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#Compton’s most wanted
j-o-s-h-i-t-o · 1 year
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todayinhiphophistory · 11 months
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Today in Hip Hop History:
Compton’s Most Wanted released their debut album It’s A Compton Thang May 24, 1990
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djevilninja · 6 months
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First I hit the Ides and get pumped up; Now I'm rollin' in the car kinda slumped up. I pop the glove box, then I reach the block, Then I plug your ass in the chest with the Glock.
Compton’s Most Wanted feat Scarface - N 2 Deep
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selfish-solace · 2 years
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ohh i have so manythoughts but i fear i come off as a hater if i say them. my autism probs. so worried how people perceive the way i come off as inherently negative when i criticize something i enjoy
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hiphopscriptures · 2 years
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MC Eiht's We Come Strapped Album Anniversary
After "Music To Driveby", MC Eiht had 3 albums left under contract with Epic Records and decided to pursue a solo career since he had already written the lyrics for all three C.M.W. previous albums. In 1994, MC Eiht debut solo album "We Come Strapped" featuring C.M.W. which was certified "Gold" after selling over 500,000 copies. Read more here.
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pfenniged · 2 months
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OKAY I'M SCREAMING BECAUSE IF YOU KNOW YOUR OBSCURE BAND OF BROTHERS FACTS, MY FAVOURITE DEEP DIVE BAND OF BROTHERS FACT IS THAT LEWIS NIXON AND BUCK COMPTON HATED EACH OTHER BECAUSE LEWIS WEIRDLY HAD A THING AGAINST HIM FOR BEING A "JOCK."
IT'S A THING IN A COUPLE OF THE OFF-SHOOT COMPANY BAND OF BROTHER BOOKS written both by Buck and other men. There's never a real explanation offered for WHY Lewis didn't like Buck, and what I always assumed was that Lewis basically got pestered by jocks at Yale, took it badly, and most likely took that out on poor Buck.
To get you a perspective of how athletic Buck was, Buck went to school at UCLA, which is famously a pretty jock-ish school. They traditionally have pretty great sports teams, Buck was All-American, which basically means one of the best in the country, and was recruited for professional baseball and played varsity football. He also played with Jackie Robinson at UCLA, the first black man to play professional Major League Baseball in the United States. Needless to say, he was pretty fucking athletic.
My theory is that Lewis was weirdly jealous because he was a poor little rich boy who never did anything on his own merit, and slightly intimidated of Buck's athletic prowess and charisma, but I digress.
AND LOW AND BEHOLD, MY YOUTUBE "RECOMMENDED FOR YOU" GIFTED ME THIS CLIP POSTED 12 DAYS AGO:
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And I'm dying because so much drama that can be taken from this one clip:
The real Buck Compton seems immensely likeable even in his old age, and someone I think I would have been friends with.
Buck calls Lewis both a drunk and a prick, plus basically infers because he's up at battalion staff not even on the front lines that he basically was fucking about and not doing his job by being on the front line every time he was getting after Buck. And Buck is basically politely saying, "What are you even doing here." 💀
AND THEN LEWIS APPARENTLY CAME UP TO HIM UNPROMPTED and was basically like "AT YALE I HAD GIRLFRIENDS AND USED TO PARTY- AND ALL YOU JOCKS WERE DOING WAS SPORTS." And Buck is literally me if someone came up to me and was like I USED TO GET DRUNK AND PARTY AND YOU LOSERS JUST LIKED TO SWEAT in a weirdly accusatory tone, and is just like "... Okay????!? GOOD FOR YOU?!?? TO EACH THEIR OWN?!???"
Then poor Buck had to run a fucking hour of running Lewis made him in charge of every morning, even though he technically had no direct power over him, in a wool outfit, because he put him in charge of physical education. Because clearly some jock gave Lewis Nixon a swirly in a toilet once or something, and Lewis couldn't handle it because he was a rich boy used to getting what he wanted.
