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f1crecs · 1 month

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Fic Rec List - Fics with 500 Kudos or Less!

we wanted to post this as a thank you for 500 followers and to highlight some of the fics we think are underrated!

if your fic is on this list and you don’t want it to be, please let me know and we will remove it immediately, no questions asked. we have contacted most of the authors on this list, but sometimes people fall through the gaps - just pop us a message🤍

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don’t forget to give the authors featured on this list some love in the form of kudos, bookmarks, and comments!

like we're the last people on earth by @pessimisticidealist | Lando/George | T | 17.6K

Lando joins Mercedes alongside George Russell for the 2026 season. George expects it to go poorly, incredibly so. And he's correct. The characterizations in this one are clear and feel very real, the tangled emotions and the potential catastrophes falling slowly into something terrible and wonderful and complex. Alex's involvement in the whole ordeal turns it into a wonderful exploration of the 2019 rookies.

Lewis was right, ultimately, George thinks; his only consolation is that it isn’t Alex who he’s going to destroy, who’s going to destroy him. Maybe Lando is a little more oblivious, but — no, no, he knows they will consume each other and themselves, if not this year then next, if not the next then not long after. Nico still floats around the paddock on race weekends like a lost moon, still interviews Lewis with longing heavy in his voice. Lewis speaks to him like he would any other reporter. George doesn’t want to do that to Lando, either. He doesn’t want Lando to do that to him. “Thrilled, of course, Lando’s a good mate,” he tells the press, with vacant eyes and a fixed smile. “No one deserves the Merc drive more than him.”

plant new seeds in the melody by @lellabella | Lando/Oscar | T | 20k

In this magical realism AU, Lando and Oscar are both still McLaren drivers, with one small twist: they both have powers. The worldbuilding in this fic was exceptional: vivid and so well developed, I could picture it all unfolding before my eyes. Both Lando and Oscar's powers fit them so well, and I love how the author carefully built the development of their relationship around them becoming more comfortable with each other's abilities. Despite all powers, though, they are still so very Lando and Oscar at the core of this fic, and I loved the characterisation and writing so much.

But now that Lando is the senior driver, he's supposed to be the one who handles his feelings with maturity, not hopelessly crushing on a younger rookie. This isn't ogling handsome Carlos from afar; he wants to wrap Oscar in a blanket and make him hot chocolate and know that he's okay. He wants to see Oscar smile not just because it's pretty but because he genuinely cares about his happiness. That part is new.

nsfw: live in five by @danifesting | Daniel/Max | E | 25k

Daniel discovers Max's Twitch stream and quickly becomes obsessed with them. This fic explores Max and Daniel getting to know each other and learn each other. I really liked the Max characterisation in this. Very direct but also very open to learn. One of my favourite parts is the mod group chat and how it serves as extra information for the reader, set's the tone nicely and helps you understand the overal context of Max and Daniel.

“I should probably explain my different set-up. This is not permanent. I will be back to my normal room at home in two weeks but for now, I am visiting my boyfriend.” electricsld: oh! a boyfriend! andpussycats: say more max dr3rd: yeah maxy, say more “Well, he is very sweet and he does not mind that I need to stream while I visit him. We live in different places, so we, of course, do not get to see each other very often, but it has been very nice to visit.” dr3rd: is he handsome? Max wants to roll their eyes at Daniel fishing for compliments but they contain themself. “Yes, very handsome. So handsome I cannot believe he picked me.”

I Know Your Name (But Not Who You Are) by @wanderingblindly | Charles/Max | T | 7.7k

Charles isn't in Monaco anymore, instead, now he's in Arizona. He's suffered loss at the hands of racing. Max turns up unexpectedly. Great fic if you want to cry and sob and scream into your pillow at 2 am! Amazing writing that just makes you want to lie in bed and contemplate life :) this is such an underrated fic!

There’s not another soul in the desert, just the brief rustle of an autumnal breeze ghosting along the loose earth. But behind Charles’s eyelids, in the space between him and the world above, it’s them. It hasn’t been them in a long time, he hasn’t let himself think of it. He isn’t running from anything, fluttering from city to city, crossing oceans he never touched as a boy. He’s searching, maybe, for a place where the wind can blow it all away. The sun feels warm as he raises his arm, fingers outstretched as he tries to hold that boundless blue in his palm.

nsfw: Everybody Wants to Rule the World by @kaytheologiearchive | Nico/Sebastian | E | 23k

It's 2022, Sebastian is driving for Aston Martin when their new team principal is announced – Nico Rosberg. The author said it best herself – this fic is all about "the absolute fantasy of being the villains favourite girl". And Nico makes a lovely villain, snarky and a bit pretentious but with the ability to back up his words and make his promises reality. I especially love Seb's character arc, starting with 2022!Seb, reluctantly forced to accept that his world champion days are over, to then finding his spark again under Nicos guidance and returning back to his charming, selfish, index-finger-in-the-air ways. Really they are both absolute assholes in this but thats what makes them perfect for each other.

