#AGF!MK

[tijupisos]

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[agreementtale]

Chapter 25: Prepare yourself

“Stop wasting your food” came the familiar screech.

“Hm?” they turned around, trying to find him on the snow “You’re back!”

“Yes, I’m back” they quickly put the boot down and allowed him to get comfortable “And I saw you giving that away! You can’t do that, do you know how hard is to get food around here?”

“I already ate today” They were carrying the boot since he left, they hoped it still had a lingering warmth on it, ice shouldn’t be pleasant on roots.

“Then keep it for tomorrow” They wanted to ask about Mom, to know how she was doing now that they were gone.

“He was hungry now, it didn’t cost me anything” But if his only concern was them feeding the homeless, they could conclude that Mom was mostly alright.

“It costs you tomorrow’s food” And if Mom wasn’t alright, did they even wanted to know? They wouldn’t come back to the Ruins, not without breaking the barrier first.

“Tomorrow I’ll have breakfast with Sans again” And it would be a long journey until they broke the barrier.

His spooked expression caught their attention “You what?”

“Or is it lunch?” why was he surprised? They had talked with the brothers a few times now, and Sans had shown no intention to kill them, was it so weird they went to Grillby’s? “Is it lunch if I haven’t eaten breakfast yet?”

“What do you mean you had breakfast with Sans? Didn’t I told you not to do anything stupid?” Or he could just be Flowey, and be finding something to complain no matter what.

“It wasn’t stupid, it was free food”

“There is no thing as free food! You gave him something in return”

“He paid” Not actually, but he did put it on his tab.

“Yes, but I know you, you talked to him! What did you say?”

“We… traded jokes”

“And?” And they started a passionate rant that they didn’t remember all the details.

“He told me a bit about monsters” they don’t think they let it slip anything too bad or that could be used against them “And I told him a bit about humans”

“You should never tell him those things!” Flowey snatched their finger from their cheek, as if he could emphasize his words with the sudden action.

“He already knows I want to befriend everyone” They got their finger out of his vines with ease “he don’t believe me anyway”

“You didn’t tell him about the barrier, did you?” He was quiet, like he was afraid someone was listening.

“Nope, I’m not that stupid” There wasn’t, the homeless guy was long gone, there was no one even close to them.

“Yes you are” now he was just being petty “but anyway–/”

“Anyway” they interrupted whatever rude insult he was going to make by walking faster “he told me I’m smart, so me being stupid is just your opinion”

“…” eyed them warily, if they didn’t know any better they would think he was looking for signs of lying “He was being sarcastic”

They wanted to roll their eyes at him “Nope” was that so hard to believe? “he actually said I was smart”

“That doesn’t sound right”

They were about to retort when a blurry something entered their field of vision, they only had time to turn a bit to the side, taking Flowey out of the way before the impact.

They were thrown on the ground, just like the blurry someone.

“Hey!” a yellow and black shirt, instead of blurry was now covered in snow “Watch where you’re going” A single yellow stripe on a black shirt, with a little yellow monster inside “You wanna die today?” He still yelled from the snow.

“Not really” they remembered him, even if he seemed to be older that when they first met “I’ll prefer to die some other day, but thank you for asking” they got up, patting themselves and Flowey.

“Are you messing with me?” He was still on the ground, they got closer to help him.

“Why do you have to be like this?” their brother grumbled almost inaudible.

“No, I’m just new here, you can call me Weird Puppy” They extended their hand to help their friend.

“You are messing with me!” He somehow managed to get up and away from them in a single movement.

“Yes” Flowey said in a tired voice “Offer your hand to the kid with no arms, very clever”

“What – no!” Oh, god, why did they extended their hand to him? “I’m so sorry! I just wanted to help you get up” How could they remember being friends with him and forget this ‘detail’?

“I don’t need your help!” He shouted, still agitated “I don’t need anyone’s help” and with this he ran away.

“He looked distressed” they couldn’t help but think out loud.

“They just got thrown in the ground by a stranger”

“Oh…” he was still a kid, right “yeah, that would make anyone distressed, but why did they run away without even saying their name?”

“Monster Kid”

“No, I know their name, I just wanted to make a conversation so we could be friends” He and the little bunny were the only kids they saw in Snowdin.

“With someone you just pushed to the ground and as far as they know, wanted them dead, but was too coward to call them to an encounter”

That wasn’t what happened.

Why would he think they would kill him? They were also wearing stripes…

“You talk like making friends is impossible here”

“It is when you start by tackling someone to the ground” … he had a point… but they were not ready to admit defeat just yet.

“Tell this to the Froggits or the Vegetoid on the Ruins I made friends with” in this world tackling someone was a completely valid way to make friends.

