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#BAFTA Video Games Award
gamemories · 1 year
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nobigneil · 26 days
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The Devil You Know & The Pale Elf
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bertolts · 25 days
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I couldnt help it… Neil slayed 🗡️🩸
[ Originally posted to my Insta & Twitter @ MadQueenMaddie ]
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hayleysayshay · 26 days
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Matthew Mercer retweeted my video of the zoom call crash and I logged back into twitter to see 1.1k likes on his retweet and counting (now much higher). Did I have a heart attack? Yes.
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josiwonderland · 26 days
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Mice Army, it's time to wake up, Mr. Wincott has just won the BAFTA award for Supporting Performer as Raphael! CONGRATZ ! <3
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fourraccoonsinacoat · 26 days
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I love and respect this studio so much. Congrats on all the well-deserved awards and recognitions, Larian!
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sp-epari-digitalmedia · 4 months
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God of War: Decrypting Kratos
BLOG 5: SIGNS AND SEMIOTICS BEHIND GAME CHARACTERS
God of War: Ghost of Sparta was the game that first got me interested in video games. It was an immersive experience that not only introduced me to console gaming but also made me fall in love with this enthralling medium. One character stood out above the rest with unmatched force amidst the suspenseful plot and fierce action: Kratos. His appearance on screen served as more than just a decorative element; it also served as a spark for my developing passion for video games.
Kratos, with his intense presence, left me curious. I wanted to dig deeper, beyond the cool fights and epic adventures, to understand what made him tick. Where did his name come from? Why did he look the way he did? What hidden meanings were behind the colors and symbols that defined him? I decided to take a closer look through the lens of semiotics, examining the signs and symbols that make up his character.
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About the Character
Kratos, the central protagonist in the popular game series "God of War," leads a spectrum of nine titles: God of War Betrayal, God of War Ascension, God of War Ghost of Sparta, God of War Chains of Olympus, God of War I, II, III, God of War 2018, God of War Ragnarok, and God of War Ragnarok Valhalla.
The genesis of Kratos's character witnessed a noticeable shift in 2018, not only transitioning from Greek to Norse mythology but also marking a substantial evolution in his personality. In his earlier depictions, Kratos showcases unbridled rage, an unrelenting force shaped by the profound losses of his wife, children, mother, friend and his long-lost brother. The paradigm shift surfaced in a more contemplative and rational Kratos, departing from the archetypal rage-fueled spartan we had come to know.
This transformation extends beyond a mere alteration in mythological backdrop. It signifies a profound metamorphosis in character. No longer solely defined by unbridled fury, Kratos, in his evolution, unfolds as a multidimensional figure, portraying a depth and complexity that belies his initial portrayal.
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Academic Standpoint
Fiske in his study, "Introduction to Communication Studies", mentions that media is not always direct. He breaks media comprehension into 2:
Denotation: This classification is the literal meaning of the media. It is simply the direct translation of what is visible to the audience. (Fiske, 2010)
Connotation: This classification is the hidden meaning of the media. It is the intended meaning behind what is visible to the audience. (Fiske, 2010)
To decrypt the character, I am going to use this study. In order to keep it comprehendible I am going to take Kratos from 2018 edition onwards.
Semiotics in Character Design
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Name & Origin
The name of the character is Kratos.
Kratos is a Greek word that means Strength. Additionally, Kratos is also the name of the Greek god of strength.
Color Thematic
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The character constitutes of the selected palette of colors.
From right to left:
#660000: Dark Red
#922929: Indian Red
#F2F3F4: Anti-Flash White
#A9A9A9: Dark Gray
#1B1B1B: Eerie Black
Dark Red is the color normally associated with emotion or rage and also the color of blood. Indian Red is color made in the honor of Red Indians symbolizing brotherhood and friendship. Anti-Flash White is a type of white. White color is often associated with purity and godliness. Dark Gray has a lot of negative emotions associated with it including fear, frustration, gloominess and mourning. Eerie Black is the color of mystery and death.
Other References
Scarred Eye
Scarred eye is a warrior like feature, often representing strength and resilience.
Ashed Skin
Ashed skin is often linked with the supernatural and the energy to connect with it.
Kratos's Tattoo
Kratos's tattoo is actually a replica of his brother's birthmark symbolizing his love and endless pursuit for his lost brother.
Shoulder Guards
Shoulder Guards showcase the burden and responsibility that one bears.
Character Development
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Paradigm shift in the Pesonality
In the documentary Raising Kratos, Corey Barlog mentions that Kratos represented his phases of life. Kratos earlier was rageful and aggressive and was the symbolism of his teenage. The new Kratos was symbolizing his adulthood phase highlighting his joy of becoming a father.
