yes, i ship fictional characters, both in books and film, moon over their relationships, read fanfictions on them while giggling and kicking my feet.
but deep down, i am aware i will never surpass my eight-ten-year-old self scribbling down her notebook every time ally dawson and austin moon did ANYTHING romantic.
Fascinated with how the localization of Ace Attorney desperately wants you to believe it’s set in America despite it clearly being a satire of the Japanese legal system and has cases set in obviously Japanese locations
at the risk of sounding butthurt for talking about not being butthurt: going through quals really prepared me for trawling through fandom meta and research while keeping my zen
sorry if I wasn’t clear, but we did have stage directors and such, but we didn’t have that many people in crew as a whole because the new director is a bitch (literally the only word I could possible use to describe her.) Anyways, the guy Im talking about is basically just the opposite of what I read. His first reaction after the show was to run off the stage and up to the light booth just to hug me, pick me up and spin me around a bunch. LIKE????? I THINK ABOUT THAT DAILY Also he’s helping me a bunch because there’s this one creepy guy who keeps flirting with me and being all touchy, but school won’t do anything about him. But he agreed to walk me to all my classes, even though he doesn’t have most of his classes even near mine and he’s defending me from the creep. But also idk in general.
-🌺
wtf the duality of tech lives: yours vs mine GOOD FOR YOU IM VERY HAPPY FOR YOU
But technical directors that dont know what they're doing SUCKKKKK
I love giving people my Government Full First Name over my commonly used shortened nickname version when I'm interacting with them in a strictly business context because it makes the old "Salesman using your name a lot to trick you into feeling friendlier" trick much more noticeable and insufferable
Well if we’re asking that, we also have to ask: why aren’t only 2% of your characters gay?
I mean as long as we’re just talking overall statistical prevalence there should be five Hispanics—almost all Mexican—for every four blacks, in stories set in the US, and American characters actually only have a 1 in 250 chance of being both gay and Jewish.
You want them to pretend 50% of every workplace and facility is, or should be, female (so many women clamoring to be sewer workers), just because half the general population is? Sure, right after you make your cast of characters conform to statistical realities about orientation and ethnicity. Deal?
Watching ‘Inside Llewyn Davis’ after ‘Moon Knight’ adds a whole extra layer to this scene in particular. And not a particularly happy layer, at that. Just Oscar Isaac getting fucked over and kicked while he’s down by the same guy twice.