“Vegetoid never attacked you” yes he did “she introduced you as her child” oh… no, that was just the second time, the first time they had died.

“Then to the Dogi or Greater, or Lesser, they all attacked me”

“They are not your friends, they just tolerated you because you wear stripes” that was not true! He saw how they clicked with Lesser dog.

“Now you just want to hurt my feelings” Stripes or not, that had been a nice game of fetch, and nothing he could say would convince them otherwise.

“I’m your only friend, you should listen to me” Oh, so that was the point he was so desperately trying to make?

“Ok, ok, I’m listening” if he wanted them to stroke his ego “Please drop your fabled knowledge, my dearest and only friend in this whole world” they would oblige.

“I hate you” and annoy him in the meantime.

“What a terrible burden to keep an idiot such as myself alive for so long!” said putting a hand to their forehead in their best acting voice.

“I really want to kill you right now” the irritated way his vines twitched was so funny!

“On the dreadful day of your death I’m sure you’ll go straight to Heaven” They put the boot on the ground before he decided to smack them “Because you atoned for all your sins here on Earth, by putting up with a vile and annoying being” but made sure to walk in circles around him while monologing.

“You’re not even making sense” but still keeping enough distance his vines wouldn’t reach them, in case he tried.

“Oh, sweet relief the day you are finally free from the claws of stupidity” a snowball straight to their face stopped them mid rant, they looked at him confused.

“Stupidity, I’m listening” he was smiling, holding a snowball, when did he had the time to make one? Two actually, they had just lowered him there, there was no time!

“Oh no, you didn’t” cleaning snow from their mouth, confusion morphed into determination.

“Keep going, I’m listening” still staring at their eyes, he slowly made another snowball, as if he hadn’t proved he was able to produce one in less than two seconds..

“And” the attack was expected, they dodged one snowball and another “So you can” But a vine moved the snow near their foot, distracting them enough to be hit by other two balls.

“I can what?” asked him sweetly “~I can’t hear you over all that snow~”

That was all the taunting they needed “Oh, it’s on!”

“Snowdin is nice” they said while laying on the snow, they were in the middle of the city, being goofy and all, and no one had tried interfere on their snow fight.

“Don’t get used to it” Flowey was looking away, keeping guard while they caught their breath “If you are really doing this, it will only get harder from here”

“I’m sure we can figure a way out” They enjoyed the fresh snow on the ground, while looking at the small flakes falling lazily on the ‘sky’.

It was just a cave ceiling, but with the diffuse illumination of the reflecting stones, it was clearly day outside.

The light in Snowdin was just like a, slightly dark, day in a cloudy weather.

“You don’t understand” His tone of voice was concerning.

They turned to him with their full attention.

“There are places, really bad places, places you are always being watched and can’t escape” he looked at them, the playful mood from before long gone “You can’t go there, you have to listen to me when I tell you where to go, so you can avoid getting stuck” he avoided their eyes, looking at the ground instead “I’m not strong, if you don’t listen to me, then there is nothing I can do”

“Ok, I’ll listen to you” They wanted him to stop worrying so much “What do you want to do now?” He wasn’t strong enough, but they knew they would be when they needed to.

“Stay in Snowdin a bit more” Easy done, but why would he want that?

“Are you sure?” They would prefer to keep going, but a bit of peace before the storm was welcomed.

“You want to make friends, right? You’ll need practice” And they knew that if Snowdin was calm, Waterfalls would be one hell of a storm “And more important, do you see that house over there?” he pointed to the brothers house “Never go past there”

The path to fight Papyrus.

And the barrier ahead.

“Ok, we will stay here for a while” they blew the snowflakes from their face “Does that makes you happy?”

“I don’t get happy” sure he didn’t.

“Does that makes you less annoyed?” They started to move, to make a snow angel and decorate the city, everyone passing the main road would be able to see it.

They could hear his eyes rolling in the tone of his voice “Sure, why not”

“I love you, brother” they said truthfully.

“Whatever” They chose to hear this as ‘Me too’, it was not like he was going to admit it anytime soon.

And maybe, just maybe, they were expecting too much.

He couldn’t feel love as a flower, or so he told them. But since they got here, he had been nothing but kind to them, in his own way.

And he proved he cared several times, so maybe ‘not feeling love’ was just the way he chose to interpret it? A way to cope, to exaggerate the fact so he could accept and move on?

They had done something similar after all, back on the – Cold, cold, cold!

Achoo!

“Get out of the snow, stupid, do you want to catch a cold?” the whole body sneeze forced them to sit down.

“Is just a sneeze, Flowey” they patted the excess of snow out of their neck.

