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When I first signed up for electrolysis, the clinic owner told me her whole staff is trans. Cool. I assumed that meant trans femmes, since we're the ones who usually need the facial hair removal, so it only makes sense that some of us will go into the business.
Nope! My electrolysis tech is a trans man with a full beard. Huh.
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on trust and manipulation
Back in early high school, I knew a girl - we were kinda friends by virtue of having multiple friends in common, but in hindsight, she never much liked me - who had this purebred dog. I’d met him at her place, and he wasn’t desexed, which was pretty unusual in my experience, so it stuck in the memory. And one day, as we were walking across the playground, this girl - I’ll call her Felice - said to me, “Hey, so we’re going to start using my dog as a stud.” And I’m like, Oh? And she’s like, “Yeah, we’ve been talking to breeders, we’re going to get to see his puppies and everything,” and I made interested noises because that actually sounded pretty interesting, and she went on a little bit more about how it would all work -
And then, out of nowhere, she swapped this sly look with another girl, burst out laughing and exclaimed, “God, you’re so gullible. I literally just made that up. You’ll believe anything!”
And I was just. Dumbfounded. Because I was standing there, staring at them, and they were laughing like I was an idiot, like they’d pulled this massive trick on me, and all I could think, apart from why the fuck they felt moved to do this in the first place, was that neither of them knew what gullible means. Like, literally nothing in that story was implausible! I knew she had an undesexed, male, purebred dog! It made total sense that he be used for a stud! And it wasn’t like I was getting this information from a second party - the person who actually owned the dog was telling me herself! And I felt so immensely frustrated, because they both walked off before I could figure out how to articulate that gullible means taking something unlikely or impossible at face value, whereas Felice had told me a very plausible lie, and while the end result in both cases is that the believer is tricked, the difference was that I wasn’t actually being stupid. Rather, Felice had manipulated the fact that she occupied a position of relative social trust - meaning, I didn’t have any reason to expect her to lie to me - to try and make me feel stupid.
Which, thinking back, was kind of par for the course with Felice. On another occasion, as our group was walking from Point A to Point B, I felt a tugging jostle on my school bag. I didn’t turn around, because I knew my friends were behind me, and my bag was often half-zipped - I figured someone was just shoving something back in that had fallen out, or had grabbed it in passing as they horsed around. Instead, Felice steps up beside me, grinning, and hands me my wallet, which she’d just pulled out, and tells me how oblivious I was for not noticing that she’d been rifling my bag, and how I ought to pay more attention. This was not done playfully: the clear intent, again, was to make me feel stupid for trusting that my friends - which, in that context, included her - weren’t going to fuck with me. As before, I couldn’t explain this to her, and she walked on, pleased with herself, before I could try.
The worst time, though, was when I came back from the canteen at lunch one day, and Felice, again backed up by another girl, told me that my dad had showed up on campus looking for me. By this time, you’d think I’d have cottoned on to her particular way of fucking with me, but I hadn’t, and my dad worked close enough to the school that he really could’ve stopped in. So I believed her, a strange little lurch in my stomach that I couldn’t quite place, and asked where he was. She said he’d gone looking for me elsewhere, at another building where we sometimes sat, and so I hurried off to look for him, feeling more and more anxious as I wondered why he might be there.
I was halfway across campus before I let myself remember that my mother was in hospital.
I felt physically sick. My pulse went through the roof; I couldn’t think of a reason why my dad would be at school looking for me that didn’t mean something terrible had happened to my mother, that her surgery had gone wrong, that she was sick or hurt or dying. And when my dad wasn’t where she’d said he would be, I hurried back to Felice - who was now sitting with half our mutual group of friends - only to be met with laughter. She called me gullible again, and that time, I snapped. I chased her down and punched her, and the friends who’d only just arrived, who didn’t know what had happened or why I was reacting like that, instantly took her side. Noises were made about telling the rest of our friends what I’d done, and I didn’t want them to hear Felice’s version first, so I ran off to the library, where I knew they were, to tell them first.
