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jynzandtonic · 3 years

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I completely and totally do not mean this to be like a “call out” ask or anything argumentative at all I truly think you’re one of the most kind and compassionate bloggers in the adcu and I know people are going to say that it’s all just jokes/being silly/not that serious, but I feel a bit like the jokes/joking outrage at the new character pics have been a bit much and leaning towards the fatphobic/ oversexualizing Adam side of things. I truly do know that most people are just joking around but as a fat person, I basically took “we wanted hot!professor Adam not this” to mean “this” is ugly and gross. And one of my closest friends in the world has early male balding and quite literally almost has the same hairline as Adam’s character at the age of 27 and it’s his deepest insecurity and he genuinely feels like no woman could possibly find him attractive the more he loses hair, and being on Twitter and Reddit and seeing people’s reactions and mocking of those pics really just reaffirmed that for him. I know people are going to maybe roll their eyes at this and say it’s all just jokes and not that deep but there are a few of us that the comments kind of just put a pit in our stomachs. I guess I just wanted people to maybe take a step back and think about the implications of their words a little more and what’s kind of implied (whether intentional or not) when you say you wanted a “hot” character to lust over and this ain’t it. I know the actual costuming isn’t that great and some have said that’s what their reactions were really about, but I didn’t see many “wow it looks so fake that’s what I’m actually laughing at” posts. There were also a few comments I saw and interactions with your posts and some others saying like “oh no well it makes sense that they made him fat and ugly because the character is a horrible guy” also basically implying that being fat and not meeting our standard beauty expectations for men (and women) = you’re a bad gross person. Sorry for my essay here and being maybe a pain in the ass for bringing this up as I know the comments sort of died down now, but it’s still sitting with Jacob (my guy friend) and I and I’m still feeling very shit about my body (not solely bc of the jokes but they just reaffirmed the negative “you’re gross and undesirable” thoughts I already have) so I felt it was maybe worth mentioning. xxx💕

First and foremost, I want to say thank you for reaching out and sharing your thoughts. Don’t apologize at all! <3 Also, please know you can always always always give me constructive criticism when it comes to stuff like this—I want to do my best to learn and grow.

Your feelings are completely valid and your points are ABSOLUTELY worth bringing up.

To address the photos: with the first round of pics that came out, I personally found the costume to be tacky/over-the-top 80s and the wig to look really unrealistic—the more recent rounds of pictures have changed my mind a bit. My qualms were with the costuming, but I didn’t do a good job of making that clear.

It’s 100% on me for HC’ing him a different way than his look in the film—I think my expectations were in part built around the ‘Charlie Barber with glasses’ look à la Noah and in part how I imagined him in the book, so I was surprised to see something so radically different. I deeply apologize for the ways fatphobia and body-shaming manifested in the way I talked about it.

I’m neither on twitter nor reddit, but I know those virtual landscapes can get truly vitriolic, and I’m so sorry for the icky feelings the posts you saw brought up, too.

Fatphobia is some toxic and pervasive shit, and it truly does carry serious negative implications for how we judge people’s character.

White Noise is one of my favorite books (I’m a post-modernist nerd and DeLillo just nails it for me), and from my reads of the text, I don’t believe Jack’s character is a “horrible guy,” (though I know some disagree) but rather a flawed and insecure man desperate to cling to a sense of prestige and identity in order to give his life meaning. However, I absolutely agree that some have jumped to the rhetoric that there’s a correlational or even causational relationship between being fat/‘conventionally unattractive’ and being a “bad person,” and I, too, find it very upsetting. What you’re saying really rings true.

As for the conversation about sexualization, I think AD is a phenomenal actor and I’ll yell it from the rooftops. I watch his films ad nauseam and will rave about his range and passion to anyone who will listen. That said, I don’t think there’s anything wrong with expressing sexual desire for his characters, and I sometimes think discussion can wander into vaguely condescending misogyny and slut-shaming when people talk about the ways women and femmefolk should or should not experience desire or consume his content. I think it’s more than possible to appreciate him as an actor and indulge in the thirst at the same time.

Again, I can’t tell you how grateful I am to you for sharing your perspective, sweet anon. I’m sending all my love to you and your friend xoxoxo.

