRONG; JAKE AUCHINCLOSS; CYNTHIA AXNE; DON BACON; TROY BALDERSON; ANDY BARR; NANETTE DIAZ BARRAGAN; KAREN BASS; JOYCE BEATTY; AMI BERA; DONALD S. BEYER JR.; GUS M. ILIRAKIS; SANFORD D. BISHOP JR.; EARL BLUMENAUER; LISA BLUNT ROCHESTER; SUZANNE BONAMICI; CAROLYN BOURDEAUX; JAMAAL BOWMAN; BRENDAN F. BOYLE; KEVIN BRADY; ANTHONY G. BROWN; JULIA BROWNLEY; VERN BUCHANAN; KEN BUCK; LARRY BUCSHON; CORI BUSH; CHERI BUSTOS; G. K. BUTTERFIELD; SALUD 0. CARBAJAL; TONY CARDENAS; ANDRE CARSON; MATT CARTWRIGHT; ED CASE; SEAN CASTEN; KATHY CASTOR; JOAQUIN CASTRO; LIZ CHENEY; JUDY CHU; DAVID N. CICILLINE; KATHERINE M. CLARK; YVETTE D. CLARKE; EMANUEL CLEAVER; JAMES E. CLYBURN; STEVE COHEN; JAMES COMER; GERALD E. CONNOLLY; JIM COOPER; J. LUIS CORREA; JIM COSTA; JOE COURTNEY; ANGIE CRAIG; DAN CRENSHAW; CHARLIE CRIST; JASON CROW; HENRY CUELLAR; JOHN R. CURTIS; SHARICE DAVIDS; DANNY K. DAVIS; RODNEY DAVIS; MADELEINE DEAN; PETER A. DEFAZIO; DIANA DEGETTE; ROSAL DELAURO; SUZAN K. DELBENE; Ill ANTONIO DELGADO; VAL BUTLER DEMINGS; MARK DESAULNIER; THEODORE E. DEUTCH; DEBBIE DINGELL; LLOYD DOGGETT; MICHAEL F. DOYLE; TOM EMMER; VERONICA ESCOBAR; ANNA G. ESHOO; ADRIANO ESPAILLAT; DWIGHT EVANS; RANDY FEENSTRA; A. DREW FERGUSON IV; BRIAN K. FITZPATRICK; LIZZIE LETCHER; JEFF FORTENBERRY; BILL FOSTER; LOIS FRANKEL; MARCIA L. FUDGE; MIKE GALLAGHER; RUBEN GALLEGO; JOHN GARAMENDI; ANDREW R. GARBARINO; SYLVIA R. GARCIA; JESUS G. GARCIA; JARED F. GOLDEN; JIMMY GOMEZ; TONY GONZALES; ANTHONY GONZALEZ; VICENTE GONZALEZ; JOSH GOTTHEIMER; KAY GRANGER; AL GREEN; RAUL M. GRIJALVA; GLENN GROTHMAN; BRETT GUTHRIE; DEBRA A. HAALAND; JOSH HARDER; ALCEE L. HASTINGS; JAHANA HAYES; JAIME HERRERA BEUTLER; BRIAN HIGGINS; J. FRENCH HILL; JAMES A. HIMES; ASHLEY HINSON; TREY HOLLINGSWORTH; STEVEN HORSFORD; CHRISSY HOULAHAN; STENY H. HOYER; JARED HUFFMAN; BILL HUIZENGA; SHEILA JACKSON LEE; SARA JACOBS; PRAMILA JAYAPAL; HAKEEM S. JEFFRIES; DUSTY JOHNSON; EDDIE BERNICE JOHNSON; HENRY C. JOHNSON JR.; MONDAIRE JONES; DAVID P. JOYCE; KAIALPI KAHELE; MARCY KAPTUR; JOHN KATKO; WILLIAM R. KEATING; RO KHANNA; DANIEL T. KILDEE; DEREK KILMER; ANDY KIM; YOUNG KIM; RON KIND; ADAM KINZINGER; ANN KIRKPATRICK; RAJA KRISHNAMOORTHI; ANN M. KUSTER; DARIN LAHOOD; CONOR LAMB; JAMES R. LANGEVIN; RICK LARSEN; JOHN B. LARSON; ROBERT E. LATTA; JAKE LATURNER; BRENDA L. LAWRENCE; AL LAWSON JR.; BARBARA LEE; SUSIE LEE; TERESA LEGER FERNANDEZ; ANDY LEVIN; MIKE LEVIN; TED LIEU; IV ZOE LOFGREN; ALAN S.LOWENTHAL; ELAINE G. LURIA; STEPHEN F. LYNCH; NANCY MACE; TOM MALINOWSKI; CAROLYN B. MALONEY; SEAN PATRICK MALONEY; KATHY E. MANNING; THOMAS MASSIE; DORIS 0. MATSUI; LUCY MCBATH; MICHAEL T. MCCAUL; TOM MCCLINTOCK; BETTY MCCOLLUM; A. ADONALD MCEACHIN; JAMES P. MCGOVERN; PATRICK T. MCHENRY; DAVID B. MCKINLEY; JERRY MCNERNEY; GREGORY W. MEEKS; PETER