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STRAWBERRY BOOGIE
"HISTORICAL" -Lil B
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rico posted the top right pic today and she reminds me so much of fox. joint shoot ASAP.
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the women of beetlejuice.
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Black femme gospel participants are so often ignored in discussions during women’s history month. Even lay members of congregations added their own special flare and deserve to be included in conversations.  photo credit  Beyoncé Black church women’s style, sounds, and ability to thrive in a space known for unfairness makes them more than worthy of honor. We hear their vocal inventions on the radio; Jay-Z sampled The Clarks on his latest project. We see their looks duplicated - their nails, jewels, and monochrome looks are still in style today. We know, even though we sometimes fail to say, that they helped pave the way for other Black women to be credited while dominating the music industry. It is time that we spotlight/speak on these trailblazers instead of continuing to celebrate the same well-known women of the past century. So today, we praise the women of gospel because the world would not be the same without them. Thank you, ladies.
#womens history month#black history#jay z#the clark sisters#gospel#style#fashion#vanessa bell armstrong#oprah#vicki winans#betty nelson#cissy houston#tramaine hawkins#family feud#4:44#church#music#mahalia jackson#the pace sisters
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T-Boz as Josephine Baker, Monica as Feles-Femina, and Tina Turner as Cleopatra. Makeup by Kevin Aucoin.
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2018.
#Beyoncé#aaliyah#tlc#left eye lopes#spy kids#storm#x men#halle berry#angelina jolie#cat woman#totally spies#ufo#Angela Davis#the matrix#artificial intelligence#sedusa#the powerpuff girls#toni braxton#biker#moodboard
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MISSY ELLIOTT AND HER LOVE FOR AFROFUTURISTIC VISUALS
By Brooklyn White
originally published on Electric Circus
Early last year, Missy Elliott satiated our palettes with her empowering single “I’m Better”. We got well-placed jingly synths, Kill Bill sirens, and sweet harmonies around Missy’s Atlanta-inspired flows about self-empowerment.
“I’m Better” is full of color and black dance, two major points in any Missy Elliott visual. What stood out to me the most, though, was the cosmic vibe that I got from watching the clip. I recognized that it was a consistent theme in Missy Elliott’s videos.
This theme is Afrofuturism, and it is a full-on movement in music, art, and literature. To me, it’s lightyears ahead of the Hotep wave in multiple senses, yet it’s rooted in the same unapologetic nationalism. It uses the history of Black people to advance mentally, physically and spiritually, all while entertaining. Rather than look to the past and stay there through, Afrofuturism looks to the (you guessed it) future to represent the feeling of “otherness” that has become intertwined with being Black. It takes bits from sci-fi, graphic novels, and the Space Age, to prophetically recreate the black experience.
While Missy Elliott is a standout in all aspects, she is one of many artists of the last 30 years to look to the stars for inspiration. Below are some fellow musicians aligned themselves with Afrofuturism.
LaBelle
Parliament Funkadelic
Grace Jones
Earth, Wind & Fire
Janelle Monae
Kelis
All of the mentioned spirits gleaned from the cosmos for their looks, lyrical content, and mindsets and each added to the ever growing subculture. Afrofuturism is by no means a new concept; rather one that is frequently being reimagined to suit the creator’s purpose.
For her music videos, Missy Elliott built on the foundation of those who came before her, as well as contemporaries, to create infinite realms. Her whimsical, alternate universe is one that we’ve become comfortable with and look forward to being in. As unique as “I’m Better” is, it is one in a string of many Afrofuturistic visuals Missy Elliott has starred in over the course of her career. In honor of Missy Elliott’s latest, check out other examples of her being a space deity in her music videos.
“Sock It To Me”
Missy the Martian is decked out in her Mega Man-inspired suit and shimmery eye shadow.
“Beep Me 911”
I’m convinced this visual was shot in a dollhouse on Mars. Peep that metallic robe.
“The Rain (Supa Dupa Fly)”
It’s mandatory we include “The Rain (Supa Dupa Fly)” because of the latex, metallics, and emphasis on blues and blacks.
“She’s A Bitch”
In “She’s A Bitch,” Missy rocks all black (literally) in a post-apocalyptic space suit. The rhinestones, hoop earrings and gloss add to the look.
“WTF (Where They From)”
This is how they do it where Missy is from. Based on her lit up get up, I’d say she’s from a place far, far away from here. Missy Alien.
