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#天国大魔境
ianime0 · 1 year
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owlb0x · 10 months
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天国大魔境
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lunargarden-art · 5 months
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aloiciaclee · 11 months
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Heavenly delusion 
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hairunowa · 1 year
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Heavenly Delusion OP 「innocent arrogance」 by BiSH. https://youtu.be/GuAcdIqcanA
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winonaparadise · 1 year
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i just love them okay
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nyahuaisang · 1 year
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@reidhershel put this accurate af take in the tags of my post about heavenly delusion being a genderqueer series and I just wanted to further elaborate on it as the original post has a nsfw label because it does talk about topics such as intersex and the such so most people don’t see it. Please turn your nsfw filter off if you want to read it.
Anyways what you need to know is that a) there is a boy who’s consciousness was transplanted into a girl’s body and b) a group of children has been raised within a facility with no concept of gender their entire lives with at least half of them being biologically intersex and one of the children who has female features has been presented to the viewers by author as more male-presenting or androgynous and is referred to as “a young boy” in the manga’s synopsis.
Because of these more unorthodox executions of queer characters there is already a multitude of discourse from both anti-lgbt bigots as well as some of the lgbt+ community itself purely because of how unorthodox it is. Like Reid says, many people invalidates Kiruko(the boy who’s in a girl’s body)‘s queerness because of his unorthodox situation and a lack of explicitly statement that he is trans or queer I can imagine some people also invalidating Tokio in a similar way.
Cishet characters get to be cishet despite never once stating they are cishet. A male character kissing a female character is labeled hetero despite never saying they’re straight. A cis character is labeled as cis, again, despite never saying they are cis. So then why do queer characters have to explicitly state they are queer if they are already exhibiting queer traits?
A girl character should not have to explicitly be stated that she is gay or bi or pan if we see her kissing another female character. A gender neutral or non-binary character should not have to be explicitly stated as such if it is shown that they do not have a concept of gender. A character who has been presented as androgynous or masculine should not immediately be labeled a girl just because they have boobs. A trans boy should not have to be labeled as trans if he literally says he has a boy’s mind but within a girl’s body. A queer character should not need to state he is queer if he is professing his love to someone he knows is the same gender as him.
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Cishet characters get to be as fantastical and magical and unorthodox and still be cishet so why are we trying so hard to strap queerness down to realism? Queerness has been discriminated against by almost every community and has had everything gatekeeped from it, please don’t gatekeep queerness itself from people and media you don’t deem as “queer enough” for you personally.
To be queer means to not conform to or being in line with what society’s expectations of gender or sexuality dictates you to and to then place expectations on that ideology itself, to place expectations on what being queer should be, goes against it entirely. It’s doing exactly what queer people are trying to break out of: having to fall in line with certain expectations to be seen as ‘valid’ in other people’s eyes.
Heavenly Delusion is a queer story, a really unique one where queer people gets to simply exist in a world instead of needing that world to be labeled as “queer” for them to be able to exist within in. It’s a chance for queerness to be normalized within media, don’t ruin this chance.
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gabbyp09 · 1 year
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tcldrawings · 10 months
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Mimihime
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hotdogmexicano · 10 months
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Tengoku Daimakyou (2023)
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virtualtrashbearbagel · 10 months
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天国
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ianime0 · 1 year
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Tengoku Daimakyou | Ep8 | Thank you for letting me die as a human. Thank you for giving me your eye. Thank you for everything. I love you.
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animehouse-moe · 11 months
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Heavenly Delusion Episode 12: Outside of The Outside
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One episode away from the end of the season. It's really something to realize that. One more episode left in this series, for now. And there's still a mountain of questions and curiosities and mysteries and foreshadowing and symbolism. And I'd love to go over it all that rests within this episode.
So, for the uninitiated, a degree of foresight exists within essentially all the children of Takahara academy. An ability to sense the future rather than see it, and interestingly enough this is the first time that it appears with Tokio, as we start off in a dream of hers. I like the unsettling nature of it, how the students are all rather different in disposition to how they usually are, and how expressive the Miina terminal is. More than that though, I'm curious about the organization of the students. Most importantly, Kona isn't there. And alongside that, there's two halves to the students.
Could this be an answer of who all becomes a Hiruko? We know Mimihime is predisposed to it, and we know that Kuku most likely becomes the fish Hiruko we saw early on. Similarly, with the info from the prior episode with the pairings, we know that either Taka or Anzu will become a Hiruko, but considering the side that each appears on, it would seem that it's Taka's fate to turn into a monster.
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But within that, we get a potential contradiction as we awake from Tokio's dream. Mimihime and Shiro, and Anzu and Taka are sharing a lunch together talking about Tokio returning finally. Aside from the napkins of Taka and Shiro being a nice detail to reflect their personalities, it's Anzu and Mimihime here who are eating their sandwiches with those deep red tomatoes on them. You can't help but notice that Mimihime's tomatoes are spilling out though, while Anzu's remain intact. Mimihime's are more symbolism for the inability to remain untouched/whole, but I'm unsure of the purpose of Anzu's.