#big hugs to you xoxoxo

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izukult · 3 years

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This is such a cute idea! I’m addicted to making weirdly specific Spotify playlists so this is perfect. I have an ✨eclectic✨ music taste but my favorites are usually bedroom pop (mxmtoon, chloe moriondo, khai dreams, etc), romantic classical (think Debussy and Revel), and indie (although I like some Megan Thee Stallion, AC/DC, Nirvana, etc when I’m hyping myself up). As far as my personality goes, I’m pretty insightful and like to support people whenever I can, even if I don’t know them well. I can be a little chaotic sometimes, but I like to think it’s a chaotic good. I love tea, blankets, philosophy, deep conversations, the outdoors, and writing. I’m also an INFP and a Taurus :)

Sorry if that was too much, thank you so much! Take care of yourself and stay well

- Elle ʕ•ᴥ•ʔ

( @snoozless ) you don’t understand how bad i want to be your friend. 😐😐 ok so you kind of get bonus 😀 but it rly might not be bonus because akfjakdkw. so, i gave you matsukawa!! but he’s not always like revered about so if u want a character lmk!! i am. in love w him tho. you’re so sweet you would balance him out and yall would be equally chaotic together.

he would have philosophical questions w u!! he might just be a little blunt & might accidentally cut the convo short, but he would listen to everything you said.

he’s used to a wide variety of music bc i’m convinced the seijoh playlists are absolutely fucking cracked like so loud. so he really could sit there and listen to anything. and i mean ANYTHING. like if you wanted to put on christian rock he’d awkwardly try to tap his foot on beat for you.

but, that doesn’t mean he’s gonna geek over you i feel like he’d be pretty private about the relationship. he’s not like secretive but he’s not gonna post you every two seconds yknow? he wouldnt put prom photos, but if yall went to look at the stars or go on a little hike he’d take a pic and youre wearing baggy sweats and one of his shirts and your hair isnt brushed for shit and it’s way too dark to properly make your face out and he’d put that shit on his main absolutely 😒

this man would be the kind of mf to look up his “crush’s” zodiac just for shits & giggles, so if he randomly knows a taurus fact, don’t question it<3 (he looked up your compatibility and he will take that to the grave)

issei is an infp idc. so yall got that in common.

he’s genuinely so pretty.

bc i took so long, i’m going to put descriptions for all the songs i love you thanks for requesting sorry for taking forever i’ll link the playlist and list the songs<3

1. silly girl- chloe moriondo

okay while this song is actually kinda sad, i think tHIS is pretty cute. issei comes off as this intimidating guy, and the more you get to know him the more you forget ab this idea of him you had or whatever? like the lyrics “i made him perfect, cause i wanted him to be” are really prominent in the point i’m tryna make because like even tho the lyric is obviously sad bitch shit, music is up for interpretation and this is like “hello ok he actually a real mf and shiiit maybe he cool😁✊”

2. nice boys- TEMPOREX

kinda sad. i don’t care how unemotional he might act, everyone has shit that brings them down. PLUS HES A PISCES THERES NO WAY HES NOT SAD SOMETIMES. this song just really taps into insecurities for him, and the song just gets under his skin in like a very therapeutic way. also “because he’s a pisces” some of his emotions are super intense so the “because he cares too much” line hits him fuckin hard

3. IV. sweatpants- childish gambino

this is some shit he listens to more with his team, absolutely. no doubt they blare this shit during weekly practice. but, he really really likes the song. so, when you’re hanging out and he has the aux? it’s one of the first ones he puts on. you two jam to it together. he’ll come up w dumb little dances to fit with certain lyrics (stole some of them from oikawa and hanamaki, but he won’t tell you)

4. you get me so high- the neighbourhood

okay unfortunately i must say him and hanamaki get fuckin faded in empty fields at two am all trashy like. but they make it look good idc. and if you smoke, cool, if you don’t he does not care. he always associated getting high with,,, getting high and everytime he listened to this song it just was one of his getting blazed jams, but now he’s got like a different kinda “euphoric” feel with loving you? like i said this bitch is a pisces even if he doesn’t overwhelm you with affection, he thinks ab you 24/7

5. 80’s makeout session- dacelynn

thIS SONG IS SO CUTE. but it’s p self explanatory. in love and also spare a kiss pls