“I’m here for the same reason you are,” he says, megawatt smile back on his face. “To win you a title.”Seb sits back in his seat, grinning bitterly. “Don’t let Stroll hear you say that. The only reason he bought this team is to try to get a title for his son. I’m just here to play mentor until they build us a car one of us can win with, and then he’ll turn me loose.” He doesn’t add, just like Ferrari did. He doesn’t have to.Nico scoffs. Seb’s met so few people who actually scoff in real life. “Lance Stroll,” he says, disdain dripping around every consonant, “is never winning a title. You still could, though, and you know it. You’d have retired if you didn’t think so.” Seb opens his mouth, prepared to contradict him, and Nico silences him with a wave of his hand. “Don’t give me your go-to line about the love of the sport. You’ve only ever been here for one reason. The media might forget, you might even want them to forget, but I know what you’re really like.”“And what’s that?” Seb asks. Against his better instincts, and even though he knows Nico can’t have a single good motive for being here, he’s intrigued by whatever Nico’s about to say. Nico’s always been an enigma to him, Nico’s opinion of him doubly so.“You’re ruthless,” Nico says, almost in a whisper. “You’re brutal, and ambitious, and you’ll do whatever you have to to take everything you want.”

Rabbit, Rabbit (it takes a village) by @481boxboxbaby | Lando/Oscar | M | 25k

Oscar wakes up to find four baby bunnies in his shower. In the world of this story, that's as good as peeing on a stick. This boy is knocked up, and there are six possible baby daddies. This is a sweet, funny and heartfelt fic that takes a cracky idea (magic bunnies means you're pregnant) and treats it seriously. Oscar is definitely a bit of a pillow princess and good time guy - that's why he has bunnies - and the fic follows his journey of self discovery, growing as a person along the way and learning that knowing himself is far more important than knowing who the daddy is. The guy who steps up, and who Oscar chooses in the end, is maybe a little unexpected but it absolutely worked for me.

“Oh,” Oscar blushes a fierce shade of red. “We’re not a throuple. They’re just friends. I mean, maybe one of them is the other father but - um - that’s sort of the thing.” The midwife raises an eyebrow and cocks her head to the side, waiting for him to go on. Oscar instead looks at Liam and Logan, desperate for one of them to bail him out. “You see, there’s a roster,” Logan says, his expression awfully serious like he’s trying to be as tactful as possible, even if he did just start off by outing Oscar as a hoe.

THREE SCENES IN A CITY by @loveisworry | Alex/Charles | T | 6.8k

Charles and Alex and a party. This is the kind of fic that you read, and then you remember for the rest of your life. This is a truly stunning urban fantasy, very immersive and atmospheric.

'Charles, the city’s chosen son, knows these streets better than the backs of his hands, which are often smeared with ink. There’s a scar where his left thumb joins the meat of his hand that he always forgets about. He’s had it since he was a child, and doesn’t remember it’s there because he doesn’t remember how he got it. Without a story to hang onto it disappears'

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sophieskarsgard · 1 year

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miles robbins as luke nightingale in daniel isn't real (2019)

#miles robbins #💕babe💕#luke nightingale #daniel isn't real #dylan lenivy #the quarry

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thesinglesjukebox · 5 months

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(G)I-DLE - "QUEENCARD"

youtube

Time to find out once and for all -- like, for real this time -- who hates fun!

6.29

Kayla Beardslee: Dumb bitches assemble (affectionate). "Queencard" is kind of embarrassing to defend (you're going to bat for the boob and booty hot song? really?), but if you listen to it enough, it becomes impossible to deny that it's also kind of a banger. It would be a different matter if the production and topline weren't pulling their weight, but that bassline rips, and those line-to-line handoffs between all five members in the first verse get me every time. It also helps that this song comes from by far the best album (G)I-DLE has ever put out: when "Queencard" is placed next to the beautiful, dreamy B-side "Paradise" or the sinister-sexy "Lucid," its goofiness seems less like actual vapidity and more like Soyeon intentionally fucking around because she knows it's good to have a little fun and gas yourself up sometimes. Like, look me in the eyes and tell me it's not high performance art to release "Tomboy" and "Queencard" (and "Nxde"!) within a year of one another. I can get on board with a bit of silliness in exchange for the album I've been waiting for (G)I-DLE to make since I first discovered them -- which, as it happens, was when the Jukebox covered "Uh Oh" back in 2019. What a lovely and emotionally nuanced full-circle moment. Now, if you'll excuse me, I have to go back to twerking on the runway. [8]

