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ieatsmallorphansnamedtom · 11 months

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Hi, could you do the bachelor/ettes with an s/o that plays an instrument in the orchestra? (Violin, cello, viola, bass)

Btw love ur work, and I hope you are doing well <3

-🌙anon

Bachelor/ettes x Strings Orchestra Player

My knowledge on instruments and music in general is very limited. So, expect mistakes. Still, this seems like a really fun ask (and cello is a really cool instrument), so I'd be happy to do it! I'm not sure if you meant in an orchestra as in the reader is actually in one or just an instrument from one, but the former seems more fun. Thank you for your patience in getting this done. Thanks for the ask, 🌙!

Oh, and I don't know how much tickets cost but I'm imagining they're expensive okay? Please don't get mad at me.

Oh, and an important(ish) announcement! My @ask-sdv blog is back up and running, now with a new coat of paint (aka I updated it a bit)! You can go an check it out and send in an ask if you want (it even has a running timeline!). So far we're on day two, so not much is there yet, but it will be soon!

Bachelors:

Sam

Join his band, please. He'd love to have another musician playing. And what better musician than the person he cares about most? Listen, I'm not sure how conventional it'll be to have strings instruments in a rock band (if he's doing a rock band, anyway), but Sam wants to make it fun and experimental anyway. And I know you're in an orchestra, so that may be hard (and he understands!), but he just really wants you there. The two have jamming sessions all the time together and use what knowledge you have on the other's instruments to help yourselves improve.

Elliott

He's a big fan of the piano, being a classical-based pianist himself, so if you're playing something like violin or cello, he'd love to do a duet with you. I imagine on the nights when you're sick he likes to play a bit of piano to help you sleep, so he'd really appreciate if you'd do the same for him. Like Sam, he helps you practice. Pays a high fee to get the best seats when you play. Man is in crippling debt (probably still paying off his shack), but will put that all aside to see you shine. Not the best investment, but... Eh... It's worth it to him.

Sebastian

Also a piano player (well, keyboard). He's a little bit shy about his skills, so he's not as keen to play duets with you. But he'd love to listen to you do a solo! He's got an ear for mistakes and how to fix them, so he makes a great tutor. And he'll do it for free, too! Or maybe a plate of sashimi. But that's close enough.

He usually can't afford to get tickets for your show, and all the people make him really nervous - he's not very confident he'd look 'appropriate' there - but when he can and he'd feeling up to it he will try to go! He really does want to support you; he just needs some extra help anxiety-wise.

Harvey

Adores listening to you play. He's quite the jazz guy, so if you're into playing that stuff he'd just fall in love (if he hasn't already). I like to think he comes from a rich family, though they don't really associate anymore, so he's had the chance to learn an instrument or two in his time - though I think he'd go for saxophone or French horn. So, he remembers a few bits and pieces to help you out with if you need it. But honestly, he just prefers to listen, mistakes and all.

Like I said, he's not really associated with his family anymore, and he's living in a small town in the middle of nowhere, so money is very tight. He can't really afford to go to your shows, so sorry about that. But his dream is to meet you backstage after you finish and give you the biggest gift of support he can. He gets so flustered seeing you all dressed up for your shows like that and can't help but take as many photos as possible.

Shane

Doesn't know anything about music, to be honest. He's a punk or alternative rock guy with a bit of an interest in metal, so if you're a classical musician it's going to be quite the change for him. But don't worry, he's still willing to sit down and listen! He can't provide much help but will show you CDs/tapes he's found in your genre. If you like his taste in music, however, oh boy; he's so happy. Again, not sure how strings instruments fit into death metal, but we'll make do. And who knows, maybe it's very common (though I doubt it).

Like Sebastian, he's not really looking forward to going to your shows due to his anxiety. Yeah, he's getting help for it and may be medicated, but that doesn't mean it's an instant fix! Situations like these where he feels out of place or unworthy can really trigger his self-doubt, so it's harder to go. But he has been able to save up for those really expensive shows Jas wanted, so he's doing better than Seb money-wise.

Alex

This man listens to The Beach Boys, '60s/'70s hits, and SWING BABY! Listen, this man is living in the past, okay? Metal is the biggest shock to him. It's the equivalent to showing a Victorian child TikTok to him. Please be patient. Anyways, if you're willing to play that sort of stuff he loves it! Well, he loves strings instruments in general but still! He loves it.

As for seeing your shows, he hasn't got the money for it, and Yoba knows he isn't asking his granny or grandpa for some. You'd honestly have to just pay for him, which would make him feel really guilty (he'd make up for it, though). He's also a little nervous in a suit; I headcanon that a lot or at least some of his confidence is a cover-up. But that all goes away when he sees you up there.

Bachelorettes:

Penny

She enjoys listening to you play a lot. I think she'd like classical songs, 10 Hour Deep Sleep Rain Noise for Deep Sleeping videos, and Fernando by ABBA (plus the songs I have for her in my other post). As a child I imagine she'd wanted to learn viola, so meeting someone who plays that very instrument or at least something in the same family of it will make her heart soar. She loves just closing her eyes and listening to you play.

As for her shows, she could never get in on her own. Girlie is living in a trailer, and she doesn't even have a car to get herself there. You need to pay for her, end of story. And despite it happening all the time, she will still feel guilty about it. It's just how it goes with her. So, do not - I repeat, do not - make her feel even worse about it. She will cry (maybe, alone).

Leah

Artist x Artist of Different Medium? Let's go! I just love Leah so much and she's such a perfect partner you don't even understand. She'd be so supportive of you in your musical endeavors; always giving you encouragement and even doing a little bit of research so she can better provide constructive feedback! She also may or may not have designed a few album covers for your own music (if you make it).

Once her art business gets up and going, she finally has the money to buy tickets to the show (that is provided they don't sell out). She probably went to Haley and Emily for help in picking out the best dress for her to wear, and the two teased her over being so in love.

Abigail

Musician x Musician? Yes please! She's currently working her way through mastering two instruments, so she'd be happy to help you out with yours. She plays her flute while you play your strings instrument in a wonderful duet that has the whole town captivated. You two make your own songs together and maybe even have a little 'band' on the side of Sam's!

Abigail has some money on the side for her shows, but in general she might have to ask for some money from her parents. Despite them being pretty strict about what her interests are, they do give her the money because they trust her and you. Abigail doesn't really have the best dress to wear, so she rocks the place by stealing borrowing her father's old suit.

Maru

Maru likes pretty much any music, but if you want to know the specifics check out my post I made for it in the General Headcanons post (link in my pinned post). Anyway, she loves what you do. Maru's definitely recorded you playing to a tape that she's looped to play when she's working. Demetrius is getting a bit sick of it, but Robin finds it cute.

I feel like Maru doesn't get paid much for her work as a nurse at the clinic. It's not that Harvey doesn't want to, it's just he's barely keeping the business afloat and he literally can't pay Maru any more without crashing the clinic as a whole. Maru understands this, and so does her family, so it's no biggie having to ask for a little cash just this one time. They happily pay, and Maru gets to go to your orchestra while donning an absolutely amazing outfit curated by Emily.

Emily

Speaking of Emily, she's quite the fan. She prefers upbeat tunes she can dance to, but if you're more of a mellow or sad type she'll still listen. I feel like Emily would really like to come up with unique dances for each of your songs - dances that rarely fit the theme. But in her words, "it's about how the song makes you feel, not how it's supposed to look."

