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#AND hes a total creep that stole the family of another version of himself
levitatingbiscuits · 8 months
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ok finally saw across the spiderverse and maybe im just a lesbian but i do not understand the hype about miguel o'hara at all
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faded-euphoria · 1 year
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I'd actually really like hearing more of your creepypasta room headcanons
LISTEN I KNOW ITS BEEN DECADES SINCE THIS WAS SENT IN BUT COLLEGE DECIDED TO CONSUME MY PHYSICAL FORM BUT HERE IT IS
Creepypasta's Bedrooms and then some Headcanons!
First off Masky and Hoodie. I feel like they would either share a room or a suit. i can see them needing to be near eachother and knowing when the other needs space. While they live in the mansion, their room(s) is very bland for the most part. The walls a beige color, with either a brown carpet, or a hardwood floor. They both have full sized beds with basic brown or white sheets. Nothing about their room screams personalized at all and most of the time they don't want to be in there.
Jeff's room is weird. It looks close to his room from before his family moved. So blue wallpaper, might be striped might not be up to you. His bed is a twin sized bed, full black sheets that are torn in some places cuz I refuse to believe this guy doesn't sleep with a knife. Theres blood stains all over that make people not want to be in his room at all. Theres one really dark one that even he doesn't like looking at so he covered it up with a carpet that he stole.
Ben's room is linked to a computer. Yup Ben lives in a computer. I fully believe this and I will die by it. That said, I think he lives in a non-glitched out Clock Town without the Moon in the sky. Everything there is just like the original Majora's Mask game minus the Moon. Thats all.
Eyeless Jack's room is interesting. I think it would be mighty nifty if this guy continued to do doctor stuff after everything happened. So he kinda has a room attached to a surgical room or a hospital type room. his bedroom area is like super small and only has a small bed and dresser, but the hospital room has a few beds or cots for bodies/other creeps so he can either dissect or patch up someone.
Sally's room is your basic little girl's room, pink walls, one wall has a bunch of little paintings on it because the Bloody Painter 100% would paint princess stuff on there for Sally because she is loved by everyone, thank you. She also has a replica dollhouse version of the mansion with little dolls of the pastas that she plays house with, the only two that she plays with by herself are her and Slender, she has to get the others to move their own dolls if she wants them moved, totally not her rules tho(they are).
Laughing Jack doesn't technically have a room but you can find him in Sally's room most of the time. Its not a creepy thing, she just happens to have created a special bond with the clown and called him Papa once and he's taken her as his own daughter now even though he hates every other kid in existence.
Toby's room is more of a safety net than anything. His ticks can get so bad that he hurts himself and adding the voices to that makes it even worse. his room is right next to EJ's room for this exact reason. Toby's room has weirdly soft carpet and his bed is just two mattresses on top of one another. He doesn't have anything hard in his room and he has to leave his hatches in EJ's lil hospital.
Bloody Painter's room is a simple white room. His bed is shoved into the corner, aswell as everything else. The only thing that makes his room special is that he has red paint smeared on his walls. And yes, it is red paint, not blood. Not saying there isn't blood stains in his room, but he doesn't like the way dried blood looks.
Creeps like Sonic.EXE, Lost Silver and Dark Link also live in similar places like Ben's, but instead of Clock Town its their own place like Lavendar Town or something.
Creeps like the Rake and BOB live in the forest mainly. They're invited into the mansion; they've just never picked out a room i guessidkwhyareyoureadingthisstill.
Most creeps, have rooms at the mansion but are never there enough to actually decorate them. They typically spend the night out at other places.