Crystal Leww: MY BOOB AND BUTT IS HOT MY BOOB AND BUTT IS HOT MY BOOB AND BUTT IS HOT MY BOOB AND BUTT IS HOT MY BOOB AND BUTT IS HOT [8]

Katherine St Asaph: Vintage Fergie. [3]

Harlan Talib Ockey: Ridiculous. [7]

Tara Hillegeist: As an object lesson in one of pop music's golden rules -- "unfuckwithable production can save unforgivable lyrics every time" -- "Queencard" ticks all the bases. Embarrassing lines like "twerking on the runway" and "sexy like Kim Kardashian" that not even Meghan Trainor could've written with a straight face completely fail to dent that supple bassline and synth-bleep driven stomp of a beat. There isn't a single word of this song worth dignifying with a sincere analysis; there isn't a single word of this song that matters while the squelched-alarm bubble and squeak of a melody and irrepressible line delivery are still making the brain jiggle like so much excited jelly under their sonic assault. This is a missive from the same school of thought that produced "Song 2": a heady slab of music so thoroughly stupid yet sneeringly self-confident about it, hearing it excites the listener enough to mistake it for the work of a frustrated genius, instead. I cannot take its message seriously without taking insult. I can't stop pressing repeat. [7]

Will Adams: So many delightfully dumb lines, it's hard to choose a favorite. I wish the music had been equally as silly, as opposed to whatever Jonas Brothers purgatory it currently exists in. [5]

Alfred Soto: Elements from Pussycat Dolls and Meghan Trainor drift and fade with the attention span. [4]

Daniel Montesinos-Donaghy: This quintet's energy is infectious enough to take "Queencard" (great title) to the finish line, but there's no getting past the backing track. Envision every Black Friday/post-Christmas/commercial on TV, strip the jaunty musical beds from their flatscreen-deal context, then paste them one after the other. I'm sorry, but GO TO PRISON!!! [2]

Nortey Dowuona: Pop rock as an aesthetic is actually a good thing to be pilfering from. It's not novel or boundary pushing in the slightest, but after the last decade of everything stealing from rap -- the structures, the adlibs, the flows, the kicks, snares, hi-hats and percussion, the poses, the clothing -- and miserably failing to even slightly capture the same lightning strike... maybe don't be bothered to try. I've been listening to What Had Happened Was with Questlove, and at each turn I grow more frustrated by the fact that neither he nor Black Thought ever cottoned on to the giant possibilities of being an actual band, only producing musical phrases to be looped in the least interactive or vivid way. And this song, which is a solid approximation of 2005 pop rock and 2011 piss-take raps, just frustrates me cuz it feels like Jeon So-yeon, the group's Questlove, has the same problem; being able to make poppy Shafiq Husayn records and settling for Max Martin throwaways. [5]

Joshua Minsoo Kim: How long has it been since we've had an honest-to-god hook song? You could blame it on shifting musical trends, but ever since K-pop made it big in the West, lyrics have had to start making sense. This means we've been deprived of the joy that comes with wonky English. The lyrics are especially camp on "Queencard," but it goes beyond that: it's the total surrendering of a topline to phrasing and rhythm. Case in point: "My boob and booty" has syllabic parallels with "I'm top" and "twerking." There's also a slick maneuvering between English and Korean here, with (G)I-DLE selecting the words that sound best -- "ppoppo" is way more fun than "kiss," and "I'm cute" can be delivered with more sass than the same phrase in Korean. "Queencard" may not be a term the average American knows, but it doesn't matter: it's the sort of nonsense word that you can repeat incessantly, much like we all did with "gee" 14 years ago. To top it off, (G)I-DLE actually sound like they're enjoying themselves instead of delivering a Serious Message. We may never get a song like this again. [7]

David Moore: There's boob and booty and twerking in this one, sure, but the most exhilarating part of the whole thing is when the phrase "I'm a queencard" in the chorus devolves into uncanny syllables, like Jell-O starting to go runny in the sun, in a way doesn't just tell you what a queencard is, but really points to it -- this is a queencard. I'm reminded that K-pop isn't just multilingual, but often meta-lingual in the way that so much (all?) good pop is, refusing to let words get by as mere signifiers and forcing us to reckon with words at the phonemic, molecular level. How wild is it that the entire basis of our civilization is built on these funky noises we make with our mouths and tongues and lungs and noses and throats? I think that's neat. [8]