Emily and Haley are having the easiest time getting to see one of your shows. Their parents are rich, rich enough to go and get milk on a holiday, so it's no problem for them to leave some extra money for their daughters. Emily spends a lot of money and effort making the perfect dress for the night, and you can easily spot her from the crowd due to all the fancy colours and frills.

Haley

Haley isn't the biggest fan of any music that isn't pop, so she's not as excited to hear you play. But don't be fooled; because it's you she's listening to, she'll sit there and hear it through. She doesn't hate it by any means, it just doesn't really grab her attention. But she would love it if you were to do a cover of one of her favourite songs. Now that is something she could listen to for hours.

As for going to one of your shows, Haley's all down for it. As I said, money's no issue. She takes you, Emily, and herself on a shopping trip in Zuzu City to get the one and only best dress for the occasion, no matter the cost. She'll have the room for it too after she cleans out her wardrobe. At the show, she's kind of bored, but passionate enough about you to loudly shush anyone talking.

-~-~-

Hello! I am doing well, 🌙, thank you for asking. I hope you are doing well too! With my @ask-sdv blog now open for asks, I'd really love it if people took the time to send stuff in. And this time with all the free time I've got I'll be able to actually get to them on time, haha... Anyways, thank you for reading, and I hope you enjoyed!

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poetzproblem · 3 months

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Sorry poetz, but I have to go back to the sex location list because I'm going to need you to expound on something: "Also the baby grand piano that goes into their house in Riverdale." Did Rachel trick Quinn into getting it by saying it was for her singing practice, when in reality she's always had a piano sex fantasy? Or did Quinn gift it to Rachel for her music when in reality Quinn had a piano sex fantasy? Love all you do poetz!

Can it be…

Both?

Both is good.

One of the perks of buying a house is the many extra rooms, of course, affording Quinn the opportunity to have a full-sized office with space for multiple bookshelves for the first time and Rachel with the opportunity for an actual music room. Up until this point, her songwriting has been done with a serviceable electronic keyboard that can be easily stored in a closet, audio software on her laptop, and Quinn’s borrowed office whenever she needed a little privacy. Now she gets to have a whole, entire room - and one little electronic keyboard will just not cut it. She obviously needs a real piano for both function and aesthetics.

So...

“Imagine how elegant a grand piano will look here,” Rachel muses, doing a little spin in the center of the empty room she’s claimed for herself.

The house is officially theirs as of eleven forty-eight this morning when they’d signed the last paper at the closing. Now they only need to fill it with all of their possessions and all the new possessions that they’ve always wanted but could never cram into their tiny Manhattan apartments.

Quinn raises a singular eyebrow at her wife’s antics. “Rach, sweetie, I know this room looks big now, but there’s no way we’re fitting a grand piano in here along with your awards case and the keyboard and that pink guitar your dads still have packed away in their closet for you.”

The grin disappears from Rachel’s face. “A baby grand then,” she amends on the fly. “There are a few high quality ones out there.” And with what they’d just spent on this house and what they’ll still be spending for a car that they now need, it's probably best not to sink the full cost of a second summer house into one piano.

“There are high quality uprights too,” Quinn points out with a critical gaze roaming around the room in obvious contemplation of its dimensions.

Pursing her lips in determination, Rachel steps closer to Quinn with a sway of her hips and slips her arms around her waist. “Quinn, baby,” she purrs, batting her eyelashes. “An upright isn’t nearly…sturdy enough for our needs.”

Hazel eyes meet hers in mild bemusement. ”Why would…?” she begins but abruptly bites off her own question, eyes suddenly sparkling with understanding.

A slow, wolfish grin slants across her mouth, and Rachel knows that her wife is remembering a very particular fantasy that she’d once related to Rachel - one that Rachel had really had no way to safely fulfill in a way that wouldn't potentially get them arrested for public indecency. “Yes, sturdy would be better…for reasons.”

Rachel hums in agreement, hands drifting lower to the curve of Quinn’s ass. “I knew you’d see it my way.”

“You know, Teresa did tell us there was no hurry to pick up the girls today,” Quinn reminds her in that raspy, suggestive tone that never fails to resonate right down Rachel’s spine. “We should take this time to review all of your many needs for this room.” Soft, skilled fingertips sneak a little farther underneath Rachel’s blouse with every word.

Rachel closes her eyes on a sigh, leaning into her wife’s warm body. “If we were ten years younger, I’d let you have me on this hardwood floor right here and now.”

Quinn chuckles huskily, her lips already sliding down to Rachel’s pulse point. “Oh sweetheart, don’t you know by now how creative I can be?”

Heat sizzles through Rachel’s body when that talented mouth connects to her skin with intent, and she tips her head back, giving in just enough - just for a moment - to indulge in the impossible fantasy. Quinn takes the invitation without any hesitation, and before Rachel even realizes what’s happening, her back is hitting the nearest wall and her very professional black skirt is unzipped.

“Quinn,” she gasps out in surprise, eyes flying open.

“We should test out how sturdy this wall is, don’t you think?” Quinn asks, far from innocently. One palm is flat against that wall while the fingertips of her other are already dancing under the loose waistband of Rachel’s skirt. “It’s where your awards case is going after all.”

And it is, of course. Quinn knows her too well. It’s the best place for the light of the window to reflect off her many statuettes in a way that will make them positively sparkle.

Rachel’s eyes dart to that same open window, and then to the still open door of the otherwise empty room, and then she remembers that this is their house and they’re the only ones with the keys to the front door (that they did remember to lock behind them) and their precious, precocious daughters are safe in Manhattan, and Quinn is already doing very pleasant things to her body that she really doesn’t have any desire to put a stop to.

“You’d better not throw out your back,” she warns, but her body is already giving in - hands pulling Quinn closer and thighs parting enough to give her more room to work.

Quinn laughs, teasing, “So sexy in your old age, Mrs. Fabray.”

Rachel’s fingers twist into blonde locks. “I’m merely protecting a long term investment, Quinn.” Her lips curve into an impish grin. “I still need you to help me shop for that piano.” Quinn’s fingers sink deeper in blissful retaliation, and Rachel moans breathlessly. “Among other things.”

“I’ll show you other things.”

And she does.

#don't blink #finally a house #fabedroom #piano scene #ficlet

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morganofthewildfire · 2 years

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Don't Say You Need Me - Chapter 1

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based on the album Ultraviolence by Lana Del Rey

masterlist

~2.5k words

this is a shorter chapter, just to start the fic, but they'll get longer after this! Let me know what you think!!! I'm super excited to share this with you!

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My life, it comprises of losses and wins and fails and falls

~ money, power, glory by Lana Del Rey

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No one was listening to her.

Aelin had been playing at this stupid bar for nearly an hour, and the best she’d cobbled together was a few girls who looked far too young to be in here. And chances were they recognized her one semi-popular song from Tik Tok. Her record label had manufactured a trend to it, and it went somewhat viral, to Rolfe’s pleasure.

She didn’t mind the trend, the exposure was good. But now to Rolfe, that was enough. No more money, no more effort, needed to be put into promoting her album. Hence why she was here.

“Look at you kids with your vintage music,” she sang softly, slowly transitioning into the next song. Her fingers danced across the plastic keys of the keyboard, desperately missing the smooth ivory of a real piano.

It made sense there was no real piano here, as the wood would get trashed in an instance just from the musty stench of beer, but she still craved the feeling of real keys under hands. She couldn’t afford a real piano for herself either, so she relied on going to a music store that had one on display. The owner, Emrys, had always been kind to her and let her play on it whenever she stopped in.

