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intellectures · 28 days

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Der Sound eines Jahrhunderts

Die Edition »Jahrhundertstimmen« des Hörverlags versammelt nicht nur bekannte und unbekannte Perlen aus den Originalton-Archiven, sondern versteht es, durch die Einordnung der kundigen Herausgeber:innen, ihre Bedeutung im Kontext der Zeit aufzuzeigen. Continue reading Der Sound eines Jahrhunderts

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craft2eu · 2 years

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Gertraud Möhwald: Höhr-Grenzhausen vom 24.07.2022 bis 26.2.2023

Im Rahmen des Kultursommers Rheinland-Pfalz unter dem diesjährigen Motto „Kompass Europa: Ostwind“, stellt das Keramikmuseum Westerwald Werke der ostdeutschen Künstlerin Gertraud Möhwald (1929 – 2002) aus. Möhwald war eine bahnbrechende Künstlerin der zeitgenössischen Keramik. Sie studierte und unterrichtete lange Zeit an der Burg Giebichenstein in Halle, die eine der größten keramischen…

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#Bauhaus #Burg Giebichenstein Kunsthochschule Halle #Clemens Meyer #Formgestaltung #Gefäßkeramik #Gertraud Möhwald #Keramik #Keramikmuseum Westerwald #Konrad Möhwald #Kunsthandwerk #Marguerite Friedländer #Plastiken #Skulptur

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somerabbitholes · 7 months

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Hello

Do you have recommendations for collection of short stories?

Yes, here are few I've enjoyed:

Landour Bazaar by Ruskin Bond: all stories from, set in, and inspired by his time in Landour near Mussoorie. They're so lovely and so kind

Also, while we're on Ruskin Bond: Time Stops at Shamli, The Night Train at Deoli, and Season of Ghosts

Dark Satellites by Clemens Meyer: about people living on the margins in Germany, particularly in what used to be East Germany

The Dangers of Smoking Bed by Mariana Enriquez: spooky, gothic horror from Argentina. All stories are set in Buenos Aires, all are centered on women, and all of them definitely are creepy

No Presents Please by Jayant Kaikini: fiction on living in Mumbai, especially what the migrant, working-class encounter with the city is like

Antarctica by Claire Keegan: her debut collection, and a good place to start with Keegan. The language is tight but so, so clinical, and the stories have so much to unpack

Fragile Things by Neil Gaiman: partly fantasy, partly gothic, partly urban legend, partly just funny. It's a really varied collection and one I had fun reading because of the expanse of it

In A Free State by V. S. Naipaul: about colonial and postcolonial exiles and migrants; what rootlessness does or means on a daily basis; very moving

#anonymous #answered #book recs #books #booklr #short stories

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anne-verse · 2 years

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I came to you

Lord, because of

the fucking reticence

of this world

no, not the world, not reticence, oh

Lord Come

We were sad on the ground

Lord Come

We were sad on the ground.

That’s Jean Valentine for you, in all her pithiness, a sublime accrual of minimalism, the poem amplifying the deafening silence – etymologically derived from the Latin reticentia "silence, a keeping silent"; however, we are not here to establish how a myriad-mouthed curiosity of a seemingly simple word snowballed into a critique of one of the most poignant films I’ve watched lately.

And yet Thomas Stuber’s film ‘In the Aisles’ (In den Gängen), takes a cue from the word ‘reticence’ and subverts it with muted panache. I will not give anything away, as far as the plot goes, the screenplay is adapted by a short story from Clemens Meyer, but one must exalt, applaud Peter Matjasko’s cinematography and Stuber’s vision to paint us a film, rooted in German romanticism and philosophically laced with a quiet stoicism. Stuber choreographs his film mostly away from the ‘repoussoir’ and towards the ‘Rückenfigur’ figure, emblematic of Caspar David Friedrich, giving the viewers a proxy view. Stuber’s cinematic idiom is one of subtlety and restraint, where intimacies are built around blue-collared workers working with forklifts; not with the pace of an anticipated frenetic brushstroke but a languid waltz, a Chopin nocturne at an andante tempo. Matjasko’s camera lingers coquettishly on Hüller and Rogowski; vignettes provisionally captured that brings wider allusions to play; a semi-erotic languorous seduction with a nod to Wang Kar Wai in its affinity for transience and elegant, ruptured passion felt, but not consummated. The diegetic sound of the forklifts frolicking on the shopfloor, to be interrupted by Suite No. 3 in D by Bach is a touch of brilliance.