Overall Representation
The name Kratos means strength is a direct remark on the character symbolizing his strength is unparalleled even though he is not completely a god in the beginning and is not really the god of strength but takes over the mantle of God of war.
The colors represent the building blocks of the character. The Dark Red is the emotional state of the character which is anger and bloodlust. Kratos being a father, general and initially a brother justifies Indian Red in his palette. Being a god Anti-Flash White is the perfect representation of his status. The color Dark Gray sets his emotional tonality too, he has lost quite a lot of people in his life and the color represents mourning, gloominess and frustration. The color black is the color of death that he himself is surrounded with or is the reason for.
Features like scarred eye, ashed skin, body tattoo and shoulder add different layers to the characters. It shows that he fills the shoes of many roles from a soldier, mourner, seeker and an avenger.
There is an additional dimension to the character as it is the direct reflection of the creator's emotional state.
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Conclusion
Kratos is quite a complex character and has many dimensions to it. He is filled with various hidden meanings and that information is quite easy to miss out. Overall, Kratos has a rich history, and the design of the character symbolizes that quite impressively.
References
Fiske, J. (2010) Introduction to communication studies, Routledge eBooks. https://doi.org/10.4324/9780203837382.
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wormdramafever · 5 months
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Goodbye Volcano High longlisted for the BAFTA Game Awards!!!
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In this narrative adventure, we follow Fang (they/them) as they navigate the trials of senior year while also navigating the extinction-level event that may be headed their way. Players go through the bittersweet experience of Fang and their friends finding love and joy despite the potential end of the world looming around the corner.
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wishmasters-muse · 26 days
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I can totally accept that Final Fantasy XVI didn't win some of its BAFTA nominations tonight but the fact that it's music didn't even get a nomination is what shocked me.
Final fantasy music has been consistently brilliant. From the start. There are soo many incredible pieces from first to last, some of which are absolutely iconic now.
In commemoration of its amazing roster of pieces, here, have a few suggestions free on me. I'm sure you'll agree some of these are brilliant.
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thankonomics · 24 days
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Borislav Slavov delivers a moving speech as he collects the award for Music for his work on Baldur's Gate 3 at the BAFTA Games Awards 2024.
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gamemories · 2 years
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nobigneil · 18 days
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techfoogle · 2 months
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nightgoodomens · 19 days
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I really thought they'd keep things under wraps until GO3 was released. Big companies like Amazon don't like their actors causing a fuss or being caught in a "scandal", but man oh man looks like things are blowing up in the Sheenantburg "polycule".
Well I wouldn’t jump the gun yet, this doesn’t mean they’re coming out, but I think it might mean they’re not going to play along the new hetero game.
So let’s look a little bit at the timeline, shall we?
David goes to Cali for three weeks. We get content from GT - a video taken giving impression he wasn’t aware, sort of paparazzi shots, some from very far away, a miserable pic of him. He has fun with his kids but there’s nothing GT/DT. Before the trip we already had weird vibes from GT with her constant knocking DT down and having nothing to say about him winning apart from a repost without a good word and then burying the story within shit. Lots of break up songs too, but we were questioning is she reads the lyrics, however, it was weird how the lyrics were always about the same thing.
MS goes to Disneyland. DT goes to Disneyland. At the same fucking time.
Both get a chance to create a happy family image. Separately.
I mean, well, that was deliciously blunt but worked out so so.
Neil pops in to tell everyone that David and Michael are still very much in love just before Assembly and the era of hetero begins.
We figure out why the “happy happy” desperation from AL - Assembly gets released where MS chokes out he’s happy, and then focuses on talking about David and gives it all. AL loses it a little - she tries to interact with fans to push the happiness, reposts articles, fights with Swedish media… it doesn’t work out. While she makes Assembly about her, MS makes it about what mattered. He does not help her.
DT doesn’t help GT push the happy image either.
A blind gets released by Enty. Clearly about them. Stating the women are trying to push the happy family image in Disneyland while men would rather be together.
During the Blind and Assembly stuff, men remain separated. Until Oliviers happens.
GT posts two stories, one telling RadioTimes off for the nice article about DT, then praising one that called DT’s impression “deranged” - on that video she took without his knowledge most likely.