Which was often.

She was a musician, an artist, she needed to keep creating. Words and melodies constantly flowed out of her; she needed a way to pull them all down out of the sky and lay them neatly into songs tied up with a perfect ribbon that she could deliver to her record label.

Not that they appreciated it.

She could bring them a hundred songs right now, a hundred potential best sellers, and they’d shuffle them under a pile of paperwork, telling her to go sit down and be patient and wait until they told her when to write.

Rolfe was the worst at that, the CEO of the label. He was a very financially cautious boss, or really a money hoarder, and refused to shell out any more money than he thought he ever needed to. Which meant from the moment her first album, Blue Jeans, came out, there’d been practically no promotion whatsoever.

It’d had its moment briefly, but it was already faded into the abyss.

Which was why no one was listening to her.

“You get ready, you get all dressed up,” she sang, “to go nowhere in particular.”

The lilting chords hung a little too electronically in the air, but she pushed through, crooning into the microphone hooked onto the keyboard. Aelin loved this particular song, affectionately called Love.

She’d written it in her early days of writing music, back at the orphanage, or girl’s home she should say. That was the official name. But it was an orphanage.

At least there they’d had a real piano.

So this song had been sitting with her for about six years. She’d only been sixteen, but already forced to mature far more than other kids her age, giving her a unique perspective she just had to write about. She was nostalgic for a life that had never been hers, and this song was all about that.

A rose colored version, sure. But it was still almost unbearably honest.

The dimmed lights above the “stage” area of the bar set the mood, and she leaned into the music as it welcomed her with a comforting embrace. No matter what happened, she could always rely on that.

“Can you play Invisible String?!” One of the girls watching shouted out as the song came to a close, and Aelin was momentarily happy at getting a request, before realizing that the song being requested was not actually hers.

Aelin’s hands slowed to a stop on the keyboard, and she glanced out to where they sat at a table close to the stage.

Did they even know she was a songwriter? Or did they assume she was just covering a bunch of different songs? Did they know who she was? At all?

Fighting the rising anger in her, she swallowed it all back, prying her stiff fingers off the keyboard.

“I’m afraid that’s not my song,” she said, speaking to them. No one else even noticed she’d stopped playing. There was rowdy laughter and loud conversation, gross men guzzling beer and generally being disgusting.

Aelin hated that she had to stoop to this level to play, but her record label wasn’t networking for any opportunities for performances. She wanted to tour, at least a little bit, but the idea was vehemently shut down.

Technically, she could get in big trouble if they found out she was here. So technically, it might be a better idea to let those girls think she was just some cover artist. But her pride had always been her fault, and her unbearing temper.

Aelin liked to say it fueled her determination, and it was true for the most part, but it also got her into some sticky situations. She just couldn’t help herself sometimes.

“I’m just playing my songs,” she said, smiling tightly, “but I appreciate the request.”

Without waiting for a response she set her hands back down, transitioning into another song. This time Lucky Ones.

This song was also special to her, they all were special to her, except it stung a little bit. This song was about a dream she had, of a girl and a guy running along a beach, just happy and together, enveloped in a once in a lifetime all consuming love. She’d had to write about it, even if it was something she’d never experienced herself.

The hollow, aching feeling of loneliness had made its way into many of her songs, though none she’d ever finished. Loneliness, and that fear that once you found someone, you’d never be enough for them. And you’d be left desperately trying to hang on as the other person walked away.

She saw out of the corner of her eye as the girls left, apparently bored with her now, and she clenched her jaw, momentarily stopping singing.

Turns out it didn’t even matter, because the cord was yanked out of the wall, plunging the keyboard and the microphone into silence.

“What the hell?” Aelin cursed, whipping around to see the owner of the bar, Erawan.

“Time’s up,” he said, gesturing for her to leave the stage. “The boys want to listen to the jukebox now, not your sad shit.”

The boys. Gods.

“You know, whatever,” she spit, standing up. “Fine.”

She grabbed her bag, stomping off the stage, heading directly toward the bar. Her worn out sneakers landed in a puddle of what she hoped was beer, splashing up against the hem of her jeans as she stormed to go get a drink.

She’d even posted to her meager social media following that she’d be here, and all she’d gotten was a couple of girls who looked like they were out past their bedtimes.

“Fuck,” she cursed under her breath as she collapsed onto a barstool. Aelin had thought when she’d gotten a record deal, it would be her big break. But here she was, still struggling.

“Can I get an old fashioned?” She asked the bartender, nearly begging for the drink. The man just turned to look at her, a brow raised.

“Can I see some ID?” He asked flatly, and she nearly rolled her eyes, but reached into her tote bag regardless to dig out her wallet. With her long hair tied loosely in a braid down her back, and her simple tank top, no makeup on, she probably did look young. Though she was only twenty two; but still, it was annoying.

Her birthday was coming up anyway, she was almost 23.

Aelin whipped her ID up for the bartender to see, and it took him a second to read, but he nodded and she mockingly put it back into her wallet.

“An old fashioned, you said?” He asked, and she nodded, before -

“Wait,” she said, stopping him mid grabbing a glass. “How much does it cost?”

The bartender just chuckled, gesturing with his head over toward the booths on the side of the room.

“You’re good,” he said, and her eyes narrowed suspiciously. “Guy over there came and said he would pay for your next drink. I didn’t think you would ever come down from the stage, but here you go.”

Aelin raised a brow, and the bartender got to work making her drink, leaving her sitting there in contemplation. It was probably some gross dude, but she couldn’t deny she was slightly curious. So glancing over her shoulder casually, like she was just surveying the bar, she looked over toward the booths.

And her heart stopped.

The man was sitting alone in a booth, tucked into the corner, but he was visible enough that she recognized him as he lifted his drink in greeting. Oh she recognized him. How could she not?

As an aspiring singer/songwriter, there was no way she couldn’t recognize him, the guy was one of the most famous names in the industry.

Arobynn Hamel.

He was one of the most successful music moguls around. His record label housed the biggest talent, had the most connections, had everything you could want as a new artist. And he was here. And he bought her a drink.

Aelin watched as he took a sip, before blinking and turning back to the bartender, processing everything. What the hell?

Should she go over there?

Yes, was her immediate answer. But even when she got her drink, she hesitated. What would she even say? What did he want? What, what, what.

So many questions, and not nearly enough answers.

Lifting her chin up, she clutched her old fashioned tightly, pushing herself to a stand. He’d bought her a drink, he could explain why.

Her other hand was tight on her tote bag as she made her way away from the bar and to the booths on the side. Arobynn Hamel was sitting casually in one, his arm draped around the back of his bench, his other holding his drink. It was some sort of cocktail, but she didn’t know enough about alcohol to identify it.

“Miss Galathynius,” he greeted, gesturing for her to sit down across from him, and she blinked in surprise as she did. The wood was uncomfortable underneath her, but she barely noticed. “The lovely manager said your name as you got on stage,” he added a tad sarcastically, answering her unspoken question.

“You’ve been here since then?” Aelin asked, her voice slightly tight. She’d been performing for almost an hour, though she was sure she would’ve noticed had he come in in the middle of her set. But it made her a bit queasy knowing he’d been watching her sing the whole time. Queasy with nerves, wondering exactly what he was thinking. If he was impressed.