Kat Stevens: I worry that she's going to lose a lot of money at poker. [6]

Michael Hong: Look, Soyeon's English lyrics are often questionable, and it doesn't help that each member seems to drop syllables. She's exaggerated her "rapping" voice to be sharper and more piercing, and the lyric "look so cool, look so sexy like Kim Kardashian (uh) / look so cute, look so pretty like Ariana" fits awkwardly in the meter and is a bit reductive of each (but also your bad if you expected a nuanced feminist take from the group that brought you "Nxde"). And the entire thing is just a Valley Girl rip of "Song 2" by Blur. And yet, 4 + 4 is still: [8]

Brad Shoup: The pre-chorus is really interesting, how it teeters on the rim of Meghan Trainor maltshop-pop without ever falling in. It's a nice break from the spy-theme slink that dominates this. [5]

Jacob Sujin Kuppermann: Referencing Ariana Grande directly feels like giving away the game -- this is some real Dangerous Woman shit, a maximalist pop barrage that seems to operate on the principle that if you make enough baffling aesthetic and lyrical decisions it'll loop back to sense eventually. Joke's on me -- they're right! This sounds like how I imagine getting shot out of a T-shirt cannon would feel. [7]

Michelle Myers: Shuhua is a queencard. Soyeon is squeak-rapping like she's HyunA's daughter. Minnie is hosting a blue champagne party and doing her best Debbie Harry impression. Miyeon hard carries the pre-chorus. Yuqi is jamming the phrase "sexy like Kim Kardashian" into five syllables. She's top. She's twerking on the runway. [8]

Anna Katrina Lockwood: "I'm twerking on the runway" has got to be in the top five greatest stunt English lines in K-pop history. (G)I-DLE have always had oodles of talent and charisma, but "Queencard," like last year's "Tomboy," has the confidence of maturity and a rare sense of unfettered enjoyment. Nobody's had such a good time in a music video since GD and TOP went to the club. Speaking of YG party songs, of course this is reminiscent of that format---though as others have pointed out, it lacks the true YG party chorus to close. There are a few better precedents in Cube's own history, which are combined effectively with a vaguely punk rock sound and a sensitive handful of blog house references. Part of the magic has to be the judicious editing Soyeon has applied here -- "Queencard" is a blisteringly tight 2:41, far from the bloat often befalling her earlier compositions. It's fun, you can shout along to it, there's a funny little dance, there are at least three melodies I've had stuck in my head--it's some good fucking K-pop. [9]

[Read, comment and vote on The Singles Jukebox ]

#(g)i-dle #pop #k-pop #music #music writing #music reviews #music criticism #the singles jukebox #Youtube

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variousqueerthings · 2 years

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Weird that they are placing so much emphasis on having bio kids as the ultimate form of happiness and legacy, when Mr. Miyagi is like, right there. Do the writers think of him as different/a tragedy because he would have had it if his wife and son didn’t die, or did they just forget?

I answered and I deleted and I answered and I deleted, because I agree so much with you and I don't want to ruin the enjoyment for anyone, so let's put this below the cut:

THE ANSWER/VARIOUS RAMBLES STUCK TOGETHER WITH TAPE THAT I ACKNOWLEDGE DID NOT STICK WITH YOUR ORIGINAL ASK APOLOGIES (we did start there though):

maybe miyagi was actually secretly evil the whole time........ 🤔🤔🤔(joke)

that family structure is suspect dude, sounds queer to adopt a kid who's being bullied, years after your wife and child died and then not even knock up his mom, what are you gay?

at the very least don't pretend it's a real family you've got there, you'll always be a tragic sad man, without your biological progeny, which is the only kind that matters, and only if done in the Correct way (single parents need not apply)

weird we had the "tanmee" line in s3, but this season just straight up forgot a lot of its own building blocks in favour of some weird aggressive and regressive heterosexual bullshit -- the more I think about it the more discomfort I feel, which isn't to make this deeper than it is, I don't think there was bad intent. I think there was a tragic lack of imagination and it coincides with some real-world Politics that the show doesn't care about and is tacitly conservative about, but I sign onto the show not to be reminded of that world

a lot of people have mentioned that the show bears very little resemblance thematically to the core of the original (two) movies -- it's always been conservative in its depiction of military and war and violence, and simplified an actually incredibly complex, and yet incredibly clear-cut messaging that positions Miyagi (and his ideals) on one side and Kreese (and his ideals) on the other, with very clear reasoning as to why one is right and one is not