6. can i call you tonight- dayglow

i feel like actually coming to terms with genuine feelings for someone would be kind of weird for issei. like no offense, but he sees it as kind of a pain in the ass. i genuinely think he would be someone to put his all into work or a task in front of him. he’s super intuitive, and constantly uses it to be better. whether it’s in volleyball or like cremating ppl i guess (HE WORKS INA FUNERAL HOME POST TIME SKIP IF U DIDNT KNOW). and it’s the same in relationships, but it’s also harder because he can’t have this complete clear head because you make his brain go kinda fuzzy. so, this song is like his little way of expressing that even tho he was like ‘internally conflicted’ this mf chose to go for it and that’s how much u mean to him

7. clair de lune, L. 32- claude debussy

i’m gonna be fucking honest with you. even though he’ll listen to anything, i really don’t think this man is looking up ‘classical romance study tunes’ playlists in his free time. he definitely enjoys the music, but that’s only if someone points it out to him. and he’s listened to you talk about it before, and watched you as you heard the piano and gauged your reactions and thought u were pretty cute he’s not gonna lie😼. so he definitely just looked up classical romance and picked the first recommended song and added it on there. he’ll dance w you a lil bit, but it wouldn’t be that quiet, intimate slow dancing in the dark you think would come w this song. itd just be a little sway as he hugs you from behind while you get water, or he twirls you once randomly with a laugh UGH I LOVE HIM

8. like real people do- hozier

ok. this one was fun for me. idc. double meaning lol. so this song is literally about two dead bodies in a bog and ,,, and he works in a funeral home PLS LMAOFJAJDJA I THINK THATS SO FUCKING FUNNY AND SO DOES HE. but also this song literally is my idea of love. this is my idea of love. and yall listen to it, with your stupid little death joke, but he looks at you and he’s just like ‘oh’. yknow? YKNOW?

9. BS- still woozy

like i said, i think he puts a lot into work. and he literally plays for a powerhouse school there’s no way he doesn’t practice a lot. so that means there’s a lot of time where he’s physically not there and definitely can’t text, because he’s trying to improve. and while he wouldn’t stop volleyball for someone else, he understands that you are like super amazing for being so Cool with him not being the most available. the song just reminds him of how compassionate you are and also he does miss u when he’s at practice YKNOW?

10. i <3 u- boy pablo

this one made me so fucking soft ew. ok. this song reminds him of you so so much. he’s totally okay being vulnerable with you? and even though he has pretty heightened emotions, he’s never felt like so strongly for smth other than like ??? volleyball and caring ab his siblings (BUT HE FEELS DIFFERENT FOR U THAN HE DOES FOR A VOLLEYBALL AND HIS SIBLINGS PLEASE😁). HE LUVVVVV YOU

11. heart-shaped box- nirvana

so many reasons. for one, simply fucking JAM. yall would scream this on a drive. if you ever got drunk together, this would be the first song you play. also, little lyrics remind you of each other. (the pisces lyric in the first and third verse, and even tho the flowers aren’t being used in a sweet sense in the song he does remember talking ab flowers w u, and now any flower is mentioned and he’s like “ah yes. my girlfriend.”)

12. pluto projector- rex orange county

FUCK. FUCK THIS SONG. GOD. NO. LIKE HE REALIZES HE’S IN LOVE WITH YOU WITH THIS SONG. HE T E L L S YOU HE’S IN LOVE WITH YOU WITH THIS SONG. the first time, he just sends you the name of it like ‘pluto projector <3’ and you listen and it’s so sweet and ur like ayo turn this shit up. and he adds it to your playlist, which definitely gets a smile from you. and then one night like two weeks later youre just laying together, and he’s running his fingers through his hair and he pulls away for a second to grab his phone and he turns the song on and you just listen to it in silence and it’s so fucking intimate. and he’s just like “i don’t think i’ve ever related to a song more” and you think he’s making a joke so you tell him to shut up (also jokingly) and he just laughs and it’s dark in his room and he’s playing with your hair again and he just goes “god, if you’re telling me to shut up over that i don’t even want to imagine how you’re gonna react when i tell you i love you” and it’s right around 3:10 in the song i’m literally so gone for him. bye you cry and try to hide it but he can tell HES PERCEPTIVE