The reticence, the silence is representative of a larger societal malaise and while each worker’s individual strife is salient, even cruel, the film offers redemption and hope by way of a tender camaraderie, little acts of kindnesses; a collective celebration of the human spirit. Multiple motifs ricochet between scenes to highlight a collegial tenderness, that shimmers, then builds to a crescendo, where the dappled translucence gives way to a solemn covenant between people. One scene, in particular, is poignant, where on Christmas Eve, all the workers are feasting on expired sausages and beer, a surreptitious gift stolen from the dust bins: a secret shared by all the workers as kin, as family united by their hunger, and their gratitude for small mercies. I had tears in my eyes at the profundity of that one scene. *** ‘Everything conspires to make us forget the socially constructed, and hence arbitrary and artificial, character of investment in the economic game and its stakes: the ultimate reasons for commitment to work, a career or the pursuit of profit in fact lie beyond or outside calculation and calculating reason in the obscure depths of a historically constituted habitus, which means that, in normal circumstances, one gets up every day to go to work without deliberating on the issue, as indeed one did yesterday and will do tomorrow.’ – Pierre Bourdieu Another significantly important prism to deconstruct the film, with reasonable temerity would be a brief social commentary invoking Bourdieu’s cultural capital in three forms: embodied, objectified, and institutionalised. The anxiety, the permanent stress of insecurity and uncertainty is visible, albeit in a concealed manner, where the precariousness of the worker’s situation reflects in the fastidiousness with which they go about their jobs; the lather-rinse-repeatedness of their 15-minutes break to alleviate the tedium of their mundane jobs. Mastering the forklift becomes both a credible threat, and acquired competence for Rogowski. The entire squad waits with bated breath, as he clears his test and acquires his forklift licence, the crowd bursting into a rapturous applause on successful completion. Immensely moved by the film, I came away thinking of another poem by Komunyakaa:

My father could only sign His name, but he'd look at blueprints & say how many bricks Formed each wall. This man, Who stole roses & hyacinth For his yard, would stand there With eyes closed & fists balled, Labouring over a simple word, almost Redeemed by what he tried to say.

#poetry #cinema #german romanticism

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samanthamulder · 2 years

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tag 10 people you want to get to know better!

thank you @jackharkness 💗

relationship status: 🧍‍♀️ favourite colour: wine red favourite food: this mango curry with green beans that my dad makes 🥰 also any type of bread :) song stuck in your head: this flight tonight by joni mitchell time: 15:28 dream trip: hiking in the pacific northwest 😌 last book I read: Im Stein by clemens meyer last book I enjoyed reading: ⬆️ (mostly lol) & the lonely castle in the mirror by mizuki tsujimura (I REALLY loved that one!!) last book I hated reading: probably the midnight library (i hated every page of it sgshsjsj sorry)

bonus!

favourite thing to cook/bake: to cook - this kind of potato omelette with feta cheese and sweet corn (that sounds so weird but trust me it's delicious!); to bake: chocolate banana muffins :)) favourite craft to do in my free time: obviously gifmaking and I also love to knit and crochet! most niche dislike: phew idk about niche and idk about actual strong dislikes...i have a lot of pet peeves tho :') opinion(s) on circuses: be the clown you wish to see in the circus 🤡 (this question made me snort laugh idk whst to do with it??) do you have a sense of direction: in life? or as in navigating places? Probably neither lmao

tagging: @davisbette @softiescully @delphines @swinging-stars-from-satellites @bellamuertes @endlesslydeath @jimmymcgill 💞 (clearly not doing 10 but yeah..)

#tag games #so proud actually that i remembered doing this lol

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korrektheiten · 1 month

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Polizeiruf 110: Am hellichten Tag wird’s in Halle düster

Tichy:»Sie treiben in deutschen Thrillern seit 1931 („M“) ihr schreckliches Unwesen: Sittenstrolche, Kinderschänder, Lustmörder. Ob der Krimi von Clemens Meyer und Thomas Stuber allerdings so berühmt wird wie der Film von Fritz Lang oder der Streifen mit Heinz Rühmann und Gert Fröbe von 1958, kann bezweifelt werden. Einmal, weil Drehbuch und Regie im Gegensatz zu Der Beitrag Polizeiruf 110: Am hellichten Tag wird’s in Halle düster erschien zuerst auf Tichys Einblick. http://dlvr.it/T5s5gM «