THE LEGENDARY ALMOST 100 YEAR OLD BEEF CONTINUES.
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carwoodron · 8 months
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lipton is just so. consistently the best guy around. yeah boy, remember to get your life insurance... first to sign his resignation as an nco because he's loyal to his men not to rank... gets hit trying to get the men to leave a zeroed area. dragging luz into the foxhole, always being the first one out of his. yelling to stay down and take cover. don't trash-talk our incompetent c.o. who runs when the fight breaks it's bad for morale. it's hard being a replacement officer with the toughest most professional and dedicated sons of bitches. oh hey malarkey, didn't i hear you say you wanted to bring a luger home to your kid brother? compton how are you holding up? doc heads up we're gonna need you soon. i'll draw the sniper's fire for you shifty. always right where he's needed. oh, you mean it's me who's been holding easy company together? i'm just trying to make myself useful despite having pneumonia sir
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scotianostra · 6 months
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November 9th 1903 saw the birth near Pittsburgh of Margaret Fay Shaw, the American writer who did much to record the music and culture of South Uist.
Margaret Fay Shaw was one of the most notable collectors of authentic Scottish Gaelic song and traditions in the 20th century. The arrival of this young American on the island of South Uist in 1929 was the start of a deep and highly productive love affair with the language and traditions of the Gaels.
Shaw was also an outstanding photographer, and both her still pictures and cinematography contributed to an invaluable archive of island life in the 1930s. She met the folklorist John Lorne Campbell on South Uist in 1934; they married a year later and together helped to rescue vast quantities of oral tradition from oblivion.
She came of Scottish Presbyterian and liberal New England stock. The family owned a steel foundry in Pittsburgh and her parents were cultured people. Margaret was the youngest of five sisters and her early years were idyllic. Her first love was for the piano and she continued to play throughout her life.
By the age of 11, however, she was orphaned and obliged to develop the independence of character which was to lead her into a life's work far removed from her upbringing. At the age of 16, she made her first visit to Scotland at the invitation of a family friend and spent a year at school in Helensburgh, outside Glasgow, where she first heard Gaelic song.
Wanting to hear it in its "pristine" state, in 1924 she crossed the Atlantic again, this time engaging in an epic bicycle journey, which started in Oxford and ended at the Isle of Skye, where she remained for a month. It was during this trip that she began to use photography to earn a living, selling prints to newspapers, and magazines such as the Listener.
But it was not until she arrived on South Uist that she found her spiritual home. She was invited to the "big house" in Lochboisdale for dinner, and two sisters who worked there, Mairi and Peigi Macrae, were brought in to sing for the company. Margaret had never heard singing like it. For the next six years, she became their lodger and dear friend. They shared with her all of their immense stock of oral tradition which she faithfully transcribed, learning Gaelic as the work proceeded.
Her most important published work was Folksongs And Folklore Of South Uist, which has never been out of print since it was first published in full by Routledge and Kegan Paul in 1955. Not only was it a scholarly presentation of the songs and lore which she had written down during her sojourn on the island, but also an invaluable description of life in a small crofting community during the 1930s.
This classic work was undoubtedly the centrepiece of Shaw's career, though she also wrote several other books, including an autobiography, From The Alleghenies To The Hebrides.
On the neighbouring island of Barra in the early 1930s, an extraordinary social set - a kind of Bloomsbury in the Hebrides - had developed around the presence of Compton Mackenzie. One of his closest collaborators was John Lorne Campbell, who came from landed Argyllshire stock and had developed his interest in Gaelic at Oxford.
The two patricians set about producing The Book Of Barra, a collection of the island's history and traditions, to raise funds for an organisation called The Sea League, which they had established to campaign for the exclusion of trawlers from Hebridean waters.