I walked into the library. I found our other friends. I was shaky and red-faced, and they asked me what had happened. I told them what Felice had done, that I’d hit her for it, that my mother was in hospital for an operation - something I’d mentioned in passing over the previous week; multiple people nodded in recognition - and how I’d thought Felice’s lie meant that something bad had happened. And then I burst into tears, something I almost never did, because it wasn’t until I said it out loud that I realised how genuinely frightened I’d been. I sat down at the table and cried, and a girl - I’ll call her Laurel - who I’d never really been close to - who was, in fact, much better friends with Felice than with me - put her arm around my shoulders and hugged me, volubly furious on my behalf.
And then the other girls showed up, and Laurel said, with that particular vicious sincerity that only twelve-year-olds can really muster, “Prepare to die, Felice,” and I almost wanted to laugh, but didn’t. A girl who was a close friend, who’d come in with Felice, took her side, outraged that I’d punched someone, until Laurel spoke up about my mother being in hospital, and everyone went really quiet. Which was when I remembered, also belatedly, that Laurel’s own mother was dead; had died of cancer several years previously, which explained why she of all people was so angry. I have a vivid memory of the look on Felice’s face, how she tried to play it off - she said she hadn’t known about my mother, I pointed out that I’d mentioned it multiple times at lunch that week, and she lost all high ground with everyone.    
Felice never played a trick on me again.
Eighteen years later, I still think about these incidents, not because I’m bearing some outdated grudge, but because they’re a good example of three important principles: one, that even with seemingly benign pranks, there’s a difference between acting with friendly or malicious intent; two, that ignorance of context can have a profound effect on the outcome regardless of what you meant; and three, that getting hurt by people who abuse your trust doesn’t make you gullible - it means you’re being betrayed. 
And I feel like this is information worth sharing.  
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Comic I made about doing psychedelics as a depressed trans burnout and briefly visiting another, kinder dimension. Download for PWYC on itch.io! Also on Twitter and Instagram
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“oh no we’re all doomed by the narrative” maybe you are. i’m the narrative’s favourite.
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romanticizing your life is such a powerful tool and it’s a shame that it’s mostly used by people on tiktok to justify the purchase of expensive breakfast smoothies when there are few better ways to force oneself through unpleasant shit than imagining a cinematic backstory for your extremely quotidian suffering
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One of the best tips for writing descriptions of pain is actually a snippet I remember from a story where a character is given a host of colored pencils and asked to draw an egg.
The character says that there’s no white pencil.  But you don’t need a white pencil to draw a white egg.  We already know the egg is white.  What we need to draw is the luminance of the yellow lamp and the reflection of the blue cloth and the shadows and the shading.
We know a broken bone hurts.  We know a knife wound hurts.  We know grief hurts.  Show us what else it does.
You don’t need to describe the character in pain.  You need to describe how the pain affects the character - how they’re unable to move, how they’re sweating, how they’re cold, how their muscles ache and their fingers tremble and their eyes prickle.
Draw around the egg.  Write around the pain.  And we will all be able to see the finished product.
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Gorgeous!
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Pierre Balmain Haute Couture, 1953
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Laughed at that last one
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I went to Paris to visit le Louvres and filled my sketchbook with live drawings eheh
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Vibrant
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Claudina Agrias || Agrias claudina claudina || Etsy
Traditional art - coloured pencil, watercolour pencil, ink, metallic paint, illustration board.
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Fucking extraordinary
Tfw your shapeshifter friend forgets how to turn back into a human and has a crisis
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its been said before but media that emphasizes optimism and a kind of childlike wonder in the face of life’s cruelty is unmistakably more mature than media that emphasizes that cruelty, even though it’s not as realistic.
whats that one quote by CS Lewis.. “someday you will be old enough to start reading fairytales again.” 
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Oh YES!!!!
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Mirror crack when I look
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清淡
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I like this
Under the Chestnut Tree by Carter Gill, animated gif
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Pale Blue Dot
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And now I'm tired of myself. Let me be the refreshing blue. Haunted by the naked sky. By the cold water and the warm blue air. The shimmering shine never arrives.
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cute :)
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Morning illustration :-)
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is she…..is she looking at me?
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