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tempestaurora · 4 years
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Your tags under the Peggy post. I’m shaking!!! Please punch marvel in the face and let us have that movie!!! That’s the most perfect fix it idea ever!!!!
can i actually just run through my avengers movie idea for a sec? because it’s been one of my repeated day dreams since april 2019.
alright: so it’s set maybe six months, maybe a year after avengers: endgame. unfortunately, tony and nat are dead. this cannot change, unless we get some kind of magic going, and i’m not knowledgeable about marvel magic enough to get a fix. so.
we start on an avengers: age of ultron-like fight scene, where the remaining avengers - literally whoever is left, plus spider-man, maybe bucky if he’s feeling it - are kicking some butt. maybe aim or modok or something, its irrelevant. they clean up, head home, and perhaps swing by the new compound. it’s smaller than the last one, still in the same kind of location. there’s clearly work still being done to fix it up. 
steve is perhaps out on the grass, reading a book. maybe he’s in a wheelchair, because he’s old now. they say hello, head inside, maybe someone stays out to talk to him. now, a new character/avenger could totally bring it up - in my head, i like to imagine jessica drew or riri williams, or one of the young avengers maybe. alternatively, perhaps there’s just boxes all over the foyer.
“what the hell is this?” sam might ask, after tripping over one. he had not been looking where he was going.
“oh! my delivery!” perhaps bruce replies, as he is the last remaining Science Guy (not including rhodey, who is Weapon Science Guy) in the avengers. “after shield-gate and the decryption of those files, a lot of old shield stuff got declassified.”
“and it’s here?”
“well shield’s still kind of... gone, i guess. where’s a safer place for it than here? ooh, the report on who killed jfk!”
bucky, across the room: “want a spoiler?”
the plot goes on; perhaps there are more aim or modok or something bases to be taken down. or a criminal gang. idk. they’re a side plot, who will perhaps become important in the final act, but for now, bruce starts reading through his files, until:
“barnes! you might be interested in this. it’s the original ssr paperwork about dr. erskine’s serum.”
“the one steve’s got?”
“the very same.” they flip through a few pages, and bruce slows. “this doesn’t make sense.”
“hm?”
“the serum. it’s self-sustaining. self-vitalising.”
“in english?”
“steve’s cells are reproductive. when they die, more take their place. it’s how he combats illness; his cells flip over so fast that the sick ones don’t have a chance to catch on. but...”
“but what?”
“if this is accurate--which, it is. i’ve looked at his bloodwork myself! if this is right, it means that steve’s ageing should be slower than a regular human’s. perhaps by three times, even.”
“and what does that mean?” bucky is frowning now.
bruce looks from him, and then moves to the window, where steve is out on the grass, reading a book. “it means that he shouldn’t look like that.”
“banner?”
bruce turns around. “he lived one life in the other timeline, right? lived his life with peggy carter and then came right home.”
“yeah? yes.”
“then... that’s not steve. it can’t be.”
there’s dramatic music, bruce and bucky’s worried faces. steve takes a sip of a fruity drink from a straw.
they bring in some kind of scientist they know; maybe cho, idk, and they go over his bloodwork in secret. slowly, more people are let in on the secret, like sam, who bucky tells because he’s on the team, he guesses, but he’s only got like one friend. perhaps there’s still that other danger going on, but they really need to get to the bottom of this - 
if that’s not steve, who the hell is it? and if that’s someone else, then where the hell is steve rogers?
scott lang and hope van dyne get called in to help build another quantum machine - they don’t have one anymore after steve returned the stones. a time machine is a bit too dangerous, even for them. old steve is around quite often - he likes the quiet, he has a room in the compound, no friends his own (new) age.
but something slips. he’s watching. he may look old, but his hearing’s still good. his vision’s still spectacular. he’s not steve rogers. he’s something else. they cannot comprehend his knowledge.
for much of the plot, we aren’t sure if they’re right, that he’s not steve. he’s acting like steve. he has steve’s memories, his voice, his mannerisms. maybe some people are sceptical - like peter, perhaps, on a weekend visit to train, psyched about the quantum realm idea, but really guys? because old steve has called me queens since the funeral. he can even recite those dumb psas he made. maybe peter talks too much, too loud, and the fake steve rogers knows the jig is up. they’re going to access the quantum realm and find the original steve - this is his final chance.