the show has been antisemitic, it's been racist, it's had a lack of queer characters that is all the more obvious in a story about a group of outcast kids with found family themes (first produced in 2019), and it's been sexist/underwritten the value that women have in a story about legacy and toxic masculinity and gender roles

and in fandom there have been interesting bits of analysis and writing from very talented and clever people to acknowledge these unexamined prejudices and flaws. they have been challenged in art and in narrative, and there has been plenty of discussion about where we can suspend disbelief and what we (individually) won't take onboard in our own various tellings of the story

up until s5 I have been able to hold that tension, because I truly enjoyed the story and the underlying themes and characters and was baseline expecting those themes and motivations to still matter

but oof the way that this season became entirely divorced from any of the show's own grounding themes, hasn't only made the characters hollow to me, but it's also made me realise (and hey, maybe I should realised this sooner, more fool's me) that they really don't give a shit about Miyagi

which is crazy because the story's about him.

EDIT: and i do still feel deeply uncomfortable about the final fight, and generally how daniel “defeating” anything was done totally absent of miyagi’s ideals -- the only way to solve anything is violence now. beat the other guy into submission to beat your fear i guess. meaningless to what daniel’s journey was, but good to know he’s also manly enough now

and more importantly than anything in a story that's just about liking or disliking trajectories and reads... I am deeply uncomfortable with its politics now

I think how I felt about s4 was that it had some moments I didn't like, but the trajectory made sense to me. with s5 there are moments I do like, but it's empty. I don't know why anything in the last episode happened. I feel intense discomfort about the treatment of women and girls. And to be clear I don't think that there was an intentional drive to make the messaging... that about queerness versus dominating toxic heterosexuality, but honestly I'm living in a pretty shitty world these days with a lot of backsliding in equality and I don't think that I can happily shut off my brain and watch something that conservative anymore

it's not technically anything deep as such, it's not real life. I've really enjoyed the show, I've made some lovely friends through it, and read some of the best fic, and gotten to hype up some wonderful artists and I'll stay in fandom, but I think I might be done with the show itself

but hey, miyagi adopting this skinny little punk from new jersey and giving him some valuable life lessons only for this kid to adopt him right back, that I can rewatch a million times and like I said -- the story is all about that (and it most certainly isn't a tragedy)

#ck negativity #cobra kai #ck #i didn't touch on johnny in this because it would have gotten long #longer*#but i think i covered how i feel about That in the post about queering the villains through childlessness #spoilers #cks5 #cobra kai s5 #cobra kai season 5 #cobra kai spoilers #although i could say more about the queering of johnny lawrence followed by the backlash #and how that does a disservice to tkk johnny as well #rambleramble

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frogsmulder · 8 months

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The X Files 30th Anniversary Mulder Appreciation Post

The thing about Mulder for me, more so than Scully (I don't need to explain the cultural impact her representation has for women) is how relatable he is. When I watched the x files for the first time, even as I thought I was a woman at the time, I didn't at all identify with her. I think this is because of how queer/ neurdivergent coded (or at least the lense I read it through) Mulder is. Don't get me wrong, I wholly believe that this is unintentional, but the facets of his character add up in this sense.

I think also the time in which I watched the x files is somewhat removed from it's creation meaning that I have been fortunate enough to not experience workplace misogyny to the same extent that Scully has, meaning I relate to it less (? Idk) and The Scully effect has already taken place unbeknownst to me, so I have seen more women in STEM than there was during the nineties so her representation is less significant to me who watched this in 2019.

First of all, the childhood trauma is very much a real representation neurodivergency. The important thing for me is how it changes him and I forms his character/decisions into adulthood even if he doesn't realise it. There have been several times where Scully has pointed out that Mulder is chasing his sister in whatever little girl their case involves which he denies, to the point where Scully stops mentioning it, even though both we the audience and she can see it.

We can see how it informs his trust issues and attachment/abandonment issues. Mulder is generally a dichotomy of too easily trusting (like of deep throat, phoebe, dianna), which then he knows he gets hurt by, so he is also slow to trust (Scully, Skinner, X), creating an inner turmoil of logic vs feeling. Scully is an especially important example of how trust/attachment inform each other in Mulder, where once he trusts Scully isn't a spy, he immediately trusts her with everything, which is a big leap. With Scully, he feels like he doesn't have to hold back and can be who he really is, which is where the queer coding comes in: in Scully he has an ally.

Aside from the fact that queer people often experience all or some of the above neurologically, socially Mulder shares similar experiences because of his beliefs. He is portrayed as an outsider, who doesn't really fit in, even though it feels like he should: he has other normal hobbies like basketball, he can work well with others in a team and get on well with them (I know he doesn't always most of the time but the point is he can) writing profiles to help out other departments when asked, having a good partnership with Reggie and report with the VCU etc. But he is still shunned and ostracised for being different. Despite this, he never properly tries to hide that side of him, standing up for his beliefs in face of the damning consequences (insisting in front of the court that Pusher had supernatural powers for instance).