“And next thing you know you are bed ridden and can’t breathe” now he was the one being dramatic “Get up, now”

“But it’s so comfy!” they laid down again, nor ready to abandon their snow angel “it isn’t even that cold” magic snow was the perfect temperature to lay onto.

“I’m telling Mom”

…

Low blow.

“Ok, ok… I’m going…”

“You’re not moving”

With a unhappy moan they got up “There” said opening their arms to make a point “Happy?”

“Less annoyed” he smiled as they picked the boot “Now go there, the heat of the bar should keep you warm enough”

It should, standing near the Grillby’s should warm up both of them, and hey, he was the one to suggest they stayed in the city a little longer, right?

If they happened to find more people to introduce themselves to, it was an added bonus!

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#AgreementTale #undertale #AGF!Human #AGF!Flowey #AGF!MK #fanfiction #archieve of our own #long fic

[zaptnews]

NUMBERS MATTER 121

チハルMK 、 おたこ、　川畑優、　AGF、　日野繭子、 大西蘭子

Thursday 22 October – 9pm (UK time) | Free

IKLECTIK YouTube Channel: https://youtu.be/HXFmH46kVEQ

Why numbers matter: Japan, a country with a population of over 124.2 million, is ranked at 121 in the Gender Inequality Index (GII) published by Human Development Reports 2020.  Japanese women got the vote in 1946 – earlier than China (1949), Liechtenstein (1984) and Switzerland (1993).

In the ranking chart of the Global Gender Gap 2020, the top ten reads as follows: 1: Iceland; 2: Norway; 3: Finland; 4: Sweden; 5: Nicaragua; 6: New Zealand; 7: Ireland; 8: Spain; 9: Rwanda; 10: Germany. The UK ranked 21, following Albania at number 20. Though Japan falls some 100 places behind the UK, the latter’s ranking at 21 is nothing to be proud of either. Clearly there is plenty of work to be done in both countries. Hence, NUMBERS MATTER 121 features four special projects led by Japanese women: Chiharu MK, Otaco, Yu Kawabata (in collaboration with German poemproducer AGF) and Mayuko Hino.

Footnote: In the Press Freedom Index published in 2020, Japan and the UK don’t fare much better than in the GII. Out of 180 countries listed, the UK is ranked at 33 and Japan at 66. The countries listed from one to ten are as follows: Norway, Finland, Denmark, the Netherlands, Jamaica, Costa Rica, Switzerland, New Zealand, Portugal and Germany.

Programme:

“Paramnesia 2020” by CHIHARU MK “Tomodachi” by OTACO “Hamaderea Park ” by YU KAWABATA (sound) + AGF (visuals) “Toyosu 2020″ by MAYUKO HINO

Chiharu MK is from Sapporo. Primarily trained as a composer, she studied the acousmonium, that is, the sound diffusion system, at INA-GRM studio in Paris. Since completing her studies in 2002, she has become an internationally recognised electroacoustic sound artist, either performing or creating sound installations for festival, gallery or non-concert hall spaces in Europe, Hong Kong and Japan. For Intersect 2015, she commissioned the non-Japanese artists Francisco López, Sogar and Taylor Deupree to compose sounds for a 17.1 multi Channel Speaker System (consisting of seven speakers + ten screen speakers + one woofer) in Sapporo city centre’s underground walkway. Chiharu MK has also released three solo CDs: https://www.studio-cplus.net/

Chiharu MK’s new multimedia work Paramnesia 2020 is based on her original piece for Hong Kong Art Centre’s 40th anniversary multi-channel Sound Forms festival in 2018.

This film shows her performing the piece inside Glass Pyramid, nicknamed Hidamari – Japanese for Sunny Spot, it’s the centrepiece of Sapporo’s Moerenuma Park, designed by Japanese American sculptor Isamu Noguchi (1904–1988). Construction work on the park actually began in the year Noguchi died, and it opened in 2005. The film also shows Chiharu MK recording on Ishikari beach, just north of Sapporo.

Taking her name from tako, the Japanese word for octopus, Otaco is originally from Japan’s northernmost main island Hokkaido. An electronic musician and vocalist, Otaco is one of the most vibrant and engaging performers to emerge from the alternative music scene anywhere in Japan.

Now living in Tokyo, she operates a home studio set-up of a rhythm box with a synthesizer; she samples and syncs sounds into a computer, running them into real-time sequences to construct her outre pop-electronica songs and instrumentals. Her music can be heard at https://otacosan.bandcamp.com/music. Otaco also plays guitar when she leads Gotou, an occasional rock trio formed out of homage to early 1980s West Berlin groups Mania D and Malaria!. She appeared for the first time in the UK during Coding In GE 2018 festival for women and technology.