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Anyways, that sandwich is used once again rather quickly, and ties in quite well to the overall story of this episode. Takahara academy comes under attack, and the group must run to safety as the entire facility begins to panic. This scene of Mimihime's sandwich being crushed under the debris though paints a pretty clear picture. If Mimihime's bite allowed for no return, the destruction of the sandwich clearly sends an even stronger version of the message. Whether it's to Mimihime becoming a Hiruko, or the destruction and change of her life through this episode, it is an irreversible change that shakes the foundations of her life.
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As destruction rains down on Takahara Academy however, we're returned to Kiruko and Maru as the former places the Ibaraki facility in their sights. I really love how they open this sequence with Kiruko pushed to the far right of the frame to show her determination for moving on, while Maru's hand occupies the left as a belt slips from his grasp, showing how he's losing Kiruko to her past.
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Following this, we get into the meat and potatoes of the episode, as the pair explore the town that's appeared around the Ibaraki facility. This is all incredibly fresh in my mind as I'd just read volume 5, so I'm only going to pick out the pieces that I think are important in terms of foreshadowing in the like, starting with their "chips", the form of local currency they use.
Simply put, it appears like a puzzle. The notches on the end of the wood all differ, and even the color of the wood itself changes. Similarly, there's not a single repeat color or pattern in the bunch. Immediately, the designs remind me of technology and the sort of branching out we see from Maru in the opening. There's absolutely something greater with these pieces of currency, but I can't find an answer as to how they should be pieced together.
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Moving forward from this curiosity though, I love the direction with Kiruko as she finds out that Robin is here in this town. The use of her running scenes that appear from later on in the episode to show her desperation and desire are a great piece, and the fact that Maru isn't in those scenes only adds to how much distance the put between the pair as they return to their room for the evening. Really well done at naturally driving a stake between the duo.
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Following this separation, we get to the pieces of Kiruko running that we saw earlier on, as they make her way to the Ibaraki facility. It's a well done emotional moment that captures a lot of Haruki's emotions. I think it's an important distinction they make through it all, because Robin is only shocked to see Kiriko, as the episode uses the shadows to darken Kiruko's hair to make them appear more like Kiriko.
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Of course, it wouldn't be Heavenly Delusion if we weren't jumping all over the map, so we return to the Takahara Academy as they panic amongst the destruction. It's neither here nor there, the director gets out of her wheelchair and runs for her life, which is funny, but it's not the takeaway. The scene that separates Kona from Mimihime, Shiro, Anzu, and Taka is.
They really like these balanced and separated shots through the episode. Placing Kona by himself with the younger students that flank him, and the group of four that goes off to investigate the wall, really makes you think about why they were placed like they were. Why the four students appeared in Tokio's dream, but not Kona. Given the ending of the episode, I have a real sinking suspicion about what fate Kona will meet while at the pool.
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And just a quick little addition, we see where Maru gets his name from! Sawatari places a circle on the one child's foot so that he can discern which is which, and apparently that ends up sticking.
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As quickly as we join Takahara academy, we leave just as the group of four set out to explore the hole in the wall, and return to Kiruko at the Ibaraki facility, where we get some more interesting pieces in regards to our logo. The first appears on what seems to be a plaque denoting this as the "Takahara Academy: Ibaraki Facility", while the second is found on an interesting sheet of paper titled "Natural Wealth Operation". I'm pretty sure people grasp that NWO can also be interpreted as "New World Order", which gives a glimpse into how the Academy operated under prying eyes.
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Regardless, both of which sport a different logo to the Kiru Beam. The bird is more upright/vertical in the above images, with the smaller circle being full and lower within the larger circle when compared to the logo that Kiruko and Maru have been carrying around.
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This paints an interesting and curious picture. How old is the Ibaraki Facility? Was it being used prior to the collapse/apocalyptic event? Is it possible that the Ibaraki facility was foresaken prior to the current state of the Takahara Academy? I think it's entirely possible, considering what it is that Robin claims to have found within. Considering the "current" standpoint of creating immortal bodies for people to swap into, it's pretty well removed from work with plants and agriculture.
Anyways, the episode begins to reveal Robin's sinister side as we come back to the students that made it outside of the outside, through the hole in the wall they saw. It's a really great piece, and is used well in opposition to Kiruko's situation (side note: I'm not a massive fan of it, so I'm hoping the next episode better contextualizes the purpose for her trauma here). That is, the children have found a way to indescribable freedom, while Kiruko is trapped and locked away due to Robin.
What further ties these two together though is those tomatoes. The ones the children worked so hard to cultivate. Those spotless and pure tomatoes that exist within the academy. That begin to get cut open, to bleed. To irreversibly become damaged and forever changed.
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If this episode didn't make it clear, it's all about the convergence of our two timelines, not in terms of chronology or order of events per se, but rather their experience. Bringing each to their climax, finding different things waiting for them and creating stories that serve to oppose one another as we come ever closer to understanding what it is that's going on.
The direction remains stellar, storyboarding is incredible, the original scenes (that I know of) work amazingly well, the animation is top notch, the characters are outstanding. It's all the praise I've ever had for the series, appearing once more like it's nothing but another Saturday. I absolutely can't wait to see how we end this season with the next episode.
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lunargarden-art · 6 months
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kiruko my love.... this anime needs more recognition
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aloiciaclee · 8 months
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see you, bye bye
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k1r1va · 7 months
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KIRUKO [Tengoku Daimakyou]. 2023
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