13. i wanna be yours- arctic monkeys

okay for one, it’s a good song. it’s a song he absolutely let’s play in the background, just to cover the static lol. but also? ALSO? THE TITLE APPLIES TO YOU THE FUCK? it’s as if,,, he’s whipped,,

14. supermassive black hole- muse

hanamaki prolly showed him this song, and it’s one of his vibe songs. he will do falsetto while singing it if he’s in a really good mood and it just makes everyone laugh, including himself. it actually kind of grosses him out, because this song used to literally just be a song he would aimlessly go hard to but NOW his little bitch ass is like “you set my soul alight”? i guess i relate and “oh baby, i’m a fool for you” well, surely i’m not a fool but yea i get you muse sing it. it’s so gross. at this point he wants one thing that doesn’t make him think of you, just to prove that he’s not that gone, but he struggling

15. desperado- rhianna

i’m sorry to say it but this song makes him feel like a bad bitch LMAOOOOO. like if he’s ever getting pregame jitters or anything, he will just play this song. whether it’s on the speaker or in his headphones, he puts this shit on full volume and gets a lil too cocky LOL. this is also on the main seijoh playlist no doubt. he wants to share his bad bitch song w you, so you can aLSO feel like a bad bitch?? dUH

IM SO SORRY FOR THE WAIT BABES! IF YOU WANT ANY OF THE SONGS CHANGED (or even the character) LMK!! UR AMAZING ur so sweet it makes me ill

#haikyuu #haikyuu playlists #ikigaitooru playlists #matsukawa issei #mastukawa x reader #matsukawa playlist #haikyuu x reader

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metawitches · 6 years

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Jane The Virgin –“Chapter Four — Image JAV104A_155 — Pictured (L-R): Andrea Navedo as Xo, Gina Rodriguez as Jane and Ivonne Coll as Alba — Photo: Danny Feld/The CW — ÃÂ© 2014 The CW Network, LLC. All rights reserved.

This is the basic list of questions we ask ourselves while consuming media to help us determine if we’re seeing women being treated fairly or not. It’s not a yes or no checklist, or an easy, one sentence test, like the Bechdel test. But then, Alison Bechdel never meant for her test to become a widely used standardized instrument. This test requires some thinking about what you’re viewing. Misogyny is often subtle, and it’s pervasive. It’s easy to miss with one, casual viewing, but the message still gets into our heads and affects us.

That’s why these are guidelines, rather than a test. Some of these answers will be subjective, and reasonable people can disagree. We’re talking about art and the interpretation of art, after all. It also takes practice to start seeing things like camera angles and positioning, rather than letting it fly by. Hardly any of us can always spot gaslighting, especially when it’s being done by the writers and producers instead of the characters. These guidelines are just aspects of entertainment to keep in mind while viewing, to become more aware of what you’re seeing.

I (Metacrone) started working on this list in the late 80s, and it’s slowly grown. It’s still a work in progress, just like the entertainment industry. There are very few works that would pass every question with flying colors. Figure out how much you can live with watching, and the level that makes you take action. It’s okay to just watch and enjoy the show sometimes without feeling guilty, too. But, the more you can recognize the issues with entertainment and speak out, even if it’s only to one person, the more of an effect we all have on the entertainment industry.

The trick to understanding subtle misogyny, which is often institutionalized and internalized, is to look at the attitude behind the narrative, the way events and actions are framed, and the repetitiveness with which we are presented with these images. One scientist or superhero unrealistically fighting monsters in heels doesn’t matter. All of them fighting monsters unrealistically in heels while being unrealistically thin, with no muscle mass, having beautiful hair and clothing, and only a minor smudge or 2 of “sexy dirt,” matters a huge amount. It becomes the standard that everyone measures women by, even if they don’t realize they’re doing it. Especially for girls growing up surrounded by those images and looking up to those heroines. Or finding powerful female villains to be the closest thing to a well-rounded, achievable role model that is available to them.

You’ll notice we don’t include the standard used by the Bechdel test, time spent with other females talking about something other than men. We feel that standard has turned out to be a Trojan horse, as others have pointed out before us. If a woman is alone on a desert island with a man, there’s no way to pass the Bechdel test, even for the most feminist piece, whereas a piece in which a group of women do nothing but belittle each other based on patriarchal beauty standards can still pass the Bechdel test.