“Indeed,” he said, lifting his chin and looking at her, as if appraising her. She shifted a bit nervously. There was a moment of silence, and she sipped at her drink waiting for him to say something. “Did you write all of those songs yourself?”

Aelin nodded, setting her glass down on the lacquered table. “Yes,” she added, effectively repeating herself. “I write all of my own music.”

He hummed in contemplation, and she just stared. Arobynn Hamel was a remarkably famous man, but he was also remarkably private. Everyone knew what he looked like and how he made money, but no one really knew anything about him.

It was surreal to have him sitting in front of her.

“At Hamel Records, we pride ourselves on having both accomplished singers and songwriters,” he said, and her heart nearly stopped. “I believe you fit that criteria.”

Aelin realized she was gaping, and quickly shut her mouth, clearing her throat. To hide how shocked she was she took another sip of her drink.

“You just met me,” she finally settled on, her voice tight. “And no offense, but why are you here? It’s not the most glamorous location.”

She winced a bit, realizing the impertinence, but he just chuckled, the sound rumbling across the table. There was still loud raucous going on in the rest of the bar, but she could barely hear it, almost like a wall had gone up between this table and everyone else, sealing them off from the rest of the world.

“I like to stop in places like this,” Arobynn answered, lifting the hand draped over the bench to idly gesture to the rest of the bar. “To scout out new talent.” He quirked an auburn brow. “I may be the boss but I like to have a more personal touch on everything.”

Aelin nodded slowly. That made sense.

“So what do you say?” He asked, taking a sip of his drink. “Are you interested?”

“What?” She croaked out, adrenaline racing through her body. He just chuckled again.

“Where do you want to be in five years?” He asked, leaning forward a bit, one arm on the table. “Where do you see yourself?”

Aelin considered the question for a second, her heart pounding as she answered. “I want to be a star.”

He smiled, resting back against the bench. “I can make that happen.”

She wanted so desperately to say yes, to take whatever half baked deal he was offering her and hope it turned into more, but -

“I’m already signed to a label,” she said so quietly she was nearly whispering. “My first album is out through them. Blue Jeans; Blue Ocean Records.” They’d been the only ones interested in her two years ago, when she first began desperately hunting for someone to sign her. This hadn’t been an option then. Arobynn fucking Hamel hadn’t been sitting across from her, asking if she was interested in making a deal.

Of course she was. But it was too late.

Arobynn just winked, pulling out a business card and a pen from the inside pocket of his jacket. He set it on the table, clicking the pen and writing something down on the back of it.

“Here,” he said, tucking his pen back in his jacket and sliding the card across the table toward her. Aelin pried it off the sticky lacquer with one hand, feeling faint. “If you’re still interested, meet me there tomorrow night at 10 pm. Tell the bouncer you’re with Arobynn Hamel.”

He stood up from the table, straightening his jacket, and looked down at her. She could barely breathe.

“We’ll see what we can do about making you a star,” he said, and then he was leaving. His sleek silhouette as he headed toward the door far contrasted the rest of the bar, and all she could do was stare as he left. She needed to write a song about this feeling, something she’d never felt before. The feeling that finally, finally, something in her life was going to change.

-----

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#rowaelin #throne of glass fanfiction #rowaelin fanfiction #throne of glass #rowaelin au #throne of glass au #rowan x aelin #dont say you need me

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nihilnovisubsole · 10 months

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I'm doing pretty good on my own as a pugilist! I punch lots and be large at people!

i didn't expect to get so many spirited responses to that ffxiv post! in hindsight maybe i should have

when i ask things like "which class is easy" or "can i solo," i'm coming from many wayward years of ragnarok online. i'm used to teaming up with randos when a dungeon requires it. i'm also used to a pretty unforgiving climb to the top. i no longer have the free time nor the physical ability to grind eight hours a day for eight weeks to go from level 98 to 99. or money-grinding for six months to afford a best-in-slot weapon because none of the new content is survivable without a party of five in best-in-slot gear. yet i loved it and kept coming back! my bar for fun is pretty low.

anyway, i took the plunge and downloaded the free trial on sunday. i'm still in the starting zone, doing the baby quests. that's fine. dragoon fits the concept i have in mind for my character, so i'll try it, and if it's too tiring, i'll switch to a simpler one. the thing that actually drew me to the game most is that you can remap the controls to play "piano mode," i.e. pure keyboard, no mouse. considering that ragnarok didn't let you use the arrow keys at all - you had to click to move, even in combat - it's already a huge upgrade. we'll see!

#asks #wittyusernamed

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papayajuan2019 · 9 months

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What instrument would u like to learn to play?

when i was little it was always the piano or the electric guitar. i always thought they would've been the best ones to show the emotion i wanted to let out. particularly the piano. there was this air of piano playing being almost secret knowledge, it seemed almost esoteric to me as a child, because there was no way we couldve afforded a piano, let alone lessons. lots of my runaway daydreams would be abt rocking on the piano.

funny enough, two years ago i decided to buy a little keyboard and learn some rudimentary music theory on it. i kept it up for a few months, but i was working 60 hr work weeks at the time and i got too tired to keep going. the keyboard is still in my closet, keep meaning to pull it out. but, idk, still feels like i'll run out of time to learn how i wanted to learn. funny how things feel like that, like some sort of latent shame for not learning when you originally wanted to.

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redtrobug · 1 year

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Figuring out every day little ways to improve how I live with unmedicated ADHD. Sometimes they're in the form of sacrifices. Sacrifices of the way I wish I could live, if my brain and I got along.

I move into my home and place my bed right against the center of the back wall. I like it like that, it looks nice. But my brain disagrees, and prefers when we have extra space in the center of the room. It doesn't like that my only sitting spot is my bed, and tells me it's time to go to sleep when I get too comfortable like that. So I move the bed to the side, into the corner, and give myself floor room in the middle to stand, and dance, and pace, and stay upright so my brain remembers to stay awake.

I keep my desk downstairs. It's nice in the living room. I think it will motivate me to get out of my room more, with the sun, and it will hold my projector so I can watch movies on my wall. But my brain disagrees. My room is a quiet, safer place than downstairs. Downstairs where my roommate can find me creating. Downstairs where I risk being watched, or noticed, or pulled into conversation when I need to focus. The space doesn't feel right when I sit there. So I don't, and nothing gets done. I don't write, I don't draw, and I don't watch anything. So I move my desk to my room. It crowds the space, but I'm finally working. I place my keyboard on top, and I'm writing music again. It feels more like an upright this way, and I miss having a real piano. My brain is happy this way.

I take off my shoes at the entrance, to not track dirt in, or mess up my nice white carpets. But I get comfortable, and slow. I stop working, I stop creating. So I keep them on, even though I hate wearing them. I hate wearing socks. I like to have my feet on the ground. But my brain likes the sense of control they give me. You could go at any time. It says. You could get up right now if you need to. You won't have to waste time lacing up your boots when you have to run. Which is a ridiculous notion, really, because nothing's going to happen that I'd need to escape from. It's a safe neighborhood, I don't live with anyone dangerous, I don't have friends who will call me because their in trouble. But it keeps my brain alive anyway. Alive and buzzing and ready to go.

So we don't get along all the time. My brain's very needy, and so very very particular about how we do things. It does not compromise for me. But I'm learning to be okay with that, and learning to go with what it says. It tends to be right, really, even if I don't like it. Even if I wish things were different. But it wants what's best for me, and I forgive it for that. I forgive it for it's weird, particular ways. Hopefully, one day, when I can afford medication, I'll forgive myself too for fighting it for so long.