This also resonates a lot autistic experiences: being able to put on a mask to fit in, but never properly fitting in, a fierce sense of justice and truth despite how it may be perceived. This isn't to say that Mulder is autistic but that his experiences are relatable.

Mulder is also kinda queer coded in that he is never shown to have a dating life (neither he or Scully have let's be real) outside of work, but where as Scully, has had fairly normal seemingly healthy relationships in the past (excusing Daniel), Mulder hasn't that we know of. We get to her about Scully's high-school boyfriend but we don't here about Mulder's high-school relationships. Whilst the absence isn't fool-proof evidence that he didn't have any relationships it is more likely to be perceived by the audience as so. This is much like some queer people's dating experience, where we come to sex and relationships later in life because of both social constraints and internal figuring-stuff-out. Then his past two relationships we do know of have been unhealthy, which isn't to say that all queer people start off in unhealthy relationships but that Mulder's initial relationships feel wrong much the way that some queer people in their initial relationships feel whilst they are still trying to figure stuff out.

Then there is the last straw for me which is his inability to sit still, he is always fiddling with something, throwing pencils in the ceiling, impulsively running off, or calling Scully at inconvenient times because he either misses her or has had a thought that he needs to share immediately which is very adhd of him <3

#anyway all this to say #Mulder is an interesting and relatable character #And I don't ever want to see any more unjust mulder bashing #Yeah he ain't perfect but noone is and I feel like he is held to an unfair standard in some parts of the fandom #And when people mulder bash they are actually hurting people who relate to him as well 😘#fox mulder

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mermaidsirennikita · 1 year

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We need the full lashings against the margarita show

Honestly, I don't have much new to say except that it's actually such a bummer to see a book I love this much be turned into not only a bad adaptation, but a bad show. If it made a lot of changes but was well-written and created, I'd get over it. One example of an adaptation of a book I enjoyed that was a bad adaptation but a good movie is A Simple Favor--it's really not all that much like the book and has a totally different ending, but tbh? The stylistic choices made it better. This can be done. Interview with the Vampire (the show) changed a lot of things about the source material--the time period, Louis and Claudia's race and origins, a lot about Daniel, the explicit sexuality and romance of Louis and Lestat's relationship--but it honestly, for the most part, elevated the story.

But this is like... legitimately a super weak show. I've actually never experienced this before lol. Most of the books I truly love love love don't get turned into shows or movies, and those that have I'm usually pretty happy with. This is new for me!

(Also, wasn't Nicky an Italian prince in the book? This is such a non-issue, but I feel like random Italian royalty~ is way more believable than random Irish royalty. For fuck's sake, a Borghese "prince" was on THE BACHELOR. Beverly d'Angelo was married to an Italian prince. They're not that hard to find. WHERE ARE THESE IRISH PRINCES??)

Special callouts for the latest batch include:

--the "I don't regret that dress", an objectively cool, punchy line that absolutely sums up Daisy's character--a woman who's lived hard and wild and is aware that she's messy and feels bad about some things but also objectively enjoys certain aspects of living hard and perhaps misses them--getting flipped into "I don't regret that day". LOL. WHAT WAS THE REASON. That's what I don't get about so many adaptational choices. There's no fucking reason. No reason at all. It really feels, sometimes, that they want Daisy to be more approachable and everygirl when the point of her appeal is that she isn't approachable and everygirl. You aren't supposed to identify with Daisy; you're supposed to admire her, want to be her, and then realize that there is a catch to being as cool as Daisy. You also have to commit to being as fucked as she is.

--Simone's queer disco queen subplot was legitimately one of the most interesting things the show has given (the song was one of the better ones too, even if the lyrics were... still rough....) but ultimately, she still exists to go save Daisy and that sucks. Honestly surprised the show didn't replace Simone going there with more DaisyBilly fanservice. There's a lot the show sort of skirted around about Simone wanting to be successful as easily as Daisy, a privileged white woman, could be; how much she wanted to be open with her own truly committed lesbian relationship the way Daisy could be about her fly by night straight marriage. But rather than delving deep, we have Daisy literally going "IT'S LIKE YOU'RE IN LOVE WITH ME OR SOMETHING" a la Regina George.