What’s important to us is the female characters’ appropriateness relative to the situation they find themselves in. We’re looking for women escaping the shackles of patriarchy. For women to no longer have to choose between being a madonna or a whore. To no longer be burdened with Eve’s supposed sins. We’re looking for shows where women are just women. Just regular, human people, living their lives, going about their business, as most of us do, without having male expectations placed onto them, forcing them to be weaker, or stronger, or more beautiful, or sexier, or uglier, than the situation would otherwise call for. We’re looking for female characters that haven’t been distorted in any way in order to fit male needs and expectations.

It doesn’t seem like much to ask, but it’s surprisingly hard to find. Most of us have forgotten what it might even look like. Many of us don’t even have it in our real lives, so we don’t know what to look for to begin with.

So, the next time you have some extra brain space and are watching a show, ask yourself a few of these questions. They are meant for reflection, to be applied in a thoughtful manner on a case by case basis, not to suggest that every time a woman fights in heels or wears tight, revealing clothing she’s in a misogynist show. We love a good fight in a great outfit as much as the next person.

Metawitches Guidelines for Spotting Misogyny vs Female Equality in Entertainment and Media

Misogynist works reduce women to five different tropes, or a combination of these tropes, if the characters are “complex”:

Madonna: The perfect, pure, unspoiled, virginal, all-giving, always nurturing mother/good girl who “deserves”, and gets, the men’s respect. Attractive in a more controlled, more subdued way than the Whore/Bad Girl, usually involving pastels, neutral colors, and covered skin. Sandy from Grease, Jane Bennett from Pride and Prejudice and Melanie Wilkes from Gone With the Wind are examples.

Whore: The woman who is sexual, powerful, selfish, self-aware, who does not put the needs of others first at all times, and hangs around with the men, but isn’t respected. Attractive in a flashy, obvious way, involving brighter colors, and tighter, more revealing clothing than the Madonna/Good Girl. Often a villain, but also can be simply the Bad Girl or even the Bad Girl with the Heart of Gold. Scarlet O’Hara from Gone with the Wind, Kitty Bennett from Pride and Prejudice, Rizzo from Grease, and Johanna from The Hunger Games are examples.

Child: The woman who is weak and unable to think for herself, whether it’s the writers who think that, the male characters, or the woman herself. She is helpless, ditzy, silly, insane, manic, dreamy, victimized, angry, depressed, etc. There are an infinite number of reasons why the male characters might need to step in and take over the decision-making, or provide strong guidance. Guidance may be provided subtly. This one can be difficult to spot. The child usually doesn’t grow up/grow as a character, get more than token punishment for mistakes, or have any truly evil intent. Examples include Mrs Bennett from Pride and Prejudice, Frenchie from Grease, Annie from The Hunger Games and Barbra from Night of the Living Dead. This is a prominent racist stereotype as well, so it’s often used on women of color. Prissy from Gone with the Wind is a famous example.

Eve: Even though she might be the lead character, the woman is treated as if she is an extension of the male characters, instead of a separate being, especially physically. Men will guide her decision-making. She will learn everything important from them. Their love and approval will mean everything to her. Often, the love interest will touch her constantly, going so far as to move her body to where he wants it without telling her where they are going first or giving her any choice in the matter. Sex is all about him and is often a reward for his accomplishments. If the woman disobeys the man’s wishes, the universe will often teach her a lesson. Unlike the child, Eve can grow as a character, but she can only grow in male-approved directions. Eve can be a good girl and close companion to the man from the start, or she can start off as a villain and be redeemed, after she’s accepted her punishment and male guidance. Katniss Everdeen from The Hunger Games, Wonder Woman (from the 2017 movie), Buffy the Vampire Slayer, Jane Austin’s Emma, and Elizabeth Bennett from Pride and Prejudice are Eves, as are most of the recent crop of bad ass female warriors and strong female heroines.