Black people have long been in touch with the force that keeps us connected to the universe. We use our experiences, no matter how painful, and combine them with our otherworldly gifts to create a narrative that is so unique, so colorful, and so undeniably ours. Missy Elliott is one of the legendary Afrofuturists who has birthed some of the most innovative works in history and she deserves to be celebrated. It is her song, her dances, her videos, and her style, that reflect the truth and Black people’s true essence. I salute her for her fearlessness and flawless execution of her vision. Thank you, Missy.
#Missy Elliott#afrofuturism#hood futurism#wtf where they from#Supa Dupa Fly#patti labelle#futurism#janelle monae#kelis#parliament funkadelic#bootsy collins#shes a bitch#i cant stand the rain#black culture#earth wind and fire
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I work as a writer for HelloGiggles, a digital safe space for women to share news, experiences, ideas and more. Late last year, I came in contact with Gabriela Herstik, a lovely witch from LA who works for the site as well. Herstik also has bylines on Nylon and i-D, and is releasing her first book, Craft: How To Be a Modern Witch this month!
Herstik’s gorgeous and inspirational Insta and passion for the spiritual side of life intrigue me greatly, so I knew I had to take the opportunity to interview her. We talked about the author’s goals, music, and more. So go ahead, dig in!
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How would you describe yourself?
I would describe myself as excitable, outgoing, glamorous, magickal, and extra. I love fashion, magick, witchcraft, the unknown, goats, the moon, lipstick, coffee and art and have negative chill. I can’t live without writing and I remember things based on feelings. I also don’t believe in time and [I] come from another dimension.
Is witchcraft a practice or more of a way of being for you?
It’s both, but definitely the latter. It’s who I am and it’s how I move through this world. Yes, there is the practice of it, like performing spells and practicing rituals regularly for the moon phases. I also have daily practices, like my daily tarot pulls, knowing what sign the moon is in, and meditation (which I’m trying to keep up with regularly). But it’s also the subtleties; the way I connect with people at the coffee shop, or the way I support and feel a friends energy when we’re FaceTiming or talking. It’s talking to my guides when I’m anxious, grateful, or overwhelmed as I’m driving or walking - it’s seeing the signs and listening to them. It’s breathing into my heart, talking to the moon, and opening my heart as an offering to Venus. Writing is a big part of my practice, especially with manifestation, as well. I couldn’t stop being a witch, just like I couldn’t stop being a writer; both are parts of who I am.
What was your upbringing like?
My upbringing was diverse. I’m a first generation American, to a father who was born in Israel and a mother born in Mexico City. I have a twin sister, and we were born in San Diego. We lived there for a couple years and then moved to Los Angeles for five years. My family then moved us to Buffalo, NY for three years, and we settled down 45 minutes north of Atlanta, which is where I graduated high school. My dad’s a rabbi and my mother grew up in the Jewish community in Mexico City. Her whole family is still there, and I grew up going back to Mexico, speaking Spanish, eating the food…etc. I also grew up going to temple every week, learning about my grandparents in the Holocaust and all that..; I’ve always had these two cultures influencing my life.
Being the rabbi’s daughter in Johns Creek, Georgia already made me a bit of an outsider, especially coupled with being a Mexican Jew. I realized I was a witch when I was 12 and that also made me feel isolated, while also giving me so much stability and love and curiosity. I have some of my best memories in Atlanta and Georgia though - going to shows my junior and senior year of high school helped me grow into myself. I had some incredible friends in Georgia, as well as my group of friends and their families in California. I had a really stable childhood, but from a young age I’ve been fascinated with identity, the universe, my place in the world, and my purpose.
Is there a specific ritual or good habit that guides you as you get through rough patches in life?
There are a few; I love a good cry whenever I need it. Dancing by myself in my room...and moving and laughing and panting. Yoga. Writing - Oh especially writing. I love to write a letter to someone and then burn it. This has been my ritual of choice for matters concerning anger, disappointment and heartache. Ritual baths with essential oils, sea salt and candles is another favorite.
Favorite songs right now?
Warm Honey by Willow [Smith] is my favorite. Blank Generation by Richard Hell, The Witch by The Sonics, Flat Black by True Widow, Knee Socks by Arctic Monkeys, Venus by Lady Gaga.