MEIJER; GRACE MENG; KWEISI MFUME; MARIANNETTE MILLER-MEEKS; JOHN R. MOOLENAAR; BLAKE D. MOORE; GWEN MOORE; JOSEPH D. MORELLE; SETH MOULTON; FRANK J. MRVAN; STEPHANIE N. MURPHY; JERROLD NADLER; GRACE F. NAPOLITANO; RICHARD E. NEAL; JOE NEGUSE; DAN NEWHOUSE; MARIE NEWMAN; DONALD NORCROSS; ALEXANDRIA OCASIO-CORTEZ; TOM O'HALLERAN; ILHAN OMAR; FRANK PALLONE JR.; JIMMY PANETTA; CHRIS PAPPAS; BILL PASCRELL JR.; DONALD M. PAYNE JR.; NANCY PELOSI; ED PERLMUTTER; SCOTT H. PETERS; DEAN PHILLIPS; CHELLIE PINGREE; MARK POCAN; KATIE PORTER; AYANNA PRESSLEY; DAVID E. PRICE; MIKE QUIGLEY; JAMIE RASKIN; TOM REED; KATHLEEN M. RICE; CATHY MCMORRIS RODGERS; DEBORAH K. ROSS; CHIP ROY; LUCILLE ROYBAL-ALLARD; RAUL RUIZ; C. A. DUTCH RUPPERSBERGER; BOBBY L. RUSH; TIM RYAN; LINDA T. SANCHEZ; JOHN P. SARBANES; MARY GAY SCANLON; JANICE D. SCHAKOWSKY; ADAM B. SCHIFF; BRADLEY SCOTT SCHNEIDER; KURT SCHRADER; KIM SCHRIER; AUSTIN SCOTT; DAVID SCOTT; ROBERT C. SCOTT; TERRI A. SEWELL; BRAD SHERMAN; MIKIE SHERRILL; MICHAEL K. SIMPSON; ALBIO SIRES; ELISSA SLOTKIN; ADAM SMITH; CHRISTOPHER H. V SMITH; DARREN SOTO; ABIGAIL DAVIS SPANBERGER; VICTORIA SPARTZ; JACKIE SPEIER; GREG STANTON; PETE STAUBER; MICHELLE STEEL; BRYAN STEIL; HALEY M. STEVENS; STEVE STIVERS; MARILYN STRICKLAND; THOMAS R. SUOZZI; ERIC SWALWELL; MARK TAKANO; VAN TAYLOR; BENNIE G. THOMPSON; MIKE THOMPSON; DINA TITUS; RASHIDA TLAIB; PAUL TONKO; NORMA J. TORRES; RITCHIE TORRES; LORI TRAHAN; DAVID J. TRONE; MICHAEL R. TURNER; LAUREN UNDERWOOD; FRED UPTON; JUAN VARGAS; MARC A. VEASEY; FILEMON VELA; NYDIA M. VELAZQUEZ; ANN WAGNER; MICHAEL WALTZ; DEBBIE WASSERMAN SCHULTZ; MAXINE WATERS; BONNIE WATSON COLEMAN; PETER WELCH; BRAD R. WENSTRUP; BRUCE WESTERMAN; JENNIFER WEXTON; SUSAN WILD; NIKEMA WILLIAMS; FREDERICA S. WILSON; STEVE WOMACK; JOHN A. YARMUTH; DON YOUNG; the following persons named are for their capacities as U.S. Senators; TAMMY BALDWIN; JOHN BARRASSO; MICHAEL F. BENNET; MARSHA BLACKBURN; RICHARD BLUMENTHAL; ROY BLUNT; CORY A. BOOKER; JOHN BOOZMAN; MIKE BRAUN; SHERROD BROWN; RICHARD BURR; MARIA CANTWELL; SHELLEY CAPITO; BENJAMIN L. CARDIN; THOMAS R. CARPER; ROBERT P. CASEY JR.; BILL CASSIDY; SUSAN M. COLLINS; CHRISTOPHER A. COONS; JOHN CORNYN; CATHERINE CORTEZ MASTO; TOM COTTON; KEVIN CRAMER; MIKE CRAPO; STEVE DAINES; TAMMY DUCKWORTH; RICHARD J. DURBIN; JONI ERNST; DIANNE FEINSTEIN; DEB FISCHER; KIRSTEN E. GILLIBRAND; LINDSEY GRAHAM; CHUCK GRASSLEY; BILL HAGERTY; MAGGIE HASSAN; MARTIN HEINRICH; JOHN HICKENLOOPER; MAZIE HIRONO; JOHN HOEVEN; JAMES INHOFE; RON VI JOHNSON; TIM KAINE; MARK KELLY; ANGUS S. KING, JR.; AMY KLOBUCHAR; JAMES LANKFORD; PATRICK LEAHY; MIKE LEE; BEN LUJAN; CYNTHIA M. LUMMIS; JOE MANCHIN III; EDWARD J. MARKEY; MITCH MCCONNELL; ROBERT MENENDEZ; JEFF MERKLEY; JERRY MORAN; LISA MURKOWSKI; CHRISTOPHER MURPHY; PATTY