Invisible Woman: The women that men don’t want, unless they are used as villains or plot devices. The throwaway characters. The old (post-menopausal, sometimes younger), very young, disfigured, disabled, sick, unattractive, fat. If the piece is racist, women of color will often fall into this category. Wonder Woman 2017 erased all of the women in this category except the chosen child, the plot device secretary, and the disfigured villainess. The movie side of the Marvel Cinematic Universe has also virtually erased this category, except the aging Peggy Carter and a few appearances by superhero mothers and mentors. The Ancient One in Dr. Strange was an Invisible Woman, meant to be a supremely powerful being, but instead kept in hiding, reduced to asking neophyte Dr Strange for help, and sacrificing herself, in the end.* All of the Asian women who could have played the role instead of Tilda Swinton were rendered invisible by the filmmakers.

Now that you have an idea of what you’re looking for, let’s look at the questions.

1- Does the women’s clothing make sense for their situations, or is it meant to sexualize or infantilize characters who otherwise wouldn’t have those traits? Are older women, disabled women, fat women, and other women outside the typical Western beauty standard dressed in plain, loose clothing, while the “attractive” women are dressed in tight, revealing clothing? Are the women dressed appropriately for what they’re doing and who/when/what they are? Are they dressed sexually for no apparent reason? Are they hobbled by wearing high heels or being barefoot? Is a character wearing a tiny revealing outfit that makes her physically vulnerable to injury, or virginal white, or something else that makes her seem deliberately childlike?

2-Are women who aren’t considered traditionally attractive confined to the role of best friend, sidekick, neighbor, boss, villain: anything but leading lady? Are women who are physically disabled or disfigured actively portrayed as villains?Are the women’s faces and facial expressions allowed to be normal reactions to situations and is the level of make up they wear appropriate to the character? Are they allowed to have bad hair days, not wear makeup, have less than attractive facial expressions? Are their faces oversexualized? Are they forced to smile at all times? To wear heavy make up? Are older women so loaded up with Botox that they can’t move their facial muscles any more? Do the female characters become ridiculously frightened or scream at the first sign of trouble, no matter how brave and practical they are otherwise?

3- If the show acknowledges bodily functions and genitals, does it acknowledge them in women? How? Is it acknowledged in a matter-of-fact way, or are women’s bodily functions and genitals seen as especially disgusting, especially those that are unique to women, such as periods and breastfeeding? Or are women’s bodily functions fetishized, with pregnancy, childbirth and breastfeeding turned into processes created exclusively to benefit men? Or are beautiful women too perfect to do anything as disgusting as fart or sh*t, but “ugly” women do it for laughs or to show us how scary or hideous they are?

4- Are the women unnecessarily physically manhandled by other people? Are the women fully in control of their own bodies? Do people touch them, either sexually or non-sexually, without their consent? Are their bodies picked up and moved around at will by others, without their consent? Is their personal space invaded without a second thought? Are they forced to use their bodies in ways they don’t want to, up to and including rape? Are they subject to social pressure to behave a certain way, often to the point of coercion? Are they seen as monsters who must be executed? Are they the subject of a witch hunt, or false imprisonment?

5- Is the woman in full control of her mind and power (personal power or supernatural power)? Or does she have to have a man guiding her all the time? Does a male step in and finish her fights for her (and possibly take the glory)? Is there a male guide who is the smart one, and who chuckles at her naivety? If she’s the main character, does the male get the big victory? Does she ever outgrow mentorship? (E.g.: Buffy never outgrew needing Giles to be her guide.) Does her husband, lover, or son tend to make the main decisions, or subtly guide her toward the correct decision? (We’re not talking about a woman freely asking for advice, or coming to consensus with another person.) Do men belittle the women’s intelligence and morals on a regular basis, while the women accept this treatment as normal? Do all of the female characters have an external locus of control (feel that they are powerless to affect their own world/lives, and thus end up being constant victims), or act like it when it’s time to take action, regardless of their position in the world? Do women go insane or develop other illnesses from experiences that don’t have the same effect on men? Are female characters expected to sacrifice themselves for the greater good, whether that means the couple, the family, or the country, while male characters are not? If the woman is a criminal, in the military, or has another dangerous lifestyle, is she treated equally to the men, or is she seen as a pawn in the men’s games? Did she understand the choices she was making, or was she portrayed as too stupid or naive to realize the seriousness of the life she chose?