#speaking #just thinking

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studionotesonline1 · 2 years

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Mute For Trombone: Humes & Berg Practice Mute | Studio Notes Online

Every trombone player should own a good practice mute. A practice mute serves to reduce the volume produced by the sound of a trombone.

The Humes & Berg Practice Mute is one of the best products on the market. Practice anywhere at any time without disturbing people around.

Humes and Berg Trumpet Mutes are made of durable plastic material and features a special design that facilitates accurate tuning. The Humes and Berg Trumpet Mute is ideal for practicing on your own.

#studio notes online #Alesis Melody 61 #Trombone Mute #Sony ZX110 #Sony ZX Series Wired On Ear Headphones #Buy Piano Keyboard #Best Affordable Keyboard Piano #best music writing software #harmon mutes #Humes And Berg Trumpet Mutes

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tepng · 13 days

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How to Discover the Best Musical Equipment Supplier: Your Ultimate Guide

If you are a program artist, music composer or event organiser, you already know that having the right musical equipment will make the desired outcome as well as make a difference in the quality of the sound and overall performance. So, it becomes equally important to find the right musical equipment supplier near you who can provide you with the best instruments for your business.

So, here are some crucial points you can consider when looking for a musical instrument supplier. Let’s check them out.

What to Look for in a Musical Equipment Supplier?

1.Quality of Equipment

Above all, the main focus is on the quality of musical instruments and audio systems. Instruments that are high in quality can produce clear and rich sounds, while professional-grade audio systems ensure reliability during performances. So, It is important to choose suppliers who offer instruments that can withstand frequent use over a long period of time.

2.Variety of Equipment

As per the type of music and place of performance, the requirements for musicians and organisers change significantly. A supplier who has a wide variety of equipment available, starting from classical instruments to modern audio technology can offer great flexibility in creating your setup according to what you need specifically. For example, if you require mixers, microphones, speakers, pianos, keyboards or special instruments, the supplier should be well-equipped to provide you and that also from reputed brands. Moreover, having different choices at one location could greatly simplify your logistics.

3. Affordable Price Range

Quality is important, but it must match with your budget. Choose the finest suppliers that have different product options available at varying prices. This means you can find something suitable for your needs in their range without compromising on quality. It's good to look for competitive prices, however, also think about suppliers who provide finance choices or seasonal offers that might make high-end equipment more affordable.

Conclusion In finding the correct supplier of music equipment, one must think about quality, variety, and price. If you are in the music or event industry, connect with TE(PNG)LTD now. They have a full range of broadcast and professional audio systems that can be trusted for their high quality. From high-end guitars to speakers, power amps, synthesisers, keyboards and more, you can explore a variety of top-quality musical instruments all sourced from top-rated brands. Head over to their website now for additional details and support services.

#Musical Equipment Near Me

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xcoolsblog · 1 month

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What are the best musical instruments for children to learn how to play?

Learning to play a musical instrument can be a rewarding experience for children, fostering creativity, discipline, and cognitive development. When considering which instrument is best for a child to learn, several factors should be taken into account, including the child's interests, physical abilities, and personality. Here are some instruments that are commonly recommended for children to learn:

Piano/Keyboard: The piano is often considered one of the best instruments for children to learn due to its versatility and foundational role in music theory. Keyboards are also a good option for beginners as they are more affordable and portable.

Guitar: The guitar is popular among children due to its cool factor and the wide range of musical styles it can be used for, from pop to rock to classical. There are also smaller-sized guitars designed specifically for children.

Violin: The violin is a classic choice for young musicians, teaching important skills such as ear training, coordination, and discipline. It's also available in smaller sizes to accommodate children.

Recorder: The recorder is often used as a starter instrument for young children due to its simplicity and affordability. It teaches basic music fundamentals like breath control and finger dexterity.

Drums/Percussion: Drumming is great for energetic children who love to move and make noise. It helps develop rhythm and coordination while allowing for creative expression.

Online music classes can be a valuable resource for children learning to play an instrument. Here's how they can help:

Convenience: Online classes allow children to learn from the comfort of their own home, eliminating the need for travel and fitting easily into busy schedules.

Flexibility: Many online music platforms offer flexible scheduling options, allowing children to learn at their own pace and schedule lessons around other commitments.

Access to Expert Instruction: Online classes provide access to skilled instructors from around the world, giving children the opportunity to learn from the best regardless of their location.

Interactive Learning: Online music classes often include interactive features such as live video lessons, virtual sheet music, and interactive exercises, making learning engaging and fun.

Community and Support: Online music platforms often have communities where students can interact with each other, share experiences, and receive support and encouragement from fellow musicians and instructors.

In conclusion, the best musical instrument for a child to learn depends on their interests, abilities, and personality. Online music classes offer a convenient and effective way for children to learn to play an instrument, providing expert instruction, interactive learning experiences, and a supportive community to help them succeed.

#classical music #guitar #online music class #flute music #music #piano #education #vocal music #violin #online classes

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bestpianoreview · 5 months

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Yamaha YPT-260: A Comprehensive Review by Best Piano Review

The Yamaha YPT-260 is a digital keyboard that has gained popularity for its impressive features and affordable price point. In this review, Best Piano Review will delve into the key aspects of this instrument, providing valuable insights for potential buyers.

Key Features

The YPT-260 boasts a range of features that cater to both beginners and intermediate players. From a diverse set of voices and styles to built-in educational tools, this keyboard aims to enhance the overall playing experience.

Design and Build Quality

The design of the YPT-260 is sleek and functional, with an intuitive layout that makes it user-friendly. The build quality ensures durability, making it suitable for both home practice and on-the-go musicians.

Sound Quality

One of the standout features of the YPT-260 is its rich sound quality. The keyboard incorporates Yamaha's renowned AWM stereo sampling, delivering authentic and dynamic tones across its extensive range of voices.

Keyboard and Playing Experience

Equipped with 61 touch-sensitive keys, the YPT-260 provides a responsive and expressive playing experience. The keyboard's touch sensitivity allows for nuanced playing, making it a suitable choice for musicians at various skill levels.

Educational Features

Ideal for beginners, the YPT-260 comes with a range of educational features. The Yamaha Education Suite (YES) offers step-by-step lessons, making it an excellent tool for those learning to play the piano.

Connectivity Options

Modern connectivity options enhance the YPT-260's versatility. With USB connectivity, users can connect the keyboard to a computer for recording or use it as a MIDI controller. Additionally, the headphone jack allows for private practice sessions.

Portability

Weighing in at a manageable size, the YPT-260 is a portable option for musicians who need to transport their instrument regularly. Its compact design doesn't compromise on features, making it an excellent choice for those on the move.

youtube

Pros and Cons

Pros:

Affordable price point

Diverse range of voices and styles

Touch-sensitive keys for expressive playing

Educational features for beginners

USB connectivity and headphone jack

Cons:

Limited to 61 keys (may not be suitable for advanced players)

Some users may prefer more advanced features found in higher-end models

Conclusion

In conclusion, the Yamaha YPT-260 stands out as a versatile and budget-friendly digital keyboard. Whether you're a beginner looking for a reliable learning tool or an intermediate player in need of a portable practice instrument, the YPT-260 offers a compelling package of features. Best Piano Review recommends this model for its impressive sound quality, educational tools, and overall value for money in the digital keyboard market.