And if Daisy had been sympathetic versus obnoxious up until this moment, if we'd had real investment in that friendship, I think it could've read as a slap in the face. Like "oh wow, this woman who seems cool and chill and impossibly chic is actually a fucking messy drug addict who, like many addicts, says ridiculously gross, fucked up shit in a moment, she is cool and she is chic and she is talented but she has a serious ugly side", which is something I think... Let's give an example. A Star Is Born (2019)! Did well. Yeah, you could make jokes about Jackson Maine pissing his pants, but to ME, the moment that rang as "oh this is ugly, even though he's been so lovely otherwise" is when he, while shitfaced and jealous, calls his wife, who he knows is insecure about her looks, ugly to her face. While she's naked in front of him. That scene, after you watch how loving and tender he is, even while fucked up, reads as a harsh slap. It's very realistic, if you've been around people who are otherwise loving and amazing, who struggle with addiction. They do that shit. It hurts. It doesn't necessarily invalidate who they are when they're in better places; which makes it hurt more.

Daisy has been so fucking obnoxious when she's... Sober? High but reading sober because the show hasn't gone in on how much of an addict Daisy is and their version of "functional heavy drug user" is "basically sober, maybe a little stoned"? That this moment just read as more of Daisy being obnoxious. Plus, a lot of this agency is taken from Daisy's hands, and we're told that Nicky is manipulating her. The thing is that Nicky was a total symptom in the book--he was a symptom of Daisy's addiction issues, her mental health problems, and her damage with Billy. He was not a cause. He may not have encouraged her to get better, he may have sped up some escalation, but honestly? Daisy was already a pretty fucking messy person before marrying him. Daisy was already showing up high and drinking throughout the day. She handled it worse on the tour, but a lot of that was touring and having to be around Billy while being in love with him and rejected by him. The show, imo, has done such a poor job of portraying the extent of Daisy's issues that it feels like they suddenly RAMP UP in these episodes, when in fact Daisy had always been an addict with PROBLEMS PROBLEMS, which is! A huge reason! Why Billy can't be with her. The show boils a lot of that down to Camila v. Daisy, and while Billy's love for Camila (and his kids) was a major roadblock... It's possible that if Billy and Daisy had met while he was married to Camila but without the addiction issue in hand? Maybe things would've been different. I don't know. Maybe. But Billy also literally wanted to be alive and a present father, and he could've done that had he and Camila broken up, but he couldn't have done that had he relapsed.

--I found the "Daisy in the shower with Billy" scene so funny. It was just so... corny. Like, this literally reads as bad fanfic. Camila is shuttled off to the side, barely present and mostly dealing with a guy who she isn't into. Billy is holding Daisy and going "LOOK AT ME! LOOK AT ME! NOAH THIS ISN'T YOU". It's so unbelievably corny. Billy in the book would've been wrecked about Daisy almost dying and then sublimated that by keeping his distance and then showing up to be like ".... so was it worth it? Almost dying for a bump" and then they would've either been completely cold or had some massive blowup about a song.

Similarly, the way Billy and Daisy fight on this show is so contrived lmao. A lot of the way they fought in the book was similar to how they expressed their love; the love was conveyed in lyrics and performance. The anger was conveyed into conflict about the music, which the show sorta does but it also has them getting up in each other's face to scream about Nicky, and it seems like they are BEGGING you to believe in the chemistry and I.... don't.

--The downplaying of Camila is very sad, and I find it endlessly hilarious that the show is all "pat us on the back, we champion diversity by having Simone go from The Black Best Friend to The Black Best Friend with a Minor Subplot, also Billy's Latina wife is going to be more complacent and mostly just sad about his cheating and probably die sooner also".

Again I say, as Warren and Camila speak Spanish to each other and Eddie gives us his best Nice Guy... If we were going to give Camila full affair.............. why not have it be Warren......

--Karen just announcing her relationship with Graham, which was a full secret in the book even decades later, in order to prop up Graham's ego.................. truly wild. Lol so much of Karen on the show is about male ego, it's ridiculous.

#daisy jones and the six

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motelfullmassage · 6 months

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Movies for Halloween

Daniel Isn't Real (2019)

Or is he? When Luke (Miles Robbins) decided to leave his mother's home and face emancipation, he never thought it would be so complicated. His social awkwardness and his diverse traumas will make him seek the aid of an old buddy: his imaginary childhood friend Daniel (Patrick Schwarzenegger), who is now a self-confident, manipulative young man. Daniel will start to help Luke, but his intentions will soon prove to be somewhat more sinister. Well worth a watch, particularly if you're curious to see Patrick wearing a minimum of clothes! Enjoy!