6- Do men use subtle and not so subtle gaslighting and manipulation of women to control and coerce them, but this is accepted as normal behavior by everyone? Who is the point of view character? Are we ever given the honest point of view of the female characters? (This might be the most important question, and the hardest to discern. Characters speak the writers’ words, after all, not their own. Editors and directors manipulate which words we hear and how they are presented. But then sometimes it seems like it should be obvious. We’ve been pressured into accepting reality show conditions, for example, as okay, because the women appear to choose to trade their autonomy and dignity for fame and fortune. But is there any real choice in a coercive culture like ours, where we are bombarded from birth with certain messages?) Do women feel the need to apologize for expressing their emotions and opinions freely, especially negative ones, most especially anything involving anger or depression (for being the dreaded Debbie Downer), while men are accepted and even praised for expressing themselves? Are women automatically seen as liars and manipulators, using men for their own purposes? Does the gaslighting extend to the audience, asking us to accept that the male characters are truthful and have only good intentions? Do the women smile and nod their way through the scenes, accepting whatever is dished out to them (often with a laugh track in the background or a reality show commentary)? Do the women compete to be degraded, sometimes to the point of abuse? Do the male characters keep a judgey running commentary on the women’s behavior and looks going, as if the women can’t hear them?

7- If the show involves sex, do women initiate and enjoy sex as often and as much as men? Is it stated or implied that certain kinds of women want or enjoy sex too much? Are value judgements made on the types of sex a woman wants and enjoys, whether that’s hetero sex, kinky sex or queer sex of whatever sort? Does it show women receiving oral or being pleasured just for them at least as often as men are? If it does, does it only show women receiving pleasure from other women, or do they receive it from men? Is the man genuinely concerned with pleasing the woman just for her, or is it part of some actual or perceived competition for him? Does it show women being coerced, either subtly or overtly, into sex acts they aren’t interested in or comfortable with, while the narrative implies that they should go along with whatever their partner or culture wants? Is it stated verbally that it’s okay to say no or to stop in the middle of sex, but that’s negated by everything else in the piece? Is it stated or implied that only certain kinds of women (such as a certain age, size, race, ability, economic or beauty standard) are interested in sex, enjoy sex or are worth having sex with? Is the man always dominant and the initiator in sexual encounters? Is the sex about power or competition rather than pleasure? Who has the power in the situation? Is everything that happens during the sexual encounters consensual and previously discussed, if the couple is trying out sexual practices that are new to them? Is the women freely choosing to have sex, or is the sex something that has been earned by the male character for fulfilling certain conditions, whether it’s taking her to dinner and a movie or helping her escape from prison? Are the characters being honest and open about themselves before having sex, or is dubious consent involved due to the dishonesty and manipulation of one or both of the partners?

8- Are the women surrounded by symbols and signs of female powerlessness and weakness? Are the women forced into a Madonna/Whore dichotomy, where good, nurturing women can’t be sexy and own their power, and bad, sexy, powerful women can’t be selfless and compassionate? Where women are either powerful or good? Where a “complex” female character is a woman who struggles to choose between being powerful or good? Does her power ultimately make her weak or evil? Is she forced to apologize for using her power? Is she self-loathing because of her power? Is she a funny-sexy woman who’s too weak for her hypersexuality to be threatening? Or a powerful but evil woman whose sexiness is portrayed as threatening? Is she turned into Eve, falling from grace and goodness with the acquisition of knowledge and adulthood? Does using her power drain her and make her physically and mentally weak? Is she self-loathing because of the necessary choices she’s had to make to survive a crisis situation, such as a war or natural disaster, or an ongoing struggle, such as poverty? What kinds of jobs do the female characters do? What kinds of roles do they play in their society? What does the culture’s religion look like? The military? Are women respected for the roles they traditionally and currently play in the culture that’s being portrayed?

9- Are they showing the truth of a woman’s experience, or are they showing exploitation? Is the woman a victim because that’s the only way the writer knows how to write women? Is a historical figure’s story being told accurately, or is it being sensationalized, with the woman being made weaker, or sexualized, or taking a backseat in her own story? Is a woman making choices that act out male fantasies rather than choices real women make, such as when characters fall in love with their rapists?