Oliviers, the PR save-the-hetero (aka oh-fuck-the-blind) show happens, where everyone expected some MS/DT action since DT was nominated and MS was announced as the presenter, instead it turns into a circus. The men don’t meet on the red carpet, DT stopped from going back, DT/GT are told to act like in fresh love only for DT to fail the “camera” moments, they’re sat right in the front to be visible playing the game and they overdo it, all it ends up with is MS soft looks at DT, as far as I know DT wasn’t shown at all which BAFTAs would never.
GT (who’s always escaped red carpets is now pushed by PR) tries to recreate the “look into my eyes for the camera” moment from BAFTAs, but DT doesn’t play along. AL pushes with the arm stroking, but MS doesn’t play along.
Two interesting things happen - highly photographed moment of DT sharing a hug with another man, who of course wasn’t MS. And MS presenting an award to someone else. Both felt like attempts at rewriting the history but all they did was highlight the real deal. Because they didn’t play along. Especially MS.
Media focuses on the women in an insane way considering they’re nobodies at Oliviers. Ladies post about the day as if it was their day. Pic with the men gets withheld until the fandom reminds them that they are here for the guys and so with a snark the women post the pic. Finally MS/DT look soft and happy when they’re with each other. MS stands with DT.
Interesting to note, there was no usual “preparing” pics and videos of DT from GT.
DT doesn’t win. GT posts a pic calling him a loser, he looks like he’s on the verge of a mental breakdown on that pic. I don’t know what happened, but he did not look… well.
Even the “normal” fans wince at the caption. She doesn’t even make it a story or anything, it’s right there as a post. Too bad she didn’t create a post when he won Critic’s Choice for his Macbeth (exactly what he was nominated for at Oliviers too), instead reposted a story from another account, added nothing, and buried it within crap. But “loser” got a whole post.
There was also a pic with a fan where DT doesn’t look well either.
GT and AL focus on promotion of themselves.
Yesterday a blurry video gets released of GT slapping her hand at DT to silence him, MS ready to silence her instead, and DT basically pointing at MS and standing closer to him. (Video up to your own interpretation). Sort of felt like it added context to DT looking the way he did at the end of the night.
No usual home selfie either.
And today. David’s Birthday.
GT showed what lovely posts she can create about people she cares about recently. While her story for DT “thanks for being born” was the kindest thing she’s done because for once she didn’t include an insult or “humbling” him, it was quite… well, nothing. Song choice was questionable. The story was cold. The picture was old.
We waited whole day for a post but no. We expected Cali pics, home pics… nope.
Not only she only created a story, right after she also posted HBD for an actress whose birthday wasn’t even on the same day, just to keep her theme of burying anything DT related that wasn’t about GT. But she’s done something interesting on that story - called the actress her favourite tv wife for DT and hashtagged don’t tell MS.
Honestly I just rolled my eyes. Nobody in the fandom would agree with her and trying to take a dig at MS… bad move.
RadioTimes is full of love for DT all day. And so are other accounts. Love is pouring from every side. Somehow GT isn’t keen to repost those articles.
Suddenly AL pops in with a story. And what a story. Not only she’s looking at DT cutout while holding a card “WINNER”, MS is standing between DT and GT, and the caption is “To my partner’s HUSBAND”. Not tv wife. Not “My wife’s husband.” This was just about DT and MS. Song choice has interesting lyrics too:
“There ought to be a law against
Anyone who takes offense
At a day in your celebration”
Winner not loser? Husband not tv wife? Anyone takes offense?
BAFTAs pops in to share a video of MS/DT of DT giving a glimpse of how they have met 20 years ago. Neil pops in to share on tumblr David being called Michael’s husband. You know the they’re-still-in-love guy.
GT reposts the story without a word and buries it. She doesn’t post anything for DT.
So what happened? It’s up to your interpretation.
Mine is this: They were meant to bury the rumours, hence massive hetero show for Oliviers, MS didn’t play along since the beginning, DT tried but fell apart, they snapped, GT took it out on the men, MS snapped back sick of her shitty posts about DT, the same way he did end of last year.
Seeing the way GT acted during that blurry video and today… I think she lost control and now even AL doesn’t side with her. But that one she also only has herself to blame for. And I wonder… who tipped off Enty?
What’s next? Not sure. Clearly PR’s new hetero idea didn’t fly. But was the joy only allowed for DT’s birthday? Or this is it, they won’t play the game anymore? What’s up with GT/DT, are they done but will play the game for the big events or done and won’t pretend anymore either? Am I going to be surprised if hetero bullshit happens anyway? Nah. Anything can happen now, I feel. But this day and what happened during it is a fact. Whatever damage control happens, if it does, won’t erase what happened today.
Interesting!