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mferlin · 1 month

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readings

• Dörren, Magda Szabó • Paradais, Fernanda Melchor • Nattens skola, Karl-Ove Knausgård • Trilogin, Jon Fosse • Svar till D, Wera von Essen • Längtans flöde, Alva Dahl • Postmodernismen, Frida Beckman • Min Kamp 1-6, Karl-Ove Knausgård • Slaget om Troja, Theodor Kallifatides • Sympatisören, Viet Thanh Nguyen • Och solen har sin gång, Ernest Hemingway • Moral, Lyra Ekström Lindbäck • Jävla Karlar, Andrev Walden • Trilogin, Andreas Lundberg • Om uträkning av omfång 1, Solvej Balle • En dag i öknen, Anna Axfors • Om den fria viljan, Erasmus av Rotterdam • Weimartyskland, Eric D Weitz • Allegro Pastell, Leif Randt • De tysta satelliterna, Clemens Meyer • Fragment, Herakleitos • Min far & Kvinnan, Annie Ernaux • Mystik och andlighet: Kritiska perspektiv, Simon Sorgenfrei • Farväl till Berlin, Christopher Isherwood • Oostende 1936, Volker Weidermann • Glaskupan, Sylvia Plath • Fåglarna, Tarjei Vesaas

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docrotten · 5 months

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THE BEAST WITHIN (1982) – Episode 249 – Decades Of Horror 1980s

“Oral sodomy?… Well, that’s why it’s a small town… Yeah, we’ll look into it. Thank you for calling.” Say what? Join your faithful Grue Crew – Chad Hunt, Bill Mulligan, Crystal Cleveland, and Jeff Mohr – as they confront the over-the-top effects, excellent acting, and confusing story in The Beast Within (1982).

Decades of Horror 1980s Episode 249 – The Beast Within (1982)

Join the Crew on the Gruesome Magazine YouTube channel! Subscribe today! Click the alert to get notified of new content! https://youtube.com/gruesomemagazine

Decades of Horror 1980s is partnering with the WICKED HORROR TV CHANNEL (https://wickedhorrortv.com/) which now includes video episodes of 1980s and is available on Roku, AppleTV, Amazon FireTV, AndroidTV, and its online website across all OTT platforms, as well as mobile, tablet, and desktop.

A young woman gets raped by a mysterious man-creature, and years later her son begins a horrific transformation into a similar beast.

Directed by: Philippe Mora

Writing Credits: Tom Holland (screen story and screenplay by); Edward Levy (novel by)

Produced by: Harvey Bernhard, Gabriel Katzka

Music by: Les Baxter

Cinematography by: Jack L. Richards (director of photography)

Special Makeup Effects: Thomas R. Burman (created and designed by)

Selected Cast:

Ronny Cox as Eli MacCleary

Bibi Besch as Caroline MacCleary

Paul Clemens as Michael MacCleary

Don Gordon as Judge Curwin

R.G. Armstrong as Doc Schoonmaker

Katherine Moffat as Amanda Platt (as Kitty Moffat)

L.Q. Jones as Sheriff Pool

Logan Ramsey as Edwin Curwin

John Dennis Johnston as Horace Platt

Ron Soble as Tom Laws

Luke Askew as Dexter Ward

Meshach Taylor as Deputy Herbert

Boyce Holleman as Doc Odom

Natalie Nolan Howard as Court Clerk

Malcolm McMillin as Gas Station Attendant

Fred D. Meyer as Workman

In the early 1980s, producer Harvey (The Goonies, The Lost Boys) Bernhard purchases an unfinished novel by Edward Levy and hires Tom (Fright Night, Child’s Play) Holland – his first feature film credit – to write the screenplay (from scratch). He follows this up by scooping up Philippe Mora, the talent behind Communion and The Howling II: Your Sister is a Werewolf (cue blank stare), to direct. The result is the often maligned creature feature The Beast Within (1982) featuring Paul Clemens, Ronny Cox, Bibi Besch, Don Gordon, R. G. Armstrong, Katherine Moffat, L. Q. Jones, Logan Ramsey, Luke Askeew, John Dennis Johnston, Meschach Taylor, and Ron Soble. While the make-up effects by Thomas R. Burman (Prophecy, Altered States) are collectively praised, the premise received far more disparagingly negative critiques. Now it is time for the Grue Crew to settle the score. Is it a schlocky disaster or a grotesque cult-classic?