MURRAY; JON OSSOFF; ALEX PADILLA; RAND PAUL; GARY C. PETERS; ROB PORTMAN; JACK REED; JAMES E. RISCH; MITT ROMNEY; JACKY ROSEN; MIKE ROUNDS; MARCO RUBIO; BERNARD SANDERS; BEN SASSE; BRIAN SCHATZ; CHARLES E. SCHUMER; RICK SCOTT; TIM SCOTT; JEANNE SHAHEEN; RICHARD C. SHELBY; KYRSTEN SINEMA; TINA SMITH; DEBBIE STABENOW; DAN SULLIVAN; JON TESTER; JOHN THUNE; THOM TILLIS; PATRICK J. TOOMEY; HOLLEN VAN; MARK R. WARNER; RAPHAEL G. WARNOCK; ELIZABETH WARREN; SHELDON WHITEHOUSE; ROGER F. WICKER; RON WYDEN; TODD YOUNG; JOSEPH ROBINETTE BIDEN JR in his capacity of President of the United States; MICHAEL RICHARD PENCE in his capacity as former Vice President of the United States, and KAMALA HARRIS in her capacity as Vice President of the United States and JOHN and JANE DOES 1-100.  

https://www.supremecourt.gov/DocketPDF/22/22-380/243739/20221027152243533_20221027-152110-95757954-00007015.pdf

[byneddiedingo]

Demon Seed (Donald Cammell, 1977) Cast: Julie Christie, Fritz Weaver, Gerrit Graham, Barry Kroeger, Lisa Lu, Larry J. Blake, John O'Leary, Alfred Dennis, Davis Roberts, Patricia Wilson, Dana Laurita. Screenplay: Robert Jaffe, Roger O. Hirson, based on a novel by Dean R. Koontz. Cinematography: Bill Butler. Production design: Edward C. Carfagno. Film editing: Frank Mazzola. Music: Jerry Fielding. I'm still more afraid of insufficient human intelligence than of artificial computer intelligence, but I appreciate the prophetic quality of Demon Seed, a film that finds itself resurfacing today amid our uneasiness about social media and the invasion of privacy. Whenever I address my Echo Dot as "Alexa," I will be reminded of Julie Christie's Susan trying out voice commands on her wired house, which has turned from a servant into a jailer and rapist. The movie, unfortunately, looks a little cheesy today -- the cinematography is occasionally murky and the set-ups cluttered -- and it lacks a leavening sense of humor, which often makes horror sci-fi more fun and frightening. I question the waste of an actor of Julie Christie's caliber in a role that's mostly a passive woman-in-jeopardy cliché. And for that matter, why is the only woman scientist in the film Chinese? Are we stuck in the "sinister Oriental" mode here? There's a lot of muddle and loose ends in the plotting: What's the point, for example, of Susan's work as a therapist for a young girl, other than to use the kid as a bit of leverage that Proteus can wield in his torture of Susan? And why do we learn so late in the film that Susan and Alex lost a child, who died of leukemia, some time after we are told that one of Proteus's first achievements was a cure for leukemia? Still, Demon Seed holds its place as an unsettling view of the future that has become our present.

#Demon Seed #Donald Cammell #Julie Christie