Antye Greie also know as AGF was born and raised in East Germany. She is a vocalist, digital songwriter, producer, performer, e-poet, calligrapher, digital media artist. In the last decade Greie has released more than 20 full length records and played over 300 live performances worldwide. AGF runs her own production company AGF Production  – http://antyegreie.com She first worked with Yu Kawabata on her 2015 album A Deep Mysterious Tone, the third in AGF’s series of settings and poetry interpretations from different countries, this one featuring Japanese poets and writers including Noe Ito, Fumiko Kaneko, Shikubu Izumi, Blue Stocking editor and writer Hiratsuka Raicho, and more.

Yu Kawabata is a techno DJ active in Japan and Russia. This is Yu and AGF’s second collaboration. On their first, AGF set to music Yu’s reading of a waka poem, written by the 12th century court lady Yūshi Naishinnō-ke no Kii, enumerated as one of the Thirty-Six Female Immortals of Poetry. On their latest, Yu has created new music for a film by AGF. https://soundcloud.com/yukawabata

Since resuming music in 2011 after a ten year break to study Chinese medicine, Mayuko Hino has reclaimed her status as queen of noise.

A prolific live performer, Hino is best known for C.C.C.C. (Cosmic Coincidence Control Center), the group she formed in 1990 with Hiroshi Hasegawa, Fumio Kosakai and Ryuichi Nagakubo. In their early phase, the band grabbed attention by combining noise music with Hino’s sadomasochism performances using bondage ropes and dripping candle wax. Hino has since been a member of Mne-Mic, DFH-M3 and her most recent group Transparentz with Akira Sakata, who split up in January 2020.

Whether solo or in her various group projects, Hino experiments with the function of noise music as a transdisciplinary medium, in the process to breaking the boundaries surrounding performance art: urban structure against man, art against non art, activity versus rest.

In 2018 Mayuko Hino performed at Iklectic’s Coding In GE Festival alongside and in collaboration with Ramleh. The same year she released her second solo album Lunisolar. In addition to self-made instruments, Hino plays noise with her six-theremin oscillators (in bright pink), a unique device specially made for her by Ryo Araishi (aka ichion)

This year Hino had planned to resume activities with C.C.C.C. to mark the US reissue of their first four albums, but unfortunately their plans had to be put on hold because of the pandemic.

“There’s a sense of momentum to be found in Hino’s noise; it’s rarely static… At the hands of Hino it seems astral travelling is as much out-of-this-world as it is an out-of-body experience… on Lunisolar she continues with the ever evolving atmospheric and psychedelic sound that energised the noise of C.C.C.C.” (Compulsion Online)

“Hino Mayuko makes no bones about her wide-ranging noisician flexibility here, nor her honored place in the contemporary Japanoise scene… Unlike a bevy of artists who just make ear-splitting sonic somersaults, Hino’s sound is more impressionistic and staggered in its delivery, incorporating a yin/yang of the industrial and environmental.” (Tone-Shift)

RANKO ONISHI (Mne-mic): voice

Performing artist Ranko Onishi was born in Hokkaido. She moved to Tokyo where she joined Shuji Terayama’s Tenjo Sajiki theatre company in 1980. She was a second year student of dancer Min Tanaka in 1982 and became a full member of Tanaka’s company in 1984. Five years later in 1989 she performed with Keiji Haino. She and Hino work together in the duo Mne-mic, featuring Hino on electronics, Theremin and synthesizer, and Onishi on voice, water and fogphone. Their album Gulf Stream was released by Alchemy Records in 1999.

Curator Keiko Yoshida’s notes for NUMBERS MATTER 121

While researching texts for AGF’s 2015 CD A Deep Mysterious Tone I developed a profound interest in women’s history in Japan. AGF and I first met and begain talking about her project while she was taking part in my hometown Sapporo’s International Arts Festival in 2014. For the album she compiled and set to music Japanese writings and poems from the ninth century to the present day, and commissioned the female electronic musicians Ryoko Akama (UK), Kyoka (Germany), Tujiko Noriko (France) and Yu Kawabata to read her selections. She had met them at European festivals, and as she got to know them she learnt these female electronic musicians are not treated very well when they’re back home in Japan.

Indeed NUMBERS MATTER 121 took seed in these discussions on women and Japan with AGF. In some ways it’s also a sequel to “Coding in GE”, the 2018 Iklectik festival offering a platform to female electronic musicians, for which we got funding from Sasakawa Foundation UK, and in which Otaco, Mayuko Hino and AGF participated.

Another question addressed in NUMBERS MATTER 121 is the subject of decentralisation.  I consciously asked musicians from outside Tokyo to participate in this project.

Currently working on a photo story book about 1980s London and Berlin.

Please support the project buying an e-ticket (#nameyourprice). ** https://buytickets.at/iklectik/439711 **