At the time of this writing, The Beast Within is available for streaming from Tubi and as PPV from Amazon and AppleTV. The film is available on physical media in Blu-ray format from SHOUT! Factory.

Every two weeks, Gruesome Magazine’s Decades of Horror 1980s podcast will cover another horror film from the 1980s. The next episode’s film, chosen by Grue Crew for their sestercentennial episode (that’s 250th, Grue Belivers), will be Gremlins (1984), with guest host Ralph Miller who is one of the effects artists who worked on the film as part of Chris Walas’ crew. This should be fun!

Please let them know how they’re doing! They want to hear from you – the coolest, grooviest fans – so leave them a message or comment on the Gruesome Magazine Youtube channel, on the Gruesome Magazine website, or email the Decades of Horror 1980s podcast hosts at [email protected].

Check out this episode!

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kunstplaza · 1 year

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michaeltigerkraft · 1 year

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Nachdem ich Ende 1999 meine Fußball A-Lizenz in Hennef erfolgreich gemacht habe, fädelte Rade Gavrilovic meine erste Station als Torwarttrainer bei Carl Zeiss Jena ein. Ich unterschrieb bei Cheftrainer Slavko Petrovic, einen ein Jahres Vertrag in der dritthöchsten Liga Deutschlands. Der ehemalige ostdeutsche Oberliga Club war gut aufgestellt mit der Fußball Akademie und einer ganz modernen Leichtathletik Halle (auch genutzt von Heike Drechsler). Meine Torhüter waren Tino Berbig und Roman Görtz und in der Rückrunde dazukommend vom Club Dubnica aus Kosovo Svetozar Obrucky. Zweimal die Woche trainierte ich noch die U16 bis U19 Torhüter. Das Team Michael Mason, Frank Schön, Stefan Treitl, Alexander Jovic, Holger Lischke, Christian Hauser, Dirk Hempel, Niels Mackel, Gediminas Sugzda, Rico Hanke, Miroslav Jovic, Boris Kalff, Sebastian Barich, Timo Uster, Marcel Rapp, Frank Berger, Nico Quade, Tobias Kurbjuweit, Andreas Schwesinger, Krzysztof Kowalik und Dirk Böcker stellten den Kader. Unser letztes Hinrundenspiel vor der Winterpause zuhause gegen SV Burghausen mit Rudi Bommer als Trainer, sollte ich nochmals zwischen den Pfosten stehen, da die Nummer eins Roman Görtz angeschlagen war und der zweite Torwart, laut Cheftrainer noch nicht die Erfahrung für dieses wichtige Spiel besaß. So bestritt ich als Torwarttrainer am 09. Dezember 2000 für Carl Zeiss das Regionalligaspiel. Wir verloren mit 1:2. In der 75. Minute verletzte ich mich bei einer Rettungsaktion den Ball zu klären schwer. Das verrückte, wir hatten schon unser Auswechslungskontigent ausgeschöpft und ich musste deshalb das Spiel unter starken Schmerzen weiter zu Ende spielen. Nach dem Spiel im Krankenhaus angekommen, war die Diagnose durch das Röntgenbild klar erkennbar. Ein Trümmerbruch in der rechten Großzehe, der Zeh hing nur noch so runter, sollte den Abend noch eine OP stattfinden. Zum Glück waren die Ärzte in Jena sehr einsichtig und behandelten den Zeh konform in Verbände ein. Im Telefonat mit Doc Peter Schäferhoff in Köln, wurde der OP-Termin direkt Montagmorgen terminiert. Erfolgreich nach drei Monaten stand ich wieder auf dem Trainingsplatz. Ende des Jahres Dezember 2000 wurde Trainer Slavko Petrovic entlassen. Für mich eine absolut unnötige Aktion. Thomas Vogel übernahm und wurde Trainer. Wir erreichten das Thüringer Landespokalfinale für die Qualifikation des DFB-Pokals. Gegner war RW Erfurt mit Clemens Fritz als Spieler. Wir verloren mit 0:2 Toren. VEREIN FC CARL ZEISS JENA Der Club wurde 1903 der Firma Carl Zeiss Jena gegründet. Anfangs gehörten dem Club ausschließlich nur Angestellte der Firma Carl Zeiss an, bis 1904 eine Mitgliedschaft für alle zugängig wurde. Neugründung des Vereins nach mehrmaligen Namensänderungen war der 20. Januar 1966 in FC Carl Zeiss Jena. Der bis heute größte Erfolg war der Einzug ins Endspiel 1981 im Europapokal der Pokalsieger. Erfolgreichster Trainer Georg Buschner holte mehrere Titel. Jena stellte mit Peter Ducke, Konrad Weise, Lothar Kurbjuweit und Hans Ulrich Graphentin zahlreiche Spieler der DDR-Nationalmannschaft. Nach der Wiedervereinigung Deutschlands verpflichtete man zahlreiche Namen aus dem Fußballgeschäft. Klaus Schlappner, Hans Meyer, Eberhard Vogel, Heiko Weber mit Co Marco Kämpfe, Frank Neubarth, Valdas Ivanauskas, Henning Bürger, René van Eck, Carsten Linke, Jürgen Raab, Petrik Sander, Andreas Zimmermann, Patrick van Kets, Volkan Uluc,Rico schmitt, René Klingbeil und Kenny Verhoene,

