It is kinda funny seeing people talk about Seungmin lately because he definitely has gotten more bold and confident for sure. He's also just getting opportunities to be perceived as an individual on his own as well for the first time in a while but it's still jarring to see people be like Aw he was always such a quiet goodie two shoes little nerd and it's like...... he was the one to leave and seek out his own vocal coach and blatantly talk about it, which of course lead to I.N and Lee Know also doing the same, he was the one to go on bubble and tell off sasaengs who used to camp outside their old dorm for invading members privacy but also because it effected other residents and staff at the complex, something that i'm certain upper management wouldnt have been happy about, and he wasn't curt or nice about it either. like he's never actually been a wallflower, he's always had a pretty strong backbone and seems to stick to his principals, its not really new.
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Not to go on and on about how much I adore the DnD movie BUT it was also so fantastic to see such ridiculous plans in action? Like I've seen so many campaigns feature shenanigans of the highest order, like real loony tunes meets rube goldberg machine level nonsense, and so seeing Holga pry up a loose flagstone to use as a weapon in a last-ditch effort not to die and the entire scene where they use tree sap, a portal staff, and a painting to break into the treasure carriage was SO beautiful like that's the EXACT sort of plan that comes up when you give four people with assorted skills and random magical items a few minutes to figure something out and it's FANTASTIC.
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everyone calling for the end of translations into and out of the hebrew language, removal of israeli novels and movies from discussions and events, deplatforming of israeli artists from international events, "isolation" from israeli media...i hope you are getting a fat fat check from miri regev and miki zohar i hope you are the likud's favorite rabbit for how you've been doing their work for them
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doug eiffel is relatively offline, his choice of... constant, unyielding background noise so he never has to be left alone in the company of his own thoughts... is the radio and/or tv, but he is also always watching youtube videos like "Can We Drive 1,200 MILES in an ABANDONED Van With NO TITLE? - First Start in 17 Years" and "Monster Jam - INSANE AIR Compilation." zero doubt.
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Mutant mayhem was solid (love how they talked like teens) just the cowaboomers love their iteration from 12 years ago.
I’m partial to Rise of the TMNT
cowaboomers... astonishing, astonishing
i haven't consumed any tmnt content except the 2023 movie and... wait. i think i might've watched... one of the michael bay live action movies that we all collectively decided to suppress the memory of. and i didn't hate it. but i didn't think it was very good either. but does a movie have to be good? is it not enough to simply look at megan fox?
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no offence to people who genuinely enjoyed james somerton and feel cheated but you could kind of tell he didnt give a shit about anything he ever said. there was no passion or personable anecdotes in anything he ever made, and the fact he was constantly posting videos was crazy. like if you watch your more popular video essayists theyre always coming from a point of 1) education in a field 2) passion in a subject and 3) being open about themselves
like , this man hopped on the video essay train because of the popularity of his peers and just tokened himself into "the gay video essayist" as if so many other people werent already doing that? and the lack of care for intersectionality was obvious. i stopped ever watching him after he took it personally that some marvel show was about black exploitation in america and not about two men kissing each other, cuz it became abundantly clear that was the only experience he gave a shit about (his own)
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mulder and diana literally have the most intense divorced energy anyone could ever have...they have the chemistry of two people who've been married for decades and maybe don't wanna be married anymore, maybe aren't married anymore, but once you're married you're grandfathered in. you're always married. haven't touched each other in years, go most days not even considering the other, but owe each other something, and aren't sure of what it is. diana lies and lies and lies to his face, and then dies to save him. she feels entitled to him, she knows what's best for him, what's his is theirs. always. she was there when he got it. she helped him build it. (she tells him herself: "don't forget that"). so much of what she does appears as she's trying to establish a claim over him, but she doesn't have to try. she just is. she's irreproachable. you don't talk about the wife. (and you don't talk to her, as scully and diana arguing is met only with mulder's impatient, "scully...scully...scully.")
any time she comes up in conversation, his friends are uncomfortable. i love the way byers goes "well....yeah?" when scully asks if he knows diana. he says it like he's surprised that scully didn't know about her. when scully won't stop pressing mulder about diana in one son, all three of the boys tense up. the camera keeps going to their reactions. (you don't talk about the wife. they were there. "i always wondered why they split up.")
scully says "special agent diana fowley" as though maybe if she had one more title to throw in, she would disappear. diana says "fox" like she has something to prove. mulder says "diana" like it communicates everything he doesn't say. and in a way, it does. the first time scully heard him call agent fowley "diana," she knew.
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idc what you think about august underground as a movie but you have to atleast admit it is kinda one of the last "greats" of the 2000's indie disturbing horror scene [and a really unique example of gritty + realistic found footage horror] before it all literally went to total shit
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Some of y’all have GOT to get obnoxiously into amateur indie films on YouTube made for fun by Just Some Guy (gender neutral) and their friends. Go watch some shaky camera work and the best acting college age kids can muster for a story or concept they loved so much they put it out into the world. They’re braver and more genuine than literally anything you’ll see in a box office or streaming platform because they’re making art for art’s sake without a multibillion dollar industry breathing down their neck.
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