“you know,” old steve says, heaving himself to his feet, “your friends are right. i’m not steve rogers.” he starts growing bigger, and possibility gelatinous. i imagine it like the young avengers’ mother - some inter-dimensional being, who becomes sinewy, creeping tendrils of flesh and matter; massive in size with a harpy kind of roar. everyone rushes out to see this gigantic mound of flesh--
“what the hell is that, parker??!!”
“uhhh that’s not-steve. he’s acting very not steve today.”
the fight begins, and it becomes clear that whatever this is took steve’s place. stole him, kept him hidden somewhere, and now they’ve gotta get him back. they separate into teams; fighting the monster and racing to the quantum realm. at first, no one has their suits - perhaps they tag team it, or get new suits, or maybe peter has edith on him, and he calls down another iron spider, and she informs him that there’s a falcon x/captain america suit or something; a nanobot suit for sam. something very cool for the suit up, you know?
meanwhile, bucky and bruce are at the quantum machine; perhaps parts of the monster have detached themselves and fight them, too. perhaps the monster calls down its brethren and glowing green lights appear, monsters crawling out from other worlds. bucky gets suited up, and bruce sends him back--
there’s a battle--and bucky flying through time--and fighting--and bucky getting smaller and smaller--and chaos--and bucky landing in the night on a street in 1949.
he gets it pretty fast. it understands why steve might want to stay here. it’s the kind of life they dreamed for themselves after the war. a quiet suburban street; the city off in the distance. the lights are on in plenty of houses, bright yellow. he knows almost automatically which one to look at. 
he peers through the front window, and there they are: peggy carter and steve rogers. he looks exactly as he did the last time bucky saw him young. they’re smiling. they’re dancing. perhaps not well - bucky was always the better dancer of the two. he’s about to raise his fist and knock on the window, but then peggy and steve stop, look around, and two small children, one blonde, one brunette, come rushing in. they laugh, picking them up and spinning them around, part of the dance. bucky stares.
there’s a massive fight in the compound, maybe doctor strange is there? idk. maybe he could feel the walls of the dimension cracking open to let these monsters through. thor is there, he deserves to be. captain marvel perhaps, too. but the more they knock down, the more grow back.
perhaps bucky walks through the neighbourhood, visits his family. he knows that no matter how long he spends in this place, it will only be a minute in the real world. so he goes home. he gets on a bus, then a train, hops the turnstile and finds his old house. he’s come home from war. his family cries. he cries. he holds his mother. his father calls his sisters and they rush through the night to greet him. he can’t leave in the night, he can’t. so he sleeps there until morning. returns to steve’s house and watches from a distance as they do the school run.
peggy kisses him goodbye and leaves for work. steve watches her go. but he is still perceptive as ever; he sees bucky, heads over. they hug. they talk. bucky breaks the news to him: this isn’t real. this is made up. a simulation, specifically to keep you here. something else has taken over your life.
steve doesn’t believe it - maybe they fight, i’m not sure. maybe bucky gets angry and even spits out the words “are they even searching for me yet? have you even told them what i’m going through right now? it’s 1949 - i remember this year as the year my handler got pretty trigger happy with waterboarding.”
we go between the fight at the compound and the 40s a few times, as bucky spends the day stewing and steve spends the day looking thoughtful and sending meaningful looks out the window to where bucky had been standing, but no longer was. as it grows dark again, early evening, the children return home from school, peggy comes back from work, steve starts cooking dinner.
he looks out the window and sees bucky out on the front path, watching the yellow-lit kitchen. he goes outside, asks if he wants to come in.
“no,” bucky replies. “if i go in, i’ll never leave.”
“is that such a bad thing?” steve asks.
“it is when it’s not real.”
“buck--”
“i wanted a life back then. i wanted this. some nice house in some nice neighbourhood. fall in love, settle down - the whole nine yards. but i got captured, steve. i got tortured, and brainwashed, and now i live in the twenty-first century, and i fight bad guys with ridiculous powers, and i have a computer that i can carry around in my pocket, and--things are good there! even the skinny, angry version of you could’ve lived better there. might’ve even got a cure or two for your sicknesses.”