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liestdochkeiner · 1 year

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Oliver Jungen beginnt seine Rezension zur Brendan Behans „Frau ohne Rang und Namen“ so: „Solche Berserker gibt es in der Literatur nicht mehr. Heute ist Schriftstellerei ein Beruf. Viele erlernen ihn an Literaturinstituten. Und nur wenige, wie Clemens Meyer, haben zuvor überhaupt etwas erlebt...“

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intellectures · 4 months

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Dissidentisches Kopfkino

Stephanie Bart begibt sich für ihren bedrückenden Roman »Erzählung zur Sache« in die Gedankenwelt von Gudrun Ensslin. Dabei macht sie die Radikalisierung der RAF aus dem Inneren heraus verständlich, ohne die Taten zu rechtfertigen. In dem Versuch, dem dissidentischen Weltgeist eine Stimme zu geben, lassen sich Parallelen sowohl zu Klassikern wie Peter Weiss »Ästhetik des Widerstands« als auch zu…

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logonda · 1 year

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Mütter - Mütter

Autor: Rene Rilz (Hrsg.) Illustration: Johannes Gerber Titel: Mütter - Mütter -- Briefe - Erzählungen - Gedichte Einband: Hardcover Verlag: Steinheim Verlag Erschienen: 1983 Sprache: Deutsch ISBN: 3889520022 ISBN-13: 9783889520029 - Adelbert von Chamisso - Anna Schieber - Annette von Droste-Hülshoff - Anselm Feuerbach - Arthur Schopenhauer - Bettina von Arnim - Caroline Schlegel-Schelling - Christiane Vulpius - Clemens Brentano - Conrad Ferdinand Meyer - Eduard Mörike - Else Lasker-Schüler - Erich Kästner - Ernst Moritz Arndt - Ernst Wiechert - Eva Rechlin - Franz Werfel - Friedrich Güll - Friedrich Hebbel - Friedrich Nietzsche - Friedrich Schiller - Gabriele von Bülow - Gabriele Wohmann - Gerrit Engelke - Gottfried Keller - Hans Christian Andersen - Heinrich Heine - Jakob Kneip - Johann Peter Hebel - Johann Wolfgang von Goethe - Johanna Schopenhauer - Joseph Wittig - Justinus Kerner - Karl Bröger - Karl Friedrich von Klöden - Karl Immermann - Klabund - Kurt Schwitters - Lisa Tetzner - Lisa-Marie Blum - Ludwig Uhland - Maria Theresia - Marie von Ebner-Eschenbach - Martin Luther - Matthias Claudius - Max Herrmann-Neiße - Nikolaus Lenau - Novalis - Paula Modersohn-Becker - Robert Schumann - Rudolf Virchow - Theodor Fontane - Theodor Körner - Theodor Mommsen - Theodor Storm - Ulrich Bräker - Wilhelm Busch - Wilhelm Raabe - Wilhelm Tischbein - Wilhelm von Kügelgen - Wilhelm Waiblinger - Wolfgang Koeppen Read the full article

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somerabbitholes · 7 months

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hello! hope you're well.

what are your absolute favorite short stories?

(apologies if this has been asked before!)

hello! this took some time to put together because as it turns out, i remember stories extensively, but almost never their name. where i could, i've also linked the stories.

other people by neil gaiman

the funeral by ruskin bond

kids who come back by mariana enriquez

late arrival by clemens meyer

voting at barlowganj by ruskin bond

quare name for a boy by claire keegan

this marathi story by g. a. kulkarni called सोडवण, which loosely translates to solution, but more in the sense of closure and finality

this is what i could remember and put together with very crude yet extensive googling

#answered #short stories #fiction #book recs

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remixinc · 1 year

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VOGUE - PEGGY GOU from I AM HERE on Vimeo.