What does intersectionality mean to you?
Intersectionality means elevating those whose voices aren’t as easily heard as mine. It means recognizing the intersection of class, gender,race and religion among others. It means listening more than I speak, listening to queer, disabled, trans, POC voices first before I speak. It means feminism. It means using my privilege to support those with less.
What are you looking forward to this year?
So much. My first book is coming out and I want to really focus on learning and refining my knowledge on the occult, witchcraft, and spirituality. I want to start writing a second book. I’m excited to be a student as [much as I am to be] a teacher. I’m excited to step into my power. I’m excited to learn from other writers more and write for more publications. I’m excited for more; more magick, more art, more love, more sex, more joy. More healing. More pain. More feelings, more connection to my heart and source.
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my favorite member of the wu tang squad. i def got reprimanded in middle school for saying “oo baby i like it rawwww”.
ODB was misunderstood by many. but, his unique approach to music (and life) has cemented him as a cultural icon who will not be forgotten.
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taken from pat mcgrath’s instagram
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The big homie released some electronic jams today - they’re out of this world.
Check it out.
#electronic music#music#electronic#hip hop#instrumental#space#space jams#space music#intergalactic#sounds
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By Brooklyn White
Earth, Wind, and Fire, the Chicago based innovators known for their elaborate shows and funky rhythms, knew how to step in style. Check out some of Fuzed’s favorite looks from the band’s wardrobe.
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this guy put me on to Buddy’s “Find Me” and I was like YOOOO THIS IS THE BEST VISUAL OF 2017 AND THE LYRICS ARE MAD REAL. Get into it.
youtube
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here are some cool, yung lady rappers that u should get hip to (with a reference track for each one!)
mother marygold, new orleans /new r lean freestyle
zahaja, atlanta/vibe
crystal caines, harlem/whiteline
akoko music, los angeles/the blair witch project
little girl, los angeles/unimportant
quay dash, the bronx/aint gon’ stop it
tkay maidza, south australia/switch lanes
mz 007, st louis/important
lady leshurr, birmingham/feeling myself remix
stash marina, massachussetts/superfragile
handjob academy, brooklyn/shark week
donmonique, brooklyn/pilates
bbymutha, chattanooga/mindfvck
kay rizz, nyc/paradiso
brooklyn white, dallas/petty
lord narf, atlanta/face fall off
spice, jamaica/so mi like it
amber london, houston/beep me 911 freestyle
tommy genesis, vancouver/hair like water wavy like the sea
babe field, chicago/what u want
bootychaaain, los angeles/milkshake
this is a list off the top of my head!!! i do not have all the knowledge!!!!! feel free to add!!! xoxoxoxoxo
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“Thinking about the symbolism of acrylics, I’ve come to realize that Black women are powerful beyond measure. We fearlessly create our own cool and as much as people resist and complain, the masses still follow suit. We rarely have to look beyond ourselves for the next big thing in fashion, art, or literature. Instead, we carve out our own lane and thus construct our own beauty ideals. Our collective confidence has and will continue to skyrocket due to our ability to x-out any naysayer and press forward in our journey toward self-love. Yet, while it is flattering that Black women have so much influential power, the appropriation of acrylic nails is still negative at its core because the important and extensive history of acrylics is erased. Non-Black women get to reap the benefits of a good look while enduring little to none of the same critiques Black women face. Regardless, we know our collective history, and we will honor and share it as we continue to let our light and nails shine forever and ever.”
-EXCERPT FROM OUR NAILS WILL SHINE FOREVER: THE HISTORY OF ACRYLICS AND APPROPRIATION BY BROOKLYN WHITE FOR BITCH MEDIA
#acrylic nails#black culture#acrylics#black women#nail art#bitch media#bitch#sza#rihanna#flo jo#coko clemmons#coko#swv#music#art#culture#writing#history#literature#journalism#cardi b#gail devers#cultural appropriation#appropriation
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frank ocean’s ability to capture human emotion is what makes him one of the standout artists of today. whether it’s a moment of silence as the electronic keyboard takes over, a seemingly callous lyric, or a breathtaking tone, it’s all perfectly placed and indicative of deep feeling. i understand why he took years to offer up a sophomore effort - magic cannot be rushed. additionally, his brand of magic (aka honesty) needs to be expressed as best it can, for our sake.
this song made me sob.
thank you frank.
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