#Yamaha Ypt-260 #Yamaha #Ypt-260 #Youtube

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morganofthewildfire · 2 years

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Don't Say You Need Me - snippet

dedicated to you @thegreyj ❤️

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No one was listening to her.

She didn’t mind the trend, the exposure was good. But now to Rolfe, that was enough. No more money, no more effort, needed to be put into promoting her album. Hence why she was here.

Which was often.

#dont say you need me

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impossiblemakerfire · 7 months

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Pianoforall reviews - Is it worth the trouble or is it just another boring piano lesson?

Like piano lessons for all students, Pianoforall is a popular program for learning to play the piano by ear instead of the more technical way of reading music. It's no longer a brand-new app. The Pianoforall course was first added in 2006. It was made by professional pianist Robin Hall. pianoforall reviews, It was updated and made more modern in a big way in 2013 and 2020. In those 15 years, a lot of students all over the world have bought Pianoforall. The COVID-19 pandemic has given pianoforall a sort of second chance. In 2020 or 2021, when many communities are on lockdown, more people than ever are going online to meet new people, play games, or even learn new skills like B. The piano as a gamble. Sales of Pianoforall are going very well. The amount of buzz about this piano teacher is at an all-time high, so now is a great time to take a closer look and see what all the fuss is about. Find out more about all nine pianoforall books on a trustworthy website.

What You Want: Pianoforall

You need a bodily piano or keyboard. If you don't have a fancy setup, a digital piano might not be enough. The best tool to use is one with 88 keys. But 61-key and, to a lesser extent, 76-key virtual keyboards are more common and cheaper, so many students are starting with them. A 61-key keyboard is a good way to learn how to play the piano. But there are some things that can't be done. Because there are less octaves with sixty-one keys, you might not be able to play all songs correctly. You should also think about whether or not your instrument has keys with different weights. Most piano teachers agree that fully weighted keys help students learn faster and with a more nuanced understanding. But weighted keys cost more money. Half-weighted keys are better than none at all, but if you can't afford fully weighted keys, unweighted keys are better than none at all. You will also need a way to read the e-books and watch the videos that come with pianoforall. If you're reading this file, chances are you're in good shape. You can use a computer, laptop, tablet, or even a phone with Windows, Mac, Linux, Android, or iOS as the operating system. Visit the official Pianoforall website to find out more about which items qualify for this program.

Who is Robin Hall, piano-for-all?

Robin Hall is an artist who is known as a cartoonist and may be very good at it. He is also a pianist, and he started his career by selling his paintings and music, often on a contract basis. Hall also worked as a private tutor, teaching people how to play the piano and how to turn their natural creative skills into skills they can use in the real world as a professional cartoonist. The question of whether it's better to learn by ear or from notes is an old one, but Hall almost always takes the former view. As he moved up in his career, he began to promote books, including The Cartoonist's Workbook. In it, he uses art, educational texts, stories, and humor to get his ideas across, and it works. He realized at this point that these ideas could also be used in piano lessons. He started using these strategies and did very well with them. Then he put them into the pianoforall program.

What's safe on the pianoforall?

Illustration 1 The middle of the pianoforall course is made up of nine e-books with a total of 600 pages. Each e-book introduces a path with a topic,pianoforall reviews, such as: B. Jazz, and the books are set up so that you work through them in order. Each book builds on the skills you picked up in the last one. The program also has more than 200 video lessons, which are available online in the e-books. This way, Hall can show a concept from more than one angle, and it's easier for you to listen and figure out the track you're supposed to copy at each level of the route. Pianoforall also has more than 500 audio song parts and physical activities. These sports events are especially good for freshmen who learn best by hearing and can help you remember what you just learned in class. You can spend as much or as little time on each exercise as you need to understand the concept. Find out more about all nine pianoforall books on a trustworthy website.

Piano for ALL: The Whole Course

In the sections that follow, we'll talk about the nine e-books in the middle and one of the bonus books: Party Time: Rhythm Style Piano is the first book. The main four books are meant to build a strong foundation. The first book starts from scratch and teaches you everything you need to know to keep playing the piano or keyboard. This also means that you need to know what chords and rhythms are. After the program gives you the notes, you can play triad chords. The main idea that runs through this book is that playing and listening to music is more important than understanding the theory behind it. It does, however, teach you about some of these theories, such as rhythm notation. Pianoforall is different from other piano books in a great way: it doesn't spend a lot of time on practicing rhythm and naming notes. Its goal is to teach you the basics of how to play and then move you along quickly. udemy pianoforall, The rest of the time is spent teaching you how to act out famous music rhythms that you probably already know well or have at least heard of. Blues and Rock 'n' Roll, Book 2 By the end of the first book, you'll know 10 rhythms and 11 basic chords to play "Amazing Broken Chord Ballad," a famous piano lesson song, and you'll be able to play the chords and rhythms of a few well-known songs that almost everyone knows. The second book builds on that by teaching you how to play blues rhythms. One of the main goals of this book is to make you practice left-hand rhythms until you can play them without thinking. Then, the rhythms for the right hand will be easier. This book is shorter than the first, but by the end, you will know how to play five of the most famous blues rhythms. You'll also be able to play the 12-bar blues in any key, which is an important part of popular music. Book #3: Chord Spells Book 3 is the most complicated, but it will teach you the chords and inversions for each key. This is a form of too many numbers, even if they are needed. It reminds you of a few things that piano teachers have been telling college students for hundreds of years. You can find a bunch of physical activities in the 0.33 book that will help you remember what you just learned. It also gives you an introduction to the Circle of Fifths, which is also called the Circle of Fourths. This gives you a basic idea of how music is put together and how keys relate to each other.

Advanced Chords Made Easy is the fourth book.

Advanced chords can seem hard, and the goal of this book is to show you different ways to look at them so that they seem much easier. It begins with what Hall calls a "magic system" that helps you play chords by using the symbols for chords in songbooks. He shows you a bit inspired by Barry Manilow, and then he challenges you to write your own piece based on the same idea. From there, the path moves on to chord bundles and faded chords, with several practice sequences to help you learn them. Once you're good at those, you'll learn the Beatles' style and get a list of songs you can play. Ballad Style is the fifth book. The fifth e-book has a lot going for it. It teaches you how to play a ballad-style tune by having you build your own piece of music step by step. The focus here is on teaching you how to improvise and, perhaps more importantly, showing you that you already have the creativity to do so now. Once you know that, the book goes back to well-known ballads from around the world, like "B. Auld Lang Syne, and gives you sheet music for about five more. By the end of the course, you'll be able to play a few complete solo piano pieces, as well as some well-known Christmas carols. Find out more about all nine pianoforall books on a trustworthy website. All That Jazz & Blues is the sixth book. This may be one of the more difficult parts of the route, but it also has a lot to do with school. Here, you'll learn about blues scales, chords, and other blues-related things. The application then moves right on to jazz, which may be very hard to understand, but this approach makes it much easier to understand. Through the lessons, the student learns to play jazz in four different keys, and there are many fun and tasty progressions in these lessons. Book 6 is also full of tips for improvising, and it encourages you to do it as you test. By the end of this course, you'll know a lot about seventh chords and quarter-tone harmony. Advanced Blues & Fake Stride is the seventh book. Book 7 is funny because it goes back to e-book and keeps going from there. You might have forgotten what you learned back then, but this book reminds you of it and shows you just how far you've come. It also has the information about advanced chords that you just learned. You will also learn how to do slides, tremolo, and other blues moves. The software then moves on to the stride piano, which can be either real or fake depending on how far the hand moves. It all comes to a head when the student plays The Entertainer, which is widely thought to be one of the hardest jazz arrangements. Book No. 8 is called Taming the Classics. This is the first part of the course where you really work with sheet music, and it starts with a review of what you've learned about music notation so far. You will also get tips and strategies for how to work with your notes so that you can handle them better. Book 8 is probably one of the most divisive parts of Pianoforall because it doesn't teach you how to study music in the usual way. Instead, it is a shortcut that requires you to look up chords and motifs you already know, paying attention to flat and sharp notes. Then the direction moves on to full classical piano pieces by many great composers, such as Beethoven. The course also gives you all the tools you need to practice reading music, pedaling, tone, and other skills. It's up to the student to decide how much time to spend on each skill. Ninth Book: Fast Learning You'll look at arpeggios, scales, and triads in this last book. These things might be some of the first things you learn in a traditional online piano course. Here are a few of the last ones, and it's fun to go back to the basics after you've learned so many amazing piano skills. The name of the book comes from the fact that you may need to use these strategies every day to get better at what you do. It has mnemonic phrases that are easy to remember and a lot of practice exercises that you should learn by heart. Once you've done this, you may have a deep understanding of melodic styles, keys, seventh chords, triads, and so on.