UNLIMITED BEAUTY starring Peggy Gou. Editorial film for Vogue Germany.

What are we striving for when we look into the mirror? Unlimited Beauty is an audiovisual journey into the mind trying to get closer to the meaning of individual beauty. This is our part to liberate and democratize the term of beauty. With this film we want to manifest a pervasive message. Beauty ultimately is a state of mind and consciousness that can’t be defined by external powers or opinions. Endless like the universe.

Starring Peggy Gou, Sebastian Abarbanell, Corey Gilbert Scott, Annalise van Even, Sophia Ndaba, Dana Pajarillaga, Azza Bashir, Ruben Nsue Mbese, Won June Choi, Canel Ataman, Dominik Humeres Correa, Paavo Pankrath, Milton Irons, Ismahan Ahmed

Written and directed by I AM HERE c/o Maik Schuster, Max Paschke

director of photography: Konstantin Mazov creative and choreography: Kiani del Valle music written and performed by Daniel-Junior Thibaut music published by Warp Publishing editor: Emma Backman sound design: Dennis Beckmann voice over artist: Peggy Gou stills photography: Maik Schuster

production company: Iconoclast Germany executive producer: Nils Schwemer, Carla Marboeuf producer: Josephine Conen, Tim Augustin post producer: Marino Coates-Chitty 1st AD: Philipp Haucke production manager: Steffen Gregorowius production coordinator: Kim Gabbi production assistant: Flora Mariott

casting: Eva Vollmar casting dancers KDV ensemble: Kiani del Valle choreographer assistant: Shannon Leypoldt parts of light installation Frequencies and light installation Fuse... created and provided by Tatjana Busch artwork Conversion Inflatable COSTA COMPAGNIE + ATELIER LANIKA Artists: Felix Meyer-Christian, Lani Tran-Duc, Anika Marquardt production management artwork Conversion Inflatable: Sarah Weinknecht art director: Julian Knaack art director assistant Diana Aldana stylist: Stefanie Klopf stylist 1st assistant: Sophia Steube styling assistant: Francesca Schliephake, Guadi Sandoval make up artist: Yvonne Wengler make up assistant: Nastasya Tikhnovetskaya , Marielena Krewer hair artist: Kim Keusen hair assistant: Julia Krohse manicurist: Studio 358 bodypaint: Atelier Muschka Bodypainting- Atelier H.M. Graf v. Matuschka, COLOR YOUR BODY | Maria Leibnitz

Camera Crew 1st AC Florian Ballack 2nd AC Clemens Szelies Steadicam operator Axel Zschernitz DIT Colya Zucker gaffer: Luke Sullivan best boy: Avner Eisenstein electrician: Michael Johannes Schmitz, Christian Müller electrician assistant: Ivarr Jacobsen, Barton Kirchmann, Ilan Sprafke

Post Production post production: The Mill colorist: Thomas Mangham compositor: Tom Freeman executive producer The Mill: Justin Stiebel executive creative director The Mill: Greg Spencer producer The Mill: Imogen Pai production assistant The Mill: Stevie Sapiano title and credit design: OBBY & JAPPARI

Stills Crew digital operator: Arthur Pohlit light assistant: Falko Saalfeld post production: onehundred Berlin

Vogue: vogue.de/mode/galerie/peggy-gou-modestrecke-maerz-ausgabe?image=60266478accaa04fcf0128a5 youtube.com/watch?v=VO1aA9rOhx4&feature=youtu.be

2021 / I AM HERE instagram.com/iamhere_filmco/ iamhere.cc info (at) iamhere.cc

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latestsportsonline · 2 years

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Effectively Wild Episode 1883: Know Your Value

Ben Lindbergh, Meg Rowley, and FanGraphs writer Ben Clemens banter about a flummoxing fun fact, Justin Verlander’s career vs. Max Scherzer’s career, and Max Meyer’s Tommy John surgery, then (24:55) discuss the Andrew Benintendi trade, Joey Gallo’s struggles, and the biggest questions surrounding the trade deadline before (45:53) reviewing “other” Ben’s work on the annual FanGraphs Trade Value…

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