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#Arthur Storch
scenesandscreens · 10 months
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The Exorcist (1973)
Director - William Friedkin, Cinematography - Owen Roizman
"Especially important is the warning to avoid conversations with the demon. We may ask what is relevant but anything beyond that is dangerous. He is a liar. The demon is a liar. He will lie to confuse us. But he will also mix lies with the truth to attack us. The attack is psychological, Damien, and powerful. So don't listen to him. Remember that - do not listen."
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ozu-teapot · 1 year
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The Strange One | Jack Garfein | 1957
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clemsfilmdiary · 1 year
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The Strange One (1957, Jack Garfein)
5/11/23
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streamondemand · 9 months
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Ben Gazzara is 'The Strange One' on Criterion Channel
Ben Gazarra makes his screen debut as the strange one in The Strange One (1957), a sadistic cadet in a military college who manipulates his fellow cadets with cruel calculation that goes well beyond hazing. Gazzara is cool and cruel as the bullying Jocko DeParis, a sociopath who never raises his voice while he stirs up trouble and makes everyone around him an accessory to his crimes. He…
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olivierdemangeon · 1 year
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THE EXORCIST (1973) ★★★★★
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m--bloop · 2 years
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The Strange One dir. Jack Garfein (1957)
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classichorror · 2 years
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The Exorcist (1973)
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badmovieihave · 11 months
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Bad movie I have The Great Race 1965
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hippiichi · 15 days
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i can officially say i'm done with all sketch commissions and now only have rendered comms left to do!! these take longer esp since finals are coming up for me it'll take a bit more time but they'll get done ᕦ(ò_óˇ)ᕤ
here's all the commissions i've done so far in one big post thank you to everyone who helped me and skippy out!
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i've hit the post limit on mobile give me a sec
commissioner list:
Arthur (OC) for @emberglowfox
Astarion bg3 for my irl
Callum (OC) for @srahbee
oc art for @Alecopon
Gladion and Sivally for @psycho-pomp
valentine's day art for @evilest-opossum
oc art for @joshmofobi on instagram
oc art for @moshicorn on instagram
oc art for maggie on instagram (sorry their username is really long and untypable)
storch unit and mynah for @enbivalent on instagram
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Gordon Jacob (1895-1984) : Sextet for Piano and Winds;
Soni Ventorum : Felix Skowronek, flute; Laila Storch, oboe; William McColl, clarinet; David Kappy, horn and Arthur Grossman, bassoon
with Katherine Collier, Piano
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docrotten · 6 months
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THE EXORCIST (1973) – Episode 200 – Decades Of Horror 1970s
“What an excellent day for an exorcism.” You don’t have to say that twice. Join your faithful Grue Crew – Doc Rotten, Chad Hunt, Bill Mulligan, Jeff Mohr, and guest hosts Daphne Monary-Ernsdorff and Crystal Cleveland – as they finally tackle one of the best and most influential horror movies in history, The Exorcist (1973) from director William Friedkin and writer William Peter Blatty.
Decades of Horror 1970s Episode 200 – The Exorcist (1973)
Join the Crew on the Gruesome Magazine YouTube channel! Subscribe today! And click the alert to get notified of new content! https://youtube.com/gruesomemagazine
Decades of Horror 1970s is partnering with the WICKED HORROR TV CHANNEL (https://wickedhorrortv.com/) which now includes video episodes of the podcast and is available on Roku, AppleTV, Amazon FireTV, AndroidTV, and its online website across all OTT platforms, as well as mobile, tablet, and desktop.
When a young girl is possessed by a mysterious entity, her mother seeks the help of two Catholic priests to save her life.
  Director: William Friedkin
Writer: William Peter Blatty (written for the screen by, from the novel by)
Cinematographer: Owen Roizman; Billy Williams (Mosul sequences)
Editing by: Norman Gay, Evan A. Lottman (as Evan Lottman), Bud S. Smith (Iraq sequence), Jordan Leondopoulos (supervising field editor)
Art Direction-Set Decoration: Bill Malley, Jerry Wunderlich
Sound: Robert Knudson, Christopher Newman
Makeup Department: 
Dick Smith (makeup artist)
Robert Laden (special makeup effects artist) (uncredited)
William A. Farley (hair stylist) (as Bill Farley)
Special Effects: 
Marcel Vercoutere (special effects)
Rick Baker (special effects assistant) (uncredited)
Composer: Jack Nitzsche (composer: additional music)
Selected Cast:
Ellen Burstyn as Chris MacNeil
Max von Sydow as Father Merrin
Lee J. Cobb as Lt. Kinderman
Kitty Winn as Sharon
Jack MacGowran as Burke Dennings
Jason Miller as Father Karras
Linda Blair as Regan
William O’Malley as Father Dyer (credited as Reverend William O’Malley S.J.)
Barton Heyman as Dr. Klein
Peter Masterson as Dr. Barringer – Clinic Director (as Pete Masterson)
Rudolf Schündler as Karl
Gina Petrushka as Willi
Robert Symonds as Dr. Taney
Arthur Storch as Psychiatrist
Thomas Bermingham as Tom – President of University (as Reverend Thomas Bermingham S.J.)
