Why on earth are you BUYING PHYSICAL BOOKBOUND COPIES OF FANFICTION????
ACTUALLY WHY ARE YOU EVEN BOOKBINDING FANFICTION TO SELL?!?!?!
IF ANY OF YOU DO EITHER OF THESE THINGS, GET OUT!! I AM NEVER SPEAKING TO YOU AGAIN.
In all seriousness though, authors on AO3 have begun to pull their works off of the site to avoid getting sued by people stealing their works to make a pretty bound book for profit. Entire accounts could be shut down as well.
Listen, I’m all for saving favorite works by printing them out and putting them in a binder, or learning how to make a fancy book for a fanfic, but making books with actual fanfiction in it to sell is where I draw the line.
Literally the entire point of AO3 is that you can read it FOR FREE.
It is DISRESPECTFUL for people to make money off of hardbound copies because guess what, the original creators of these fics get nothing. We are literally only writing fanfiction for our own pleasure.
Buying and selling book-bound fanfiction is also ILLEGAL YOU DUMB SHITS. It’s an immediate violation of copyright law. The original fan work will get erased from the internet.
Fanfiction is already a legal grey zone since they are works being written about are protected by copyright. Copyright holders can in fact go after writers as well as the person who sold the fanfiction.
This also goes for people who steal fanart and, claim it as theirs, and put a price on it.
Don’t make it worse.
Bookbinding fanfiction for profit is literally ruining things for everyone. DON’T.
here are some verified charities (rated by charitywatch.org) helping palestinians. several of these organisations also provide aid to others in need, such as people suffering in ukraine & haiti. please donate if you're able to.
doctors without borders are an impartial humanitarian organisation providing medical assistance to palestinians in gaza.
project hope are working to deliver medical aid too, along with mental health support.
anera are delivering humanitarian aid (blankets, blood bags, mattresses, hygiene kits & food) to palestinians in gaza & the west bank.
world central kitchen have partnered with anera & have limited access to gaza via supply trucks to deliver water, food & food prep equipment.
muslim aid USA are working with their partners on the ground in gaza to deliver food packages, hygiene kits & medical equipment.
Aaah this is so helpful! I didn’t realize how much layering went into the Gemini! Thank you so much for answering my question I appreciate it 🥹
I love your style and how you utilize halftones and textures and colours. It’s just so tasty! I’m curious if you’d be willing to show a bit of your process on how a comic page comes together?
Ah, thank you! ; w ; And sure, I can try, at least! Usually I start with some kind of a script. Sometimes it's a bit more detailed, like this:
... And other times they look more like this.
It just depends on my mood! But either way, I typically have a pretty good idea in my mind's eye of what the comic is generally going to look like. Once I know what I'm making, I do all the rough sketch pages.
... And then I line it!. For Gemini, I go for a dark blue rather than black 'cause I like the way it feels, and it lends to the overall 'papery' vibe. I usually lay down a grid pattern at this stage, which helps a lot with keeping panels and dialogue straight, and with perspective. I always do the gutters and the words first, then the figures and backgrounds. I been leaning a lot into really heavy shadows recently-- one of my professors in college told me once that a black-and-white comic page should be about 50% black and 50% white, and I've been trying to bring that to the table, lol.
I can ditch the grid at this point, and I put down a really light, pale-gray 'wash' on all the panels. It's a pretty subtle effect, but helps separate the panels from the 'background' of the gutters/negative space, and also just adds texture.
I lay down all the color next. Flat colors first, then a second pass over some parts to add depth/shadow, and then all the spot-colors like Leo's red stripes, light gray eyes, etc.
I use a pretty fine-grain half-tone brush for the background, and then a slightly more defined one (layer set to overlay) on the characters.
Once that's done I go back in and add highlights and such (white shine to eyes, hair, etc.) and go and add light outlines to any areas that need a little help being defined-- like Big Mama's arms and hands, for example.
And then the absolute last step is adding paper grain textures and gradient overlay over the top of everything!
(A lot of the brushes I'm using for this comic I got from True Grit Texture Supply, just by the by for anyone who's curious.)
... With Swanatello I kinda tend to just. Go for it. I (sometimes) start with a vague script and then I just draw it. 🤷🏻♂️ No thumbnails, no sketches, no heroes, no gods--