The Practice of Mindfulness, which is a bonus book,

This bonus book is not just about playing the piano; it is about creativity in general. It's about how to put what makes you who you are into your song and other parts of your life. Video training As mentioned, the video instructions are a part of the text-based courses, but we wanted to quickly explain what they are about. pianoforall - incredible new way to learn piano & keyboard, Most videos show two or more keyboards lined up next to each other horizontally. The bottom keyboard looks like Hall's fingers when he plays it. The keys on the second keyboard are colored to show what keys are being pressed in the video below, and the 0.33 keyboard is used to show important things like progressions, transitions, and so on. With Piano for All and a special online discount, you can start learning piano right away.

Pros and cons of Pianoforall

In a nutshell, here's a summary of what we like and don't like about pianoforall: Per: You can start playing the piano right away. It includes instructions that can be heard, seen, and read. It uses well-known songs to please as many people as possible. It makes you use your left hand just as much as your right. encourages your musicality, Robin Hall Pianoforall, or your natural ability to make music. Gives information in a way that's easy to understand Disadvantages: Maybe too little cognizance on era Maybe I didn't pay enough attention to what I was reading. skips over a number of important words and symbols Is Pianoforall Really as Good as Everyone Says? Giselle Sproule's last update was: Piano Apps & Courses, Learn Piano Score for pianoforall WHAT YOU NEED "Piano for all" is a very flexible direction in terms of what you need to follow it, but you must have a piano or keyboard. Getting a sixty-one-key keyboard and starting to practice is a lot better than not having a keyboard at all. Portable piano keyboard Still, if you are serious about learning to play the piano, I would suggest getting an 88-key, fully weighted digital piano as soon as possible. Most 61-key keyboards are either unweighted or only partially weighted, which means they feel much lighter and different than an acoustic piano keyboard. Digital pianos, on the other hand, usually have 88 hammer-action keys that feel as much like an acoustic piano as possible. This lets you improve your right finger strength and technique. As for the time, pianoforall pdf free download,you can download the e-books on your Mac, PC, iPhone, iPad, or Android. If you want to learn piano online,pianoforall reviews, you've probably already found Pianoforall. Pianoforall is a popular online piano course with more than 250,000 students. The way you play is based on chords before you are asked questions, so you sound like a pro right away. The author, Robin Hall, says that his ebook course will teach you to "play the piano by ear, improvise, compose, and finally read piano sheet music." Each "chunk-sized" lesson is designed to help you move from one skill to the next in a logical way in a short amount of time. Reviews say that 2030 minutes of practice every day is enough to start sounding right in a few days. So how does pianoforall paint? Does it do what it says it will? Read on, and I'll tell you everything you need to know to decide whether or not pianoforall is right for you. Is this the right path for you? In this newsletter, I'd like to talk about a way to learn to play the piano called "Piano For All. It's a series of eBooks (downloadable or on DVD) with audio and video lessons built in to help you learn to play the piano quickly and easily. review pianoforall, Since the price is very low, this review will try to answer the most obvious question: can you really learn to play the piano with an eBook course that costs less than $100? Piano for All Review: After 7 Years (!) In fact, the best price for the virtual version of Piano for All is $40, which is often the cost of a single lesson with a good teacher (and that is generous). is pianoforall any good, In this case, the author of the program, Robin Hall, is your trainer. Best of all, he's a lot cheaper and always available to you. I'll start this review by telling you a little bit about the program itself, giving you an overview and mentioning some interesting things I've already learned about it. Then I'll talk about the parts where I think it works well and the parts where I think it could be improved. At the end of this review, I'll decide whether the program can replace a real teacher or if it's just an extra. I'll even tell you what I thought of the course. If you're looking for a new digital piano, check out the interactive guide below to see what we think are the best ones on the market: People who are thinking about taking the Piano for All course often ask us online if this program is right for them as an individual. If you're just starting out, the answer to this question is "yes." The route is great, funny, and works perfectly. If you are an experienced player, the answer might be no. It's also important to remember that this curriculum doesn't teach classical piano playing. Instead, it focuses on rock 'n' roll, blues, jazz, and other styles. To make the instructions interesting and fun. But what's funny depends on how you look at it, and if you want to learn the piano in a more traditional way,pianoforall download, pianoforte might not be the best choice.

THE CURRICULUM

Each book is about a different part of playing the piano, and they build on each other so that you can use the skills you learn. You have to read the books in order, except for Book Nine, which can be used at any time. BOOK 1: PARTY TIME - RHYTHM STYLE PIANO The first book is both an introduction to this system and to the keyboard. Book one of Pianoforall It starts off with the main idea of pianoforall, which is that you need to learn chords and rhythms first before you can improvise, write melodies, or read music by sight. It shows you the notes on the keyboard, then right away starts playing a few basic three-part chords to remind you that, just like when you're learning to play the guitar, at this early stage it's more important to play than to look for the idea. Book One also teaches the basics of music notation, such as rests and basic rhythm. Most traditional lessons spend a lot of time naming notes and practicing rhythm, but this section moves quickly. You may need to keep coming back to this to understand what the later exercises are about. As you go through the book, you may look up a well-known song's chord family and rhythm, which you can use with the chords to play a song.

How piano lessons are put together

In book one, you will learn a total of ten rhythms and eleven basic chords. The chords are taught with the idea that you'll look at the chord symbols in songbooks, just like guitarists do. So, when you see symbols for a seventh chord or a scale down chord, you'll be shown what to play. By the end of the book, you should be able to play the chords and rhythms of a number of well-known songs while you or a friend sings the song. Read the full article

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keyboardforbeginners · 9 months

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keyboard for beginners

ays To Succeed on the Keyboard for Beginners

Many words have been written on the advantages of music for adults and children alike. The love of music and early publicity to its results on the creating brain has a huge effect on the potential of younger individuals to thrive in plenty of avenues. Building self-discipline enables individuals to comprehend the benefits of what is greatest for them rather than giving in to momentary weaknesses that will harm their well-being. keyboard for beginners classes involve studying time administration, self-knowledge (realizing what you want and living as much as your goals and values), and having the courage to live as a lot as your beliefs, just some of the traits required to construct self-discipline. Piano & Keyboard for newbies software program has many features of its own that you should take a glance at. It can offer you 300 tough classes by this software step-by-step with the cover-up of fundamentals. It includes the rhythm, positioning of your palms, and the power to play black keys. Piano Lessons For Beginners Apart from that, it has sight studying, scales, and music notation, amongst different classes of this software program.