Hearing great reports of an American woman's photography on South Uist, Campbell crossed over by ferry to seek her involvement in illustrating The Book Of Barra. He walked into the Lochboisdale Hotel one rainy evening in 1934 and found Shaw sitting at the piano; a suitably romantic initiation to a relationship which was to last for more than half a century. They married the following year and made their home on Barra until, in 1938, Campbell bought the island of Canna, where they lived for the rest of their scholarly lives. The island was given to the National Trust for Scotland in 1981, and John Lorne Campbell died in 1996.
There was nothing dry or academic, however, about Shaw. She travelled regularly to America until her late 90s. The fearsome ferry journey between Mallaig and Canna was regularly undertaken with equanimity, and she fortified herself to the end with the finest Kentucky bourbon. Her love of the Hebrides was, above all, for the values and lifestyle of the crofting people, and, particularly in South Uist in that 1930s heyday, it was deeply reciprocated. It is there that she will be laid to rest.
During her latter years she stayed at Canna House until her death at the grand old age of 101 in 2004.
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marshvlovestv · 26 days
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Branching off of the parallels between Fred and Cassie, I kind of want to see all of the Thorney Towers patients interacting with the Psychic Six, in thematic pairs. Here's my thoughts:
Ford and Loboto: Not only the most prominent story-wise of their respective groups, but both of their mental issues are the result of deliberate tampering with their minds (Loboto from his parents, Ford from himself)
Compton and Boyd: Where does anxiety end and paranoia begin? Both also have a history of destruction.
Bob and Gloria: Prone to volatile bad moods, the result of mommy issues and a profound history of loss.
Helmut and Edgar: Artists who see the world in vivid color but also tend to be overwhelmed by it all. Also BIG
Cassie and Fred: As mentioned before, struggling to consolidate a fractured sense of identity. Also tol
Otto and Crispin: Pompous and self-important, and we also conspicuously never go inside either of their minds. I kind of headcanon that there's something particularly dark in there.
That leaves Lucy and Sheegor and I feel like they do have stuff in common but I'm struggling to verbalize what they are.
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j-o-s-h-i-t-o · 1 year
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Today in Hip Hop History:
Compton’s Most Wanted released their debut album It’s A Compton Thang May 24, 1990
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djevilninja · 9 months
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Fool, I slang a gang of twenty bags; Pistol in my pocket makes my khakis sag. Always on the lookout for the helicopter; Blast from the AK fill the fuckin' copper.
MC Eiht Featuring CMW feat Spice 1 and Redman - Nuthin' But the Gangsta
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malarkgirlypop · 5 months
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BoB dance moves while drunk
inspired by that one post of how they would act when drunk from @contrabandhothead
Dick Winters:
Is a sucker for a slow dance, tries to wrangle anyone onto the dance floor with him but mostly Nix who doesn't like slow dancing. Is very huggy and will whisper unintelligible things in your ear while dancing. Will give you that very drunk I love you smile when he pulls away.
Lewis Nixon:
Does not dance, will not dance. But can sometimes be convinced by Dick if he is drunk enough. Rather would sing loudly while sitting down.
Ronald Speirs:
When very intoxicated will boogie, he is the one who will just stand in the middle of the dance floor and jump up and down. While trying to sing the song but he doesn't know the lyrics so he drunkenly sings nonsense at you. Goes from one group to the next. If dancing in a circle he will jump in the middle and bust a move before disappearing. Lip will sometimes have to wrangle him away from people cause he is interfering with their night.
Carwood Lipton:
Is a shy dancer will tap his foot and bob his head to the beat, but spends most of the night trying to contain the very excitable Ron, who is a loose unit on the floor if not supervised. Is always excusing himself to go and get Ron.
Harry Welsh:
Is too drunk to stand, but he can party lying down! Wants to dance with Kitty but can't find her. Would probably pull out moves such as the sprinkler and pushing the trolley.
George Luz:
Does the most bizarre moves you have ever seen. Has his own style called the George. Will spin you round and then need to sit down immediately cause he is going to throw up. Back out onto the floor once he has recovered, him and Ron together are a fucking nightmare, as they harasses innocent bystanders to dance with them. Will high-five you if you get too close, but does the fakeout of "High-five, dolphin dive."