10- How are women photographed and physically positioned? How does the cinematography treat them? Is the lighting harsh, to make them look old or ugly? Soft, to make them look younger? Are women in positions that make them look smaller and more childlike? Are they positioned behind and/or below men consistently to show that the men are the more powerful and important characters? Does their position make them look dehumanized, vulnerable, self-protective, or lacking in individuality? Do they appear faceless or monstrous? Are they disappearing into shadows, or do they appear as if they’re behind shadowy bars made by blinds, making them look sinister? Is the camera tilted and/or is part of the subject of the frame obscured, making everything feel off, unstable, maybe even insane? Do all of the women look alike, in their physical characteristics and/or dress and behavior, turning them into anonymous clones lacking in individuality?

11- What kind of language is used to describe women and women’s issues? Are elderly women referred to as “grandmothers,” while elderly men are called “men”? Are women called “ladies” or “girls” while men are called “men”? Are women described by their physical characteristics, while men are described by their character traits or history? Are appropriate terms and phrases used for women’s body parts, issues and crimes against women, or are derogatory terms used, and terms that question the validity of crimes and issues, like the phrase “real” rape? Even the tone of voice that newscasters use has an effect on the way we view the people and issues they are reporting on. Do narrators, hosts, and commentators promote stereotypes of women, and manipulate the audience into feeling a certain way about certain women, such as that empowered women are “evil witches” or unmarried women who use birth control are “slutty”? Do the jokes have an anti-realistic, anti-equal woman slant (fat jokes, lying woman jokes, ageist jokes)?

12- How are female characters treated relative to male characters, in areas such as amount of screen time, focus given in the plot, and relative number of lines of dialogue? This goes for females vs males in all aspects of the production. Lead characters and series regulars are the most visible. How does the number of named female characters relate to the number of males? How prominent are the women’s roles? Are there women of color and LGBT women in the cast? How prominent are the roles the women of color and LGBT women are playing? Is there a female lead, but she’s the only named female character? Does the production have women on the creative team? If it’s a TV series, does it have female writers and directors for its episodes on a regular basis? Are there women in any of the male-oriented tech positions? Is the story about female characters who look and act like they are important to the piece (and might even be the title character) and get major screen time, but in reality the important work of the story is done by the male characters (who might technically be supporting characters)? (This, and the female lead as the sole woman are the most popular ways to dupe women into thinking they are seeing equality.)

Lucky 13- If you want to dig really deep, what is the working climate for women who work for this production, this director, this studio, this theatre, this TV network? Are they known for hiring women? For giving women their start as writers or directors? Or are they known for shutting women out of anything but acting, for enforcing unrealistic physical standards on actresses, and/or for sexually harassing the women who work for them? Worse, have they been accused of rape, pedophilia, or other crimes against women, but their wealth and influence have allowed them to escape justice? Is this a business that you are comfortable continuing to give your viewership to, knowing that views, ratings, clicks, advertising dollars and ticket sales encourage the continuation of the misogyny you’re seeing on the stage or screen?

According to the annual Celluloid Ceiling Study, fewer than 1% of each year’s top 250 films employs more than 10 women behind the camera, whereas 70% employ 10 or more men. This has remained unchanged for the last 20 years. It will remain unchanged until we demand change with our feet.

What we see in our entertainment influences us, but we have the power to influence it back by focussing our attention and our money onto the projects and creators that we feel are most worthy of our support. All it takes is some critical thinking and the power of an informed choice.

*The Ancient One also has elements of the Madonna and Eve, but given her self-sacrifice and dependence on the men around her, I feel that the combination of making her soft spoken, dependent, sacrificing, hidden, and generally lacking in authority and presence serves to make her fade into the background, compared to other characters. Usually an Invisible Woman would be a smaller role, so The Ancient One is worth noting. She’s turned into a ghost when she should be a powerhouse. For comparison, look at the Netflix side of the MCU, and Madame Gao, who commands every room she walks into, before even saying a word, even though the actress, Wai Ching Ho, is physically a tiny person.

Metawitches Guidelines for Spotting Misogyny vs Female Equality in Entertainment and Media This is the basic list of questions we ask ourselves while consuming media to help us determine if we're seeing women being treated fairly or not.

#analysis #Bechdel Test #meta #metacrone #metamaiden #misogyny

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