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insanityclause · 26 days
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EXCLUSIVE: One year ago we told you that a second season of John le Carré adaptation The Night Manager was quietly being developed under the codename Steelworks.
Now, Deadline can reveal that the BBC and new co-pro partner Amazon have gone big on a supercharged two-season order of the thriller, with Tom Hiddleston returning to lead, Hugh Laurie coming back as EP and with a new director in I Hate Suzie’s Georgi Banks-Davies. A third season has also been greenlit. David Farr returns as writer and Stephen Garrett is showrunner.
The Night Manager Season 2 will begin filming later this year and will pick up with Hiddleston’s Jonathan Pine eight years after the explosive finale of Season 1, going beyond the original book, which was written by the celebrated British writer in 1993. Additional plot details are being kept under wraps and there is not yet confirmation as to whether EP Laurie’s Richard Roper, who was last seen in the back of a paddy wagon driven by arms buyers who were not best pleased with him, will return to star. Hiddleston will also EP and will discuss in more depth on tonight’s Jimmy Kimmel Live!
Produced by The Ink Factory in association with Character 7, Demarest Films and 127 Wall, and in co-production with Spanish partner Nostromo Pictures, The Night Manager Season 2 was sold to Amazon by Fifth Season. The first was co-produced with AMC.
New director Banks-Davies, a BAFTA-nominee who takes over from Susanne Bier, has credits including I Hate Suzie, Garfield and upcoming Netflix series Kaos.
The Night Manager Season 1 was a huge success, watched by millions and winning multiple BAFTAs, Emmys and Golden Globes including best actor for Hiddleston. Also starring Tom Hollander, Olivia Colman and Elizabeth Debicki, it followed Pine – who ran a luxury hotel in Cairo – as he attempted to infiltrate the inner circle of Roper’s crime syndicate after being hired by Foreign Office task force manager Angela Burr.
The first season was commissioned more than 10 years ago and the show has since been remade in India, lapping the UK version by swiftly having a Season 2 greenlit for Disney+ Hotstar in May last year.
Simon Cornwell and Stephen Cornwell, le Carré’s sons who run The Ink Factory, said Season 1 proved “a landmark moment for the golden era of television – uniting on-screen and behind-the-camera talent at the top of their game – and an audience reception which was beyond our wildest imagining.”
They added: “Revisiting the story of Pine also means going beyond the events of John le Carré’s original work: that is a decision we have not taken lightly, but his compelling characters and the vision David has for their next chapter were irresistible.”
Amazon MGM Studios Head of Television Vernon Sanders said: “We are elated to bring additional seasons of The Night Manager to our Prime Video customers. The combination of terrific source material, the wonderful team at The Ink Factory, a great writer in David Farr, an award-winning director in Georgi Banks-Davies, as well as the talented cast truly make the series the full package.”
Hiddleston said: “The first series of The Night Manager was one of the most creatively fulfilling projects I have ever worked on. The depth, range and complexity of Jonathan Pine was, and remains, a thrilling prospect.”
BBC content boss Charlotte Moore added: “After years of fervent speculation I’m incredibly excited to confirm that The Night Manager is returning to the BBC for two more series.”
The Night Manager series two is created and executive produced by Farr, based on the characters created by le Carré. Additional executive producers include Garrett for Character 7, Banks-Davies, Laurie and Hiddleston; Joe Tsai and Arthur Wang for 127 Wall; Stephen and Simon Cornwell, Michele Wolkoff, and Tessa Inkelaar for The Ink Factory; Adrián Guerra for Nostromo Pictures; William D. Johnson for Demarest Films, Nick Cornwell, Susanne Bier, Chris Rice for Fifth Season and Gaynor Holmes for the BBC.
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laracroftdaily · 1 month
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Lara Croft Crowned Most Iconic Video Games Character of All Time, According to BAFTA Poll
BAFTA has revealed the results of its landmark players’ poll to establish the Most Iconic Video Games Character of All Time. Launched to celebrate the 20th BAFTA Games Awards on Thursday 11 April, the poll was engaged with by over 4,000 players from all over the world. 
Taking the number one spot is the generation-spanning heroine Lara Croft, star of the Tomb Raider franchise. Lara Croft first appeared in 1996, nearly three decades ago, and since then she has been remastered and evolved several times for television, film, video games and even her own live immersive experience in London, England.
First introduced to the world in 1996 in Tomb Raider for the Sega Saturn, Lara Croft has appeared in over 15 games, three films, multiple novelisations and comic book adaptations, and an upcoming Netflix animated series.
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