Joe Toye:
Is the best dancer when drunk, like professionally good, but will only dance if very inebriated. Likes to people watch and laugh at the chaos that is George. Will lean and drink and shoo Luz away when he asks him to go and dance. Saying "I will when I finish this drink." But then orders another one so that he can use the same line.
Bill Guarnere:
Dance fights! "you want a piece of me?" then does very complicated footwork. Light on his feet. Float like a butterfly, sting like a bee. Aggressive dance moves when drunk, will shake you with force if he gets a hold of you. Sings loudly as he dances. Always has the best night.
Joe Liebgott:
Crumps aggressively, somehow is very good a twerking. Knows how to pop that puss. Does that dance move when you hold your leg up and then have the other hand on your head and jump around (idk how to explain this move, but I see it in my head). Will try and incite a dance battle. Always the centre of attention. Likes it that way.
David Webster:
Dances like a basic white girl. Feeling himself up. Is a very weirdly sensual dancer. Kinda gets him going. Will say this is my favourite song to every basic pop song that comes on. Still doesn't know the words though.
Buck Compton:
Will aggressively do the hoe down throw down and somehow has whole choreographed dances to the songs. You will never see him do the same move twice. By the end of the night he has taken off all of his clothes and is drenched in sweat.
Eugene Roe:
Is a modest dancer. Will just nod along while lip-sinking. Will have a confused face on but when people ask him if he is ok just grins at them nodding. Is always looking for Babe.
Babe Heffron:
Manages to integrate himself into a group of people he isn't with for the night, teaches them his signature move that is the dougie. Will pester the person playing the music for the song that goes with the dance so that he can do it all for them. Normally gets his way and does the whole dougie in the middle of the dance circle while people cheer him on. He eats it up every time and brags about it later.
Skip Muck:
Does classic dance moves with Alex. Likes to dance with another person so he has a buddy to shimmey into and then shimmey back. Will do spins with Alex and always does it way too aggressively and sends Alex flying across the floor to crash into people like a bowling ball.
Alex Penkala:
The most clumsy dancer when drunk. Will fall over nothing, Skip does not help either, somehow always managing to push over his friend by accident. Alex is like a fucking bouncy ball and is up on his feet in seconds. Will wake up the next day covered in bruises and is unsure of how he got them.
Donald Malarkey:
Gains the confidence of a professional dancer and believes it, but is totally not. Will totally do that thing where you move your chest up and down and get people to move their hands over him to make it look cool. Likes the song get low, as he likes the part where it goes low, low, low, low so he can do his matrix back bend. Get's worse the more he gets drunk.
Frank Perconte:
Is a fucking B-boy and will break it down, somehow can do head stands and that thing where you spin around on your head, and that one move where you are lying on the ground and push yourself to your feet.
Johnny Martin:
Is a fucking wild card. Some nights he will chill and then others he is breaking it down on the dance floor. It mostly depends on the liquor he is drinking, if it's spirits you're in for a crazy night.
Bull Randleman:
Will line dance to any song, you can't tell him other wise. Does that lasso move to Perconte and lasso's him onto the dance floor, Frank loves it. Will do Gangnam style if drunk enough and will tell you every time his favourite part is the move where you look like you are riding a horse.
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hiphopscriptures · 2 years
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Compton's Most Wanted It's A Compton Thang Album Anniversary
In 1990, C.M.W. released their first album, It's a Compton Thang on Orpheus Records. It contained the hit single and video "One Time Gaffled Em Up". It's a Compton Thang was entirely produced by DJ Slip and The Unknown DJ and all song lyrics were written by MC Eiht. During the recording of this album Tha Chill was arrested for joy riding, but was released a few weeks later on time served and finished recording his remaining verses on the songs of the album. Read more about Compton’s Most Wanted here.
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