“bucky--”
“this, though. this isn’t real, steve. i want it to be, so badly. you deserve this. deserve the peace and quiet. deserve the life, and the happiness and the--the girl. but right now, in the time you left, there’s a monster tearing up your friends. our friends. and they need help.”
“they’ve got captain america.”
“they don’t need captain america. they need steve rogers.”
steve can’t help but look back through the window, to where peggy and his kids are talking, serving up dinner. he sighs. “i can’t leave this behind, buck. i can’t.”
bucky sighs, perhaps this argument goes on longer, but he resigns himself to it. “i thought you might say that. i’ll be out here for another hour, and then i’m going back.”
bucky waits outside on the front path for an hour. steve eats his dinner and laughs with his family. when the time comes, bucky gets up, and looks back at the front door, hopeful. but--steve doesn’t show. he heads back.
the fight continues on, bucky breaks the news to bruce, and there are some bad injuries, maybe. i’d say that someone might die, but the real emotional climax of this film is steve-centred, so we probably don’t need a death. fighting goes on for an avengers-appropriate amount of time, and the tide turns against the avengers. then... just as all hope seems lost:
a second captain america shield slices through a monster, pinning down sam. its that holographic one (photon?) from the comics; just something tony had worked up before he died. the camera pans over to steve in his captain america get up; the same one he left in; catching the shield.
more fighting, then steve: “are you using my shield?” 
sam: “the other, fake you gave it to me.”
steve shrugs. “it looks good on you. keep it.”
also during/near the end of the fight, bucky and steve reunite, and hug, because i’m a sucker for hugs. 
bucky: “i thought you weren’t coming back”
steve: “i wasn’t. but--i couldn’t leave you behind again. not after you showed up like that.”
“but how’d you get back?”
“i still had my pim particles and suits stored in the attic. i think the monster stole my shield when he stuck me there, but he left everything else behind.”
“... i’m glad you’re back.”
“i’m glad to be back. really.”
they win the fight. i dont care how. maybe aim or modok or something shows up or maybe good old fashioned teamwork gets the job done. but they’re happy, and they’re together, and inter-dimensional travel has now been introduced. *cough* spiderverse *cough* 
steve still gives up captain america - he’d spent four years in the past as a stay-at-home dad and husband, only using the old suit for press stuff, so he doesn’t really want it back. he liked settling down. that’s what he wants. perhaps he moves to brooklyn or harlem or wherever, to whatever apartment bucky and sam set up for themselves. he cooks and paints (a little girl with blonde hair and a small boy with eyes like peggy carter’s) and punches his fist halfheartedly in the air, droning “go team” whenever they head out on their missions.
he really did mean it when he said sam looked good with the shield.
there would probably be a b plot of another character Doing Things, like thor and captain marvel and whatever their adventure is. but i don’t know what it is yet. there’s a happy ending. then, the first credits scene is some inter-dimensional shenanigans and a villain being introduced. i personally imagine that kang is going to be the next big villain, but he’s time travel, not dimensional travel, so i don’t know.
then, your optional after credits scene: bucky and steve standing by the kitchen counter, talking and whatnot. i don’t know what about. maybe bucky’s getting ready for a mission, maybe steve’s just in a white tshirt and sweats and he’s just having a nice day, making himself some coffee, reading a good book. they talk, and steve nods bucky over.
“what?” bucky asks.
“thank you,” steve replies.
“... ‘til the end of the line, remember? i’ve got your back, rogers.”
“and i’ve got yours. you know that?”
“course i do.”
they smile. they’re happy. they’re at home. the screen goes black as soon as steve leans in and kisses bucky. 
(or: your platonic ending: the screen goes black as soon as steve and bucky bump fists in a friendly non-gay way)
then: STEVE ROGERS WILL RETURN IN THE FALCON AND THE WINTER SOLDIER
it’s a reoccurring role. he’s largely in the background, cheering them on, and occasionally waiting up in bed when bucky gets home from a late-night mission. he trains sam with the shield on weekends.
the end
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