#Halloween #Horror #Daniel Isn't Real #Patrick Schwarzenegger #Miles Robbins #Hot

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staghunters · 8 months

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Unknown Horrors Week 4

Week 4 is the room for the last minute watches; the gems of the modern age. It's stuff I wanted to see but missed in cinemas, or that I heard some fun things about years later. All in all, a shame!

The winner of this poll will be streamed on October 22!

#ninas basement

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lastonthebrakes · 10 months

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Ironically for a reality tv show about the drama in f1, dts killed any actual real drama and rivalry in f1 by forcing a situation where drivers have to be the pr trained brand curated versions of themselves or they get destroyed by both the press and the public like it annoys me a bit when people talk about other motorsports like indycar and motogp saying stuff like "you would never get this in f1" because we did, we had it until very recently and you see it esp with the older drivers like the transformation about how they were throughout their career to now in their pr form is very obvious like there is a reason why Lewis deleted nearly all his tweets pre 2019

that's actually a really good perspective! like for example it's obvious how dts turned daniel into even more of a media darling by capitalizing off his bubbly and funny personality that's appealing to the public but then turned max into the big bad villain to the point he had to tell them to shove it bc he'd had enough. the only real unfiltered drama dts ever brought us was kmag fok smashing guenther's door and that imo is enough of a red flag to tell u that trying to turn a sport into a reality show isn't going to work

#ask tag #anon

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briarrosefromthedead · 2 years

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could you gif any of the following mvoies that i personally feel are underrated?

daniel isnt real

last shift (2014)

grave encounters

gonjiam: haunted aslyum

the final girls

better watch out

are you afraid of the dark (2019)

hell house llc

the black phone (not really underrated by im finding more fan fiction than gif posts)

im asking a variety of horror blogs so if you're uninterested then dont worry about it.

I actually just watched Daniel Isn't Real for the first time the other night and was thinking I might gif something from that soon anyway

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gratisdiamanten · 1 year

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lmao i want you to answer all those qs but #1,2,8,18

So honored my opinions are even readable given how much I write literal droning nonsense like a self absorbed social sciences prof. Anyway I'm sorry if these warrant unfollowing:

1. The character everyone gets wrong

I wrote like two paragraphs on Daniel, and then I deleted them bc these are actually nicher complaints; I think most people aren't that guilty of them!

I personally feel that people are often kind of off with how they write Max wrt his childhood (kind of irked by the A+ Parenting Tag as a concept, like imagine tagging someone's specific real life abuse sitch with a Witty Phrase), and I think there's a poor sense in general of the impact Jos had on him. He's not particularly prickly about his father, but has a stilted relationship. They call each other constantly. Max had a long term infatuation with him, IMO (I say infatuation bc crush has a different connotation that I'm not even going to unpack). That actually started declining around 2018-2019 which I have wild speculative opinions on. Now he's like... kind of just in an obligatory state. He wants to have a racing team with him! But I think that's because he has nothing else in common with him anymore. Blood and gasoline.

2. A compelling argument for why your fave would never top or bottom

I don't think Max couldn't top but I don't really write him doing that. There isn't really a rationality bc I dont think necessarily your irl behavior correlates at all with your behavior in the bedroom unless you actually are trying to project that kind of thing (which some people kind of do outside of sexual situations) but it's not a personality trait.

Also I write a lot about trauma and violation and shame and having him prefer that while it's coincidence or not similar to his trauma just works narratively idk. What he actually likes IDRC.

8. Common fandom opinion that everyone is wrong about

When one of them is gay and one of them is bisexual, and one of them is sexually confident and one is sexually insecure, everyone makes Daniel the confident bisexual and Max as the homophobic homosexual. This is one of those things that regardless of the actual reality, the evidence doesn't support, idk. Daniel no-homos with the best of them from the 2000s and Max will easily admit to being on gay hookup apps and liking both men and women. If you have narrative reasons that's all well and good but don't act like that's how they are irl!

18. It's absolutely criminal that the fandom has been sleeping on...

Dead dove fic in general, I think there's honestly less than in fandoms I've written for in the past. More specifically:

Jos and Max to SOME degree. Freak take I know but I see more Leclerc brother/leclerc brother fic than that. Which doesn't even like, work thematically that well to me, at least the way they do it. Idk. I don't really write porn in general, more about like, family horror a la the gothic tradition, but anyone who's been there long enough knows the pervasive incestuous themes in those. Anyway. The codependency and room sharing and Max being his mother's personality double and whatever. In Supernatural fandom they'd eat this shit up... and yet we are writing a/b/o concubine fic as our dead-dovish media of choice. Obviously it's easy to understand why people don't, I just think for locked-fic ao3 world it's an untapped market.

#SORRY for the long post #asks #anon #ask games

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