Concentration is especially hard for younger children, who have a lot else they want to do; keeping their consideration on their lessons is a huge studying curve. Learning to direct your attention in no matter course you need is a talent that can aid you throughout a lifetime.Concentration is key to remembering the purpose. With understanding the keyboard for beginners comes the necessity to understand the speculation of music, which suggests the main target is required to deliver each the music taking part in and the flexibility to learn music collectively. The capacity to coordinate info obtained via the eyes to manage, information, and direct the hands in carrying out a given activity could be translated to many areas of a kid's improvement.

Learning to play the keyboard and read music benefits shallowness, notably in youngsters. Learning to view your self positively and really feel okay about your picture permits younger individuals to face up to peer stress. It permits them to stay to their values and never be influenced into straying onto a path not in their best curiosity. The alternative to entertain household and friends and play your instrument in a school efficiency brings pleasure and accomplishment. Receiving piano lessons from an experienced trainer is extraordinarily helpful. Still, at the identical time, it was solely attainable for some to afford hours of classes to turn into curiosity. Nowadays, many software program packages, books & online movies can be found that will assist you learn the piano in the absolute best means. To cater to the requirements of piano classes for beginners, in-depth studies are additionally out there..

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merriammusicinc · 11 months

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Casio SA-76 | Mini Keyboard Review & Demo | 44-Keys 100 Sounds 10 Integrated Songs

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There's no question that Amazon happens to be the primary place many people shop for goods, and that now includes keyboards. Huge amounts of keyboards are sold through Amazon every year.

We decided to go onto Amazon ourselves to see which digital pianos happen to be most popular and determine whether they're actually good buys, and whether or not they're worth all of the 5-Star reviews.

In today's article, we're going to look at one of Amazon's best sellers with the Casio SA-76 44-key portable keyboard.

Let's start with some background.

Casio SA-76 | General Background Battery Powered Option

The first thing that you should know is that this instrument does not come with a power adapter. It supports a power adaptor, but that's an optional extra that you'll have to add on if you want one. As long as you've got the right pin polarity and the right adapter size, pretty much any universal AC adapter will do the trick, so you don't necessarily need to add the Casio branded one.

You can also operate the Casio SA-76 with 6 AA batteries as the power supply, and that's probably the way most family's buying this for young kids will use it.

Super Affordable

The next thing worth noting about the Casio SA76 keyboard is how inexpensive it is. To be able to get something with any kind of piano function for under $100 is a big deal, and up here in Canada, it runs for around $70 CAD and $60 USD in the United States.

Accurate Tuning

It's easy to take for granted when you're playing on a $200, $300, or $400 musical electronic instrument that it happens to be in tune, but so many baby and toddler musical toys aren't even close to being in tune.

Some people might ask if that even matters, but if you're trying to give a young child a musical toy to start laying some musical foundation, it should absolutely play in tune.

Casio SA-76 - Key Specs Casio SA-76 - Key Specs 44 Note Keyboard with Mini Keys

The keyboard has 44 total notes, meaning it's half the number of keys you'd find on a normal piano or keyboard. The keys are also thinner and shorter, hence the name mini keys, as smaller size keys make it easier for small fingers to play. The keys are not touch-sensitive, but that's not going to matter for a young child beginner.

LCD Display

There's a helpful LCD display screen for navigating the different music options, and the interface, in general, is going to be very easy even for a young kid to use.

100 Sounds + 8 Note Polyphony

You have the option of 100 different tones to choose from, with 8 notes of polyphony. 8-note polyphony is not much but fine for the intended use of this beginner keyboard.

Built-In Songs & Rhythms

There are 10 built-in songs and 50 drum patterns, as well as a couple of different playing modes, and even a metronome.

Speakers

There are 2 small speakers and amps on each side, with a total of 2.4 watts of amplifier power.

Casio SA-76 - 3 Piano Modes Casio SA-76 - 3 Piano Modes Tone Mode

As mentioned, there are 100 sounds to choose from on this keyboard. Some of the sounds are quite convincing, while others definitely are not, but it's expected that an instrument this inexpensive would not have the most consistent sound quality.

Out of the 100 sounds, there's a mix of pianos, electric pianos, organ sounds, synthesizers, reeds, harmonica, brass, strings, guitar, bass, mallet instruments, and various others. All of this is available to you in Tone Mode.

Pattern Mode

The second mode on the keyboard is called Pattern Mode. Which is where you start getting into the rhythms. There are 50 drum patterns to choose from and have fun with and 5 drum pads.

Song Bank Mode

Then, there's a third mode called Song Bank Mode. There are 10 built-in songs that you can play back, and this is what is going to get toddlers up and dancing around the house. The songs are fun, high-energy, and perfect for getting a little one excited about music.

Who Is This Instrument For? Casio SA-76 - Young Beginners Best to Avoid If...

Who is this instrument for? Well, we can start by saying who it's not for. The Casio SA76 doesn't have any MIDI connectivity so anyone looking for a super inexpensive and compact MIDI controller or portable & arranger keyboard for production, this won't cut it.

While it is made for toddlers, it's also not the most durable, so the average 18-month-old wouldn't have a problem quickly breaking the keys, and that unfortunately won't be covered under warranty. You'll want to make sure your child is at an age where there a little more gentle with toys.

Young Beginners

So, we're left at this being aimed at young learners to see if there's some musical interest there, at the most basic of levels. This would be a really great gift for a young child, instead of a bit of a cop-out of a gift card, and having them interact with it even for a few minutes a day would probably be a good gauge of whether or not there's some early musical interest.

It's hard to pinpoint an exact appropriate age, but we'd probably it's going to be great for kids around 2 and a half years of age, up to about the age of 7. It's not quite technical enough to keep an older child interested since there's no Bluetooth or other connectors to get it working with a phone.

Perfect Musical Exposure Toy

For the price, this is a really good way to expose a child to some basic musical ideas that can serve as a great building block for furthering musical education.

The biggest downside is that there's no MIDI output which would have actually opened this up to a lot more power. There's no sustain pedal, but this isn't a big deal given the fact that the action isn't touch-sensitive.

Other than that, for what you're getting for the money, this is probably one of the best musical exposure toys on the market. And sure, you could jump for one of the Casiotone 61-key portable keyboard workstations or something from Yamaha that's a bit more substantial, but that's not really necessary.

Closing Remarks

Thanks for reading! We hope you've enjoyed this look at a popular seller on Amazon the Casio SA-76 Mini Keyboard. If you're a parent out there and you are looking for exactly what we're just described, hopefully, you found this helpful.

We'd recommend checking out the accompanying video for a more in-depth review and checking out the rest of our YouTube channel for more musical instrument reviews. Don't forget to visit our website for more article reviews.

The post Casio SA-76 | Mini Keyboard Review & Demo | 44-Keys 100 Sounds 10 Integrated Songs first appeared on Merriam Pianos

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#casio sa-76 #casio mini keyboard #mini keyboard #sa-76 #casio keyboard

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