Vasiliki Maliaros as Karras’ Mother
Titos Vandis as Karras’ Uncle
John Mahon as Language Lab Director
Wallace Rooney as Bishop Michael
Ron Faber as Chuck – Assistant Director / Demonic Voice
Donna Mitchell as Mary Jo Perrin
Roy Cooper as Jesuit Dean
Robert Gerringer as Senator at Party
Dick Callinan as Astronaut (uncredited)
Elinore Blair as Nurse (uncredited)
William Peter Blatty as The Producer (uncredited)
Mercedes McCambridge as Demon (voice)
Eileen Dietz as Demon’s Face (uncredited)
Ann Miles as Spiderwalk (uncredited)
Vincent Russell as Subway Vagrant (uncredited)
It’s finally time to discuss The Exorcist (1973). The 70s Grue Crew have waited 200 episodes to tackle what is arguably the most influential horror film of the decade and beyond. The regular cast of “characters” have invited a few friends to enjoy the extra-long conversation: Daphne Monary-Ernsdorff, co-host of The Classic Era; and, Crystal Cleveland, the Livin6Dead6irl, co-host of the 80s. In other words, the whole damn family of Decades of Horror co-hosts are on hand for this one. Settle in for this in-depth look at director William Friedkin’s ultimate fright-fest and join the Grue Crew to celebrate 200 episodes of Decades of Horror 1970s.
At the time of this writing, The Exorcist is available to stream from MAX. The film is also available on physical media as The Exorcist 50th Anniversary Edition – Theatrical & Extended Director’s Cut (4K Ultra HD + Digital).
Gruesome Magazine’s Decades of Horror 1970s is part of the Decades of Horror two-week rotation with The Classic Era and the 1980s. In two weeks, the next episode, chosen by Chad, will be The Psychic, aka Sette note in nero, aka Murder to the Tune of the Seven Black Notes, aka Seven Notes in Black, released in Italy in 1977. This one is giallo, Fulci-style!
We want to hear from you – the coolest, grooviest fans: comment on the site or email the Decades of Horror 1970s podcast hosts at [email protected]
Check out this episode!
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ozu-teapot · 1 year
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The Strange One | Jack Garfein | 1957
Ben Gazzara, George Peppard, Arthur Storch
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The Strange One
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Ben Gazzara complained in his memoirs that the falling out between director Jack Garfein and producer Sam Spiegel resulted in the latter’s not publicizing Garfein’s debut feature, THE STRANGE ONE (1957, TCM), leading to its box office failure in the U.S. I’m not sure, however, that any amount of advertising could have sold the film to an American audience. It’s a very cynical view of military life from the novel and play END AS A MAN, inspired by Calder Willingham’s unhappy time at The Citadel. The film’s ending softens the book, as does the cutting ordered by the Production Code to eliminate the more overt references to homosexuality (they’re still there; but the main character has been given a girlfriend as butch assurance, although for a contemporary audience aware of Julie Wilson’s later career, that would seem to have been wasted effort, sort of like saying you used to date Liza Minnelli). Gazzara made his film debut in a role he had created on stage, Jocko De Paris, who hatches a plan to get back at the major (Larry Gates) who demoted him for sadistic behavior and the man’s son (Geoffrey Horne), who had turned him in. Garfein directs with a lot of assurance, helped by Burnett Guffey’s moody cinematography that now seems to turn the picture into film noir, with Gazzara’s character like the genre’s corrupt politicians and gangsters. He and Pat Hingle, as his friend and assistant, are very good at toning down their stage work for the camera. Their performances are subtle and psychologically nuanced. The actors repeating their performances as the two possibly gay cadets, the puritanical Simmons (Arthur Storch) and wrier Perrin (Paul E. Richards), are less successful at adapting to the screen. At one point Richards sneaks around as if he were Snaglepuss. They’re more like caricatures, and there were times I wanted to shout, “Do you realize people are going to be watching this!” The film was touted as the first whose cast came from the Actor’s Studio, but their work isn’t a very good advertisement for The Method. George Peppard, who was not in the stage production, is terrifically natural as a cadet who develops a conscience after being pulled into Jocko’s schemes. As Jocko’s pretentious small-town girlfriend, future caberet queen Wilson makes a lot out of a very small role, and Gates is powerful as well. The cast also includes Peter Mark Richman and James Olson.
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craft2eu · 2 years
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Arthur Storch. Ein Blick auf sein vielfältiges Schaffen: Rudolstadt bis 28.8.2022
Arthur Storch. Ein Blick auf sein vielfältiges Schaffen: Rudolstadt bis 28.8.2022
Mit dieser Sonderausstellung wird ein Einblick in das vielfältige Schaffen des Bildhauers Arthur Storch gegeben. Er wurde 1870 in Volkstedt geboren und lernte mit 16 Jahren Modelleur in der Aeltesten Volkstedter Porzellanfabrik. Von 1897 bis 1903 studierte Storch an der Münchner Akademie. Nach Abschluss des Studiums arbeitete der begabte Bildhauer freischaffend u.a. in Hamburg und München. Es…
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thatsbutterbaby · 5 years
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Hellhound and Buddhistic Lion
Älteste Volkstedter Porzellanmanufaktur /  Modelled by Arthur Storch
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